Jonathan Shearer Paints En Plein Air :: Duncan Macmillan On
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Curators' Colloquium on Knitted Textiles
Fleece to Fashion Economies and Cultures of Knitting in Modern Scotland Curators’ Colloquium on Knitted Textiles Friday 29 January 2021 1.30 - 4.00 pm on Zoom PROGRAMME 1.30 Welcome and Introduction (Lynn Abrams, Carol Christiansen) 1.40-2.30 Acquisition, Identity and Interpretation Chair: Roslyn Chapman The Challenges of a ‘Living’ Knitwear Collection (Carol Christiansen, Shetland Museum and Archives) Scottish and European Knitted Textiles at National Museums Scotland: collecting, interpretation and display' (Helen Wyld, National Museums of Scotland) 2.30-3.00 Care and Conservation Chair: Sally Tuckett The Care and conservation of Knit Collections (Frances Lennard, University of Glasgow) 3.00-3.05 Leg stretch 3.05-3.50 Interpretation and Display – Conventional and Digital Chair: Lin Gardner Colour Revolution: Bernat Klein and the post-war market for handknitting (Lisa Mason, National Museum of Scotland) Glorious Ganseys: a glance at the Scottish Fisheries Museum’s collection of fishermen’s jumpers with particular focus “Knitting the Herring” and the creation of a National Database (Jen Gordon and Federica Papiccio, Scottish Fisheries Museum) 3.50-4.00 Summing Up and Next Steps Chair: Marina Moskowitz Speaker Biographies Carol Christiansen is Curator and Community Museums Officer at Shetland Museum and Archives. As curator, her main responsibility is the Museum’s nationally recognised textiles collection, which has a large knitted textile component. She holds a PhD from the University of Manchester in Archaeology with a specialisation in Textiles and has worked and published in the specialism with colleagues in the UK and Nordic countries. She is the author of Taatit Rugs: the pile bedcovers of Shetland (2015) and numerous articles on Shetland’s textile heritage. -
Bronwen Sleigh
Last Updated: October 2015. Please contact CYDONIA for more information. ! BRONWEN SLEIGH Born in 1980 Birmingham, UK Lives and works in Glasgow, UK EDUCATION 2008 MA Fine Art Printmaking, Royal College of Art, London, UK 2002 BA Hons Design (Illustration), Glasgow School of Art, Glasgow, UK 1999 Diploma in Foundation Studies, Art and Design, University of Wales, Cardiff, UK AWARDS 2015 Creative Scotland ‘Professional Development’ Award, Edinburgh, UK The Bet Low Trust Funding Award, Quebec, Canada The Leif School of Art Prize, VAS Open Exhibition 2014 Professional Development, Creative Scotland, Edinburgh, UK The Bet Low Trust, Quebec, Canada 2013 Murray Beith Murray Prize, Murray Beith Murray, Edinburgh, UK 2010 Printmaking Today Award, Printmaking Today, Witney, UK School of Art Purchase Prize, Aberystwyth University, Wales, UK 2009 V&A Print Prize, Northern Print Biennale, Newcastle upon Tyne, UK 2008 Alf Dun Award, Royal College of Art, London, UK Davis Langdon Award, Royal College of Art, London, UK RCA Society/ Thames & Hudson Book Prize, London, UK 2007 Tim Mara Calgary Exchange, Royal College of Art, London, UK 2005 Strathclyde University Purchase Prize, Glasgow Print Studio, Glasgow, UK 2002 On Site Drawing Prize, Glasgow School of Art, Glasgow, UK SOLO EXHIBITIONS 2015 Northern Form, CYDONIA, Dallas, Texas, USA 2014 Re-Construct, & Collective, Bridge of Allan, UK Bronwen Sleigh, Glasgow Print Studio, Glasgow, UK 2013 Construct, Edinburgh Printmakers, Edinburgh, UK 2011 Bronwen Sleigh, Eye Two, Edinburgh, UK 2010 Bronwen Sleigh, -
List of Scottish Museums and Libraries with Strong Victorian Collections
