DOCSLIB.ORG

Notes and References

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Notes and References Notes and References Introduction 1. For a discussion of 'patriarchy', see Kate Millett, Sexual Politics (London: Rupert Hart-Davis, 1971); reprinted Virago, 1977, pp. 24-5. 2. Virginia Woolf, Women and Writing, introd. Michele Barrett (London: The Women's Press, 1979) p. 49. 3. Ibid., pp. 49-50. 4. Elaine Showalter, A Literature of Their Own: British Women Novelists from Bronte to Lessing (London: Princeton University Press, 1977); reprinted Virago, 1987, pp. 298-319. 5. Patricia Stubbs, Women and Fiction: Feminism and the Novel 1880-1920 (Brighton: Harvester, 1979; London: Methuen, 1981). 6. See, for example, Helene Cixous and Catherine Clement, The Newly Born Woman (Paris, 1975); trans. Betsy Wing (Manchester: Manchester University Press, 1986) pp. 63-97. 7. See, for example, Pierre Macherey, A Theory of Literary Production (Paris, 1966); trans. Geoffrey Wall, London, Routledge, 1978, pp. 79, 85, and 128. Chapter 1 The 'feminine' and fiction 1. Anthony Burgess, The Novel Now: A Student's Guide to Contempor­ ary Fiction, (London: Faber, 1967; new edn, 1971), p. 132. 2. Sigmund Freud, Introductory Lectures on Psychoanalysis, 1916-17, trans. James Strachey (London: Hogarth, 1963); reprinted Harmond­ sworth: Penguin, 1973, Lectures 1-5, pp. 39-128. 3. Cixous and Clement, The Newly Born Woman, p. 97. 4. William Wordsworth, Poetical Works, ed. Thomas Hutchinson, new edn, rev. Ernest de Selincourt (Oxford University Press, 1936); reprinted 1966, p. 461. 5. 'To George and Tom Keats', December 1817, Letters of John Keats, ed. Robert Gittings (Oxford University Press, 1970); reprinted 1982, p. 43. 6. Cixous and Clement, The Newly Born Woman, p. 86. 7. Cixous and Clement, The Newly Born Woman, pp. 66 and 84. 8. Virginia Woolf, Women and Writing, pp. 61-2. 127 128 Notes and references 9. Frankie Finn, Out on the Plain (London: The Women's Press, 1984) p. 13. 10. Patrick White, Flaws in the Glass: A Self-Portrait (London: Jonathan Cape, 1981) p. 155. 11. Dorothy Richardson, Pointed Roofs (1915), in Pilgrimage, vol. 1 (London: J. M. Dent, 1938); reissued 1967, p. 29. 12. Virginia Woolf, 'Dorothy Richardson', Women and Writing, p. 191. 13. Dorothy Richardson, Pointed Roofs, p. 73. 14. Katherine Mansfield, The Aloe, first. pub. as Prelude (London: Hogarth, 1918); new edn., Virago, 1985, pp. 69-70. 15. Ibid., p. 46. 16. Ibid., pp. 28-9. 17. Ibid., p. 63. 18. Ibid., p. 24. 19. Ibid., p. 28. 20. Ibid., p. 39. 21. Ibid., p. 68. 22. Ibid., p. 69. 23. Elizabeth Wright, Psychoanalytic Criticism: Theory in Practice (London: Methuen, 1984) pp. 111-12. 24. Virginia Woolf, To the Lighthouse, pp. 142-3. 25. Ibid., p. 144. 26. Ibid., p. 202. 27. Ibid., p. 80. 28. Ibid., pp. 310-20. 29. Ibid., p. 142. 30. Dorothy Richardson, Pointed Roofs, pp. 458-60. 31. Ibid., pp. 472-3. Chapter 2 Sexuality and marriage 1. Kate Millett, Sexual Politics, Virago, 1977, pp. 237-335. 2. Rosamond Lehmann, The Weather in the Streets (London: Wm. Collins, 1936); reprinted Virago, 1981, p. 383. 3. Elizabeth Bowen, The House in Paris (London: Gollancz, 1935); reprinted Harmondsworth: Penguin, 1946, reissued 1983, p. 69. 4. Elaine Showalter, A Literature of Their Own, p. 307. 