DOCSLIB.ORG

Modest P. Musorgskij

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Modest P. Musorgskij Modest P. Musorgskij Chowanschtschina Volksdrama in fünf Akten Libretto: Modest P. Musorgskij in der Fassung von Dmitri Sostakovic (UA 1960) Entstehungszeit: 1879, unvollendet Handlung: Moskau und Umgebung, 1682 Medien der Stadtbibliothek – Ebene Musik zusammengestellt von Beate Straka Stand November 2014 Stadtbibliothek Stuttgart Mailänder Platz 1 70173 Stuttgart +49 (0) 711/216-91100 Öffnungszeiten Montag bis Samstag 9 bis 21 Uhr Allgemeine Informationen zur Oper – online http://www.opera-guide.ch/opera.php?id=256&uilang=de http://www.operone.de/opern/chowants.html Libretto http://www.opera-guide.ch/opera.php?id=256&uilang=de Musorgskij, Modest P. Die Fürsten Chowansky : ein musikalisches Volksdrama in fünf Aufzügen. - Wiesbaden : Breitkopf & Härtel, 1957. - 52 S. Systematik: Sbt 2 Mus (1.OGD08) Literatur über Modest Musorgskij bzw. sein Opernwerk: Modest Musorgskij: Aspekte des Opernwerks - München : Ed. Text u. Kritik, 1981. - 110 S. (Musik-Konzepte ; H. 21) ISBN 3-88377-093-0 Systematik: Sbm 82 Musorgskij Mod (1. OGC38) Modest Mussorgsky: Zugänge zu Leben und Werk ; Würdigungen - Kritiken - Selbstdarstellungen - Erinnerungen - Polemiken / mit Beitägen von Wjatscheslaw Karatygin ... Aus dem Russischen übersetzt von Bärbel Bruder. - 1. Aufl. - Berlin : Kuhn, 1995. 593 S. (Musik konkret ; 8) ISBN 3-928864-11-4 Systematik: Sbm 82 Musorgskij Mod (1.OGC38) Online: http://de.wikipedia.org/wiki/Chowanschtschina Online: http://www.musikmph.de/musical_scores/vorworte/070.html Online: http://de.wikipedia.org/wiki/Modest_Petrowitsch_Mussorgski Noten Klavierauszug http://imslp.org/wiki/Khovanshchina_%28Mussorgsky,_Modest_Petrovich%29#Vocal _Scores Musorgskij, Modest P.: Chowanschtschina : musikalisches Volksdrama in fünf Akten / vollendet und instrumentiert von Nikolai Rimskij-Korsakov. Deutsche Textfassung von Ernst Fritzheim. English version by Emanuel Joung. - Klavierauszug, Nachdruck. - Wiesbaden : Breitkopf & Härtel, 2014. - 237 S. Text russisch, deutsch, englisch. - Bestellnummer: EB 8661 Systematik: U111 Mus (1.OGCD08) Noten Partitur - online http://imslp.org/wiki/Khovanshchina_%28Mussorgsky,_Modest%29 CD-Aufnahmen: Musorgskij, Modest P.: Khovanshchina / Libretto: Modest Mussorgsky. - Berlin : Universal, 2011. - 3 CDs. Interpreten: Olga Borodina, Elena Prokina, Valerij Alekseev, Konstantin Pluzhnikov, Bulat Mingelkiev, Vladimir Galuzin, Alexej Stebljanko, Nikolaj P.Ochotnikov, Chorus and Orchestra of the Mariinsky Theatre. Dirigent: Valery Gergiev Aufn.: St. Petersburg, Marinsky Theatre, January & February 1991. Bestellnummer: Decca (LC 00171) 478 3052 Systematik: TD5-0 Oper (1.OGC31-32) Musorgskij, Modest P.: Khovanshchina : musikalisches Volksdrama in 5 Aufzügen / Text nach Vladimir V. Stasov. Instrumentation