Scottish museums and libraries with strong Victorian collections National Institutions National Library of Scotland National Gallery of Scotland National Museums Scotland National War Museum of Scotland National Museum of Costume Scottish Poetry Library Central Libraries The Mitchell Library, Glasgow Edinburgh Central Library Aberdeen Central Library Carnegie Library, Ayr Dick Institute, Kilmarnock Central Library, Dundee Paisley Central Library Ewart Library, Dumfries Inverness Library University Libraries Glasgow University Library University of Strathclyde Library Edinburgh University Library Sir Duncan Rice Library, Aberdeen University of Dundee Library University of St Andrews Library Municipal Art Galleries and Museums Kelvingrove Art Gallery, Glasgow Burrell Collection, Glasgow Aberdeen Art Gallery McManus Galleries, Dundee Perth Museum and Art Gallery Paisley Museum & Art Galleries Stirling Smith Art Gallery & Museum Stewartry Museum, Kirkcudbright V & A Dundee Shetland Museum Clydebank Museum Mclean Museum and Art Gallery, Greenock Hunterian Art Gallery & Museum Piers Art Centre, Orkney City Art Centre, Edinburgh Campbeltown Heritage Centre Montrose Museum Inverness Museum and Art Gallery Kirkcaldy Galleries Literary Institutions Moat Brae: National Centre for Children’s Literature Writers’ Museum, Edinburgh J. M. Barrie Birthplace Museum Industrial Heritage Summerlee: Museum of Scottish Industrial Life, North Lanarkshire Riverside Museum, Glasgow Scottish Maritime Museum Prestongrange Industrial Heritage Museum, Prestonpans Scottish -
Download Craft Scotland Celebrates... Wood PDF 6 Feb 2019
MEDIA RELEASE: Craft Scotland and VAS showcase material mastery in wood by Scotland based makers Three of Scotland's most exciting artists present their work in the third Craft Scotland celebrates... exhibition as part of ALIGHT at Royal Scottish Academy In the third of a planned series celebrating craft mediums Craft Scotland is delighted once again to be partnering with Visual Arts Scotland (VAS) to celebrate contemporary woodworking through a presentation of multidisciplinary works from gifted Scotland based makers. This year Craft Scotland has chosen to explore wood through the diverse work of three makers: Charlotte Barker, Beth Legg and Naomi Mcintosh. Their work is presented alongside hirta, a modular structure that acts as a focus for discussion around materiality, design and making. Challenging the common perceptions of wood, this year the Craft Scotland celebrates... wood showcase highlights the versatility of wood as a craft material, and the diversity of applications it can be adapted to. Selected by the VAS committee and representatives of Craft Scotland, the three invited artists will form the starting point for a wider celebration of the diverse discipline of contemporary woodworking throughout the ALIGHT exhibition. A sense of movement is offered by Charlotte Barker, the wood’s natural texture contrasting with the controlled markings of her ceramic vessels. Beth Legg’s objects and jewellery are rooted in the poetic nature of metal, wood and stone and her fascination with hinterlands while Naomi Mcintosh’s designs explore volume, pattern and movement. Speaking ahead of the exhibition opening Craft Scotland Director Irene Kernan said: “Our media-specific showcases were born out of Craft Scotland and Visual Arts Scotland's mutual ambition to exhibit high-quality craft, alongside works of fine art, in a venue fitting of its stature. -
Strickland, Fiona