5. Margaret Drabble, The Middle Ground (London: Weidenfeld & Nicolson, 1980); reprinted Harmondsworth: Penguin, 1981, pp. 269-70. 6. Kate Chopin, The Awakening (USA: Herbert S. Stone & Co., 1899); London: The Women's Press, 1978, p. 7. 7. Ibid., p. 14. 8. Ibid., p. 32. 9. Ibid., p. 33. 10. Ibid., p. 33. 11. Ibid., p. 95. Notes and references 129 12: Ibid., pp. 188--9. 13. Miles Franklin, My Brilliant Career (Edinburgh: Blackwoods, 1901); reprinted London, Virago, 1980, pp. 222-3. 14. Christina Stead, The Beauties and the Furies (London: Peter Davies, 1936); reprinted Virago, 1982, pp. 131-2. 15. Ibid., Virago, pp. 130---1. 16. Christina Stead, For Love Alone (London: Peter Davies, 1945); reprinted Virago, 1978, p. 464. 17. Ibid., Virago, p. 500. 18. Christina Stead, Letty Fox: Her Luck (London: Peter Davies, 1947); reprinted Virago, 1978, p. 492. 19. Ibid., p. 474. 20. Ibid., p. 5. 21. Ibid., p. 502. 22. Jean Rhys, After Leaving Mr Mackenzie (London: Jonathan Cape, 1930); reprinted Harmondsworth: Penguin, 1971, p. 17. 23. Margaret Atwood, Life Before Man (Toronto: McClelland & Stewart Ltd, 1979); reprinted London: Virago, 1982, p. 308. 24. Ibid., Virago, p. 316. 25. Fay Weldon, The Heart of the Country (London: Hutchinson, 1987; Arrow, 1987) p. 198. 26. Grace Bartram, Peeling (London: The Women's Press, 1986) p. 48. 27. Ibid., p. 106. 28. Ibid., p. 78. 29. Lisa Alther, Original Sins (New York: Alfred A. Knopf; London, The Women's Press, 1981) p. 470---1. 30. Ibid., pp. 459-60. 31. Ibid., pp. 460---1. 32. Ibid., p. 449. Chapter 3 Work and 'brilliant' careers 1. Virginia Woolf, 'Women and Fiction', Women and Writing, p. 46. 2. 'To Benjamin Bailey', 22 November 1817, Letters of John Keats, ed. Robert Gittings, p. 38. 3. Dorothy Richardson, Pointed Roofs, p. 390. 4. Gail Braybon and Penny Summerfield, Out of the Cage: Women's Experiences in Two World Wars (London: Pandora, 1987, pp. 17-18). 5. Virginia Woolf, Mrs Dalloway (London: Hogarth, 1925); reprinted Grafton, 1976, pp. 115-18. 6. Ibid., Grafton, pp. 11&--21. 7. Ibid., p. 11. 8. Braybon and Summerfield, p. 138. 9. Winifred Holtby, South Riding: An English Landscape (London: Collins, 1936); reprinted Virago, 1988, p. 60. 10. Ibid., Virago, p. 448. 11. Tillie Olsen, Silences (London: Virago) pp. 29-30. 130 Notes and references 12. Buchi Emecheta, Head Above Water (London: Fontana, 1986) pp. 242-3. 13. Tillie Olsen, Silences, p. 30. 14. Miles Franklin, My Brilliant Career, pp. 31-3. 15. Ibid., p. 224. 16. Miles Franklin, My Career Goes Bung, pp. 224-5. 17. Ibid., p. 232. 18. Willa Cather, Lucy Gayheart (Boston, Mass.: Houghton Mifflin & Co., 1915), revised 1937; London: Virago, 1982, p. 109. 19. Ibid., Virago, p. 134. 20. Ibid., p. 184. 21. Ibid., p. 230. 22. Christina Stead, Miss Herbert (The Suburban Wife) (New York: Random House, 1976); reprinted London: Virago, 1979, p. 211. 23. Ibid., Virago, p. 227. 24. Ibid., p. 229. 25. Gaskell, Elizabeth, Four Short Stories, introd. Anna Walters (London: Pandora, Routledge, 1983). 26. Storm Jameson, 'A Day Off, Women Against Men (Leipzig: Bernhard Tauchnitz, 1933); reprinted London: Virago, 1982, p. 225. 27. Ibid., Virago, pp. 226-7. 28. Ibid., pp. 291-2. 29. Braybon and Summerfield, p. 2. 