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Home , Deva (Hinduism), You Gotta Move (video)

M ANTRA NAMO PREMAL & MITEN: SUNRISE (The Essence/ Satsang/ More than Music) (Satsang) (The Essence, More than Music) (Capo 5th fret) , SONGS & CHANTS Am E Om bhur bhuvaha svaha Sunrise Am E7 Am/G A E om namo Tat savitur varenyam Over the mountain E7 E A Om namo narayana “The word is untranslatable in English, in F Spreading your light Dm Am any Western language, but its meaning, its Bhargo devasya dhimahi Hari om namo narayana significance, can be explained to you. A mantra is Dm Gsus G E-B7 Dm Am not just something to chant. It is not chanting. A Dhiyo yonah prachodayat Over the land Hari om namo narayana mantra is something to let sink deep in your being, E just as roots go deep into the earth. The deeper the Sunrise Praise to the source of all things. It is due roots go into the earth, the higher the tree will go A E Am E7 Am to you that we attain true happiness on all into the sky. Another new morning Hari om namo narayana planes. It is due to your transcendent A mantra is something like a seed to be allowed to A Am E7 Am nature that you are being worshipped and go deep into your being so that it can send its roots We celebrate Hari om namo narayana adored. Ignite us with your all pervading E7 to the sources of your life and finally to the B7 E light. Om namo narayana universal life. Then its branches, its foliage will go We are the new man (Miten/Deva Premal) Dm Am high into the sky, and when the right time comes, (Miten) Hari om namo narayana when the spring comes, it will be filled with Dm Am thousands of flowers.$ Hari om namo narayana -Osho- I bow down to the divine. SALAAM MEVLANA (Nilash Gujarati) YA AZIM (capo 5th fret) WENDEY A (Global Heart Native Soul) Am G Am D Salaam mevlana salaam D A Wendeya ho Am G Am Ya azim, ya azim D Salaam mevlana salaam G Wendeya ho SHIMA F hoo D (The Essence) Salaam mevlana D Wendeya, wendeya Am El allah hoo D Salaam mevlana Dm Dm A Ho, ho, ho, ho, heyo, heyo Am G Am Shima shima shima shima Allah hoo D A D Salaam mevlana salaam Dm G D Ya, ya, ya Shima shima Hallelu- May peace be with you, beloved. C Dm Celebration of the new morning. (Sufi) Shi- How beautifully does reveal himself (Cherokee) through you. (Sufi) Shima means love. (Hopi) 1 1 2 1 YEMAYA ASSESSU OM NAMAH IB-ACHÈ IDE WERE WERE (The Essence / Satsang) (Trusting The Silence) (Love is Space) G (Capo 2nd fret) A Bm Om namah shiva A Bm Em D Yemaya Assessu G C-G-D Ahhh...... ib-aché, Ide were were nita ochun D E A Om namah shiva Bm Cmaj7 Assessu yemaya Ib-acheo, A Bm Ide were were Bm Yemaya olodo G Em D Ib-bababa, D E A Om namah shiva Ide were were nita ochun A Olodo yemaya C D G Cmaj7 Shiva om namah Ib-bayeye Ide were were nita ya A celebration of the moment when the river E A D meets the ocean. I honor the divine in you. Ib-aché Ocha kiniba nita ochun (Robert Gass) Yemaya is the godess of the ocean and the G C mother of all goddesses. Hail to the gifts. Cheke cheke cheke (Yoruba, Africa) Hail to the gift of myself. D Hail to the gift of mother earth. Nita ya and father sky. Bm B7 (Africa) Ide were were WICHI TI TI "...Everybody is musical. Music is part of our Ochun is the goddess of love, Em life on Earth. If you don’t sing, because you chant which speaks about a necklace Wichi ti ti timorai think you can’t sing, it doesn’t make the which is a symbol of the initiation into Em SHREE RAM singer in you smaller. It just means you are love. Horanika, horanika (Trusting The Silence) not honouring your talent...$ Em (Yoruba, West Africa) -Aborigenes of Australia- Hey ney, hey ney D D Em Shree ram jai ram No aye D A BISMILLA H Jai jai ram om (Capo 5th fret) Em FROM YOU I RECEIVE Water, water spirits, G F#m Em Shree ram jai ram Am E7 Am Em-A D Bismillah erachman erachim (2x) C F Spinning round my head Jai jai ram om C B7 Em From you I receive, Em D Em G C I´m so glad that I´m not dead Bismillah erachman erachim (2x) To you I give, Glory to Ram, the all pervading being, Am Dm (Native American) and the Goddess , the mother of One unity, all mercy, all . Together we share, abundance. (Sufi) C Thy will be done. In this we live. (India) 3 4 2 2 OM MANI PADME HUM “A man is fully enlightened only when he OM S H REE S ACHÉ (Love is Space) disappears completely, when there is (Love is Space, More than Music) (Capo 5th fret) nothing left inside, when he is just like a (capo 4th fret) hollow bamboo and becomes a flute and the The birds have flown to freedom. Am whole starts singing through him. When the Am Dm The cage lies empty. Om mani padme hum song is no more his, then the song is divine.$ Om shree saché maha prabhu Your happy songs bring me G Am -Osho- C the scent of . Om mani padme hum Ki jai Please keep singing... Am G F C -Rumi- Om mani padme hum Paramatma ki jai G Am Dm G--E7 Om mani padme hum Om shanti shanti shantihi om Fmaj7 G OM NAMO NARAYANAYA Om mani padme hum (Love is Space) May the ultimate truth and that which Fmaj7 G Fmaj7-Am is beyond all boundaries be victorious. Om mani padme hum G C D G May there be peace, peace, peace. SAT PATIM/ OM SHRIM Am G Am Om namo narayanaya (Praful) (Songs for the Inner Lover) Om mani padme hum G C D G Om namo narayanaya A D The sound of silence, the diamond in the Sat patim dehi parameshwara lotus. I bow down to the divine. A E (Miten/Deva Premal) (India) Sat patim dehi parameshwara A Dm A-E OM RAM RAMAYA Sat patim dehi parameshwara (Embrace) KU WA TE Please give to me a man of truth who OM ASATOMA embodies the perfect masculine (Global Heart Native Soul) F#m (The Essence) principles. (Capo 5th fret) Om ram ramaya (drop D tuning) Mantra for women to attract a love C# Am partner. Dm Svaha Kuwate linyo linyo mahote Om asatomo satgamaya Bm G Am Om ram ramaya Om shrim shriyei namaha Hayano, hayano, hayano Tamasoma jyotir gamaya A Am C Dm Svaha We are one in the infinte sun Mrityorma amritamgamaya Om and Salutations to the creative G Am E abundance that is the very form of this Forever and ever and ever Take us from the false to the truth, Om universe. from darkness to light, Mantra which expresses and attracts (Native American) from death to deathlessness. An invocation to , whose perfection the feminine () energy of the (India) exists in us all. (Praful) universe. (Miten/Deva Premal)

5 6 3 3 OM TARE “You have not to repeat the mantra, you have to TEYATA (Embrace, More than Music) understand its meaning and let that meaning (Embrace) (Capo 3rd fret) sink into you. Sitting silently, be utterly quiet, unmoving. Watch your mind. A few thoughts will Dm C “And when you are madly dancing, madly Am Fmaj7 be there, but as you become silent those thoughts Teyata om bekanze singing, when you are joyful without any Om tare tuttare will disappear, and suddenly you hear a humming Bb Am Gm control, without your presence, when the joy G Am sound all around you. Bekanze maha bekanze is so full, overflowing -- you are flooded with Ture swaha That humming sound is not made by you. Am Dm it and all control is abandoned -- then you It is at the very center of existence. Radza samudgate soha will see a miracle: death and life dancing Dm E7 It is the sound of the skies. together#$ Om tare tuttare It is the sound of space. It is like this. -Osho- Fmaj7 It is the sound of the universe; it is its indication Medicine Buddha, you are the King, the Ture of aliveness. It is vibrating with dance and music. Supreme Healer. Fmaj7 This OM is perhaps the greatest symbol in the Please remove illness, illness and the Swaha whole world.$ great Illness. Now I offer this prayer. -Osho- An invocation to , the female OM NAMO BHAGAVATE One of the most important mantras for healing, it counterpart of Avalokiteshvara, the (Embrace, More than Music) asks for healing from the illusion of duality. This Bodhisattva of Compassion. The Tara is mantra is also used for the dying process. pictured many-armed, symbolizing the (India) powers and attributes she has cultivated A F#m-D-Bm to save all sentient beings. ISHQ-ALLA H Om na-mo (Praful) (Songs for the Inner Lover)