von N. Rimsky-Korsakov. - Frechen : Delta Music, 2011. - 3 CD, Beih. Interpreten: Dimitar Petkov, Todor Kostov, Gjuzelev Khovanski, Aleksandrina Milceva-Nonova, Bulgarischer Nationalchor „Svetoslav Obretenov“, Sofia National Opera Orchestra, Dirigent: Atanas Margaritov Aufn.: 1978. - Sprache: russisch Bestellnummer: Brillant 94255 Systematik: TD5-0 Oper (1.OGC31-32) Musorgskij, Modest P.: Khovanshchina : Musikalisches Volksdrama in fünf Aufzügen = Die Fürsten von Chowansky / Libretto von Mussorgsky. Auf der Grundlage der Ausgabe von Paul Lamm mit der Orchestrierung von Dmitri Schostakowitsch. Schlussszene von Igor Strawinsky . - Hamburg : Deutsche Grammophon, 1990. - 3 CDs. Interpreten: Aage Haugland, Vladimir Atlantov, Vladimir Popov, Marjana Lipovsek, Anatolij Kotscherga, Paata Burchuladzw, Brigitte Poschner-Klebel, Heinz Zednik, Joanna Borowska, Wilfried Gahmlich, Konzertvereinigung Wiener Staatsopernchor; Orchester der Wiener Staatsoper, Slowakischer Philharmonischer Chor Bratislava, Wiener Sängerknaben, Dirigent: Claudio Abbado Live-Aufnahme: Sprache: russisch Systematik: TD5-0 Oper (1.OGC31-32) DVD-Aufnahmen Musorgskij, Modest P.: Khovanshchina : a musical drama of the national history in five acts / Version by Dmitri Tcherniakow with the finale by Dmitri Shostakovich. Berlin : EuroArts Music International, 2009. - DVD (174 Min.) : farb., NTSC, 1 Beih. Interpreten: Paata Burchuladze, Klaus Florian Vogt, John Daszak, Valery Alexejev. Chor und Extrachor der Bayerischen Staatsoper, Bayerisches Staatsorchester. Dirigent: Kent Nagano. Sprache: russisch. - Untertitel: deutsch, englisch, französisch, spanisch Bestellnummer: Medici 2072428 Systematik: TD5-0 Mus (1.OGC31-32) Musorgskij, Modest P.: Khovanshchina. - London : BBC, 2007. - 2 DVDs (192 Min.) : farb., NTSC, 1 Beih. (BBC Opus Arte) Interpreten: Vladimir Ognovenko, Vladimir Galouzine, Robert Brubaker, Nikolai Putilin, Chorus and Symphony Orchestra of the Gran Teatre del Liceu, Dirigent: Michael Boder. Sprache: russisch. - Untertitel: deutsch, englisch, französisch, italienisch, katalanisch, spanisch Bestellnummer: OA 0989 D Systematik: TD5-0 Mus (1.OGD08) Musorgskij, Modest P.: Khovanshchina : opera in five acts = The Khovansky affair / Libretto Modest P. Musorgskij after Vladimir Strassov; Inszenierung Alfred Kirchner; Regie Brian Large; Orchestrierung Dmitrij D. Sostakovic; Schlußszene Igor Stravinsky. - Leipzig : Kinowelt Home Entertainment, 2004. - 2 DVD (188 Min.) : PCM stereo ; Pal ; 4:3, 1 Beih. Interpreten: Nicolai Ghiaurov, Vladimir Atlantov, Yuri Maruzin, Anatoly Kocherga, Paata Burchuladze, Ludmilla Semtschuk, Slowakischer Philharmonischer Chor Bratislava, Chor und Orchester der Wiener Staatsoper, Wiener Sängerknaben, Dirigent: Claudio Abbado Aufn.: Wiener Staatsoper, 1989 Bestellnummer: Arthaus 100 310 Systematik: TD5-0 Mus (1.OGC31-32) .