30. Ibid, p. 124. 31. Ibid, p. 287. 32. Stevie Davies, Boy Blue (London: The Women's Press, 1987) pp. 157-8. 33. Ibid., p. 165. 34. Nell Dunn, Up the Junction (London: MacGibbon & Kee, 1963); reprinted Virago, 1988, p. 27. 35. Kylie Tennant, Tiburon (Sydney: Bulletin, 1935); Angus & Robertson, 1972, p. 199. 36. Ibid., Angus & Robertson, p. 337. 37. Kylie Tennant, The Honey Flow (Sydney: Angus & Robertson, 1956); paperback, 1983, p. 224. 38. Ibid., paperback, p. 348. 39. Katherine Susannah Prichard, The Roaring Nineties (London: Jonathan Cape, 1946); reprinted Virago, 1983, p. 59. 40. Ibid., p. 311. 41. Harry Heseltine, 'Australian Fiction Since 1920', in Geoffrey Dutton (ed.) The Literafureof Australia (Harmondsworth: Penguin, 1964); revised 1976, pp. 209-210. 42. Katherine Susannah Prichard, Haxby's Circus (London: Jonathan Cape, 1930); reprinted Sydney, Angus & Robertson, 1973; paperback, 1979, p. 350. Notes and references 131 Chapter 4 Mothers and children 1. D. H. Lawrence, Sons and Lovers (London: Methuen, 1913; Har­ mondsworth: Penguin, 1948); reprinted 1973, p. 44. 2. D. H. Lawrence, The Rainbow (London: Methuen, 1915; Harmond­ sworth: Penguin, 1949); reprinted 1973, pp. 80-1. 3. Doris Lessing, A Proper Marriage (London, MacGibbon & Kee, 1965); reprinted Panther, 1975, p. 164. 4. Elizabeth Baines, The Birth Machine (London: The Women's Press, 1983) p. 72. 5. Ibid., pp. 94-5. 6. Ibid., pp. 118-19. 7. Dorothy Dinnerstein, The Mermaid and the Minotaur: Sexual Arrangements and Human Malaise (New York: Harper & Row, 1976) pp. 7&-78. 8. Ibid., p. 81. 9. Edith Wharton, The Mother's Recompense (New York: D. Appleton & Co., 1925); reprinted London: Virago, 1986, p. 16. 10. Storm Jameson, Company Parade, Mirror in Darkness, vol. I (London: Cassell & Co., 1934); reprinted Virago, 1982, p. 9. 11. Ibid., Virago, p. 18. 12. Storm Jameson, Journey from the North, vol. I (London: Collins, 1969); reprinted Virago, 1984, p. 135. 13. Ibid., Virago, p. 88. 14. Storm Jameson, Company Parade, pp. 80-1. 15. Joan Barfoot, Gaining Ground (Toronto: McGraw-Hill, 1978); reprinted London: The Women's Press, 1980, pp. 139-40. 16. Ibid., The Women's Press, pp. 15&-7. 17. Joyce Reiser Kornblatt, Nothing to Do with Love (New York: Viking Press, 1981); reprinted London: The Women's Press, 1982, p. 95. 18. Joyce Cary, 'A Hot Day', Spring Song and Other Stories (London: Michael Joseph, 1960) pp. 113--4. 19. Ibid., p. 114. 20. Joyce Cary, 'Babes in the Wood', Spring Song and· Other Stories, p. 43. 21. Ibid., pp. 43--4. 22. Christina Stead, The Man Who Loved Children (New York: Simon and Schuster, 1940; London: Peter Davies, 1941); reprinted Harmond­ sworth: Penguin, 1970, pp. 519-21. 23. Ivy Compton-Burnett, The Present and the Past (London: Victor Gollancz 1953); reprinted Harmondsworth: Penguin, 1972, pp. 162-3. 24. Virginia Woolf, To the Lighthouse, pp. 12-13. 25. Ibid., p. 107. 26. Ibid., pp. 93--4. 27. May Sinclair, Life and Death of Harriett Frean (London: Wm. Collins, 1922); reprinted Virago, 1980, pp. 1-3. 28. Ibid., Virago, pp. 7-8. 29. Ibid., pp. 24-5. 132 Notes and references 30. Judith Barrington, in Stephanie Dowrick and Sybil Grundberg (eds) Why Children? (London: The Women's Press) p. 154. Chapter 5 Alternatives to marriage 1.
