DOCSLIB.ORG

Mi2n Sponsors Releases 'Passionate Voice' ● CYBERMIDI - Rated #1 in Quality Pro Pop Sequences,Êfind Your Favorite Songs in MIDI the Way They Were Meant to Be Heard

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Mi2n Sponsors Releases 'Passionate Voice' ● CYBERMIDI - Rated #1 in Quality Pro Pop Sequences,Êfind Your Favorite Songs in MIDI the Way They Were Meant to Be Heard Business News | Tech News | Label News | Video News | Radio News | Career Announcements | Music Events | Web Events | Music Releases | Band News B2N (business) i2N (indie) R2N (radio) Y2N (your top news) Free Newsletters - Privacy policy Music Industry News Network THURSDAY, FEBRUARY 17TH Advanced HOME | Submit your news | Submit your site | News Channel | MusicDish Bookstore | Advertise | Testimonials | Partners | Contact _______________________________ e-Wire this news to a Band News [02-17-2005] friend or colleague Reverend Raven's LIVE CD Is A Staff Favorite Printer friendly EDITOR'S PICKS e-Wire these Headlines to a friend DMX MUSIC Announces Definitive Agreement For Asset Sale With THP Capstar, Inc. Business News INTENT MediaWorks Releases First P2P Software To Prevent Illegal File Trading Tech Url: http://www.rockitrecordsusa.com News Greendale, WI USA – February 16, 2005 – The latest release from RCA Music Group Wins 9 Grammys At The Reverend Raven and the Chain Smokin’ Altar Boys, entitled “Live 47th Annual Grammy Awards Show! Label News at Blues on Grand”, is finding an expanded audience. It is Macrovision Introduces RipGuard DVD To currently listed as a 'staff favorite' on the MP3 download site, Dramatically Reduce Digital DVD Piracy Video loudburst.com. News MGI And NetMusic Launch 'Listen, Click And Recorded at BLUES ON GRAND in Des Moines, Iowa, this live Buy' Online Radio Platform Radio News recording mixes Raven originals with covers of vintage and classic Coates Named Director Of A&R For Verity blues gems by Freddie King, Howlin’ Wolf, Slim Harpo, and more. Records Career Announcements It showcases a tight and cohesive band trading licks that howl and LAST CALL: 2005 Kweevak.com CD Of The Year Awards Submissions wail, portraying both vitality and intimacy, and proving the band’s Web Events understanding and love of ‘The Blues.’ Hugh McGowan Band To Play Benefit Concert At Harper's In February Music Events Reverend Raven and the Chain Smokin’ Altar Boys have built a THE FUTURE OF MUSIC IS IN THE FORCE OF GAZ REYNOLDS stellar reputation throughout the Midwest for their energetic live Music Releases performances that exude the raw power and pleasure of Electric Rock 'n' Roll Singer Rises From The Dead – Twice! Band News Blues… Chicago Style! The Rev wields a wicked blues guitar and his voice emotes the very essence of the blues. Add additional vocals and some of the baddest blues harp blowin’ you’re ever [MusicDish Network] gonna hear by Madison Slim. Slim has honed his chops with a LightScribe: Laser Etched CD Labeling CD/DVD Drive Burns CD Labels Without Paper who’s who of blues including Jimmy Rogers, Pinetop Perkins, Willie Labels Or Ink! ‘Big Eyes’ Smith, Sam Lay, and a long list of others. When it comes to the Blues, you know you can trust Blues Legend Buddy Guy and he says, "These guys are very good!" Check out the Rev’s artist page on loudburst at http://www.loudburst.com/artist/?band_id=409. All tracks are available there for download. Or, you can buy or find out more LightScribe, a brand new burn-it-right-onto- about the this Live CD at http://www.rockitrecordsusa.com back | the-CD labeling system, uses your computer's top data drive to create labels. WIth LightScribe products, we can throw those labels and thingamagigies and ink cartridges - no, we'll keep the ink cartridges for those cover letters Send your comments to the editor: to that publisher/venue/A&R rep - away and start a brand new day of CD labeling! The Voice from the "Passion of Christ" -----Mi2N Sponsors Releases 'Passionate Voice' ● CYBERMIDI - Rated #1 in quality pro pop sequences,Êfind your favorite songs in MIDI the way they were meant to be heard. ● Do you need gigs? Do you need contacts in the business? Join Indie-Music.com and book your life. Place Your Company Here Lisbeth Scott, the soloist and co-lyricist for the influential and inspiring hit film "The Passion of the Christ", has released her newest CD "Passionate Voice". With the original music she brings to her latest solo CD, Lisbeth creates styles and sentiments that both move and mesmerize. Sam Johnson's Multiple Musical Personalities Revealed on Debut CD Rhythm 'n' Roll Sam Johnson's first release is titled Rhythm'n'Roll, emphasizing the CD's musical romp across various styles of R&B and rock. Imagine Outkast's Andre 3000, R. Kelly, Charlie Pride and Lenny Kravitz all on one CD, and you might approach Rhythm 'n' Roll. Pale Beneath the Blue Electric Angst Don't let the opening break-poetry of 'Little Secrets' throw you. She might sound like Alanis Morissette's younger sister, but Rhonda Everitt (AKA Pale Beneath the Blue) flits more toward the light than the dark, carving a quaking aura of fantasy out of a reality-based life that never shows up on TV. City Canyons Records adds Peter Ulrich To Stellar Roster City Canyons Records is exceedingly proud to add Peter Ulrich, the noted percussionist from the legendary Dead Can Dance to its roster. His upcoming album Enter The Mysterium, scheduled for release on March 1, is a mixture of world music, art pop, dream pop, old music and darkwave. HOME | Submit your news | Submit your site | News Channel | MusicDish Bookstore | Advertise | Testimonials | Partners | Contact Copyright © 1997-2005 , all rights reserved. Text, graphics, and HTML code are protected by US and International Copyright Laws, and may not be copied, reprinted, published, translated, hosted, or otherwise distributed by any means without explicit permission. Legal Notice | Privacy Policy .
Load more

