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PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized. -
“Until That Song Is Born”: an Ethnographic Investigation of Teaching and Learning Among Collaborative Songwriters in Nashville
“UNTIL THAT SONG IS BORN”: AN ETHNOGRAPHIC INVESTIGATION OF TEACHING AND LEARNING AMONG COLLABORATIVE SONGWRITERS IN NASHVILLE By Stuart Chapman Hill A DISSERTATION Submitted to Michigan State University in partial fulfillment of the requirements for the degree of Music Education—Doctor of Philosophy 2016 ABSTRACT “UNTIL THAT SONG IS BORN”: AN ETHNOGRAPHIC INVESTIGATION OF TEACHING AND LEARNING AMONG COLLABORATIVE SONGWRITERS IN NASHVILLE By Stuart Chapman Hill With the intent of informing the practice of music educators who teach songwriting in K– 12 and college/university classrooms, the purpose of this research is to examine how professional songwriters in Nashville, Tennessee—one of songwriting’s professional “hubs”—teach and learn from one another in the process of engaging in collaborative songwriting. This study viewed songwriting as a form of “situated learning” (Lave & Wenger, 1991) and “situated practice” (Folkestad, 2012) whose investigation requires consideration of the professional culture that surrounds creative activity in a specific context (i.e., Nashville). The following research questions guided this study: (1) How do collaborative songwriters describe the process of being inducted to, and learning within, the practice of professional songwriting in Nashville, (2) What teaching and learning behaviors can be identified in the collaborative songwriting processes of Nashville songwriters, and (3) Who are the important actors in the process of learning to be a collaborative songwriter in Nashville, and what roles do they play (e.g., gatekeeper, mentor, role model)? This study combined elements of case study and ethnography. Data sources included observation of co-writing sessions, interviews with songwriters, and participation in and observation of open mic and writers’ nights. -
Digital Collections
SPRING 2016 UNIVERSITY OF MIAMI into the centennial A LOOK AT OUR PAST, PRESENT, AND FUTURE P. 10 DEAN’SMESSAGE The enthusiasm and excitement emanating from the College’s faculty, students, and staff here at the Coral Gables campus is motivated by the profound energy and clear, invigorating vision of our new president, Dr. Julio Frenk. On January 29th, the University the generous and transformative of Miami – founded 90 years ago $100 million gift from Dr. Philip – welcomed President Frenk as its and Patricia Frost, a gift we are sixth president. The theme at the genuinely grateful for; this gift is momentous inauguration ceremony, set to enhance the basic and applied ‘Charting The Course To Our New sciences in Arts & Sciences and Century,’ tells us how, together, the in Engineering. LEONIDAS G. BACHAS UM community is on its way to a This issue of the magazine Dean of the UM College of Arts & Sciences bigger and brighter future. It is clear reminds us all that A&S students, that the College of Arts & Sciences faculty, and alumni – like you – is central to achieving our mission continue to be at the core of our of excellence and innovation. great University. From student In his speech, President Frenk entrepreneurs to urbanization noted many overarching goals he experts bringing big-city issues aims to accomplish by our centennial to light, you will be proud of the year. One of them is to develop a A&S ’Canes who are reaching University-wide initiative addressing high academic standards and truly climate change and sea-level rise – making a difference in their fields. -
Whiskey River (Take My Mind) I
whiskey river (take my mind) i introduction 00 Bush rev pg proofs 000i-xxiv i i 12/11/06 9:58:38 AM THIS PAGE INTENTIONALLY LEFT BLANK whiskey river (take my mind) iii The True Story of Texas Honky-Tonk by johnny bush with rick mitchell foreword by willie nelson University of Texas Press, Austin introduction 00 Bush rev pg proofs 000i-xxiv iii iii 12/11/06 9:58:39 AM iv copyright © 2007 by the university of texas press All rights reserved Printed in the United States of America First edition, 2007 Requests for permission to reproduce material from this work should be sent to: Permissions University of Texas Press P.O. Box 7819 Austin, TX 78713-7819 www.utexas.edu/utpress/about/bpermission.html ∞ The paper used in this book meets the minimum requirements of ansi/niso z39.48-1992 (r1997) (Permanence of Paper). library of congress cataloging-in-publication data Bush, Johnny. Whiskey river (take my mind) : the true story of Texas honky-tonk / by Johnny Bush with Rick Mitchell ; foreword by Willie Nelson. — 1st ed. p. cm. Includes discography (p. ), bibliographical references (p. ), and index. isbn-13: 978-0-292-71490-8 (cl. : alk. paper) isbn-10: 0-292-71490-4 1. Bush, Johnny. 