Load more

Recommended publications
  • Donahue Poetry Collection Prints 2013.004
    Donahue Poetry Collection Prints 2013.004 Quantity: 3 record boxes, 2 flat boxes Access: Open to research Acquisition: Various dates. See Administrative Note. Processed by: Abigail Stambach, June 2013. Revised April 2015 and May 2015 Administrative Note: The prints found in this collection were bought with funds from the Carol Ann Donahue Memorial Poetry endowment. They were purchased at various times since the 1970s and are cataloged individually. In May 2013, it was transferred to the Sage Colleges Archives and Special Collections. At this time, the collection was rehoused in new archival boxes and folders. The collection is arranged in call number order. Box and Folder Listing: Box Folder Folder Contents Number Number Control Folder 1 1 ML410 .S196 C9: Sports et divertissements by Erik Satie 1 2 N620 G8: Word and Image [Exhibition] December 1965, Solomon R. Guggenheim Museum 1 3 N6494 .D3 H8: Dada Manifesto 1949 by Richard Huelsenbeck 1 4 N6769 .G3 A32: Kingling by Ian Gardner 1 5 N7153 .T45 A3 1978X: Drummer by Andre Thomkins 1 6 NC790 .B3: Landscape of St. Ives, Huntingdonshire by Stephen Bann 1 7 NC1820 .R6: Robert Bly Poetry Reading, Unicorn Bookshop, Friday, April 21, 8pm 1 8 NC1850 .P28 P3 V.1: PN2 Experiment 1 9 NC1850 .P28 P3 V.2: PN2 Experiment 1 10 NC1850 .P28 P3 V.4: PN2 Experiment 1 11 NC1850 .P28 P3 V.5: PN2 Experiment 1 12 NC1850 .P28 P3 V.6: PN2 Experiment 1 13 NC1850 .P28 P3 V.7: PN2 Experiment 1 14 NC1850 .P28 P3 V.9: PN2 Experiment 1 15 NC1850 .P28 P3 V.10: PN2 Experiment 1 16 NC1850 .P28 P3 V.12: PN2 Experiment 1 17 NC1850 .P28 P3 V.13: PN2 Experiment 1 18 NC1860 .N4: Peace Post Card no.
    [Show full text]
  • Furiousflower2014 Program.Pdf
    Dedication “We are each other’s harvest; we are each other’s business; we are each other’s magnitude and bond.” • GWENDOLYN BROOKS Dedicated to the memory of these poets whose spirit lives on: Ai Margaret Walker Alexander Maya Angelou Alvin Aubert Amiri Baraka Gwendolyn Brooks Lucille Clifton Wanda Coleman Jayne Cortez June Jordan Raymond Patterson Lorenzo Thomas Sherley Anne Williams And to Rita Dove, who has sharpened love in the service of myth. “Fact is, the invention of women under siege has been to sharpen love in the service of myth. If you can’t be free, be a mystery.” • RITA DOVE Program design by RobertMottDesigns.com GALLERY OPENING AND RECEPTION • DUKE HALL Events & Exhibits Special Time collapses as Nigerian artist Wole Lagunju merges images from the Victorian era with Yoruba Gelede to create intriguing paintings, and pop culture becomes bedfellows with archetypal imagery in his kaleidoscopic works. Such genre bending speaks to the notions of identity, gender, power, and difference. It also generates conversations about multicultur- alism, globalization, and transcultural ethos. Meet the artist and view the work during the Furious Flower reception at the Duke Hall Gallery on Wednesday, September 24 at 6 p.m. The exhibit is ongoing throughout the conference, 10 a.m. to 5 p.m. FUSION: POETRY VOICED IN CHORAL SONG FORBES CENTER FOR THE PERFORMING ARTS Our opening night concert features solos by soprano Aurelia Williams and performances by the choirs of Morgan State University (Eric Conway, director) and James Madison University (Jo-Anne van der Vat-Chromy, director). In it, composer and pianist Randy Klein presents his original music based on the poetry of Margaret Walker, Michael Harper, and Yusef Komunyakaa.