TRICKLAND IONA 2008 S , F Flowers and Gardens, Annual Open Exhibition of the b. Edinburgh, Scotland Society of Botanical Artists, Lecture Hall, Central Hall Westminster, London, 2009 RESIDENCE: Scotland Judith Blacklock Flower Gallery, Knightsbridge, London, Email: [email protected] 2009 EDUCATION Autumn, Society of Botanical Artists, Palmengarten, Frankfurt, D.A. and Postgraduate Diploma, Drawing and Painting, 2010 Edinburgh College of Art, Edinburgh, 1974–1978, 1979 Botanical Paintings, Art Amatoria, Edinburgh, 2010 P.G.C.E., Secondary teaching qualification, Art and Design, Cumberland Lodge, Windsor Great Park, 2010 Moray House School of Education, Edinburgh, 1980 Gold Standard: An Exhibition of Botanical Art, Royal Horticultural Society and Fulham Palace, Fulham Palace, CAREER London, 2010 Art and Design Teacher, Bo’ness Academy, 1980–1991; Alloa Academy, 1991–1993; Art and Design Principal Teacher, HONOR(S)/AWARD(S) Bannockburn High School, Stirling, 1993–2006 Scholarship to Hospitalfield House, Edinburgh College of Botanical artist, 2008– Art, Arbroath, 1977 Traveling scholarship to Italy and France, Edinburgh College MEMBERSHIP of Art, 1978 Society of Botanical Artists Runner-Up, St. Cuthbert’s Mill Award, 2008; People’s Choice MEDIUM Award, 2008; Margaret Grainger Memorial Silver Bowl, Watercolor 2009; Certificate of Merit, Society of Botanical Artists, 2009 ONE-PERSON EXHIBITION(S) Dawn Jolliffe Botanical Art Bursary, 2008; Gold Medal, Royal Abstract Paintings, The Collective Gallery, Edinburgh, 1985 Horticultural Society, -
Exhibitions & Art Fairs Exhibiting
Dan Klein Associates Promoters Of Contemporary Glass. (Alan J. Poole) 43 Hugh Street, Pimlico, London SW1V 1QJ. ENGLAND. Tel: (00 44) Ø20 7821 6040. Email: [email protected] Website: www.dankleinglass.com Alan J. Poole’s Contemporary Glass News Letter. A monthly, group email listing information relating to British & Irish Contemporary Glass Artist’s events and activities. Featuring Artists based at home or abroad and also foreign nationals that have ever resided or studied for any period of time in the UK or Ireland. April Edition. * - indicates new or amended entries since the last edition. 01/10/1104/04/12. “Contemporary Glass In Foreign Countries”. inc: Jiří Harcuba, Gillian Mannings Cox, Zora Palová, Ronald Pennell, Stephen Procter, Colin Reid & Mare Saare. Koganezaki Glass Musem. Koganezaki Crystal Park Co. Ltd. Shizuoka-ken. J. Tel: 00 81 558 551 515. Fax. 00 81 558 551 522. Email: [email protected] Website: www.kuripa.co.jp 20/11/1115/04/12. “21st. Century Icons”. Mixed Media Touring Exhibition. inc: Emma Bourke & Róisín De Buitléar. Ccol National Craft Gallery. Kilkenny./Rathfarnham Castle. Dublin. IRL. Tel: 00 353 1 493 9462. Email: [email protected] Website: www.heritageireland.ie/en/Dublin/RathfarnhamCastle 08/12/1101/04/12. “The Tool At Hand”. Mixed Media Exhibition. inc: Tavs Jørgensen. Milwaukee Art Museum. Milwaukee (WI). US. Tel: 00 1 414 224 3200. Fax. 00 1 414 271 7588. Email: [email protected] Website: www.mam.org 2012. 17/03/1214/04/12. “The Force & Form Of Memory”. Mixed Media Touring Exhibition. inc: Angela Steel. The Stirling Smith Art Gallery & Museum. -
Latest CV Linda Green 2015