Load more

Recommended publications
  • KING FM SEATTLE OPERA CHANNEL Featured Full-Length Operas
    KING FM SEATTLE OPERA CHANNEL Featured Full-Length Operas GEORGES BIZET EMI 63633 Carmen Maria Stuarda Paris Opera National Theatre Orchestra; René Bologna Community Theater Orchestra and Duclos Chorus; Jean Pesneaud Childrens Chorus Chorus Georges Prêtre, conductor Richard Bonynge, conductor Maria Callas as Carmen (soprano) Joan Sutherland as Maria Stuarda (soprano) Nicolai Gedda as Don José (tenor) Luciano Pavarotti as Roberto the Earl of Andréa Guiot as Micaëla (soprano) Leicester (tenor) Robert Massard as Escamillo (baritone) Roger Soyer as Giorgio Tolbot (bass) James Morris as Guglielmo Cecil (baritone) EMI 54368 Margreta Elkins as Anna Kennedy (mezzo- GAETANO DONIZETTI soprano) Huguette Tourangeau as Queen Elizabeth Anna Bolena (soprano) London Symphony Orchestra; John Alldis Choir Julius Rudel, conductor DECCA 425 410 Beverly Sills as Anne Boleyn (soprano) Roberto Devereux Paul Plishka as Henry VIII (bass) Royal Philharmonic Orchestra and Ambrosian Shirley Verrett as Jane Seymour (mezzo- Opera Chorus soprano) Charles Mackerras, conductor Robert Lloyd as Lord Rochefort (bass) Beverly Sills as Queen Elizabeth (soprano) Stuart Burrows as Lord Percy (tenor) Robert Ilosfalvy as roberto Devereux, the Earl of Patricia Kern as Smeaton (contralto) Essex (tenor) Robert Tear as Harvey (tenor) Peter Glossop as the Duke of Nottingham BRILLIANT 93924 (baritone) Beverly Wolff as Sara, the Duchess of Lucia di Lammermoor Nottingham (mezzo-soprano) RIAS Symphony Orchestra and Chorus of La Scala Theater Milan DEUTSCHE GRAMMOPHON 465 964 Herbert von
    [Show full text]
  • Decca Discography
    DECCA DISCOGRAPHY >>V VIENNA, Austria, Germany, Hungary, etc. The Vienna Philharmonic was the jewel in Decca’s crown, particularly from 1956 when the engineers adopted the Sofiensaal as their favoured studio. The contract with the orchestra was secured partly by cultivating various chamber ensembles drawn from its membership. Vienna was favoured for symphonic cycles, particularly in the mid-1960s, and for German opera and operetta, including Strausses of all varieties and Solti’s “Ring” (1958-65), as well as Mackerras’s Janá ček (1976-82). Karajan recorded intermittently for Decca with the VPO from 1959-78. But apart from the New Year concerts, resumed in 2008, recording with the VPO ceased in 1998. Outside the capital there were various sessions in Salzburg from 1984-99. Germany was largely left to Decca’s partner Telefunken, though it was so overshadowed by Deutsche Grammophon and EMI Electrola that few of its products were marketed in the UK, with even those soon relegated to a cheap label. It later signed Harnoncourt and eventually became part of the competition, joining Warner Classics in 1990. Decca did venture to Bayreuth in 1951, ’53 and ’55 but wrecking tactics by Walter Legge blocked the release of several recordings for half a century. The Stuttgart Chamber Orchestra’s sessions moved from Geneva to its home town in 1963 and continued there until 1985. The exiled Philharmonia Hungarica recorded in West Germany from 1969-75. There were a few engagements with the Bavarian Radio in Munich from 1977- 82, but the first substantial contract with a German symphony orchestra did not come until 1982.
    [Show full text]
  • 2017–18 Season Week 22 Allewagner Program
    2017–18 season andris nelsons music director week 22 all-wagner program Season Sponsors seiji ozawa music director laureate bernard haitink conductor emeritus supporting sponsorlead sponsor supporting sponsorlead thomas adès artistic partner Better Health, Brighter Future There is more that we can do to help improve people’s lives. Driven by passion to realize this goal, Takeda has been providing society with innovative medicines since our foundation in 1781. Today, we tackle diverse healthcare issues around the world, from prevention to care and cure, but our ambition remains the same: to find new solutions that make a positive difference, and deliver better medicines that help as many people as we can, as soon as we can. With our breadth of expertise and our collective wisdom and experience, Takeda will always be committed to improving the Takeda Pharmaceutical Company Limited future of healthcare. www.takeda.com Takeda is proud to support the Boston Symphony Orchestra Table of Contents | Week 22 7 bso news 1 5 on display in symphony hall 16 bso music director andris nelsons 18 the boston symphony orchestra 21 casts of character: the symphony statues by caroline taylor 30 this week’s program Notes on the Program All-Wagner Program 32 The Program in Brief… 33 “Siegfried Idyll” 41 “Tristan und Isolde,” Act II 53 To Read and Hear More… Guest Artists 57 Camilla Nylund 59 Jonas Kaufmann 61 Mihoko Fujimura 63 Georg Zeppenfeld 65 Andrew Rees 67 David Kravitz 68 sponsors and donors 80 future programs 82 symphony hall exit plan 8 3 symphony hall information program copyright ©2018 Boston Symphony Orchestra, Inc.