    [Show full text]
  • Journal of the Short Story in English, 67
    Journal of the Short Story in English Les Cahiers de la nouvelle 67 | Autumn 2016 Special Issue: Representation and Rewriting of Myths in Southern Short Fiction Electronic version URL: http://journals.openedition.org/jsse/1745 ISSN: 1969-6108 Publisher Presses universitaires de Rennes Printed version Date of publication: 1 December 2016 ISBN: 0294-0442 ISSN: 0294-04442 Electronic reference Journal of the Short Story in English, 67 | Autumn 2016, « Special Issue: Representation and Rewriting of Myths in Southern Short Fiction » [Online], Online since 01 December 2018, connection on 03 December 2020. URL : http://journals.openedition.org/jsse/1745 This text was automatically generated on 3 December 2020. © All rights reserved 1 TABLE OF CONTENTS Foreword Michelle Ryan-Sautour and Linda Collinge-Germain Introduction Gérald Préher and Emmanuel Vernadakis Articles The "Rape Complex" in Short Fiction from the American South Ineke Bockting Ellen Glasgow's "Jordan's End": Antigone in the South Inès Casas From "Faithful Old Servant" to "Bantu Woman": Katherine Anne Porter's Approach to the Mammy Myth in "The Old Order" Susana Maria Jiménez-Placer Myth and Metaphor in James Agee's "1928 Story" Rémi Digonnet Myth for the Masses: Erskine Caldwell's "Daughter" Amélie Moisy Frontiers of Myth and Myths of the Frontier in Caroline Gordon's "Tom Rivers" and "The Captive" Elisabeth Lamothe William Faulkner's "My Grandmother Millard" (1943) and Caroline Gordon's "The Forest of the South" (1944): Comic and Tragic Versions of the Southern Belle Myth Françoise
    [Show full text]
  • Cassette Books, CMLS,P.O
    DOCUMENT RESUME ED 319 210 EC 230 900 TITLE Cassette ,looks. INSTITUTION Library of Congress, Washington, D.C. National Library Service for the Blind and Physically Handicapped. PUB DATE 8E) NOTE 422p. AVAILABLE FROMCassette Books, CMLS,P.O. Box 9150, M(tabourne, FL 32902-9150. PUB TYPE Reference Materials Directories/Catalogs (132) --- Reference Materials Bibliographies (131) EDRS PRICE MF01/PC17 Plus Postage. DESCRIPTORS Adults; *Audiotape Recordings; *Blindness; Books; *Physical Disabilities; Secondary Education; *Talking Books ABSTRACT This catalog lists cassette books produced by the National Library Service for the Blind and Physically Handicapped during 1989. Books are listed alphabetically within subject categories ander nonfiction and fiction headings. Nonfiction categories include: animals and wildlife, the arts, bestsellers, biography, blindness and physical handicaps, business andeconomics, career and job training, communication arts, consumerism, cooking and food, crime, diet and nutrition, education, government and politics, hobbies, humor, journalism and the media, literature, marriage and family, medicine and health, music, occult, philosophy, poetry, psychology, religion and inspiration, science and technology, social science, space, sports and recreation, stage and screen, traveland adventure, United States history, war, the West, women, and world history. Fiction categories includer adventure, bestsellers, classics, contemporary fiction, detective and mystery, espionage, family, fantasy, gothic, historical fiction,
    [Show full text]
  • Wendy Martin CV 2019-09.Pages
    Professor Wendy Martin Department of English The Claremont Graduate University Claremont, California 91711 Curriculum Vita Higher Education University of California, Berkeley 1958-62 B.A. English and American Literature, 1962 University of California, Davis 1962-68 Ph.D American Literature (Specialization in Early American Literature), 1968 Dissertation topic: “The Chevalier and the Charlatan: A Study of Hugh Henry Brackenridge's Modern Chivalry” Academic Positions University of California, Davis 1964-66 Teaching Assistant 1966-68 Teaching Associate Queens College, C.U.N.Y. 1968-76 Assistant Professor 1976-84 Associate Professor 1984-87 Professor Stanford University 1973-74 Visiting Associate Professor 1977 Visiting Associate Professor (Summer) (Taught a Faculty Seminar for the Lilly Faculty Renewal Program) University of North Carolina, 1981 (Spring) Visiting Associate Professor Chapel Hill University of California, Davis 1984-85 (Fall/ Visiting Professor Winter) University of California, 1985-87 Visiting Professor Los Angeles Claremont Graduate University 1987 (Spring) Visiting Professor 