E F#m C#m - D A E F#m D Bha-ga-va-----te Ishq-allah mah-bud-lillah A F#m D A RINPOCHE MANTRA A F#m-G-E SO MUCH MAGNIFICENCE Ishq-allah mah-bud- lil- lah (2x) (Dakshina) -ya (Songs for the Inner Lover, More than Music) A F#m Bm Om is the name of that inside me, which D A Bm F#m Allah ya jamil Om ah hung is aware of the unity of all things. There is so much magnificence D A Em F#m (Praful) G D Allah ya jamil Benza guru Near the ocean F#m Bm Em F#m Bm Em Allah ya jamil Pema ------ hung Waves are coming in E A A Allah allah I invoke you, Guru Rinpoche Waves are coming in Padmasambhava! By your , may God is love, lover and beloved, you grant us mundane (health, wealth, Halleluja God is beauty. success) and supreme (enlightenment, (/ Peter Makena) (Sufi) liberation) realisation. (Miten/DP/Sachs) 7 8 4 4 SHREE RAM “OM is the sound when everything else AARTI FLY HIGH (Embrace) disappears from your being -- no thought, no (capo 5th fret) dream, no projections, no expectations, not even C G G-Bm Em a single ripple -- your whole lake of consciousness Jaya jagadisha hare Fly fly high D C/D is simply silent; it has become just a mirror. In F G Am – C D Shree ram jai ram those rare moments you hear the sound of Prabhu jaya jagadisha hare Let the earth --- touch the sky. G D silence. It is the most valuable experience G C Jai jai ram om because it not only shows a quality of the inner Bhakta janon ke sankat () G D G D music -- it also shows that the inner is full of G C Shree ram jai ram harmony, joy, blissfulness. All that is implied in Bhakta janon ke sankat G D A-----D the music of OM.$ Am Jai, jai, ram om, -Osho- Kshana men doure kare G C ONE BREATH Glory to Ram, the all pervading being, Aum jaya jagadisha hare and the Goddess Lakshmi, the mother of C abundance. Victory to You! Oh, Lord of the World. One breath Thy will be done. AAD GURAY NAMEH In a moment You remove the difficulties F maj7 (Miten/Deva Premal) (Dakshina) of your devotees. Breath of eternity A D A Whosoever meditates on You, G Aad guray nameh receives the fruit of meditation and all One song F#m D A their sorrows end. C Am Jugaad guray nameh Their homes are happy and prosperous Becomes a symphony of hearts F#m D A and all physical difficulties end. Fmaj7 G OM NAMAH SHIVAYA Sat guray nameh (India) Beating in harmony with you (Dakshina) F#m E A Siri guru de------vay nameh Beloved one C Dm Bb G C Om namah shiva------ya I bow to the Primal Guru, (Abhi Ktori) C F Bb C I bow to the Guru woven through time Om namah shivaya I bow to the True Guru, the true God made a statue of clay in his own image, identity of the self. and asked the soul to enter into it; but the LI LI LI LI I bow to the Great Guru whose great soul refused to be imprisoned, for its nature Om and Salutations. May the elements glory will always be. is to fly about freely. Dm / C / Dm / D /Am / Dm of this creation abide in me in full Guru: that which brings us from darkness Then God asked the angels to play their Dm / D / Gm / Dm / Bb / A / Dm manifestation. (GU) to light (RU). music. Moved to ecstasy, the soul entered (Praful) (Snatam Kaur Khalsa) the body. Gm / C / F / Bb -Hafiz- Gm / C / F / Gm

(Hebrew/Carioca)

9 10 5 5 AASSSAALLAAMM A LAALIKAUIKMUM NANDAM HARI OM SHIVA OM HASOSMALAAGME TAOLA KIRKIUSMHNA BRAHMA NANDAM HARI OM SHIVA OM HOMAGE TO (Dakshina) (Embrace) (Dakshina) (Dakshina) (Embrace) (Dakshina) DmDm Dm May the love we share here Dm Am As the love we share here Bm F#m May the love we share here Bm F#m Dm Am Spread its wings Hari om shiva om Brahma nandam parama sukhadam ESpread Bm its wings C Am Brahma nandam parama sukhadam Hari om shiva om E Bm C Am And fly across the earth and sing Bb Dm spreads its wings G F#m Bm HareAnd fly krishna across the earth and sing G F#m Bm Bb Dm Am Dm Shiva om hari om Kevalam jnayana murtim Am F Dm Dm Kevalam jnayana murtim Shiva om hari om F Dm its song to every soul that is alive. (response) and flies across the earth and sings Bm B G Krishnaits song krishna to every soul that is alive. Bm B G (response) Krishna krishna Dm Dvandvateetam gagana sadrisham Dm C Bm Dvandvateetam gagana sadrisham C Bm May the of your grace, my love Dm C F#m G Bm JaiMay jai the blessings of your grace, my love Dm C Jai jai C Dm Hari om shiva om F#m G Bm Be felt by everyone and Tatvamasyadi lakshyam Be felt by everyone and Hari om shiva om its song to every soul that is alive. Bb Dm Tatvamasyadi lakshyam C C Bb Dm Hare rama rama rama Hare rama rama rama May we all see the light Shiva om hari om Shiva om hari om nityam vimalamachalam JaiMay jai we all see the light Ekam nityam vimalamachalam Dm Dm (response) Jai jai Sarvadhee bhutam Dm Sarvadhee sakshi bhutam (response) AndWithin, the within,blessings within. of this pure love Bhava-teetam triguna-rahitam Within, within, within. Bhava-teetam triguna-rahitam Dm Bb E Bm A F#m Sadgurum tam namami Sadgurum tam namami Dm Bb E Bm A F#m areDm felt by everyone and Hari om shiva om JaiDm jai ram om krishna hare Hari om shiva om Jai jai ram om krishna hare Assalam C alaikum (men) C Dm Salutations to the inner guru, the inner Assalam alaikum (men) Salutations to the inner guru, the inner C Dm wAlaikume all see assalam the light (women) within. guiding light. Shiva om hari om (Praful)Alaikum assalam (women) guiding light. Shiva om hari om Assalam alaikum (men) (response) (Praful) Dm Who is the embodiment of pure delight, Assalam alaikum (men) Who is the embodiment of pure delight, (response) Alaikum assalam (women) Who is the giver of supreme happiness. Across the earth we sing: Alaikum assalam (women) Who is the giver of supreme happiness. C Who is beyond the dualities of this material Hari is another name of Lord . C Who is beyond the dualities of this material Hari is another name of Lord Vishnu. Assalam alaikum (men) world; Who is as infinite as the sky. Who is Can also be translated as The Remover Assalam alaikum (men) world; Who is as infinite as the sky. Who is Can also be translated as The Remover Alaikum assalam (women) the sole aspiration and goal of life; of ego. JAlaikumAI RAD assalamHA M (women)ADHAV the sole aspiration and goal of life; of ego. Shalom Shalom Who is unique, eternal, pure, unwavering. Universal mantra of cosmic vibration. JAI MADHAV Dm Dm Who is unique, eternal, pure, unwavering. Universal mantra of cosmic vibration. Alaikum assalam Who sees with the eyes of wisdom; (Love is Space/Satsang) (Love is Space/Satsang) Assalam alaikum (men) (Miten/ Manish Vyas) Who sees with the eyes of wisdom; (Miten/ Manish Vyas) Who is beyond emotions and beyond the Assalam alaikum (men) Alaikum assalam (women) Who is beyond emotions and beyond the three gunas (binding aspects of our nature) CmAlaikum assalam Ab (women) Om Shanti Om three gunas (binding aspects of our nature) Cm Ab - (bliss), (animal instinct) and Jai radha madhav - Sattva (bliss), Rajas (animal instinct) and Jai radha madhav (lethargy). Bb Cm LA I L LAHA/ H A LLELUJAH ( ) Tamas (lethargy). Bb Cm Manish Vyas The sun turns a key LA I L LAHA/ H A LLELUJAH (Manish Vyas) (Peter Makena/Miten) Jai kunj vihari The sun turns a key Jai kunj vihari in a lock each day Cm in a lock each day Cm G Em as soon as it crawls out of bed. as soon as it crawls out of bed. JaiG jana Em vallabh Jai gopi jana vallabh La illaha illallah Light swings open a door Light swings open a door “Today like every other day, we wake up BbLa illaha illallah Cm “ , Am D and the many kinds of love rush out Today like every other day we wake up and the many kinds of love rush out Bb Cm empty and frightened. Don’t open the door onto the infinite green field. JaiAm gire balihari D La illaha illallah empty and frightened. Don’t open the door onto the infinite green field. Jai gire balihari to the study and begin reading, take down a La illaha illallah to the study and begin reading, take down a musical instrument. Your soul sometimes plays a note This is an invocation that celebrates the Halleluja hallelujah musical instrument. Your soul sometimes plays a note This is an invocation that celebrates the Let the beauty we love be what we do. against the Sky's ear that excites the loveHalleluja between hallelujah Radha and Krishna. against the Sky's ear that excites the Ha------llelujah Let the beauty we love be what we do. love between Radha and Krishna. There are hundreds of ways to kneel and kiss birds and planets. Ha------llelujah birds and planets. (Jagjit Singh) There are hundreds of ways to kneel and kiss (Jagjit Singh) the ground.$ Stay close to any sounds that make you glad Stay close to any sounds that make you glad to be alive. the ground.$ God is great. (Anubhava) - God is great. (Anubhava) to be alive. Rumi -Hafiz- -Rumi 11 11 -Hafiz- 12 12 6 6 6 LOKAH SAMASTA FLY HIGH OM NAMO AMITABHAYA (Soul in Wonder) (Soul in Wonder) (capo 2 nd fret) G ATE GATE LOKAthH SAMASTA FLY HIGH OM NAMO AMITABHAYA (c(aSpouo l4 in Wfreotn)d er) (Soul in Wonder) (capo 2 nd fret) (LoveGA TisE Space GA) TE th (capo 4 fret) (Love is Space) G Em Am Dm C Am Em G Em Fly fly high OmAm namo amitabhaya Dm GaC te gate LokahAm samasta Em Fly fly high Am7 - C Om namo C amitabhaya Bb Am GGa te gate Lokah samasta Am7 - C let the earth Buddhaya, C dha rm aya, Bb sanghaya Am PaGra ---gate C G-Em Am let the earth D Buddhaya, dharmaya, sanghaya FPa ra---gate sukhC in Go- Em bhavantu Am (2x) D touch the sky PaFra sam----gate sukhino bhavantu (2x) touch the sky Am G F CPa rasam----gate

OmAm namo, omG namo, omF namo BodhC iswaha Am G Em F Om Shree Rama Om namo, om namo, om namo Bodhiswaha LokahAm samasta G sukh in Emo bhavantu F Om Shree Rama Jaya Rama E7 Lokah samasta sukhino bhavantu Jaya Rama Jaya Jaya Rama AmE7it abhaya (2x) Go ne, gone beyond. Am Em Jaya Jaya Rama Amitabhaya (2x) GoGonene, altogethe gone beyond.r beyond. LokahAm samasta Em (Peter Makena/ Martyn Phillips) Oh,Gone what altogethe an awakenr beyond.ing. Lokah samasta (Peter Makena/ Martyn Phillips) I bow down to Amitabhaya (Buddha of Oh, what an awakening. C G-Em Am (from the Heart of Buddha) LIig ht).bow down to Amitabhaya (Buddha of sukhC in Go - Em bhavantu Am (from the Heart Sutra of Buddha) IL bowight). down to all the teachers, to all sukhino bhavantu theI bow teach downings, to and all theto the teache community.rs, to all

the teachings, and to the community.