    [Show full text]
  • Chicago Symphony Orchestra Riccardo Muti Zell Music Director Yo-Yo Ma Judson and Joyce Green Creative Consultant Global Sponsor of the CSO
    PROGRAM ONE HUNDRED TWENTY-FIFTH SEASON Chicago Symphony Orchestra Riccardo Muti Zell Music Director Yo-Yo Ma Judson and Joyce Green Creative Consultant Global Sponsor of the CSO Thursday, April 21, 2016, at 8:00 Saturday, April 23, 2016, at 8:00 Tuesday, April 26, 2016, at 7:30 Falstaff, Lyric comedy in three acts Music by Giuseppe Verdi Libretto by Arrigo Boito, after William Shakespeare’s The Merry Wives of Windsor and parts of Henry IV Riccardo Muti Conductor CAST Sir John Falstaff ............................................................................Ambrogio Maestri baritone Ford, husband of Alice ................................................................................. Luca Salsi baritone Fenton ................................................................................................................Saimir Pirgu tenor Doctor Caius ................................................................................................... Saverio Fiore tenor Bardolfo, follower of Falstaff ...............................................Anicio Zorzi Giustiniani tenor Pistola, follower of Falstaff..................................................................... Luca Dall’Amico bass Mrs. Alice Ford .................................................................................Eleonora Buratto soprano Nannetta, daughter of Alice and Ford ..................................................Rosa Feola soprano Mrs. Quickly ................................................................... Daniela Barcellona mezzo-soprano
    [Show full text]
  • Sir Colin Davis Discography
    1 The Hector Berlioz Website SIR COLIN DAVIS, CH, CBE (25 September 1927 – 14 April 2013) A DISCOGRAPHY Compiled by Malcolm Walker and Brian Godfrey With special thanks to Philip Stuart © Malcolm Walker and Brian Godfrey All rights of reproduction reserved [Issue 10, 9 July 2014] 2 DDDISCOGRAPHY FORMAT Year, month and day / Recording location / Recording company (label) Soloist(s), chorus and orchestra RP: = recording producer; BE: = balance engineer Composer / Work LP: vinyl long-playing 33 rpm disc 45: vinyl 7-inch 45 rpm disc [T] = pre-recorded 7½ ips tape MC = pre-recorded stereo music cassette CD= compact disc SACD = Super Audio Compact Disc VHS = Video Cassette LD = Laser Disc DVD = Digital Versatile Disc IIINTRODUCTION This discography began as a draft for the Classical Division, Philips Records in 1980. At that time the late James Burnett was especially helpful in providing dates for the L’Oiseau-Lyre recordings that he produced. More information was obtained from additional paperwork in association with Richard Alston for his book published to celebrate the conductor’s 70 th birthday in 1997. John Hunt’s most valuable discography devoted to the Staatskapelle Dresden was again helpful. Further updating has been undertaken in addition to the generous assistance of Philip Stuart via his LSO discography which he compiled for the Orchestra’s centenary in 2004 and has kept updated. Inevitably there are a number of missing credits for producers and engineers in the earliest years as these facts no longer survive. Additionally some exact dates have not been tracked down. Contents CHRONOLOGICAL LIST OF RECORDING ACTIVITY Page 3 INDEX OF COMPOSERS / WORKS Page 125 INDEX OF SOLOISTS Page 137 Notes 1.