2. Country musicians—Texas—Biography. 3. Spasmodic dysphonia—Patients—Texas—Biography. 4. Honky-tonk music—Texas— History and criticism. I. Mitchell, Rick, 1952– II. Title. ml420.b8967a3 2007 782.421642092—dc22 [B] 2006033039 whiskey river (take my mind) 00 Bush rev pg proofs 000i-xxiv iv iv 12/11/06 9:58:39 AM Dedicated to v John Bush Shinn, Jr., my dad, who encouraged me to follow my dreams. -
The ONE and ONLY Ivan
KATHERINE APPLEGATE The ONE AND ONLY Ivan illustrations by Patricia Castelao Dedication for Julia Epigraph It is never too late to be what you might have been. —George Eliot Glossary chest beat: repeated slapping of the chest with one or both hands in order to generate a loud sound (sometimes used by gorillas as a threat display to intimidate an opponent) domain: territory the Grunt: snorting, piglike noise made by gorilla parents to express annoyance me-ball: dried excrement thrown at observers 9,855 days (example): While gorillas in the wild typically gauge the passing of time based on seasons or food availability, Ivan has adopted a tally of days. (9,855 days is equal to twenty-seven years.) Not-Tag: stuffed toy gorilla silverback (also, less frequently, grayboss): an adult male over twelve years old with an area of silver hair on his back. The silverback is a figure of authority, responsible for protecting his family. slimy chimp (slang; offensive): a human (refers to sweat on hairless skin) vining: casual play (a reference to vine swinging) Contents Cover Title Page Dedication Epigraph Glossary hello names patience how I look the exit 8 big top mall and video arcade the littlest big top on earth gone artists shapes in clouds imagination the loneliest gorilla in the world tv the nature show stella stella’s trunk a plan bob wild picasso three visitors my visitors return sorry julia drawing bob bob and julia mack not sleepy the beetle change guessing jambo lucky arrival stella helps old news tricks introductions stella and ruby home -
Washington State Department of Licensing Driver Guide
For audio: download, save, and open in Adobe Acrobat Reader DC. Press Shift + Ctrl + Y to activate Read Out Loud, Shift + Ctrl + B to begin reading, and Shift + Ctrl + C to pause. Washington State Department of Licensing Washington Driver Guide dol.wa.gov Warning Signs Winding Road Divided Highway Divided Highway Cross Road (Road) Begins (Road) Ends Merging Traffic Lane Ends Slippery Signal Ahead Merge Left When Wet Hill Two-Way School Pedestrian Traffic Crossing * Crossing * Railroad Advance Warning Soft Shoulder Added Lane Crossing Bicycles (from right, no merging required) Deer Crossing No Passing Slow Moving Zone Vehicle Curve Left 35 mph or less recommended * Color can be fluorescent green or yellow Graphics provided in cooperation with Washington State Department of Transportation. CHANGES TO THE DRIVER GUIDE, REV 9/21 The information below replaces the information found in the current guide. REAL ID UPDATE By May 3, 2023, standard driver licenses will no longer be an acceptable form of identification for boarding domestic flights and entering some secure federal facilities, like military bases and nuclear power plants. Go to Transportation Safety Administration (TSA) website (www.tsa.gov) for a complete list of federally approved forms of identification. Even though the effective date for REAL ID is May 3, 2023 it only affects people who want to travel by plane or access certain secure federal facilities. A standard driver license will work for the U.S. travel like driving in Washington, across state lines, or riding a train. Washington’s enhanced driver licenses (EDLs) are REAL ID compliant and valid for air travel within the United States. -
(At) Miracosta
