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IN PROGRESS Been Assigned to Agent Phil Munications and Meet Privately Chamber to Holographically Recreate Coulson for Use by His Handpicked with His Team

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IN PROGRESS Been Assigned to Agent Phil Munications and Meet Privately Chamber to Holographically Recreate Coulson for Use by His Handpicked with His Team GUIDEBOOK TO THE MARVEL CINEMATIC UNIVERSE Collecting information from Marvel’s Agents of S.H.I.E.L.D. Season 1 (2013-2014). HEAD WRITER/COORDINATOR: MIKE O’SULLIVAN COORDINATION: DARON JENSEN WRITERS: TROY BENJAMIN, ANTHONY COTILLETTA, MIKE FICHERA, CHRIS MCCARVER, DARON JENSEN, JACOB ROUGEMONT, ROB LONDON, AND STUART VANDAL ARTISTS: AL BARRIONUEVO, DAVID BOLLER, MARK BROOKS, RICH BUCKLER, MIKE DEL MUNDO, GUY DORIAN, IGNACIO GARCERON AT FUSEFX, STUART IMMONEN, CARMINE INFANTINO, JOE JUSKO, DALE KEOWN, JACK KIRBY, SCOTT KOLINS, SALVADOR LARROCA, BOB LAYTON, AL MILGROM, MIKEIN NORTON PROGRESS, GERMÁN PERALTA, STEVE PUGH, HUMBERTO RAMOS, FRANK ROBBINS, EVAN “DOC” SHANER, BILL SIENKIEWICZ, WALTER SIMONSON, JULIAN TOTINO TEDESCO, AND PATRICK ZIRCHER COVER ARTIST: MIKE DEL MUNDO BACK COVER ARTIST: PHANTOM CITY CREATIVE BOOK DESIGN: JAY BOWEN EDITOR: SARAH BRUNSTAD FOR MARVEL LIVE ACTION TELEVISION VP, PRODUCTION & SPECIAL PROJECTS: JEFF YOUNGQUIST HEAD OF MARVEL TELEVISION: JEPH LOEB IP HUB MANAGER, PUBLISHING: BRIAN OVERTON SVP, PRODUCTION: JIM CHORY ASSOCIATE MANAGING EDITOR: ALEX STARBUCK SVP, ORIGINAL PROGRAMMING: KARIM ZREIK EDITORS, SPECIAL PROJECTS: VP, DEVELOPMENT: MEGAN THOMAS BRADNER MARK D. BEAZLEY AND JENNIFER GRÜNWALD DIRECTOR, ORIGINAL PROGRAMMING: EMMA FLEISCHER SVP PRINT, SALES & MARKETING: DAVID GABRIEL MANAGER, ORIGINAL PROGRAMMING: WENDY WILLMING EDITOR IN CHIEF: AXEL ALONSO COORDINATOR, ORIGINAL PROGRAMMING: MARYMARGARET KUNZE CHIEF CREATIVE OFFICER: JOE QUESADA SVP MARKETING, MARVEL TELEVISION: MIKE PASCIULLO PUBLISHER: DAN BUCKLEY SR MANAGER, GLOBAL TELEVISION PUBLICITY: ANNIE GEFFROY EXECUTIVE PRODUCER: ALAN FINE SPECIAL THANKS TO DAVID ALTHOFF, STEVEN BOYD, SHAWN “KEEBLER” BYERS, JACQUE PORTE, AND AVIA PEREZ AT MARVEL WORLDWIDE; AND CAROL ASTORGA, SHANNON JOHNSON, AND PAMELA HELLER AT ABC STUDIOS. S.H.I.E.L.D. CREATED BY STAN LEE AND JACK KIRBY GUIDEBOOK TO THE MARVEL CINEMATIC UNIVERSE — MARVEL’S AGENTS OF S.H.I.E.L.D. SEASON ONE, August 2016. Published Monthly by MARVEL WORLDWIDE, INC., a subsidiary of MARVEL ENTERTAINMENT, LLC. OFFICE OF PUBLICATION: 135 West 50th Street, New York, NY 10020. © 2016 MARVEL & ABC Studios. No similarity between any of the names, characters, persons, and/or institutions in this magazine with those of any living or dead person or institution is intended, and any such similarity which may exist is purely coincidental. $3.99 per copy in the U.S. (GST #R127032852) in the direct market; Canadian Agreement #40668537. Printed in the USA. ALAN FINE, President, Marvel Entertainment; DAN BUCKLEY, President, TV, Publishing & Brand Management; JOE QUESADA, Chief Creative Offi cer; TOM BREVOORT, SVP of Publishing; DAVID BOGART, SVP of Business Affairs & Operations, Publishing & Partnership; C.B. CEBULSKI, VP of Brand Management & Development, Asia; DAVID GABRIEL, SVP of Sales & Marketing, Publishing; JEFF YOUNGQUIST, VP of Production & Special Projects; DAN CARR, Executive Director of Publishing Technology; ALEX