    [Show full text]
  • Building a Library
    BUILDING A LIBRARY All selections were made from recordings available in the UK at the time of the broadcast and are full price unless otherwise stated. CD Review cannot guarantee that they have not subsequently been deleted. KEY: CD = compact disc c/w = coupled with SIS = a recording which is only available through EMI’s Special Import Service IMS = a recording which is only available through Universal Classics' Import Music Service CONTENTS September 1999 – July 2000 .................................................................................................................................................................................. 3 September 2000 – July 2001 ................................................................................................................................................................................ 24 September 2001 – July 2002 ................................................................................................................................................................................ 46 September 2002 – July 2003 ................................................................................................................................................................................ 74 September 2003 – July 2004 ................................................................................................................................................................................ 98 September 2004 – July 2005 .............................................................................................................................................................................
    [Show full text]
  • Mozart's Die Zauberflöte
    Mozart’s Die Zauberflöte – a partial discographical survey by Ralph Moore There are 128 recordings of Die Zauberflöte listed in the CLOR catalogue, of which around twenty are studio versions. I have tried any number of recordings and long despaired of ever finding one in acceptable sound which does the opera full justice. There are some good mono recordings from the 50’s, sometimes shorn of all dialogue as per Karajan’s, but most collectors understandably want a good stereo version, with the dialogue perhaps cut to manageable proportions for non-German-speakers. That which comes closest is Böhm’s 1964 recording starring Fritz Wunderlich as an ideal Tamino, but the perceived inadequacies of the female singers soon led to the observation that the ideal recording could have been produced by combining the men from Böhm’s recording with the women in Klemperer’s exactly contemporaneous studio recording. As they stand, both are arguably flawed but revisiting them has softened my own objections and few since have offered anything better. At almost every turn, some problem has compromised subsequent studio versions of the stereo and digital eras, such as the presence of throaty, constricted tenors as Tamino like Schreier, blighting all three recordings conducted by Suitner, Sawallisch and Davis, or Araiza for Karajan and Marriner. Finding a good Queen of the Night has been problematic, too; HIP influence has tended to encourage the casting of voices too small and flimsy to do justice to Mozart’s deceptively simple writing, and produced some really inadequate efforts, such as Harnoncourt’s, Norrington’s, Jacobs’ and Christie’s recordings, all of which I have excluded from the reviews below, as their mostly weak casting and small-scale or reduced forces approach render them of little merit as far as my own taste goes.
    [Show full text]
  • Berg, Alban Wozzeck Op. 7 (1914-1921), Oper
    Berg, Alban Wozzeck Op. 7 (1914-1921), Oper für Solisten, Chor und Orchester (4 Flöten [auch Piccoli], 4 Oboen [4. auch Englisch Horn], 4 Klarinetten, Bassklarinette, 3 Fagotte, Kontrafagott, 4 Hörner, 4 Trompeten, 4 Posaunen, Kontrabasstuba, 2 Paar Pauken, 1 Paar Becken, grosse Trommel, mehrere kleine Trommeln, Rute, grosses Tamtam, kleines Tamtam, Triangel, Xylophon, Celesta, Harfe, Streicher *Auf der Bühne: -Mehrere kleine Trommeln (I. Akt, 2. Szene) -Eine Militärmusik (1. Akt, 3. Szene): Piccolo, 2 Flöten, 2 Oboen, 2 Klarinetten, 2 Fagotte, 2 Hörner, 2 Trompeten, 3 Posaunen, Kontrabasstuba, Grosse Trommel mit Becken, kleine Trommel, Triangel) -Eine