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HISTORY 5 A. Medieval See the Enjoyment HISTORY 5 A. Medieval See the Enjoyment of Music, 12th Edition, Prelude 2 AND Chapters 13 – 14 Musical Terms/Forms/Styles Representative Required Listening Type/Genre Composers 1) Sacred Plainchant Hildegard of Bingen Hildegard of Liturgy Bingen: Alleluia, O Gregorian chant virga mediatrix Syllabic, neumatic, melismatic Modes Notre Dame School: Polyphony Gaude Maria virgo Organum Notre Dame Rhythmic modes 2) Secular Troubadours Trouvères 3) Ars Nova Ars Nova Machaut Ars antiqua Chanson Rondeau, ballade, virelai B. Renaissance See the Enjoyment of Music, 12th Edition, Chapters Musical Terms/Forms/Styles Representative Required Listening Type/Genre Composers 15-17 1) The Renaissance Italian madrigal Arcadelt Arcadelt: Il bianco e Madrigal English madrigal dolce Part song Madrigal Farmer Farmer: Fair Phyllis 2) The Renaissance Humanism Josquin des Prez Josquin: Ave Maria … Motet A cappella virgo serena Cantus firmus Motet homorhythmic 3) The Renaissance Mass Ordinary Palestrina Palestrina: Gloria, from Mass Kyrie, Gloria, Credo, the Pope Marcellus Mass Sanctus, Agnus Dei Mass Proper Reformation Counter Reformation Council of Trent 4) Dance Music Bas instruments Susato Susato: Three Dances Haut instruments Pavane, saltarello, ronde C. Baroque See the Enjoyment of Music, 12th Ed, Prelude 3 AND Chapters Musical Terms/Forms/Styles Representative Required Listening Type/Genre Composers 18-23 1) General Virtuosity Baroque Figured bass Basso continuo Major‐minor tonality Equal temperament Opera Castrato Improvisation 2) Early Opera Recitative Henry Purcell Purcell: Dido and Aeneas, Aria Act III, Opening and Lament Overture Sinfonia Libretto Masque Hornpipe Scotch snap Ground bass 3) The Lutheran Chorales Johann Sebastien Bach: Cantata no. 140 Cantata Lutheran cantata Bach Wachet auf No. 1 and No. 4 Bar form 4) The English Oratorio George Frideric Handel: Messiah, No. 18 Oratorio Da capo aria Handel and No. 44 5) The Baroque Suite: name dances George Frideric Handel: Water Music, Suite Dance Suite Binary, ternary Handel in D Major, Alla Hornpipe hornpipe 6) The Baroque Concerto Antonio Vivaldi Vivaldi: Spring from The Concerto Ritornello Four Seasons Op. 8 No. 1 Program music 7) The Fugue Organ and harpsichord J. S. Bach Bach: Contrapunctus 1, Prelude, toccata from the Art of the Fugue Fugue Imitation Subject, answer, countersubject, exposition, episodes Augmentation, diminution, retrograde, inversion D. Classical See the Enjoyment of Music 12th Ed, Prelude 4 AND Chapters Musical Terms/Forms/Styles Representative 24-28Required Type/Genre Composers Listening 1) General Enlightenment patronage 2) Classical Theme, thematic Joseph Haydn Haydn: String Chamber Music development Quartet, Op. 76 Motive No. 3, II Sequence Absolute music Multimovement Mozart: Eine kleine cycle Nachtmusik, K. Theme and 525, I and III variations Wolfgang Chamber music Amadeus Mozart String quartet 3) Classical Symphony Joseph Haydn Orchestra Overture Serenade Sonata‐allegro Wolfgang Mozart: Piano Modulates Amadeus Mozart Concerto in G Exposition, bridge, Major, K. 453, I development, Ludwig van recapitulation, coda Beethoven Beethoven: Minuet and trio Symphony No. 5 in First movement C minor, Op. 67 concerto form Concerto