MORALES, Director of Publishing Operations; SUSAN CRESPI, Production Manager; STAN LEE, Chairman Emeritus. For information regarding advertising in Marvel Comics or on Marvel.com, please contact Vit DeBellis, Integrated Sales Manager, at [email protected]. For Marvel subscription inquiries, please call 888-511-5480. Manufactured between 05/27/2016 and 06/06/2016 by FRY COMMUNICATIONS, MECHANICSBURG, PA, USA. GUIDEBOOK TO THE MARVEL CINEMATIC UNIVERSE the command center runs the length of the Bus. The command center contains tactical displays and an interactive touchscreen table used for mission briefings and strat- egy. At the rear of the level is the Cage, an EMP-shielded room for interrogations and imprisonment. Fitz-Simmons’ Lab/Cargo Bay: A state-of-the-art research facility within the Bus’s cargo bay, Leo Fitz and Jemma Simmons’ lab contains equipment needed for on-the-fly biological and mechanical engineer- ing and research. At the lab’s BUS (a.k.a. S.H.I.E.L.D.-616) center is a supercomputer-powered FIRST APPEARANCE: holotable allowing the interactive Marvel’s Agents of S.H.I.E.L.D., Season 1, “Pilot” (2013) inspection, documentation, and analysis of a variety of objects. CXD-23 A-201 airborne Coulson’s Office: Atop the Bus Upon contamination by a highly mobile command stands Coulson’s crow’s nest office, volatile or contagious foreign body, station formerly in a multi-purpose space that doubles the lab can be quarantined from heavy rotation in the as personal sleeping quarters. The the rest of the aircraft. Thanks to a A1990s prior to the advent of the sequestered work area enables retrofit from Fitz, the cargo bay can Helicarrier, S.H.I.E.L.D.-616 has Coulson to take confidential com- project and display an echo IN PROGRESS been assigned to Agent Phil munications and meet privately chamber to holographically recreate Coulson for use by his handpicked with his team. Coulson’s office is a investigation scenes for life-scale unit. These aircraft have the ability tribute to S.H.I.E.L.D.’s history; the inspection. The cargo bay can house to take off vertically using turbojet collection of technology and arti- two terrestrial vehicles—including engine technology. facts surrounding his desk dates one of Coulson’s old S.H.I.E.L.D. back to the first World War. collectables, a 1962 Corvette he An expansive and versatile plane affectionately named “Lola” (Levi- piloted by Agent Melinda May, The Command Center: A tactical tating Over Land Automobile). It the Bus has been heavily modified and operations suite flanked by has also been used to depart the to Coulson’s specifications and sleeping and eating quarters, as plane mid-flight via high-risk para- contains a crow’s nest office, spa- well as a recreation area/lounge, chute free falls. cious living quarters, a command center, a detention area, and a COMMAND CENTER TACTICAL OPERATIONS laboratory connected to a loading dock at the plane’s rear. The Bus’ lower decks are equipped with interchangeable modules to allow for mission-specific versatility, in- cluding quarantine pods and cargo containers. The Bus is capable of docking mid-flight with other air- craft, including S.H.I.E.L.D.’s highly COMMAND CENTER LOUNGE specialized Quinjets. FACT SHEET S.H.I.E.L.D.