Heurigen- (Wirtshaus-) Musik (II. Akt, 4. Szene: 2 Fiedeln (um einen ganzen Ton höher gestimmte Geigen), Klarinette, Ziehharmonika bzw. Akkordeon, 2-4 Gitarren (unison), Bombardon (bzw. Basstuba) -Ein Pianino (III. Akt, 3. Szene) *Womöglich abgesondert vom grossen Orchester: -Ein Kammerorchester (II. Akt, 3. Szene) in der Besetzung von Arnold Schönbergs Kammersymphonie: Flöte (auch Piccolo), Oboe, Englischhorn, 2 Klarinetten, Bassklarinette, Fagott, Kontrafagott, 2 Hörner und ein Solo-Streichquintett. *Alle diese Ensembles können aus den Musikern des grossen Orchesters gebildet werden 3 Akte (15 Szenen) W Alma Maria Mahler zugeeignet Christoph Jäggin: CH-Gitarre ▼ Gesamtübersicht ▼ Literaturverzeichnis ▼ Register TEX Georg Büchner V 1) Wien: Universal Edition, U.E. 7379, 1955 (nach den hinterlassenen endgültigen Korrekturen des Komponisten, rev. v. H[ans] E[rich] Apostel) 2) Wien: Universal
    [Show full text]
  • 2017 - Nyhedsbrev Nr 1
    Richard Wagner Selskabet, København Medlem af Richard-Wagner-Verband International e.V. Nyhedsbrev nr. 1 – 2017 April 2017 Kære medlemmer! Siden sidst: Søndag 27. november 2016: Stipendiatkoncert Vi havde besøg af vores stipendiat, Lucas Bruun de Neergaard, som dels fortalte levende og engageret om sit ophold i Bayreuth, dels gav os nogle fine prøver på sit talent og repertoire. Til ledsagelse på flygel havde Lucas taget Christen Stubbe Teglbjærg med, og de 55 deltagere nød en god koncerteftermiddag – på trods af flygelets noget ustemte tilstand. Dette sidste har vi gjort opmærksom på til rette sted. Selskabet ønsker Lucas al mulig held i den fortsatte karriere. Torsdag 19. januar 2017: Wagner and Grail - Koncert med Live Painting Performance. Wagner and Grail Krste Badarovski - Piano Julie Andkjær Olsen - Piano Trine Bastrup Møller - Singer Vladimír Kiseljov - Live Painting Performance Program Tannhäuser - Vorspiel Dich teure Halle Lohengrin – Vorspiel Elsas Traum Parsifal – Vorspiel Ich sah das Kind Tristan und Isolde – Vorspiel Isoldes Liebestod Både Trine Bastrup Møller og Krste Badarovski har været stipendiater i Bayreuth fra selskaberne i hhv. København og Brno. Denne aftens malerikoncert i Laugshuset, København, var en succes. Dels den anderledes tilgang til kunsten, dels selve musikken og maleriet. Mens musikken lød, blev denne stemning samtidigt inspiration for maleren – og et maleri opstod. De 82 tilhørere fik en positivt speciel aften. Æresmedlemmer: 1 Aage Haugland†, Francesco Christofoli†, Lisbeth Balslev, Poul Elming, Mogens Bang†, Stig Andersen og Tina Kiberg Richard Wagner Selskabet, København Medlem af Richard-Wagner-Verband International e.V. Torsdag den 2. februar 2017: Foredrag ved Lise Johnsson, lektor, komponist Ved dette genbesøg af lektor og komponist Lise Johnsson blev relationen Franz Liszt og Richard Wagner imellem yderligere belyst.
    [Show full text]
  • 1985 Newsletters.Pdf
    &tir Wagner *urivtg VOL. 1 NO.1 FEB. 1985 LOOKING BACK AT 1984 This first issue of the Wagner Society in ti ie last appea 001101? of LI TO [HIll [1—1 [fl/S ii (31 ynn newsletter comes as we begin our second year Ross production thaL summer, as an independent organization. It seems an In May, we r.el ebratod LI 10 1)1st birthday appropriate time to look back at what we have of Richard Wagner with a parLy aL the German been doing, and ahead at what promises to Oak restaurant. Among the guests were Ring be an exciting year for Wagnerites in Northern director Nikolaus ehnliof; vii Morton, on the California. eve of her first BrOnn[iil Un; Iniga Dernesch, The winter of ‘86 saw the most intrepid our Erda; and Helmut Pompuch, here to sing of us at the first Donner Ring party, enjoying Mime. Mr. lehnhoff spoke on his stage work good food and wine and rare recordings. In on the ~ and we were all entertained by February we journeyed north to Petaluma, a campy film biography of the composer, where the Cinnabar Theater presented Das called ~jp~ of Fire, and of course the great Rheingold as a chamber opera in Andrew Por What’s Opera, Doc? with Bugs Bunny. ter’s translation, its tiny orchestra augmented Also in May, we saw another unique by a synthesizer. Despite an indisposed Loge, Wagnerian production, as WS member Sally it was a bold attempt by a small company, Gorham directed her fourth-grade students and a delightful evening.