1987-present Professor 1988-1999; Chair, Department of English 2003-2010; 2018-2019; 2019 (Fall) 1996-1999 Chair, Faculty Executive Committee Wendy Martin Page !2 2005-2006 Director, Transdisciplinary Studies 2006-2008 Associate Provost and Director, Transdisciplinary Studies 2008-2013 Vice-Provost and Director, Transdisciplinary Studies 2010-2015 Director, Kingsley and Kate Tufts Poetry Awards Wendy Martin Page !3 Professional Activities Administrative Experience Coordinator of the American Studies Program, Queens College, 1972-76. Coordinator of the Women's Studies Program, Queens College, 1973-83. Chair, Department of English, Claremont Graduate University, 1988-99; Fall 2003-Spring 2010. Co-director, American Studies Program, Claremont Graduate University, 1988- . Director, Summer Institute for Young Professionals, 1991.
    [Show full text]
  • Madres E Hijas En La Narrativa De Lessing, Atwood Y Mantel
    Rosario Arias Doblas Madres e hijas en la narrativa de Lessing, Atwood y Mantel Tesis Doctoral dirigida por la Dra. Dª Pilar Hidalgo Andreu Universidad de Málaga Diciembre 2000 ÍNDICE 1. INTRODUCCIÓN......................................................................................................... 885 2. LA RELACIÓN MADRE-HIJA EN EL FEMINISMO PSICOANALÍTICO........ 812 2.1. El psicoanálisis freudiano ............................................................................... 814 2.2. El psicoanálisis postfreudiano: las relaciones objetales ................................ 819 2.3. El psicoanálisis postfreudiano y el feminismo .............................................. 822 2.4. Nancy Chodorow ............................................................................................ 826 2.4.1. La teoría de Chodorow antes de The Reproduction of Mothering: 1970-1978 …………………………………………… 828 2.4.2. The Reproduction of Mothering: 1978 …..……………………….. 835 2.4.3. Críticas a la obra de Chodorow.......................................................... 847 2.5. Otras teorizaciones feministas.......................................................................... 859 2.5.1. La perspectiva de la hija..................................................................... 860 2.5.2. La perspectiva de la madre ............................................................... 872 2.6. Influencia de la teorización de Chodorow en diversas disciplinas................... 883 3. DORIS LESSING (1919- ) .........................................................................................
    [Show full text]
  • May Sarton Correspondence May Sarton 1912-1995
    Maine State Library Maine State Documents Maine Writers Correspondence Maine State Library Special Collections 10-31-2014 May Sarton Correspondence May Sarton 1912-1995 Shirley Thayer 1919-2001 Maine State Library Follow this and additional works at: http://digitalmaine.com/maine_writers_correspondence Recommended Citation Sarton, May 1912-1995 and Thayer, Shirley 1919-2001, "May Sarton Correspondence" (2014). Maine Writers Correspondence. 148. http://digitalmaine.com/maine_writers_correspondence/148 This Text is brought to you for free and open access by the Maine State Library Special Collections at Maine State Documents. It has been accepted for inclusion in Maine Writers Correspondence by an authorized administrator of Maine State Documents. For more information, please contact [email protected]. MAY SARTON Curriculum Vitae Daughter of George Sarton, the distinguished historian of science, and of Mabel t-lwes Sarton, an artist; he a Belgian, she an Englishwoman. May Sarton was bora in Wondelgem, Belgium, on May 3, 1912, accompanied her parents to the United States in 1916 as refugees of World War I (naturalized 1924, Boston, Mass.). Education: Shady Hill School, Cambridge, Mass. The High and Latin, Cambridge, Mass. No college. Apprentice at Eva Le Gallienne's Civic Reper­ tory Theatre, New York (1930). Career: 1930-36. Theatre: apprentice, then member First Studio and Di­ rector of Apprentice Group, Civic Repertory, and member of com­ pany. 1933-36. Founder and Director, Apprentice Theatre (New School for Social Research, Associated Actors, Inc. (Hartford, Conn. Wadsworth Athenaeum). 1937-40. Taught creative writing and choral speech at The Stuart School, Fenway, Boston, Mass. (no longer exists). 1940-50. Extensive lecturing on poetry in colleges all over the country.