F G D CALMA E TRANQUILIDADE OmF shanti G , shanti D (SCoAulL iMn WAo End eTrR) ANQUILIDADE Om shanti, shanti (Soul in Wonder) F G D Em -Am Em F G D Em -Am Om shanti, shanti, shantihi CalmaEm e tranquilidade RADHE GOVIND A nd Om shanti, shanti, shantihi EmCalma e tranquilidade (cRaApoD 2H Efr eGt)O VINDA nd saoEm as ordems do senhor (capo 2 fret) May all beings everywhere be happy and Emsao as o rd ems Amdo senhor Em9 Em fMayree. all beings everywhere be happy and calmaEm e t ra n qilid Amade RadheEm9 Radhe Radhe Go v in Emda (2x) Mayfre e.all my thoughts and actions calma B7 e t ra n qilid Emade AmRadhe C Radhe D Radhe Go Emvin da (2x) contMayrib allute my to thoughts that happ andiness act andions to that pa ra reB7cebe r o amor Em RadheAm Radhe C Radhe D Go v inEmda (2x) fcontreedom.ribute to that happiness and to that para receber o amor GRadhe D Radhe C Radhe (2x) freedom. Bm -Em Bm -Em RadheG RadheD Radhe C Govinda (M ichael Done) hmmmmBm-Em hmmmmm Bm -Em GRadhe D Radhe C Radhe Govinda (Michael Done) hmmmm hmmmmm RadheG RadheD Radhe C Gopal (re ceived by Carioca) Radhe Radhe Radhe Gopal (received by Carioca) Love song to Radha and Krishna

(JaLovei Uttal) song to Radha and Krishna

(Jai Uttal)

7 7 13 7 14 13 14 SRI BHAGAVATI JAI RADHA MADHAV MOOLA MANTRA - the female aspect, Bm which is characterized as the supreme In the light of love (Love is Space/Satsang) intelligence in action, the power (the C

Shakti). It is referred to the Mother we are home C#m Earth (Divine Mother) aspect of the Cm Ab Om Satchitananda Parabrahma creation. Jai radha madhav Em C#m SAMETHA – together, in communion with Bb Cm in the light of love Purushothama Paramatma SRI BHAGAVATE - the male aspect of Jai kunj vihari D F#m G#m the creation, which is unchangeable and Cm we heal and sing Sri Bhagavati Sametha permanent. Jai gopi jana vallabha Am Bm Em F#m C#m NAMAHA – salutations, prostrations. Bb Cm Thy will be done Sri Bhagavate Namaha Jai giri vara dhari C Em D G

HARI OM TAT SAT – God is the truth. In the light of love. C#m Krishna is the divine lover of Hari om tat sat G/Am/Em/Bm Radha, his eternal consort. He G#m Om shree displays amorous pastimes in the Hari om tat sat groves of Vrindavana. He is the C/Em/D E B divine lover of the dhanvantre “Oh Divine Force, Spirit of All Hari om tat sat (cowherd maidens of Vraja) and Am Bm Em Creation, Highest Personality, Divine A C#m the holder of the great hill namaha Presence, manifest in every living Hari om tat sat named Govardhana. C being. Om shree (Jagjit Singh) Supreme Soul manifested as the Em SAT - truth Divine Mother and as the Divine dhanvantre CHIT - pure consciousness of the universe D G Father. that is infinite, omni-present manifesting I bow in deepest reverence.” namaha power of the universe

ANANDA - bliss, love and friendship IN THE LIGHT OF LOVE “Om and Salutations to the nature of the universe. Celestial Healer.” PARABRAHMA - supreme being in his (Live In Concert) Mantra for physical healing, or absolute aspect. It is the supreme creator. for wherever healing is needed. PURUSHOTHAMA - the energy that G Am (Maniko) incarnates as an to help and guide In the light of love mankind and relate closely to the beloved Em creation. we are whole PARAMATMA - supreme inner energy that is immanent in every creature and in all beings, living and non-living.

17 8 8 13 SECOND CHANCE D G TILL I WAS LOVED [chorus] (Songs for the Inner Lover) second chance. BY YOU time is a fiction i am not afraid make peace with your mother and (Songs for the Inner Lover) time can only take away your father, too Em9 the things our minds have made I hung my hat on a wishing tree make peace with the stranger G but love’s glory is no small thing B7 Am7 inside of you i never was loved so deeply i knew it when i heard you sing I asked for one wish - I could've and forgive yourself for the things C D (Miten) D you tried and failed to do never was loved so true had three embrace your anger, your lust and Em Bm G Bm Em your greed never was loved so completely but I only asked for what I needed that’s how we drop the things that Am7 D Em9 we don’t need till i was loved by you could've asked for money, riches pick up a musical instrument G TUMARE DARSHAN and wealth or plant a seed i never knew i was blessed B7 Am7 (The Essence) that was my heart whispering C Am but all I really wanted was to find inside but now i do D ‘welcome’ it said, ‘you’re home and Em7 C G myself dry’ never knew what i was missing Tumare Darshan Ki bela G Em D [chorus] Am7 D G Cm G unaccustomed as I was to seeking till i was loved by you Ye mausam ras rachane ka. well the years went by and my wish G D C D G Cm came true and my heart whispered inside Cmaj7 Liye ullas ki sanse and i find myself here with you G D C angels all around me F G i had to climb that mountain and the moon rose and the angels D G Samai masti me jine ka. D there was no way around it i had angels at my door sighed.. and they said... and we all come and go like waves Em Am The season has arrived where I in the sea angels in the kitchen G D C D will finally see you and dance each with our own responsibility C G here comes your second chance with you. to leave this world more beautiful barefoot on the floor G D C D With the breathing in of joy, it than we found it Em C you'd better believe it is time to live in bliss. that’s your heart whispering inside guides to guide me G D C D (Yashwant Deo/ Manish Vyas) and you know your heart, it never G D Em open up and receive it lied and friends when i was down G D C D Am7 here comes your second chance (Miten) but still there was something Em C C Am7 D take a deep breath, this is your missing till you came round

18 19 9 9 EMPTY HEART SO SINGS RASIKA ALL IS WELCOME HERE i stood alone at the gateless gate (Satsang) (Live in Concert DVD) (Satsang) too drunk on love to hesitate [capo 5th fret] to the winds i cast my fate (capo 5th fret) and the remnants of my fear G Gmaj7 C G (riff around the notes C/E/F/A/G) i took a deep breath and i leapt nenana hi me rakhun piya to hi so many roads i’ve wandered. Fmaj7 Am and i awoke as if i'd never slept C Bm Am-D –G Dm C F broken hearts and broken wings tears of gratitude i wept nenana hi me rakhun only to find out they all lead to my G Am i was welcome here Em Am G G bring it all and everything teri eka roma ki chabi par, door. Fmaj7 Am so bring your laughter and bring Em Bm C G Dm C F G and bring the song you fear to sing your tears varata sab jag nakun piya to hi so i don’t have to search no more. G Am your busy lives and your careers C Bm Am-D –G and bring the pain you carried for all is welcome here Am Dm Am nenana hi me rakhun years i take the water to the thirsty. even if you broke your vow a all is welcome here G Am G F thousand times freedom is not so far away bheton sakala anga sambhalakun i sing my song to the empty sky. come anyhow and there's only one price we have adhara sudha chaakun Am Dm Am we're stepping into the power of to pay i know the rains they have heard rasika pritam sangam ki bate now live our dreams till they fade away G ka hu son nahin bakhun and all is welcome here and let them go me cry. (Miten) C F C G Dm Beloved I keep you in my eyes i’ve got this empty heart - La la la la la upon a single hair on your body, C F Am-G C I discard the rest of the world. that i can’t explain La la la la la la I sit with you, beloved, in total Am G F G F G INARTICULATE SPEECH body embrace and drink deeply no longing for love, no sweet pain La la la la la the nectar of your lips. OF THE HEART C F So sings Rasika, the union with see the father and the son no voice I hear - (Soul in Wonder) the beloved, it should not be reunited here they come C F spoken of. dancing to the sacred drum in the still of night they know they're welcome here inarticulate speech Am Am/G F i see the shaman and the mighty inarticulate speech of the heart just an empty heart, full of light priest i’m a soul in wonder Am G F see the beauty and the beast i’m just wild about it resting in emptiness singing i have been released i can’t live without it resting in emptiness and i am welcome here (Van Morrison) resting in emptiness (Miten)