The Creative Music Recording Magazine Jeff Tweedy Wilco, The Loft, Producing, creating w/ Tom Schick Engineer at The Loft, Sear Sound Spencer Tweedy Playing drums with Mavis Staples & Tweedy Low at The Loft Alan Sparhawk on Jeff’s Production Holly Herndon AI + Choir + Process Ryan Bingham Crazy Heart, Acting, Singing Avedis Kifedjian of Avedis Audio in Behind the Gear Dave Cook King Crimson, Amy Helm, Ravi Shankar Mitch Dane Sputnik Sound, Jars of Clay, Nashville Gear Reviews $5.99 No. 132 Aug/Sept 2019 christy (at) miracosta (dot) edu christy (at) miracosta (dot) edu christy (at) miracosta (dot) edu christy (at) miracosta (dot) edu christy (at) miracosta (dot) edu christy (at) miracosta (dot) edu Hello and welcome to Tape Op 10 Letters 14 Holly Herndon 20 Jeff Tweedy 32 Tom Schick # 40 Spencer Tweedy 44 Gear Reviews ! 66 Larry’s End Rant 132 70 Behind the Gear with Avedis Kifedjian 74 Mitch Dane 77 Dave Cook Extra special thanks to Zoran Orlic for providing more 80 Ryan Bingham amazing photos from The Loft than we could possibly run. Here’s one more of Jeff Tweedy and Nels Cline talking shop. 83 page Bonus Gear Reviews Interview with Jeff starts on page 20. <www.zoranorlic.com> “How do we stay interested in the art of recording?” It’s a question I was considering recently, and I feel fortunate that I remain excited about mixing songs, producing records, running a studio, interviewing recordists, and editing this magazine after twenty-plus years. But how do I keep a positive outlook on something that has consumed a fair chunk of my life, and continues to take up so much of my time? I believe my brain loves the intersection of art, craft, and technology. -
2019 Session 1 Chapbook
“If I’m not for myself, who will be for me? If I’m only for myself, what am I? And if not Creative Writing now, then when?” Chapbook – Pirkei Avot Session One 2019 CONTENTS Notes from the Editor “The Narrators of Life” by Benjamin B. 3 This summer, 6 Points Creative Arts Academy added a creative writing “Wongarts” by Becca N. 7 major comprised of passionate wordsmiths from both Bonim and Olim. These majors constructed narrative works, exploring dialogue, exposition, “The Death Dance” by Naomi J. 10 and scene, before crafting their final pieces all of which centered around the theme of the summer, which comes from Pirkei Avot: “If I am not for “Nine Lives” by Natanya D. 15 myself, who will be for me? If I am only for myself, what am I? And if not now, then when?” In a minor titled: Adapting Stories, campers from a “Time” by Rebecca B. 17 variety of majors came together to read, write, and create fractured fairy tales and Torah stories. Some of those stories are included in this chapbook. “The Butterfly Room” by Olivia S. 20 “Speechless” by Sunny C. 23 Creative Writing Arts Mentor: Carly Husick “Beaut-evil” by Hanna P. 24 Instructors: Allison Woitte “The Art of Trying” by Maya F. 29 Noy Israeli Tani Prell Epstein “The Ransacking” by Charlie R. 32 Abe Frankel “The Man of Iron” by Jonathon N. 34 Artistic Director: David Loewy “The Lady and the Beast” by Ciera and Sophia 36 “Grandmother” by Isabel, Hannah, and Brandon 38 “Theadora” by Ellis S. -
Songs by Title
Karaoke Song Book Songs by Title Title Artist Title Artist #1 Nelly 18 And Life Skid Row #1 Crush Garbage 18 'til I Die Adams, Bryan #Dream Lennon, John 18 Yellow Roses Darin, Bobby (doo Wop) That Thing Parody 19 2000 Gorillaz (I Hate) Everything About You Three Days Grace 19 2000 Gorrilaz (I Would Do) Anything For Love Meatloaf 19 Somethin' Mark Wills (If You're Not In It For Love) I'm Outta Here Twain, Shania 19 Somethin' Wills, Mark (I'm Not Your) Steppin' Stone Monkees, The 19 SOMETHING WILLS,MARK (Now & Then) There's A Fool Such As I Presley, Elvis 192000 Gorillaz (Our Love) Don't Throw It All Away Andy Gibb 1969 Stegall, Keith (Sitting On The) Dock Of The Bay Redding, Otis 1979 Smashing Pumpkins (Theme From) The Monkees Monkees, The 1982 Randy Travis (you Drive Me) Crazy Britney Spears 1982 Travis, Randy (Your Love Has Lifted Me) Higher And Higher Coolidge, Rita 1985 BOWLING FOR SOUP 03 Bonnie & Clyde Jay Z & Beyonce 1985 Bowling For Soup 03 Bonnie & Clyde Jay Z & Beyonce Knowles 1985 BOWLING FOR SOUP '03 Bonnie & Clyde Jay Z & Beyonce Knowles 1985 Bowling For Soup 03 Bonnie And Clyde Jay Z & Beyonce 1999 Prince 1 2 3 Estefan, Gloria 1999 Prince & Revolution 1 Thing Amerie 1999 Wilkinsons, The 1, 2, 3, 4, Sumpin' New Coolio 19Th Nervous Breakdown Rolling Stones, The 1,2 STEP CIARA & M. ELLIOTT 2 Become 1 Jewel 10 Days Late Third Eye Blind 2 Become 1 Spice Girls 10 Min Sorry We've Stopped Taking Requests 2 Become 1 Spice Girls, The 10 Min The Karaoke Show Is Over 2 Become One SPICE GIRLS 10 Min Welcome To Karaoke Show 2 Faced Louise 10 Out Of 10 Louchie Lou 2 Find U Jewel 10 Rounds With Jose Cuervo Byrd, Tracy 2 For The Show Trooper 10 Seconds Down Sugar Ray 2 Legit 2 Quit Hammer, M.C. -
Wisconsin Motorists Handbook