-616 IS REFERRED TO AS “THE BUS” BECAUSE SHORTHAND IS PREFERRED IN FIELD OPERATIONS. WHILE COULSON WAS IN CENTIPEDE CAPTIVITY, AGENT VICTORIA HAND COMMANDED THE BUS. PHIL COULSON UPDATE FIRST APPEARANCE: Iron Man (2008) gent Phil Coulson had spearheaded S.H.I.E.L.D.’s T.A.H.I.T.I. project, using alien ADNA to resurrect slain operatives, but it was shelved when the test subjects went insane. When Loki murdered Coulson, Director Nick Fury decided saving him was worth the risk, but had false mem- ories implanted hoping to prevent mental deterioration; Coulson be- lieved he had been swift ly revived and had recuperated in Tahiti. Tasking Coulson’s old friend Melinda May to monitor him, Fury instructed Coulson to select agents to investigate strange phenomena, then manipulated parameters so Coulson recruited the operatives May needed—Grant Ward, Leo Fitz, Jemma Simmons, and May herself—to operate aboard the Bus, an airborne command station. During the team’s fi rst mission, to track the Rising Tide hacktivist group and locate unregistered su- perhuman Mike Peterson, Coulson encountered Skye. The young hacker revealed the existence of the shadow organization Centi- pede, which was attempting to create Super-Soldiers using Ad- vanced Idea Mechanics’ unstable Extremis serum. Coulson devel- oped an admiration for Skye, re- cruiting her as a consultant in spite of Ward and May’s objections. AGENTS OF S.H.I.E.L.D. | 2 | GUIDEBOOK TO THE MARVEL CINEMATIC UNIVERSE UNDERCOVER WITH AGENT MAY Unsure of Skye’s loyalty, Coulson Victoria Hand launched a rescue S.H.I.E.L.D. Agent John Garrett, later investigated her mysterious operation, and S.H.I.E.L.D. liberat- during this mission. When Coulson past. With May, he tracked down ed Coulson and arrested Raina. disobeyed a direct order, refusing former S.H.I.E.L.D. Agent Richard to surrender the now-captive Lumley, who informed them that When the team investigated Quinn for incarceration at Skye had been found years before corrupt multinational businessman S.H.I.E.L.D. Fridge detention facil- as an infant in a Chinese village Ian Quinn’s ties to the Cybertek ity, Garrett ordered his protégé, after its destruction. corporation, Skye learned Peterson Agent Antoine Triplett, to inter- was alive—his damaged body aug- vene. Examining Coulson’s file, Fitz Coulson’s team quickly learned to mented with mechanical combat and Simmons deduced that work together despite clashing implants by Cybertek’s clandestine T.A.H.I.T.I. was based at the Guest personalities—locating an 0-8-4, Deathlok program—but she was House. Breaching the facility, Coul- the S.H.I.E.L.D. designation for an shot by Quinn before she could tell son’s team discovered the GH-325 object of unknown origin, in Peru; the team. Coulson placed her into serum despite the Guest House’s retrieving the ancient Asgardian a cryo-chamber to preserve her life. guards initiating the base’s self-de- Berserker Staff, capable of granting He entrusted Fitz and Simmons struct failsafe. Coulson also discov- its user superhuman strength; in- with his personal Death and Re- ered the serum’s alien origins, but vestigating an illness caused by the covery Report in an effort to locate too late to prevent his team admin- remnants of Chitauri warriors from T.A.H.I.T.I. and heal Skye. Coulson istering it to Skye. Despite his fear the Battle of New York; and recov- encountered his old friend, there might be negative side ering the sonic weapon known as the Overkill Device from a Russian separatist group in South Ossetia.
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