    [Show full text]
  • Christina Stead's for Love Alone
    Kunapipi Volume 4 Issue 2 Article 12 1982 An unsentimental romance: Christina Stead's for love alone Jennifer Strauss Follow this and additional works at: https://ro.uow.edu.au/kunapipi Part of the Arts and Humanities Commons Recommended Citation Strauss, Jennifer, An unsentimental romance: Christina Stead's for love alone, Kunapipi, 4(2), 1982. Available at:https://ro.uow.edu.au/kunapipi/vol4/iss2/12 Research Online is the open access institutional repository for the University of Wollongong. For further information contact the UOW Library: [email protected] An unsentimental romance: Christina Stead's for love alone Abstract It is an odd aspect of Australian literature that the poets have been - at least until fairly recently - a rather sober lot stylistically. It is in the work of novelists like Patrick White and Christina Stead that we find Gothic extravagances of associative language and imagination, visions of the external world as charged, if not necessarily with the grandeur of God, at least with something more than mild pathetic fallacy. At the same time, both are uncomfortable writers, less because their intensity sometimes topples over into verbosity and portentousness than because the heat of their intensity co-exists with a chill generated by a strong distaste for, and often remarkably acute observation of, the flaws and the moral bankruptcies of human beings. This journal article is available in Kunapipi: https://ro.uow.edu.au/kunapipi/vol4/iss2/12 JENNIFER STRAUSS An Unsentimental Romance: Christina Stead's For Love Alone I It is an odd aspect of Australian literature that the poets have been - at least until fairly recently - a rather sober lot stylistically.
    [Show full text]
  • Arcade Publishing | Fall 2018 | 1
    ARCADE PUBLISHING Fall 2018 Contact Information Editorial, Publicity, and Bookstore and Library Sales Field Sales Force Special Sales Distribution Elise Cannon Skyhorse Publishing, Inc. Two Rivers Distribution VP, Field Sales 307 West 36th Street, 11th Floor Ingram Content Group LLC One Ingram Boulevard t: 510-809-3730 New York, NY 10018 e: [email protected] t: 212-643-6816 La Vergne, TN 37086 f: 212-643-6819 t: 866-400-5351 e: [email protected] Leslie Jobson e: [email protected] Field Sales Support Manager t: 510-809-3732 e: [email protected] International Sales Representatives United Kingdom, Ireland & Australia, New Zealand & India South Africa Canada Europe Shawn Abraham Peter Hyde Associates Thomas Allen & Son Ltd. General Inquiries: Manager, International Sales PO Box 2856 195 Allstate Parkway Ingram Publisher Services UK Ingram Publisher Services Intl Cape Town, 8000 Markham, ON 5th Floor 1400 Broadway, Suite 520 South Africa L3R 4T8 Canada 52–54 St John Street New York, NY, 10018 t: +27 21 447 5300 t: 800-387-4333 Clerkenwell t: 212-581-7839 f: +27 21 447 1430 f: 800-458-5504 London, EC1M 4HF e: shawn.abraham@ e: [email protected] e: [email protected] e: IPSUK_enquiries@ ingramcontent.com ingramcontent.co.uk India All Other Markets and Australia Penguin Books India Pvt. Ltd. General International Enquiries Ordering Information: NewSouth Books 7th Floor, Infinity Tower C Ingram Publisher Services Intl Grantham Book Services Orders and Distribution DLF Cyber City, Phase - III 1400 Broadway,
    [Show full text]
  • May Sarton Papers, 1860-1994
    May Sarton papers, 1860-1994 This finding aid was produced using ArchivesSpace on August 01, 2019. Describing Archives: A Content Standard Maine Women Writers Collection Abplanalp Library University of New England 716 Stevens Avenue Portland, Maine 04103 [email protected] URL: http://www.une.edu/mwwc May Sarton papers, 1860-1994 Table of Contents Summary Information .................................................................................................................................... 3 Biographical/Historical Note ......................................................................................................................... 3 Collection Scope and Content ....................................................................................................................... 4 Arrangement ................................................................................................................................................... 5 Administrative Information ............................................................................................................................ 5 Related Materials ........................................................................................................................................... 6 Controlled Access Headings .......................................................................................................................... 6 Collection Inventory ......................................................................................................................................