Linda Green MA (RCA) Education 2006 PG Certificate in Learning and Teaching. 1980 Royal College of Art, London M.A. Textiles 1978 Edinburgh College of Art. Post–Graduate Diploma with Distinction. Tapestry 1977 Edinburgh College of Art. D.A. Tapestry Awards and Sponsors 2015 Artists’ Bursary Creative Scotland 2014 Art Tapestry4 Award. Presented at opening in Rovaniemi 2013 Invited Artist, Visual Arts Scotland, RSA Galleries Edinburgh 2012 Inches Carr Trust Bursary Award 2010 Creative Scotland Award 2010 Theo Moorman Trust for Weavers Award 2003 The Scottish Arts Council Professional Development Award – SOFA Chicago 2002 The Scottish Arts Council Professional Development Award – Fresh Art London 1999 The Scottish Art Council. Visual Artists Award 1998 The Glasgow school of Art. Research Fellowship 1998 The Scottish Arts Council. Visual Artists Award 1997 The British Council, Scottish Courage, The Hope Scott Trust, The Great Britain Sasakawa Foundation 1996 Glasgow School of Art Research Award 1992 The British Council Travel Award 1985 Scottish Arts Council. Young Artists Award Solo Exhibitions 2013 ‘From Straw to Gold’ Thomson’s Tower, Dr Neils’ Garden, Edinburgh 2012 ‘From Straw to Gold’ The Herbarium, Royal Botanic Garden Edinburgh. 2011 ‘From Straw to Gold’ Weft, Pittenweem. Scotland 2005 Doors Open Day Exhibition. Innovative Crafts at 17 Royal Terrace Mews 2003 The Hub Edinburgh in association with The Scottish Gallery 2001 17 Royal Terrace Mews in association with Richard Murphy Architects 1998 17 Royal Terrace Mews in association with Richard Murphy Architects 1992 ‘Diary of a Journey’ Gallery Beni, Kyoto Japan 1992 The Scottish Gallery, Edinburgh 1985 The Northern Centre for Contemporary Art, Sunderland 1984 ‘Paper Constructions’ Artspace, Aberdeen Selected Exhibitions 2015 Invited Artist ‘Clothed by Plants’ Pittenweem Arts Festival. -
Dalziel + Scullion – CV
Curriculum Vitae Dalziel + Scullion Studio Dundee, Scotland + 44 (0) 1382 774630 www.dalzielscullion.com Matthew Dalziel [email protected] 1957 Born in Irvine, Scotland Education 1981-85 BA(HONS) Fine Art Duncan of Jordanstone College of Art and Design, Dundee 1985-87 HND in Documentary Photography, Gwent College of Higher Education, Newport, Wales 1987-88 Postgraduate Diploma in Sculpture and Fine Art Photography, Glasgow School of Art Louise Scullion [email protected] 1966 Born in Helensburgh, Scotland Education 1984-88 BA (1st CLASS HONS) Environmental Art, Glasgow School of Art Solo Exhibitions + Projects 2016 TUMADH is TURAS, for Scot:Lands, part of Edinburgh’s Hogmanay Festival, Venue St Pauls Church Edinburgh. A live performance of Dalziel + Scullion’s multi-media art installation, Tumadh is Turas: Immersion & Journey, in a "hauntingly atmospheric" venue with a live soundtrack from Aidan O’Rourke, Graeme Stephen and John Blease. 2015 Rain, Permanent building / pavilion with sound installation. Kaust, Thuwai Saudia Arabia. Nomadic Boulders, Permanent large scale sculptural work. John O’Groats Scotland, UK. The Voice of Nature,Video / film works. Robert Burns Birthplace Museum. Alloway, Ayr, Scotland, UK. 2014 Immersion, Solo Festival exhibition, Dovecot Studios, Edinburgh as part of Generation, 25 Years of Scottish Art Tumadh, Solo exhibition, An Lanntair Gallery, Stornoway, Outer Hebrides, as part of Generation, 25 Years of Scottish Art Rosnes Bench, permanent artwork for Dumfries & Galloway Forest 2013 Imprint, permanent artwork for Warwick University Allotments, permanent works commissioned by Vale Of Leven Health Centre 2012 Wolf, solo exhibition at Timespan Helmsdale 2011 Gold Leaf, permanent large-scale sculpture. Pooley Country Park, Warwickshire. -
ASVA Visitor Trend Report, December 2015 Dashboard Summary, December 2015
