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HISTORY 5

A. Medieval See the Enjoyment of , 12th Edition, Prelude 2 AND Chapters 13 – 14

Musical Terms/Forms/Styles Representative Required Listening Type/Genre 1) Sacred Plainchant Hildegard of Liturgy Bingen: Alleluia, O Gregorian virga mediatrix Syllabic, neumatic, melismatic Modes Notre Dame School: Polyphony Gaude Maria virgo Notre Dame Rhythmic modes 2) Secular Trouvères 3) Ars Nova Machaut , ,

B.

See the Enjoyment of Music, 12th Edition, Chapters Musical Terms/Forms/Styles Representative Required Listening Type/Genre Composers 15-17 1) The Renaissance Italian Arcadelt Arcadelt: Il bianco e Madrigal English madrigal dolce Part song Madrigal Farmer Farmer: Fair Phyllis 2) The Renaissance Humanism Josquin: Ave Maria … A cappella virgo serena Cantus firmus Motet homorhythmic 3) The Renaissance Mass Ordinary Palestrina Palestrina: Gloria, from Mass Kyrie, Gloria, Credo, the Pope Marcellus Mass Sanctus, Agnus Dei Mass Proper Reformation Counter Reformation Council of Trent 4) Music Bas instruments Susato Susato: Three Dances Haut instruments , saltarello, ronde

C. See the Enjoyment of Music, 12th Ed, Prelude 3 AND Chapters Musical Terms/Forms/Styles Representative Required Listening Type/Genre Composers 18-23 1) General Virtuosity Baroque Figured bass Basso continuo Major‐minor tonality Opera Castrato Improvisation 2) Early Opera Recitative Henry Purcell Purcell: Dido and Aeneas, Aria Act III, Opening and Lament Overture Sinfonia Libretto Masque Scotch snap Ground bass 3) The Lutheran Chorales Johann Sebastien Bach: Cantata no. 140 Cantata Lutheran cantata Bach Wachet auf No. 1 and No. 4 Bar form 4) The English Oratorio George Frideric Handel: Messiah, No. 18 Oratorio Da capo aria Handel and No. 44 5) The Baroque Suite: name dances George Frideric Handel: Water Music, Suite Dance Suite Binary, ternary Handel in D Major, Alla Hornpipe hornpipe 6) The Baroque Concerto Antonio Vivaldi Vivaldi: Spring from The Concerto Ritornello Four Seasons Op. 8 No. 1 7) The Fugue Organ and J. S. Bach Bach: Contrapunctus 1, Prelude, toccata from the Art of the Fugue Fugue Imitation Subject, answer, countersubject, exposition, episodes Augmentation, diminution, retrograde, inversion

D. Classical See the Enjoyment of Music 12th Ed, Prelude 4 AND Chapters

Musical Terms/Forms/Styles Representative 24-28Required Type/Genre Composers Listening 1) General Enlightenment patronage 2) Classical Theme, thematic Haydn: String Chamber Music development Quartet, Op. 76 Motive No. 3, II Sequence Multimovement Mozart: Eine kleine cycle Nachtmusik, K. Theme and 525, I and III variations Wolfgang Chamber music Amadeus Mozart 3) Classical Joseph Haydn Overture Serenade Sonata‐allegro Wolfgang Mozart: Modulates Amadeus Mozart Concerto in G Exposition, bridge, Major, K. 453, I development, Ludwig van recapitulation, coda Beethoven Beethoven: Minuet and trio Symphony No. 5 in First movement C minor, Op. 67 concerto form Concerto Cadenza Cyclical form 4) Sonata Sonata : Piano Scherzo Beethoven Sonata in Csharp minor, Op. 27, No. 2 5)Classical Vocal Opera seria Wolfgang Mozart: Don Music Opera buffa Amadeus Mozart Giovanni, Act I, Singspiel Scene 2 Opéra comique Mass Mozart: Dies irae, Requiem from Requiem

HISTORY 6

A. The 19th Century

See The Enjoyment of Music, 12th Ed. Prelude 5 AND Chapters

29-38 Musical Terms/Forms/Styles Representative Required Listening Type/Genre Composers 1) 2) Vocal Music Schubert: Elfking Art song Robert Song cycle Schumann Through‐composed Strophic, modified strophic 3) Piano Music Character piece Frédéric Chopin Chopin: in Bflat Mazurka minor, Op. 24, No. 4 Rubato 4) Symphony Program music Berlioz: Symphonie Idée fixe fantastique, IV Thematic Johannes transformation Brahms Brahms: Symphony No. 3 Absolute music in F Major, III

5) Opera Opera seria Verdi: Rigoletto, Act III, Opera buffa excerpts Bel canto Singspiel Wagner: Die Walküre, Act Melodrama III, opening and finale Music drama Leitmotifs 6) Ballet Ballet Peter Ilyich Tchaikovsky: The Masque Tchaikovsky Nutcracker, Two Dances Ballet de cour Pas de deux 7)Music at the turn Debussy: Prelude to The of the 20th Century Ninth chord Afternoon of a Faun Ragtime Strains Joplin: Maple Leaf Rag Piano roll Player piano

B. 20th Century See The Enjoyment of Music, 12th Ed. Prelude 6 AND Chapters

39-43; Prelude 7 ANDMusical and ChaptersTerms/Forms/Styles 44-45 Representative Required Listening Type/Genre Composers 1) General , Dadaism, , , Avant‐garde Vaudeville Tin Pan Alley polyharmony , , , twelve‐tone composiiton 2) Early Sprechstimme Schoenberg: Pierrot Modernism Lunair, Part III, No. 18 Neo‐classicism Stravinsky: The Rite of Ethnomusicologist Spring, Part I, excerpts

Béla Bartók Bartók: Interrupted , from Concerto for Orchestra 3) Jazz and Jazz Billie Holiday Blues Blues New Orleans‐style jazz Duke Ellington Strayhorn: Take the A Swing, big‐band Train by the Duke Work songs, ring shouts, Ellington Orchestra spirituals Blue notes, chord changes Scat‐singing jazz shakes cool jazz, West Coast jazz 4) American Ives: Country Band Modernism March Copland: Appalachian Spring excerpts,

C.

See The Enjoyment of Music, 12th Ed. Prelude AND Chapters

8 49-53 Musical Terms/Forms/Styles Representative Required Listening Type/Genre Composers 1) Beyond Postmodernism Modernism New classicism Earthworks Aleatoric, chance music 2) American Tone clusters Cage: Sonata V, from Experimentalism Microtones Sonatas and Preludes George Crumb Crumb: Caballito negro 3) Musical theatre musical Bernstein: West Side Story, excerpts 4) Minimalism polyrhythm 5) Neo‐romanticism Neo‐romanticism Jennifer Higdon Higdon: blue cathedral, excerpt 6) Contemporary Adams: Doctor Opera Atomic, “At the sight of this”