20 21 10 10 THROUGH THE EYES here we stand naked in the SHAMNO YOU GOTTA MOVE OF AN ANGEL morning sun (Soul in Wonder, Live In Concert) (Soul in Wonder) watching the holy river run (Soul in Wonder) blessing the earth we stand upon Shamno mitra, sham , G and i turn and face the man i have Shamno bhaved varyamam you may be rich moonlight streaming through this become Shamna indro bhrahaspati, you may be poor temple door and i fly…. Shamno vishnu uru kramah C i’m seeing myself like i never did (Miten) Namo brahmane, may be at peace before Tvameva pratyaksham brahmasi you may be at war seeing myself through the eyes of Tvameva pratyaksham brahma G D an angel Vadisyami but when the lord gets ready twilight on the mighty Ritam vadisyami, satyam vadisyami G Tan mamavatu, tad vaktaram avatu you gotta move wood smoke in the air TWAMEVA somewhere in the distance Avatu mam, avatu vaktaram you may sing mantras i could hear the (Soul in Wonder, Live in Concert) Om shanti shanti shantih you may sing the blues and i know love is the only prayer you may tell yourself May the sun god Mitra, Varuna, through the eyes of an angel Twameva maataa cha pitaa you got something to lose Aryamaa, , Brahaspati and through the eyes of the blessed twameva, but when the lord gets ready the all pervading Maha Vishnu one Twameva bandhush cha sakhaa you gotta move and all the shower their through the eyes of an angel twameva, blessings upon us. Salutations to you gotta move here i stand naked in the morning Twameva vidyaa dravinam twameva, Brahma. Salutations to Vaayu. you gotta move sun Twameva sarvam mama deva deva. You are the personification of you gotta move, child, blessing the earth i stand upon Brahma. Salutations to Brahma. you gotta move watching the holy river run Oh beloved! you are mother and I shall always abide by and when the lord gets ready completing the things i left undone father. (righteousness). I shall always you gotta move and i fly…. You are friend and companion. speak the truth. May that You are riches, you are wisdom. (Fred McDowell/Rev. Gary Davis) protect us all. there’s a pilgrim beneath the You are the eternal divine guide. ancient banyan tree Om peace, peace, peace. is that somebody else or is it me? somebody living the mystery we’re all living the mystery… through the eyes of an angel through the eyes of the blessed one

22 23 11 11 MOTHER INSIDE one lover HUMANIVERSAL we say hello after another (Live in Concert) (Soul in Wonder) we say goodbye as we search for the mother that’s all inside. i said a prayer for the homeless ever been lonely? what about the dalai lama i pray no life is lived in vain oh mother earth ever felt out of place? what about that smile i lit a candle and i stepped out into what did we do... ever cried yourself to sleep at simple monk from the roof of the the pouring rain we took too much of you night, praying for descending world i went looking for the mother we were just reaching out grace? living in exile inside reaching for the mother inside. ever danced alone in the and he can’t go back and he can’t moonlight? go home world turning (Miten) dancing like there’s nobody there what does that say to you and me? tears of redemption and the whole world could be looking he speaks with love and compassion forgiveness on, but you don’t care. even towards his enemy. i crossed that river looking for the witness humaniversal humaniversal looking for the mother inside we’re all reaching for the stars in ILUMINA say a prayer for his people when the sky you’re driving and the rain fell down like the (Live in Concert) humaniversal - you and i humaniversal tears of the virgin say a prayer for him when you turn ever been to india? D G D out the light... tears of joy for all souls emerging seen the world from ground zero emerging from the mother inside Ó, grandioso sol, sol central tonight. Ó, grandiosa lua no céu 13 year old mother with a baby in her arms (Miten) sun rose at midnight Ó, grandiosa estrela no céu knocking on your taxi window clouds blew away Ó, grandiosa rainha da floresta lights change, you leave her eyes like diamonds D G D A D G Bm A D standing in the road leading me on my way Ilumina, ilumina, ilumina, ilumina still her eyes come back to haunt i went singing for the mother you inside. Oh, great sun, central sun Oh, great moon in the sky wherever you go. yemaya, shakti ma Oh, great star in the sky humaniversal ma, maria ma Oh, great queen of the forest we can all hear her baby cry jai ma jai ma jai ma amma Enlighten, enlighten, enlighten humaniversal - you and i we’re all the same under the skin (Guilherme Henrique Mendonça da and after all it’s only life unprotected, searching, Silva) we come and go in the wink of an searching for the mother inside. eye birth and death, in every breath

24 25 12 12 AWAKENING FREE SPIRIT/ INTO THE WIND any time of the day or night (Soul in Wonder) ASHES TO ASHES (Songs for the Inner Lover) as we travel this winding road you gave me the greatest gift (Soul in Wonder) you made my heart my home we are awakening this is our aloneness you made my heart my home to the calling of the mystic spirit of the river i can hear you this is our time we are awakening i feel as if i’m deep inside your this is the mountain i can feel your heartbeat in the flowering of the heart song we all have to climb like a flame burning deep inside everybody here melting into i see you laughing this is our destiny i can feel your heartbeat presence, overflowing intoxicated, dancing wild and free so gentle and strong, so deep and effervescence will you carry me with you when i’m we’re all holding a master key wide rising in love gone? to the empty sky any time of the day or night as we travel this winding road om shanti into the wind spirit of the forest i can hear you you gave me the greatest gift satchidananda into the wind i travelled far to be among your you made my heart my home om shanti om we fly kind you made my heart my home and you teach me how to live among we are awakening this is our aloneness (Miten) your people to a long forgotten memory this is our time i’m so far from the world i left dawn is breaking this is the mountain behind waves are coming in we all have to climb everybody here this is our destiny ashes to ashes standing in wonder beyond the small family sermons in stone HU ALLAHU beneath the rain and the thunder oh how time passes i see no boundary rising in love between you and i we’re here and then we’re gone F#m and all that remains (Miten) we are awakening Hu allahu allazi la illaha illa hua when we’re free of our chains to this perfect imperfection Bm C# is the love we shared celebrating in the oneness of it all Hu allahu allazi la illaha illa hu everybody here mother earth (2x) part of each other what can i give back to you Bm A sister and brother as you carry me, carry me to my HEARTBEAT Hu allahu allazi la illaha illa hua rising in love rest E C# i bow to the turning of your (Songs for the Inner Lover) Hu allahu allazi la illaha illa hu Sat – truth seasons (2x) Chid – consciousness as i lay my head upon your breast i can feel your heartbeat God is God. Ananda – bliss i can feel it in mine (Miten) Nothing exists without God’s (Miten) i can feel your heartbeat existence. i can feel it all the time (Chisti Brotherhood/ Ajmer)

26 27 13 13 OM MANTRA Lord Shiva. (The Cosmic Yes) Bless me with health and immortality and sever me (A Deeper Light) from the clutches of death, even as a cucumber is cut Sarva Mangalyei from its creeper. Shive Sarvartha Sadhike Sharanye Triambake (Manose) Gauri Narayani Namostute

May she whose touch brings ecstasy, she who activates the masculine itself, who opens the spiritual eye of Om PARAMA PREMA wisdom, who is worshipped MANTRA (Embrace) and revered by all the (A Deeper Light) highest realized sages, bless one and always serve one’s A Bm D A highest. Om Parama Prema Rupaya Namaha

(2x) (Miten, Maneesh de Moor, Joby Baker, Manose, Deva Premal) F#m C# Om Parama Prema Rupaya Namaha F#m C# F#m Om Parama Prema Rupaya Namaha

F#m C# VERTICAL REALITY MOMAH TAR IMAMRIBTAYUKANMJA YA Om Parama Prema RupayaCO NamahaNNEC TION Am G (2x) (Songs for the Inner Lover) MANTRA/ ( Wellness) (Songs for the Inner Lover) everybody’s got a private fear F G O-MMah TamRrIiAtyMunBjaAyKa AMMan tra- F#m C# F#m reach out and take somebody’s walking… Om Parama Prema RupayaC Namaha F (Live (A Deeper in Concert, Light ,Dakshina In Concert (bonus) C watching… seen a lot of rain Hand breathing… track)) Salutations to that d i v i n e Cmaj7 Am feeling… love that appears inseen a f oar lotm of road Om Triambakam Yajamahe here we stand in the eyes of god there is no time in here that I can perceive . Dm OmSugandhim triambakam Pushti yajamahe Vardanam Dm G there is no mind in here SugandhimUrvar-ukamiva pushti Bandhanan vardanam i’ve seen a lot of the world (Esra Adile Inal, Miten, Maneesh reaching out, reaching out for emptiness is what it is UrvarukamivaMrityor Muksheeya bandhanan Mamritat G C de Moor) C it’s a vertical reality Shelter me, o three-eyed …it’s on overload Mrityor muksheeya mamritat connection andOM it’s M bigA NenoughTRA for you and me Lord Shiva. F (The Cosmic Yes) Bless me with health and i see it in myself i got the mp3 walking Shelter me, o three-eyed Lord 19 immortality and sever me Cmaj7 i got the mini disc watching(A Deeper Light) Shiva. from the clutches of death, it’s everywhere i go i got a world of information breathing even as a cucumber is cut Fm at my fingertips dreamingSarva Mangala Mangalyei Bless me with health and from its creeper. each one of us i’ve got a young son i Shivemust haveSarvartha about S aadhike million things immortality G living with his walkman on onSharanye my mind T riambake and sever me from the clutches (Manose) looking for connection just like me, he’s looking for butGauri i’ve Narayani got my feet Namostute on the ground of death, C connection i can’t remember what it was i even as a cucumber is cut from connection connection hopedMay stoh efind wh ose touch brings its creeper. i’mec juststas gratefuly, she w forho whatactiv ia foundtes everybody’s on the phone (Miten) the masculine itself, who but nobody’s home Om PARAMA P REMA thereopen sis tnohe time spi rinit hereual e ye of so how do we share therewisd oism no, w mindho i sin w hereors hipped MANTRA (Embrace) how do we show that we care emptinessand reve isre whatd by ita lisl the (A Deeper Light) when everybody’s on the line highest realized sages, bless wasting time it’son ea verticaland alw realityays se rve one’s A Bm D A hungry for connection andhig it’shes bigt. enough for you and me Om Parama Prema Rupaya Namaha connection yes, it’s bigger than the sun (2x) big(Miten, enough Maneesh for everyone de Moor, Joby C F G/C it’s a vertical reality Baker, Manose, Deva Premal) F#m C# reach out and touch someone (Miten) Om Parama Prema Rupaya Namaha Am F#m C# F#m everybody’s innocent here F G C Om Parama Prema Rupaya Namaha everybody’s got a song to sing F#m C# OM TRIAMBAKAM Om Parama Prema Rupaya Namaha MANTRA (Wellness) (2x) 28 29 -Mahamrityunjaya Mantra- F#m C# F#m 14 (A Deeper Light, In Concert) Om Parama Prema Rupaya Namaha 14