ASVA Visitor Trend Report, December 2015 Dashboard Summary, December 2015 Scotland Total Visitor Numbers Usable data was received from 179 sites. The total number of visits recorded in December 2015 was 1,157,383; this compares to 1,154,657 in 2014 and indicates an increase of 0.2%. Excluding Country Parks Month of December 1,157,383 0.2% p ASVA's Commentary and Observations for December 2015 Year-to-Date 25,430,260 3.1% p Please note that figures can only be used when there is comparable data for both years, so if you submitted figures for Including Country Parks 2015 and do not see these in the listing, this is the reason. Month of December 1,586,034 2.1% p The marginal increase of 0.2% shown (excluding Country Parks) brings the year to an end and sees 45% of respondents Per Region noting an increase. Northern Scotland 48,350 -7.2% q December is typically one of the quietest months of the year although in some sites Christmas related activities do boost *Northern Scotland † 47,300 -9.2% q This report was numbers (see New Lanark Visitor Centre). Looking at the dashboard summary, two of the regions show increased visitor Eastern Scotland 702,346 2.3% p produced for ASVA by numbers and two show a decrease. Despite the extremely wet weather (see next paragraph), and for some against the Southern Scotland 30,179 0.7% p odds, several sites did show healthy increases including: Dundee Science Centre (140%), FC Scotland The Lodge Visitor Western Scotland 805,159 2.5% p Centre (36%), Gallery of Modern Art (16%), Highland Wildlife Park (49%), Kelvingrove (11%), Riverside Museum (7%), *Western Scotland † 377,558 -51.9% q Scottish Fisheries Museum (2209%), Scottish National Gallery of Modern Art (67%) and The Real Mary King’s Close (37%) Weather-wise, December was mild with mean temperatures 3⁰C above average. -
ASVA Visitor Trend Report, October 2015 Dashboard Summary, October 2015
ASVA Visitor Trend Report, October 2015 Dashboard Summary, October 2015 Usable data was received from 223 sites. The total number of visits recorded in October 2015 Scotland Total Visitor Numbers was 2,155,066; this compares to 2,035,082 in 2014 and indicates an increase of 5.9%. Excluding Country Parks Month of October 2,155,066 5.9% p ASVA's Commentary and Observations for October 2015 Year-to-Date 23,015,318 3.8% p Please note that figures can only be used when there is comparable data for both years, so if you submitted figures for 2015 and do not see these in the listing, this is the reason. Including Country Parks The increase of 5.9% shown (excluding Country Parks) is encouraging with 69% of respondents noting an increase (thus Month of October 2,803,238 6.0% p 31% noted a decrease!). Per Region ‘The Outlander’ effect appears to be diminishing although some sites are still enjoying increased visitor numbers This report was including: Culloden Battlefield, Falkland Palace and Doune Castle. Looking at the dashboard summary, all regions show Northern Scotland 183,637 16.9% p increased visitor numbers. Northern Scotland continues to show above average increases and most sites there taking produced for ASVA by Eastern Scotland 1,174,321 4.2% p part in this survey note increased visitor numbers including: Highland Folk Museum, Highland Wildlife Park, Talisker Southern Scotland 75,193 17.1% p Distillery, Nevis Range, Urquhart Castle and two others who requested confidentiality. Western Scotland 1,370,087 5.6% p Across the rest of the country a number of larger sites show meaningful increases which in turn will have had a positive influence on the overall figure: Edinburgh Bus Tours, Edinburgh Castle, Edinburgh Zoo, Galley of Modern Art, Kelvingrove, Per Attraction Category Riverside Museum, Scottish National Gallery and St Giles Cathedral. -
Glasgow Museums (£52,145), City of Edinburgh Museums and Galleries (£24,250), the Hunterian (£18,329) and Aberdeen Art Gallery and Museums (£17,027)