    [Show full text]
  • The Offset Revolution a Writer's Memoir
    The Offset Revolution A Writer's Memoir by Michael Finley 1 Thanks for downloading THE OFFSET REVOLUTION, my memoir about coming up as a writer. Note that this is and will be a work in progress until I am daid. Thanks! (c) 2001 by Michael Finley; all rights reserved 2 Empty Places Remembering Paul Gruchow Be kind, for everyone you meet is fighting a great battle. Philo of Alexandria Once in a sycamore I was glad all at the top, and I sang. Hard on the land wears the strong sea and empty grows every bed. John Berryman, “Dream Song 1” 3 DULUTH—Paul Gruchow, who chronicled the prairie in his book The Necessity of Empty Places, died of a drug overdose Sunday at his home in Duluth. He was 56. Gruchow had been hospitalized several times in recent years in a battle with depression. His family said he had attempted suicide four times since August 2001. He recently completed a first draft of a book about depression from the inside. —Associated Press. February 24, 2004 ONE MORNING IN AUGUST OF 1978, the phone rang, and a merry voice said to me, “Mike, Paul Gruchow here. How would you like to come to work for me?” Every reporter knew Paul Gruchow. At 34, he was already a grand figure in Minnesota journalism. Every year his Worthington newspaper swept the small-circulation category for photography and writing awards. But he was bigger than just journalism—he was a guru of prairie lore, an agitator for sustainable agriculture, a defender of rural culture.
    [Show full text]
  • Setting the Record Straight: Anne W. Armstrong, Regionalism, and the Social Efficacy of Fiction
    University of Tennessee, Knoxville TRACE: Tennessee Research and Creative Exchange Doctoral Dissertations Graduate School 8-2008 Setting the Record Straight: Anne W. Armstrong, Regionalism, and the Social Efficacy of Fiction Katherine Hoffman Doman University of Tennessee - Knoxville Follow this and additional works at: https://trace.tennessee.edu/utk_graddiss Part of the Literature in English, North America Commons Recommended Citation Doman, Katherine Hoffman, "Setting the Record Straight: Anne W. Armstrong, Regionalism, and the Social Efficacy of Fiction. " PhD diss., University of Tennessee, 2008. https://trace.tennessee.edu/utk_graddiss/428 This Dissertation is brought to you for free and open access by the Graduate School at TRACE: Tennessee Research and Creative Exchange. It has been accepted for inclusion in Doctoral Dissertations by an authorized administrator of TRACE: Tennessee Research and Creative Exchange. For more information, please contact [email protected]. To the Graduate Council: I am submitting herewith a dissertation written by Katherine Hoffman Doman entitled "Setting the Record Straight: Anne W. Armstrong, Regionalism, and the Social Efficacy of Fiction." I have examined the final electronic copy of this dissertation for form and content and recommend that it be accepted in partial fulfillment of the equirr ements for the degree of Doctor of Philosophy, with a major in English. Allison R. Ensor, Major Professor We have read this dissertation and recommend its acceptance: Mary E. Papke, Thomas F. Haddox, Benita J. Howell Accepted for the Council: Carolyn R. Hodges Vice Provost and Dean of the Graduate School (Original signatures are on file with official studentecor r ds.) To the Graduate Council: We are submitting herewith a dissertation written by Katherine Hoffman Doman entitled, ―Setting the Record Straight: Anne W.
    [Show full text]