Salutations to that divine Om Triambakam Yajamahe love that appears in a form Sugandhim Pushti Vardanam that I can perceive. Urvar-ukamiva Bandhanan (Esra Adile Inal, Miten, Maneesh Mrityor Muksheeya Mamritat de Moor) Shelter me, o three-eyed

19 OM PURNAM I Niremale mane kare de, OM KUMARA MANTRA- I take refuge in the energy of the avatar Rama. (Dakshina) Prem-atule kare de (Innocence) Prem ka sagare to hei, I take refuge in the energy (A Deeper Light) Bm Aisa hamko rang de of Lord Krishna. Om purnamadah (Esra Adile Inal, Miten) Colour me, colour me, colour me Bm/F#m/Bm/F#m/ F# in your colour, great mother G/F#m/G/A Purnamidam You are the one who enlightens D A F# the truth, Purnat purnamudachyate You are the one who destroys Om Kumara Kushalo G D A E the illusions. Dayayei Namaha Purnasya purnamadaya You are Truth, consciousness and G F# Bm OM MANTRA bliss, colour me likewise. Purnamevavashishyate. Salutations to the divine /DEEPER Please purify our mother who brings blessings (A Deeper Light) Om mind/consciousness, to children. That is the whole. Please fill us with love This is the whole. You are the ocean of love, please (Miten, Maneesh de Moor ) From wholeness emerges colour me likewise. Om Kama Pujitayei Namaha wholeness. (Jagjit Singh) Am Wholeness coming from Deeper wholeness, wholeness still remains. F (Praful) OM HRAUM MITRAYA OM SHREE RAMA Into the heart of love (Dakshina) MANTRA – (Refuge) Am (A Deeper Light) Deeper C G F C Dm-Bb-C RANG DE Om Hraum Mitraya Namaha (2x) Am G Em F Em Bm Am Em Am Em Gm Dm Am Letting go into the mystery (Embrace) Om Shree Rama Sharanam Mama Om Eim Saraswatiyei Namaha (2x) Rang de, rang de, rang de, Em F Bb Salutations to divine worship

Jai Ma rang me rang de Om Eim Saraswatiyei Namaha through sacred love making. Em Bm Am Em -prakashake hei, May the light of friendship shine Om Shree Rama Sharanam Mama (Miten) Bhranti-vinashake hei through me, drawing noble (2x) Sachidanande tu hei, companionship. Em Am B Am B Aisa Hamko rang de Om and Salutations to the Om Shree Krishna Sharanam Mama feminine principle. (2x) (Praful)

17 30 15 15 OM APADAMAPA OM MANTRA Om PARAMA PREMA

MANTRA (Healing) (The Cosmic Yes) MANTRA (Embrace) (A Deeper Light) (A Deeper Light) (A Deeper Light) GURU BRAHMA Mantra (Devotion) Sarva Mangala Mangalyei A Bm D A Shive Sarvartha Sadhike (A Deeper Light, 2012) Om Parama Prema Rupaya Namaha D/Dsus/D Bm Sharanye Triambake (2x) O------m O------m Gauri Narayani Namostute Am Em F#m C# D Bm A Guru Brahma May she whose touch brings Om Parama Prema Rupaya Namaha Om Apadamapa Hartaram ecstasy, she who activates F#m C# F#m Am Em the masculine itself, who Om Parama Prema Rupaya Namaha Gurur Vishnu D Bm A opens the spiritual eye of Em Dm Em-B7 Dataram Sarva Sampadam wisdom, who is worshipped F#m C# Guru Devo Maheshwara Om Parama Prema Rupaya Namaha Em A and revered by all the (2x) B7 Loka Bhi Ramam Shri Ramam highest realized sages, bless one and always serve one’s Guru Sakshat Parambrahma F#m C# F#m Bb Gm A D highest. Om Parama Prema Rupaya Namaha Em Dm Em Bhuyo Bhuyo Namayaham

Tasmai Shree Gurave Namaha (Miten, Maneesh de Moor, Joby Salutations to that divine O healing potency, source of Baker, Manose, Deva Premal) love that appears in a form The Guru is Brahma (the blessings, send Lord Rama and that I can perceive. creator), the Guru is Vishnu ’s energy right here to (the sustainer), the Guru the earth where it is so (Esra Adile Inal, Miten, Maneesh

Deva is Maheshwara (Shiva, needed. de Moor) the destroyer). The Guru is truly (Praful) the Supreme . Salutations to that Guru. (Miten, Manose)

18 19

16 SHYAM! Gm Cm Gm Cm MERE GURUDEV Your love fills my heart, my Arpana garchu pauma parchu (Password) (Password) thoughts and my song. Now make me your instrument... All I have C Cm Gm I offer to you. Mero shyam------Gm Cm Gm G C (Krishnadas) Shyama naye darshana dina naye, C Cm Gm Mere gurudev, charanon par Mero shyam------Gm Cm Gm Gm Em D Darshana dina shyama naye D Gm Cm Gm sumana shraddha ke arpita hai. Mero shyam, mero shyam Gm G C Bela bho prabhu Cm Bb G Gm Tere hee dena hai jo hai MANGALAM Mero shyam------Em D (Password) Cm Gm D Gm Cm Gm Cm wahi tujha ko samarapita hai. He prabhu, he prabhu, prabhu Arpana garchu pauma parchu Bm Am Gm Mangalam Vishnum C Cm Gm Na priti hai pratiti hai, Manama mero shyam Mero shyam------F#7 Em Am Mangalam Garudadhwajah C Cm Gm na hi ki shakti hai. Mero shyam------Why haven’t you come? Why F#7 haven’t you let me gaze upon Mangalam Pundareekaksham Cm Gm D meraa yaha man, meraa yaha tan, your beauty? Isn’t it the He prabhu, he prabhu, prabhu meraa kan kan samarapita hai. time? F#7 G Bm Mangalaya Tano Hari Gm tuma hee ho bhaava men mere, My heart is yours, beloved. I Manama mero shyam vicharon mein, pukaron mein. lay my head at your feet. Beloved Lord Vishnu is auspicious. ------banaale yantra ab mujhko mere My Shyam, my Shyam! O my Auspicious is His vehicle , saravatra samarapita hai Lord, O my Lord! the image on His flag. My Gurudev I offer these Auspicious are His lotus-like I finally behold you - the flowers of my faith at your eyes. Lord of my innermost realm. feet. Whatever you have given So auspicious, His manifestation. to me I dedicate to you. I lack (Miten, Manose) devotion nor do I recognize (Manose, Miten) you. I have no strength to worship you - but my heart, body and absolutely everything I have is dedicated to you. 17 18 17

OM DHARA NANDANA GOPALA

(Password) (Password)

NARASIMHA G Am G F Bbm Eb F Om Dhara Dharayei Namaha Nandana gopala (4x) (Password) G C G F Bbm F

Om Dharayei Namaha Ananda svaru - pa (4x) A D6 C#m7 G Am G F Ta Va Om Dhara Dharayei Namaha Tejasvi moha haro (2x)

Bm C D7 Am G Eb F E7(sus4) A D6 A E7(sus4) Om Bhu Devyei Namaha (2x) Karuna sagara prema bharo (2x)

Daso-----’ham (3x) F Cm Om and salutations to Gali gali hi nay tere dhwara (2x) Divine Mother who is the E D E F#m Cm F support of the earth. Karuna rasa prema bahara (2x) Na- ra - sim - ha Om and salutations to

Divine Mother who is the O Gopal! E D C#m C#7 F#m Earth. Brilliant blissful One! Ocean of compassion! Ta Va Da- So-----’ham (2x) Honouring mother earth as Fill me with love. Dispel all the goddess she is. my confusion. Every path has your door. …..E7(sus4) (Manose/Miten) Compassionate nectar One! O Narasimha! I am your You are a pure spring of love. follower. (Manose/Miten) A strong and powerful mantra for protection from negative influences. Narasimha is the protector of the Bhaktas, the devotees.