Motorists’ Handbook WISCONSIN DEPARAugustTMENT 2021 OF TRANSPORTATION August 2021 CONTENTS CONTENTS PRELIMINARY INFORMATION 1 BEFORE YOU DRIVE 10 Address change 1 Plan ahead and save fuel 10 Obtain services online 1 Check the vehicle 10 Obtain information 1 Clean glass surfaces 12 Consider saving a life Adjust seat and mirrors 12 by becoming an organ donor 2 Use safety belts and child restraints 13 Absolute sobriety 2 Wisconsin Graduated Driver Licensing RULES OF THE ROAD 15 Supervised Driving Log, HS-303 2 Traffic control devices 15 This manual 2 TRAFFIC SIGNALS 16 DRIVER LICENSE 2 Requirements 3 TRAFFIC SIGNS 18 Carrying the driver license and license Warning signs 18 replacement 4 Regulatory signs 20 Out of state transfers 4 Railroad crossing warning signs 23 Construction signs 25 INSTRUCTION PERMIT 5 Guide signs 25 Restrictions of the instruction permit 6 PAVEMENT MARKINGS 26 PROBATIONARY LICENSE 6 Edge and lane lines 27 Restrictions of the probationary license 7 White lane markings 27 The skills test 7 Crosswalks and stop lines 27 KEEPING THE DRIVER LICENSE 8 Yellow lane markings 27 Point system 8 Shared center lane 28 Habitual offender 9 OTHER LANE CONTROLS 29 Occupational license 9 Reversible lanes 29 Reinstating a revoked or suspended license 9 Reserved lanes 29 Driver license renewal 9 Flex Lane 30 Motor vehicle liability insurance METERED RAMPS 31 requirement 9 How to use a ramp meter 31 COVER i CONTENTS RULES FOR DRIVING SCHOOL BUSES 44 ROUNDABOUTS 32 General information for PARKING 45 all roundabouts 32 How to park on a hill -
Title "Stand by Your Man/There Ain't No Future In
TITLE "STAND BY YOUR MAN/THERE AIN'T NO FUTURE IN THIS" THREE DECADES OF ROMANCE IN COUNTRY MUSIC by S. DIANE WILLIAMS Presented to the American Culture Faculty at the University of Michigan-Flint in partial fulfillment of the requirements for the Master of Liberal Studies in American Culture Date 98 8AUGUST 15 988AUGUST Firs t Reader Second Reader "STAND BY YOUR MAN/THERE AIN'T NO FUTURE IN THIS" THREE DECADES OF ROMANCE IN COUNTRY MUSIC S. DIANE WILLIAMS AUGUST 15, 19SB TABLE OF CONTENTS Preface Introduction - "You Never Called Me By My Name" Page 1 Chapter 1 — "Would Jesus Wear A Rolen" Page 13 Chapter 2 - "You Ain’t Woman Enough To Take My Man./ Stand By Your Man"; Lorrtta Lynn and Tammy Wynette Page 38 Chapter 3 - "Think About Love/Happy Birthday Dear Heartache"; Dolly Parton and Barbara Mandrell Page 53 Chapter 4 - "Do Me With Love/Love Will Find Its Way To You"; Janie Frickie and Reba McEntire F'aqe 70 Chapter 5 - "Hello, Dari in"; Conpempory Male Vocalists Page 90 Conclusion - "If 017 Hank Could Only See Us Now" Page 117 Appendix A - Comparison Of Billboard Chart F'osi t i ons Appendix B - Country Music Industry Awards Appendix C - Index of Songs Works Consulted PREFACE I grew up just outside of Flint, Michigan, not a place generally considered the huh of country music activity. One of the many misconception about country music is that its audience is strictly southern and rural; my northern urban working class family listened exclusively to country music. As a teenager I was was more interested in Motown than Nashville, but by the time I reached my early thirties I had became a serious country music fan. -
Head Coach Andy Reid Press Conference 1/14/07 Injuries
Head Coach Andy Reid Press Conference 1/14/07 Injuries/opening remarks: “Really the only injuries that we’ve got here, we’ve got a couple of them is [RG] Shawn Andrews had a contusion in his neck. He’s not sure exactly when it happened, but he had a tremendous amount of swelling there at halftime. He actually was having a tough time seeing. So, they rushed him to the emergency room and had him checked out and tried to get some of the swelling down in his neck. You saw him around today; you probably saw that he had a pretty good lump there. [LB] Shawn Barber has an ankle sprain. It happened on the last play of the first half and he was not able to return.” “I thought the effort yesterday was good. It was a heck of a game, back and forth. We give a tremendous amount of credit to [Saints head coach] Sean Payton and the Saints. They played very good football and their staff put together a nice plan, offensively, defensively, and special teams. We wish them the best down the road. They sure have a good football team, so I think they are going to do very well. On the other hand, I was proud of our football team for the way they handled the last few weeks here. They showed a lot of grit. When it wasn’t looking too good, when [QB] Donovan [McNabb] went down they were able to bounce back and take their game up a notch, coaches and players included.