    [Show full text]
  • Aage Haugland
    1Aage Haugland Aage Grunnet Haugland (1944-2000) Efter nysproglig studentereksamen i 1963 fra Sankt Annæ Gymnasium og med musikalsk udvikling som medlem af Københavns Drenge- og Mandskor startede han på medicinstudiet sammen med de tidligere klassekammerater Peter Steen Pedersen, Steen Watt-Boolsen, Leif C. Christensen og Bjarne F. Knudsen. Samtidig tog han sangundervisning hos Kristian Riis. Barn- og ungdommens deltagelse i kirkemusikken i Christiansborg Slotskirke og siden Vor Frue Domkirke under Mogens Wöldike´s ledelse med store oratorier og musikken knyttet til de kirkelige handlinger fødte hans musikinteresse. Sangundervisningen og den stigende musikinteresse fik ham til at opgive medicinstudiet. Efter vores tid som ”brummere” begyndte vi så småt i 1959 med sangtræning i det dybe leje. Helga Christensen ”Chrissemor” sanglærer på Sangskolen yndede at anvende ”Old man river”. Aage havde allerede dengang en gennemtrængende lyd – så kraftig at han kunne få vinduerne i sanglokalet til at klirre, så når de dybe steder kom, satte Chrissemor sit hoved på skrå og sagde bedende til Aage:”-ikke det, ikke det”. Efter forskellig optræden i kor, studenteroperaen og kirkekoncerter samt kirkesanger i Domkirken blev han i 1967 en tid elev på operaskolen i Oslo. Her fik han et to-årigt engagement ved Den Norske Opera og kom i kontakt med den tyske operainstruktør Götz Friedrich, der introducerede ham for operaen i Bremen, hvor han var ansat 1970-73. I denne periode gæstede han for første gang Den Jyske Opera, hvor han i 22. september 2010 2Aage Haugland 1972 debuterede som Rocco i ”Fidelio” – og i 1973 blev han engageret til Det Kongelige Teater.
    [Show full text]
  • Boston Symphony Orchestra Concert Programs, Summer, 1982
    BOSTON SWPHONY ORCHESTRA SEIJI OZAWA. Musk: Director - -t- " I Yes, if you're lucky! When you plan a Berkshire vacation, you're apt to neai^Sorry we're booked" m<|re than once. Simply because tourists value our country cnafm blended with cosmopolitan culture. We at Foxhollow hate the thought of your missing out on the Berkshire experience, so we're delighted to introduce our time-shared vacation home concept which provides you with superb accommodations at a fraction of their normal cost All yours ... a contemporary resort dwelling built on a renowned 280 acre country estate with stables, swimming, tennis, sailing, skiing and more. Savor authentic New England cuisine in our elegant dining room. Then enjoy a nightcap and entertainment in our Hunt's End Lounge. Breathe deeply . our air holds that special Berkshire magic. Imaginary voices of yesterday's literary giants mingle with the melodic strains of today's performers. Don't risk missing a Berkshire summer. Stop by and let us explain how you can share the Foxhollow experience. Same time next year? Guaranteed! The Ponds at Foxhollow . come share it with us. Route 7, Lenox, Massachusetts 01240 Tel. (413) 637-2706 1-800-292-6631 (in Massachusetts), 1-800-628-5990 (out of state) Seiji Ozawa, Music Director Sir Colin Davis, Principal Guest Conductor Joseph Silverstein, Assistant Conductor Hundredth Birthday Season, 1981-82 Trustees of the Boston Symphony Orchestra, Inc. Abram T. Collier, Chairman Nelson J. Darling, Jr., President Leo L. Beranek, Vice-President George H. Kidder, Vice-President Mrs. Harris Fahnestock, Vice-President Sidney Stoneman, Vice-President Roderick M.
    [Show full text]