(Praful)

20 19

18 2 Solo 64 G‹ C‹ G‹ C‹ G‹/B¨ G‹ b &b ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ A3 74 G‹ G7(b9“4)G‹ G‹ C‹ b œ j œ ˙ ˙ &b ∑ ∑ ∑ Œ œ œ œ bœ™ œ ˙ Œ œ œ œ œ 2 Solo J J 81 64 G‹ G‹ C‹ G‹/B¨C‹G‹ G7(b9“4)G‹ G‹ C‹ G‹/B¨ G‹ b œ™ œœ˙ w b œ œ œ œ œ ˙ ˙ œ j &b &Œb ∑ ∑ ∑ ˙∑ œ ∑œ bœ™∑ œ ˙ ∑ ∑ ∑ ∑ A3 J J 74 B2 87 G‹ G7(b9“4)G‹ G‹ C‹ G‹ C‹ flute... G‹ j bb ∑ ∑ ∑ Œ œ œ œ œ j Œ œ œ œ œ ˙ ˙ bb ˙ & ∑ ∑ ∑ ∑ J bœ∑™ œ ˙∑ œ & œ œ œ™ bœ ˙ w J Nandana 81 G‹ C‹ G‹/B¨ G‹ G7(b9“4)G‹ 96 C‹ C C‹ G‹ C C C‹ G‹ b œ™ œ ˙ œ œ œ œ ˙ j b b œ w Œ œ ˙ ˙ œ œ œ bœ Deva Premal & Miten &b ∑ ∑ ∑& ∑ ∑ ∑ ∑ ∑ ∑ ∑ J J ™ œ ˙ Intro prabu2 B2 F F B¨‹ E¨ F F B¨‹ E¨ F 106 87 Shyam 3 C‹ G‹ G‹ D7 G‹ C‹ flute... G‹ 3 3 &b 4 ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ b œ œ œ œb œ œ ˙j ˙ w Deva Premal & Miten &b Ó Œ Œ&ŒbIntroœ ˙Œ Ó œ™ bœ ˙ w ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ A4 œ 13 G‹ Drums+bas... F B¨‹ E¨ F F B¨‹ E¨ F 113 G‹ G7(b9“4)96G‹ bC‹ G‹ C C‹ C‹Shyam!G‹ G‹ C C C‹ G‹ Nandana Gopala &b ∑ ∑ ∑ ∑ œ ∑ ∑ ∑ ∑ ∑ ∑ b ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ bb Œ œ œ œ œ j bb ∑Œ œ∑œ œ œ ∑˙ ˙∑ ™∑œœ˙ ∑ w ∑ ∑ ∑ ∑ & & J J bœ™ &œ ˙ œ A1 Nandana 11 prabu2 G‹ G7(b9“4)G‹ G‹ 21 F B¨‹ E¨ F F B¨‹ E¨ F 119 C‹ G‹/B¨106 G‹ G7(b9“4)C‹ G‹G‹ D7 G‹ œ bb ∑ 3 ∑ ∑ 3 ∑ Œ œ œ œ œ j Œ œ œ œ œ b ° b œ œ œ œ ˙ &˙ b œœœœ œ j œ œ œ ˙ jJ˙ bœ™ wœ ˙ œ & ™ bœ &b Œ & b Ó ˙ Œ œ b œ ™ Œ œ Œ ˙ œ Œ ˙ Ó shya-œJ™ mabœ na------ye˙ ∑ dar- sha-∑ na ¢ ˙ bœ ˙ œ œ œ œ œ œ œ bœ ˙ œ œ œ œ œ œ A4 J J œ nan - da- na go -œ pa- la nan - da- na go -œ pa- la 18 C‹B3 G‹ C‹ G‹/B¨ G‹ 29 Nandana 125 113 G‹ G7(b9“4)G‹ G‹ C‹ G‹ F B¨‹ E¨ F F B¨‹ E¨ F b ˙C‹ ˙ œ™ œœ˙ wG‹ œ œ œ œ œ ˙ ˙ œ b œ œ œ&œbb ˙ ˙œ œ ˙ œjœ œ w Œ œœœœ œ˙˙ ˙ œ™ œœ˙˙ wœ œ &b Deva Premal & Miten &b w Œ œ & b di-Œ œ naœ na-bœ ™ J œ ˙ ye Œ œ œ œ œ dar- sha- na di- na shya- J ma J ˙ bœ ˙ Intro œ œ bœ bœ ˙ bœ bœ œ J J J A n anannda - da- naœ goœ - œ œ pa-œ œ la nan - da- naœ goœ -œ œ pa- la 24 A2 37 F F B¨‹ E¨ F F B¨‹ E¨ F 131 C‹ 119 G7(b9“4)C G‹ C G‹C‹C‹G‹/B¨C‹G‹ G‹ G7(b9“4) G‹ G‹ B¨‹ F F B¨‹ F 3 F 3 œ b j œ œ œ œ j œ j œ œ &b b 4 ∑ ∑ ∑j ∑ ∑ ∑ ∑ ∑ ∑j ∑ ∑ ∑ bb ˙™ œ œ œ œ Œ œ&bbn˙bŒœ™™œœœœœ˙ œ œ˙ œbœ˙˙ w˙ œ™œwbœ ˙œ Ó w‰j œ ∑ ˙ Œ œ œ & bœ œ œ™ œ nœ bœ œ œ™ œ n˙ & & na- ye œ beœ -la bho pra-bhuJ bœ™ œ ˙ J œ œ™ bœJ ˙ J œ bœ bœ œ ˙™ œ bœ bœ ˙™ J œ 13 a- nan-da sva- ru - pa a- nan-da sva- ru - pa 30 D1 B3 45 F B¨‹ E¨ F F B¨‹ E¨ F 138 C C 3 C‹ 125G‹G7(b9“4)G‹ G‹ D C‹ D7 G‹ F B¨‹ F F B¨‹ F œ C‹ œ G‹ œ bnw œ œbœ wb j #œ œ œ#œwœ œ œ˙ ˙œ˙ œ˙ ˙ œœ#˙™œœœœœ˙ ww œ œ œ œ˙ œ &b b ∑ ∑ j ∑ ∑ ∑ ∑ j ∑ ∑ &b &b bwœ™ Óœ ˙ŒŒ œ Œ œ œ œ J œ œŒ & bœ œ œ™ œ œ œ bœ œ œ™ œ ˙ œ ˙™ ar- pa- na gar- chu pau- J ma par- chu N aa-œnd abnan-danœa sva- ru - b œ ˙pa™ a-œ bnan-daœ sva- ru - pa 53 21 F B¨‹ E¨ F F B¨‹ E¨ F 13136 C‹ G‹/B¨ G‹ CG7(b9“4) C C‹G‹ C‹ G‹ F 3 ° Tejaswi b ˙™ œ˙œ œ œ œ nœ˙™ œ j œ œbœ œ w w j œ œ &b b ™ ∑ ∑ j &b ˙œ Œ œ bœ™ œœ œ˙œ œ ˙ œ™ bœ ˙Ó ‰w J & ˙¢™ ˙ bœ ˙ œ œbœ œ œ œ bœbbœœ ˙ œ bœ bœ œ œ me-roJ shyamJ , œ me ro œ˙ œ œ œ˙™ œ œ™ œ œ œ œ˙™ 29 te- jas- vi mo-ha ha- ro ˙ te- jas- vi 13842 C C BC‹1 G‹ D1 D D7 62 F B¨‹ E¨ F F B¨‹ E¨ F 3œ C‹ G‹ C‹ E¨ F E¨ bnw œ œœbœ #œ œ #w ˙ œœ œ œ#˙ œ b j j bb Œ œ œ œ œ ˙ w˙ Shyam ˙-Ó Deva ŒPremalœ œ &œ Mitenw œ œ œœ ˙ ˙™ œ œ3 &&b bœj ‰bœ bœœ j bœ bœ & J J Aœnan˙œda™ bœ ˙œ œ œbœ œœ œ œbœœ œ œœ bœ b˙œ œœœ œ˙™ œbœ œ œœ shyam me- ro shyam mo-ha ha- ro ˙ ka-œ ru- na sa- ga ra pre- ma bha- ro œ ka- ru- na 145 G‹ C‹ G‹ 69 37 48 C 3 C C‹ C‹ G‹ F B¨‹ F F B¨‹ F b#˙™ œ w ˙ œ. œ œ w 3 ˙™ œ œ œ j F E¨ F E¨ j F &bb œ œ œ n˙ œ œ œ bœ œœ wœ ˙ ww &b b j‰ j œ jœ j j œ j œ j &b œ Œ ™ œ œ œ & bœ œœbœœbœ bœœ œ b™œ œ nœ bœ œ bœ˙™œ bœ œœbœ bœ œ bœ™ œ bœn˙œ bœ ˙™ me-ro shyam sa- ga ra pre- ma bha-œ ˙ro ™ pre- ma œbha- ˙ro™ pre- ma bha-œ ˙ro™ 152 E1 C‹ B¨ G 76 45 53 œC œ ˙ C˙ 3 œ œC‹œ ˙ G‹ w F GaliB¨‹ F F B¨‹ F b œ œ œ ™ ™ w w3 F j C‹ F j &b Ó Œ œ J œ œ œ œ &b b Ó œ j ˙ bb Ó ‰ œ JJ nw bœ w Ó Œ œ & œ bœ bœ œœœ™ ˙œ œ œœ˙bœ ˙œ œbœœœbœbbœœ œ œœœ™ ˙œ œ œ œœ ˙™ & prabu3 2 ˙™ œ Deva Premal™ & Miten™ - Nandana ™ œ œ p r a b u 1 me- ro shyam 84 53 ga- li ga- li hi nay te- re dhwara ga- li ga- li hi 159 G‹ C‹ G‹ D7 G‹ F 58 C‹ G‹3 D73 G‹ C‹ F Tejas.wi C‹ b ˙ ˙ 3 œ œ œ œ œ ˙ w b b ∑ ∑j œ j &bb œ œÓ œ Œœ Œ Œ˙œ ˙ Œ Ów ˙ w &&œ œ˙b™œ œ bœ œ™ œ ˙ œ œ bœœœ œ ˙ bœbœbœ ˙ bœ œ bœœ bbœœ ˙ &b Œ Œ Œ Ó ∑ ∑ nay te- re dhwara ga- li ˙ ga-œ li hi˙ nay™ te-œ œ re™ dhwaraœ ˙ ka-ru-œ na ra- sa˙™ he pra- bhu, he pra- bhu, pra- bhu 166 92 62 3 C‹ G‹ D7 3 F E¨E¨/F F F E¨ œ 3 œ ... manamabb Ó meroŒ shyam.œ œ Œ Œ œ œ œ Œ Ó ˙ ˙ w ∑ Ó Œ œ &b b j j‰ Œ j j j j & & bœ œœbœœ™ bœœ œ bœbœœ œœ œbœ bœœ œœ bœ œbœbœœ œbœœ œ˙™ bœ œ œ pre- ma ba-œ ha-œ ˙ ra˙ ka- ru- na ra- sa pre-ma ba-œ ha-œ ra˙ 69 Coda 173 C‹ G‹ D7 C‹ 98 Rep 3X 3 3 3 E¨/F F E¨/F F E¨F F E¨ F b œ œ œ ˙ w œ œ œ œ j j j j ü &b Œ Œ œ Œ Ó ˙ w Ó Œ Œ Œ œ &&b bj j ‰ œ j j j œ j ∑ œ ∑j ∑ ™ 16 bœbœ bœ œ bœ bœ bœœœœ b˙œ™ œ bœ bœ œ œ ˙™ bœ bœ œ œ ˙™™ † pre-ma ba-œ ha-œ ˙ ra pre-ma ba-œ18 ha-œ ˙ra ˙™ 19 76 180 G‹ D7 106 Gali 3 E¨/F F E¨/FF F C‹E¨/F F E¨/FF F b œ ˙ ˙ w œ œ b Ó j &b Œ Ó ∑ Ó Œ &&b j j œ j˙ jœ œ ˙™ œ œjbœ jœ bœ œ™ œ j˙ jœ œ œ bœ ˙œb™œ œœ œœ˙ bœ œbœ œœ œ ˙ bœ œbœ œœ œ ˙ bœ œbœ œœ œœ˙ œ 185 C‹ G‹ D7Break 114 3 U F B¨‹ bb œ Œ Œ œ œ œ Œ Ó ˙ ˙ w & &b ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑

125 F E¨ F &b ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ Karuna 137 C‹ F C‹ b Œ j j & bœ œ œ bœ ˙ bœ œbœ œ œ œ ˙ bœ œ œ bœ œ bœ œ bœ œ œ 144 F E¨/F F E¨/F F E¨/F F b j j j j j j & œ ˙ bœ œ bœ œ œ œ ˙ bœ œbœ œ œ œ ˙ bœ œ bœ œ œ œ ˙ 151 E¨/F F E¨/F F E¨/F F b j j j j j j & bœ œ bœ œ œ œ ˙ bœ œ bœ œ œ œ ˙ bœ œ bœ œ œ œ ˙ 157 E¨/F F E¨/F F b j j j j & bœ œ bœ œ œ œ ˙ bœ œ bœ œ œ œ ˙ 161 E¨/F F E¨/F F U b j j j j & bœ œ bœ œ œ œ ˙ bœ œ bœ œ œ œ ˙ Om Dhara

Deva Premal & Miten Intro G C/G G C/G G # Om Dhara & ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ Deva Premal & Miten Intro A1 11 G C/GA1 G G C/GA‹ GG Narasimha # œ œ œ # ∑∑ Ó∑ Œ ∑ ° œ∑™ œ ˙ ∑ œ œ∑œ œ œ œ∑œœ ˙∑ œ ∑œ w ∑ Narasimha & ∑ Ó Œ œ œ ™ J Om Dhara œ ˙ œJ œ œJ w Deval Premal & Miten ¢ J J Intro A1 A D6 A E7(“4) A D6 A E7(“4) 1711 G G A‹ A‹G G # # # œ œ œ œ œ œ œ œ œ œ # ∑ ∑ ∑ ∑ # Ó ∑ Œ Óœ œŒ™ œœ˙ ° ™ œœ™ œœ˙ œœœœ ˙ œ œœœœ w˙ œ œÓ œ Œwœ œ & & œ œ œJ ¢ ™ J J œ J J J A1 om dha- ra dha - ra - yei na- ma-ha 5 A D6 C©‹7 E7(“4) A D6 A E7(“4) B1 2317 # # œ œ œ œ 23 G G C G A‹ G G & # œ œ œ œ™ œ™ œ ˙ Ó ∑ # œ œ œ œ œ œ œ na- ra- sim- ha ta va da so hum Óœ œŒœ ˙ œ™œœ ˙œ™ œ œœ œ œ™ œœ ˙ œ œ œ œ œ œ ˙œ œ & œ œ J œ™ œ œ œ ˙™ ÓJ œ JŒ wœ œ Ó Œ 9 om dha- ra dha - ra - yei na- ma-ha om A D6 C©‹7 E7(“4) A D6 A E7(“4) B1 # # œ œ 2823 & # œ œ œ œ œ™ œ œ™ œ ˙ Ó ∑ 28 GC C G G G G na- ra- sim- ha ta va da so hum # œ œ œ œ œ œ œ œ œ 13 # œ œ™œ œ˙ œœ œ™ œ™ œ˙œ œÓœ œŒ™ œ ˙ œ™Ó œ ˙Œ œ œœ œœ œ œœ˙œœ A D6 C©‹7 E7(“4) A D6 A E7(“4) & œ™ œœ œ˙™ ™ Ó Œ œ™œ J œ # # œ œ dha-ra-yei na- ma - ha om dha- ra - yei na- & # œ œ œ œ œ™ œ œ™ œ ˙ Ó ∑ C1 na- ra- sim- ha ta va da so hum C1 3328 A‹C G G B‹ GC D7 B1 # œ œ .œ œ œ™ œ œ™ œœ œœ œœ œ˙œ œ œ œœœœœ œ œœœ œ 17 ˙ ™œ œœ™œ œwœ ™ œ˙∑™ Ó JŒ œœ œ™ J J J œœ E/D D E/F© F©‹ E/D D C©‹7 C©7 F©‹ & J œ J ∑ J œ J J J J J # # œ œ œ œ œ œ ma - ha om bhu dev- yei & # œ œ œ™ ˙ Ó C1 na- ra- sim- ha ta va da so hum 3933 A‹ G G B‹ B‹ C C D7 20 E/D D E/F© F©‹ E/D D C©‹7 C©7 F©‹ E7(“4) # . œ™ œ œ™ œœœ œœ™œœœœœ œœœœ œœœ œœ œœœ œ # œ œ & ˙™ œ œœœœ ww ∑ ∑ J J Jœ œ J J J ## œ œ œ œ œ œ œ œ œ & J J J J & œ ™ ™ ˙ na-ma- ha om bhu dev- yei na- ra- sim- ha ta va da so hum A2 4439 A‹D7 G A‹ B‹ G 4 timesC G D7 A‹ G 3rd x solo G narasimha23 ta va da so hum œ œ œ A D6 C©‹7 E7(“4) A D6 A E7(“4) # ˙œ œ œœ œ œ œ ˙ œœ™ œ œ™ œ œ œ üœ œ A strong# #and powerful mantra for protection fromœ negative influences. & ™ ≈ ‰œ J w ˙™ ∑ œ œ w J ∑J ™ J ∑ # œ œ œ œ œ ™ †GROOVE TILL END! & œ œ ™ œ™ œ ˙ Ó ∑ na- ma - ha †GROOVE TILL END!

1.44 om dhara dharayei namaha 4 times 27 D7 A‹ G 3rd x solo G A D6 C©‹7 E7(“4) A D6 A E7(“4) 2. om# dharayeiœ œ namahaœ œ # 3. om bhu devyei namaha œ œ ü ## œ œ œ œ œ œ & ≈ ‰ J ˙™ œ œ w ∑ ™ ∑ & œ œ ™ œ™ œ ˙ Ó ∑ †GROOVE TILL END! 1. Om and salutations to Divine Mother who is the support of the earth. 2. Om and salutations to Divine Mother who is the Earth. 31 A D6 C©‹7 E7(“4) A D6 A E7(“4) 3. Honouring Mother Earth as the goddess she is. # # œ œ & # œ œ œ œ œ™ œ œ™ œ ˙ Ó ∑

20 21 22 Namami

Deva Premal & Miten

B¨‹ F G¨ B¨‹ B¨‹ F G¨ B¨‹ 6 &b 8 ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ Rubato