Cadenza Cyclical form 4) Sonata Sonata Ludwig van Beethoven: Piano Scherzo Beethoven Sonata in Csharp minor, Op. 27, No. 2 5)Classical Vocal Opera seria Wolfgang Mozart: Don Music Opera buffa Amadeus Mozart Giovanni, Act I, Singspiel Scene 2 Opéra comique Mass Mozart: Dies irae, Requiem from Requiem HISTORY 6 A. The 19th Century See The Enjoyment of Music, 12th Ed. Prelude 5 AND Chapters 29-38 Musical Terms/Forms/Styles Representative Required Listening Type/Genre Composers 1) Romanticism 2) Vocal Music Lied Franz Schubert Schubert: Elfking Art song Robert Song cycle Schumann Through‐composed Strophic, modified strophic 3) Piano Music Character piece Frédéric Chopin Chopin: Mazurka in Bflat Mazurka minor, Op. 24, No. 4 Rubato 4) Symphony Program music Hector Berlioz Berlioz: Symphonie Idée fixe fantastique, IV Thematic Johannes transformation Brahms Brahms: Symphony No. 3 Absolute music in F Major, III 5) Opera Opera seria Giuseppe Verdi Verdi: Rigoletto, Act III, Opera buffa excerpts Bel canto Singspiel Richard Wagner Wagner: Die Walküre, Act Melodrama III, opening and finale Music drama Leitmotifs 6) Ballet Ballet Peter Ilyich Tchaikovsky: The Masque Tchaikovsky Nutcracker, Two Dances Ballet de cour Pas de deux 7)Music at the turn Impressionism Claude Debussy Debussy: Prelude to The of the 20th Century Ninth chord Afternoon of a Faun Ragtime Strains Scott Joplin Joplin: Maple Leaf Rag Piano roll Player piano B. 20th Century Modernism See The Enjoyment of Music, 12th Ed. Prelude 6 AND Chapters 39-43; Prelude 7 Musical AND and ChaptersTerms/Forms/Styles 44-45 Representative Required Listening Type/Genre Composers 1) General Futurism, Dadaism, surrealism, cubism, expressionism Avant‐garde Vaudeville Tin Pan Alley polyharmony Atonality, serialism, Tone row, twelve‐tone composiiton 2) Early Sprechstimme Arnold Schoenberg Schoenberg: Pierrot Modernism Klangfarbenmelodie Lunair, Part III, No. 18 Second Viennese School Neo‐classicism Igor Stravinsky Stravinsky: The Rite of Ethnomusicologist Spring, Part I, excerpts Béla Bartók Bartók: Interrupted Intermezzo, from Concerto for Orchestra 3) Jazz and Jazz Billie Holiday Blues Blues New Orleans‐style jazz Duke Ellington Strayhorn: Take the A Swing, big‐band Train by the Duke Work songs, ring shouts, Ellington Orchestra spirituals Blue notes, chord changes Scat‐singing jazz chorus shakes cool jazz, West Coast jazz 4) American Polytonality Charles Ives Ives: Country Band Modernism Polyrhythm March Aaron Copland Copland: Appalachian Spring excerpts, C. Postmodernism See The Enjoyment of Music, 12th Ed. Prelude AND Chapters 8 49-53 Musical Terms/Forms/Styles Representative Required Listening Type/Genre Composers 1) Beyond Postmodernism Modernism Abstract expressionism Minimalism New classicism Earthworks Aleatoric, chance music 2) American Tone clusters John Cage Cage: Sonata V, from Experimentalism Microtones Sonatas and Preludes George Crumb Crumb: Caballito negro 3) Musical theatre musical Leonard Bernstein Bernstein: West Side Story, excerpts 4) Minimalism Process music Steve Reich Phase music polyrhythm 5) Neo‐romanticism Neo‐romanticism Jennifer Higdon Higdon: blue cathedral, excerpt 6) Contemporary postminimalism John Adams Adams: Doctor Opera Atomic, “At the sight of this” .
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