National Fund for Acquisitions Grants Paid 2010–2011 National Fund for Acquisitions Grants Paid 2010–2011 Hazel Williamson National Fund for Acquisitions Manager National Museums Scotland Chambers Street Edinburgh EH1 1JF Tel 0131 247 4106 email [email protected] Cover: Colour woodblock print, Kyōbashi Takegashi from Meisho Edo Hyakkei, 1857, by Utagawa Hiroshige. Acquired by The Hunterian with a grant from the National Fund for Acquisitions. National Fund for Acquisitions The National Fund for Acquisitions (NFA), provided by Scottish Government to the Trustees of National Museums Scotland, contributes towards the acquisition of objects for the collections of Scottish museums, galleries, libraries, archives and other similar institutions open to the public. The Fund can help with acquisitions in most collecting areas including objects relating to the arts, literature, history, natural sciences, technology, industry and medicine. Decisions on grant applications are made in consultation with curatorial staff at National Museums Scotland and the Directors and staff of the National Galleries of Scotland and the National Library of Scotland who provide expert advice to the Fund. While recognising that the financial climate is extremely difficult, National Museums Scotland was particularly dismayed to learn of a 25% cut to the NFA’s already limited funding, reducing the grant to only £150,000 in financial year 2011/12. NFA funding had remained at £200,000 per annum since 1996, a figure which in real terms has declined very considerably in value during the subsequent fifteen years. Clearly the extent of the cut means that the NFA cannot support collecting in Scotland as effectively as we would wish. -
WILLIAM SCOTT (B.1913 Greenock, Scotland)
WILLIAM SCOTT (b.1913 Greenock, Scotland) EDUCATION Belfast College of Art Royal Academy Schools (1935) SELECT SOLO EXHIBITIONS 2019 Paintings and Drawings: Fifties Through Eighties, Anita Rogers Gallery, New York, NY 2016 Verey Gallery, Eton College, Form – Colour – Space, Windsor, UK 2016 Fermanagh County Museum, William Scott: The Early Years, Enniskillen, Northern Ireland 2015 Fermanagh District Council Town Hall, William Scott Paintings at Enniskillen’s Town Hall, Enniskillen, Northern Ireland 2014 Pallant House gallery, Three pears and a Pan, 1955, Chichester, UK 2013 The Gordon Gallery, the Altnagelvin Mural, Derry, Northern Ireland 2013 The Ulster Museum, William Scott: Centenary Exhibition, Belfast, Northern Ireland 2013 The Hepworth Wakefield, William Scott, Wakefield, UK 2013 McCaffrey Fine Art, William Scott: Domestic Forms, New York, NY 2013 Victoria Art Gallery, William Scott: Simplicity and Subject, Bath, UK 2013 Denenberg Fine Arts, William Scott Works on Paper 1953-1986, Los Angeles, CA 2013 Karsten Schubert, William Scott 1950s Nude Drawings, London, UK 2013 Jerwood Gallery, William Scott: Divided Figure, Hastings, UK 2013 Enniskillen Castle Museum, Full-Circle: William Scott Centenary Exhibition, Enniskillen, Northern Ireland 2013 Tate St Ives, William Scott, and touring: Hepworth Wakefield; Ulster Museum, Belfast, Northern Ireland 2012 McCaffrey Fine Art at Frieze Masters, William Scott, London, UK 2010 McCaffrey Fine Art, William Scott, New York, NY 2009 F.E. McWilliam Gallery and Studio, William Scott in Ireland. Paintings, Drawings Gouaches and Lithographs 1938–1979, Banbridge, Northern Ireland 2006 Fermanagh County Museum, Celebrating William Scott: Paintings from Fermanagh County Museum, Enniskillen, Northern Ireland 2005 Denise Bibro Fine Art, William Scott Works on Paper, New York, NY 2005 Lorenzelli Arte, William Scott La voce dei colori, Milan, Italy 2005 Archeus Fine Art, William Scott.