Toque Flamenco: The Flamenco Guitar By “Flamenco Chuck” Keyser Academy of Flamenco Guitar P.O. Box 1292 Santa Barbara, CA 93102
[email protected] http://members.aol.com/BuleriaChk/private/flamenco.html © Charles H. Keyser 1998 (painting by Rowan Hughes) Introduction To Flamenco Contents Introduction Basic Rhythm Basic Chords Basic Rasgueados 2/4, 4/4 Compas Family 6/8, 3/4 Compas Family Barred Chords Introduction Flamenco Guitar Position The traditional flamenco guitar is balanced on the right thigh; with the neck extending diagonally across the body upwards from right to left. (from the player’s point of view. The body of the guitar is held in place by the pressure of the upper right arm, and the right forearm extends downward to the guitar strings. This is a difficult position to master, and is used most often in accompaniment of a singer or dancer, since it lends itself to active participation in the surrounding flamenco environment. It is difficult at first; the hand position will probably be cramped, the guitar will tend to slip, and it is difficult to see the strings (when accompanying, flamenco guitarists rely on their guitar experience, and play without looking; they “internalize” the basic techniques necessary). An alternative is to with the right leg crossed over the left (or vice versa), a more comfortable position, and one used by a great many guitarists today (including Paco de Lucia). However, the traditional position is far better suited for driving rasgueado and basic thumb technique. The fancy fingerwork up the neck isn’t nearly as important in flamenco as the social participation, keeping solid rhythm, and feeling the music, and the traditional position is more effective for these priorities.