9 F G¨ B¨‹ F G¨ B¨‹ b ∑ ∑ Sri Nanda∑ - Nandanastakam∑ ∑ ∑ I am eternal bliss, I am shiva. & CHIDANANDA I am not the mind, intellect, ego nor 15 b b B AB Bsus B m consciousness. Manobuddhi chita ni naham j ° œ bœ œ œ œ œ bœ œ œ bœ œ œ I am not the ears, tongue, nose or eyes. &b Œ™ ‰ ‰ œ ™ œ œ œ J J J J œ Nachashotre jiv-hey nachaghrana netre I am not space, earth, fire or wind. A tempo ¢ J J J J Nacha vioma bhoomir na tejoe na vayu su- cha- ru va- ktra man-da-lam su- kar- na ra- tna kun-da lam su- I am eternal bliss, I am shiva. 20 b Fm B Chidananda roopah shivoham shivoham I am not breathing power, the seven metals, j œ b œ œ œ bœ œ œ œ bœ bœ bœ œ œ œ œ œ J nor the five coverings. & J J J J J J Nachaprana saugno na vã puncha vayu I am not speech, hands, feet nor the char chi-tan- ga chan-da- nam na- ma- mi nan- da- nan- da- nam na- Navah sapto dhatoo navaa puncha koshah rectum. Na waak pani paadam nachapasta paayu I am eternal bliss, I am shiva. 24 B b7 Fm B Chidananda roopah shivoham shivoham œ œ œ œ bœ œ œ bœ œ œ œ I am not envy, anger, nor craving nor b J J J œ œ œ œ œ J œ attraction. & J J Na me dvãsha rago na me lobha mo-hoe ma- mi nan- da- nan- da- nam na- ma- mi nan- da- nan- da- nam na-J I am not arrogance nor pride nor religion, Mado naiva me naiva matsarya bhava wealth, lust nor liberation. Na dharmo na chartoe na kaamo na I am eternal bliss, I am shiva. 28 Bb j Chidananda roopah shivoham shivoham I am not virtue, sin, joy nor sorrow. b œ œ œ bœ œ œ œ bœ bœ bœ œ œ œ œ œ™ Œ™ ‰ ‰ j ™ ü & J J J J J J œ ™ † I am not mantra, pilgrimage, ma- mi nan-da- nan-da-nam na- ma- mi nan- da- nan-da-nam Na punyam na paapam na saukyum na dhukham offering, nor ritual fire. Solos Na mantro na tirtham name daa na yug na ha I am not food, the eating, nor the one who 1. sucharu vaktra mandalam sukarna ratna kundalam sucharchitanga chandanam namami nanda-nandanam namnaiva bhojyam na bhokta eats. 33 B¨ B¨‹ F‹ B¨ 2. sudirgha netra pankajam sikhi sikhanda murdhajam ananga koti mohanam namami nanda-nandanam I am eternal bliss, I am shiva. 3. sunasikagrab ∑ mauktikam∑ svacchanda∑ danta panktikam∑ navambudanga∑ chikkanam∑ namami∑ nanda-nandanam∑ Chidananda roopah shivoham shivoham 4.& karena venu ranjitam gati karindra ganjitam dukula pita shobhanam namami nanda-nandanam I am not death, doubt, nor discrimination of 5. tribhanga deha sundaram nakha dyuti sudhakaram amulya ratna bhusanam namami nanda-nandanam Na mrootyur na shanka na me jaati bheda cast. 6. sugandha anga saurabham uroviraji kaustubham sphuracchri vatsalanchanam namami nanda-nandanam Pita naiva me naiva maata na janma I am not father, mother or birth. 41 7. vrindavanaB¨ sunagaram vilasanuga vasasam surendraF‹ garva mochanam namami nanda-nandanamB¨ Na bandhur na mitram gurunaiva shishya I am not brother, nor friend, nor guru, nor 8. vrajanganab ∑ sunayakam∑ sada sukha∑ pradayakam∑ jagan manah∑ pralobhanam∑ namami∑ nanda-nandanam∑ aspirant. 9.& sri nanda-nandanastakam pathed ya shraddhayanvitah tared bhavabdhim dustaram labhet tadanghri-yugmakam Chidananda roopah shivoham shivoham I am eternal bliss, I am shiva.

1. I offer salutations to Nandanandana, whose face is extremely delightful, in whose beautiful ears hang jeweled ear- Aham nirvekalpo nirakaara roopo I am beyond concept, beyond form. rings and whose entire body is anointed with fragrant Candana. Vibureviapya sarvatra sarvendriyani I am all-pervading in all the senses. 2. I offer salutations to Nandanandana, whose eyes are more beautiful than the fully bloomed lotus, whose head is Sadame samatvah na muktir na bandha I see equality in all things, I am neither beautifully adorned with an arrangement of peacock feathers and who enchants millions of Cupids. liberated nor in bondage. 3. I offer salutations to Nandanandana, from whose beautiful nose hangs an elephant-pearl, whose teeth are im- mensely effulgent, whose bodily complexion is more beautiful and lustrous than a fresh rain cloud. Chidananda roopah shivoham shivoham I am eternal bliss, I am shiva. 4. I offer salutations to Nandanandana, whose lotus hands hold the flute, whose lingering gait defeats even that of an impassioned elephant and whose dark limbs are beautified by a yellow shawl. 5. I offer salutations to Nandanandana, whose threefold-bending posture is exquisitely elegant, the effulgence of who- se toe-nails puts to shame even the moon, and who wears invaluable jewels and ornaments. 6. I offer salutations to Nandanandana, whose body exudes an especially beautiful fragrance, and whose broad chest is adorned with the jewel and the mark of Srivatsa. 2 7. I offer salutations to Nandanandana, the expert lover of Vrindavan who performs immaculate pastimes and who is attired in clothes which are suitable for those pastimes and who pulverized the pride of Indra. 8. I offer salutations to Nandanandana, who as the lover of the Vraja gopis perpetually delights them and who enchants the minds of all living entities. 9. Whoever recites this regularly will easily cross the insurmountable ocean of material existence and attain to the lotus 21 feet of Shri Krishna. 20

AAD GURAY NAMEH 5 OM DHARA 18/20 OM PURNAM I Niremale mane kare de, AARTI 5 OM HRAUM MITRAYA 15 Prem-atule kare de (Dakshina)AHAM P REMA 19 OM KAMA MANTRA/DEEPER 15 Prem ka sagare to hei, ALL IS WELCOME HERE 10 OM KUMARA MANTRA 15 Bm Aisa hamko rang de ASSALAM ALAIKUM 6 OM MANI PADME HUM 3 Om purnamadah AWAKENING 13C olourOM me,MA NcolourTRA me, colour me 16 F# BISMILLAH 2in yourOM Ncolour,AMA S gHreatIVA mother 2 Purnamidam BRAHMA NANDAM 6You OareM N theAM AoneH S wHhoIVA enlightensYA 5 D A F# CALMA E TRANQUILIDADE 7the Otruth,M NA MO 1 Purnat purnamudachyate CHIDANANDA 21You OareM N theAM Oone AM whoITA BdestroysHAYA 7 G D A E CONNECTION 14the Oillusions.M NAMO BHAGAVATE 4 M A N T R A Purnasya purnamadaya EMPTY HEART 10You OareM N Truth,AMO N consciousnessARAYANAYA and 3 G F# Bm means finding FLY HIGH 5/7bliss, OM colour PARA MmeA likewise.PREMA M ANTRA 16 Purnamevavashishyate. FREE SPIRIT / ASHES TO ASHES 13P leaseOM purifyPURN AourM 1 15 your inner sound, FROM YOU I RECEIVE 2 OM RAM RAMAYA 3 Om mind/consciousness, your inner rhythm, GATE GATE 7 OM SHREE RAMA MANTRA 15 That is the whole. Please fill us with love GAYATRI MANTRA 1 OM SHREE SACHÉ 3 your inner vibration. This is the whole. You are the ocean of love, please GURU BRAHMA 16 OM TARE 4 From wholeness emerges colour me likewise. GURU RINPOCHE MANTRA 4 OM TRIAMBAKAM wholeness. HARI OM SHIVA OM 6(Jagjit (MA SiHAngh) MR ITYUNJAYA MANTRA) 14 Once you have found your mantra, Wholeness coming from HEARTBEAT 13 ONE BREATH 5 it is of tremendous help: wholeness,HOMAGE TO KRISHNA 6 RADHE GOVIND A 7 wholenessHU ALL AstillHU remains. 13 RANG DE 15 just one utterance of the mantra (Praful)HUM ANIVERSAL 12O MSA HLARMA MUEMVL AMNAI TRAYA 1 and you are in a totally different world. IB-ACHÈ 2 SAT PATIM/OM SHRIM 3 (Dakshina) IDE WERE WERE 2 SECOND CHANCE 9 ILUMINA 12 SHAMNO MITRA 11 C G F C Dm-Bb-C That becomes the key, the passage, IN THE LIGHT OF LOVE 8 SHIMA 1 RANG DE Om Hraum Mitraya Namaha (2x) because once uttering that mantra, INARTICULATE SPEECH OF THE HEART10 SHREE RAM 2 Am Em Gm Dm Am (Embrace)INTO TH E WIND 13 SHREE RAM 5 you fall into your natural vibe. Om Eim Saraswatiyei Namaha ISHQ-ALLAH 4 SHYAM! 17/19 Em F Bb RangJA Ide, RA rangDHA de,MA DrangHA Vde, 8 SO MUCH MAGNIFICENCE 4 Om Eim Saraswatiyei Namaha - O S H O – JaiK MaU W rangA TE me rang de 3 SO SINGS RASIKA 10 SRI NANDA - NANDANASTAKAM 21 SatyaLA I-LprakashakeLAHA HAL Ehei,LU J AH 6May the light of friendship shine SUNRISE 1 BhrantiLI LI -LvinashakeI LI hei 5thro ugh me, drawing noble TEYATA 4 SachidanaLOKAH ndeSAM tuAS hei,TA 7companionship. THROUGH THE EYES OF AN ANGEL 11 AisaM AHamkoNGAL ArangM de 17Om and Salutations to the TILL I WAS LOVED BY YOU 9 MERE GURUDEV 17feminine Saraswati principle. MOOLA MANTRA 8 TUMARE DARSHAN 9 MOTHER INSIDE 12(Praful) TWA MEVA 11 NANDANA GOPALA 18/19 VERTICAL REALITY 14 NARASHIMA 1308/ 20 WENDEYA 1 OM APADAMAPA MANTRA 16 WICHI TI TI 2 15 OM ASATOMA 3 YA AZIM 1 22