Recommended publications
  • LISTENING: ADVANCED LESSONS Lesson 2. Slow Blues 1: Low And
    LISTENING: ADVANCED LESSONS Lesson 2. Slow blues 1: Low and Midrange Rhythm Patterns T-Bone Walker “Call It Stormy Monday” BB King “Sweet Little Angel” (Live at the Regal) Albert King “The Sky is Crying,” “Personal Manager” Jimi Hendrix “Red House” Guitar Slim “The Things That I Used to Do” Bobby Bland (Wayne Bennett, gtr) “Stormy Monday Blues” Allman Bros. (Duane Allman, Dickie Betts gtrs) “Stormy Monday” (Live at Fillmore East) 3. Slow blues 2: High-end Rhythm Patterns Same as slow blues 1 4. Slow blues 3: Soloing over Standard Changes BB King “Sweet Little Angel” (Live at the Regal) 5. Slow Blues 4: Chord Variations T-Bone Walker “Call It Stormy Monday” Bobby Bland (Wayne Bennett, gtr) “Stormy Monday Blues” 6. Slow Blues 5: Soloing over Chord Variations Bobby Bland (Wayne Bennett, gtr) “Stormy Monday Blues” Allman Bros. (Duane Allman, Dickie Betts gtrs) “Stormy Monday” (Live at Fillmore East) 7. Super Shuffle 1: Open E T-Bone Walker “T-Bone Shuffle” Jimmy Reed (Eddie Taylor gtr) “High and Lonesome” “Baby What You Want Me to Do” Snooks Eaglin “Sophisticated Blues” Stevie Ray Vaughan “Pride and Joy” 8. Super Shuffle 2: Other Keys Same as Super Shuffle 1 9. Super Shuffle 3: Chicago style Little Walter (Muddy Waters, Jimmy Rogers gtr) “Juke” 10. Chicago-style Melodic Rhythm Jimmy Rogers “That’s All Right,” “Ludella” Little Walter (Louis Myers, Dave Myers gtrs) “Mean Old World” 11. Double-stops 1: Third Intervals Lonnie Johnson “Away Down in the Alley Blues” Robert Johnson “Sweet Home Chicago” Chuck Berry “Thirty Days” Freddie King “The Stumble” Stevie Ray Vaughan “Love Struck Baby,” “Pride & Joy” 12.
    [Show full text]
  • Juke Joint Songlist 8-6-13.Xlsx
    SONG TITLE TEMPO ARTIST Ain't No Sunshine slow Bill Withers Baby What You Want Me To Do slow Blues Standard Barefootin' medium up Robert Parker Born In Chicago fast blues Paul Butterfield Bright Lights, Big City medium blues swing Jimmy Rogers Allstars Bring it on Home to Me slow swing Sam Cooke Caledonia medium swing Louis Jordan Call Me (634-5789) medium swing Wilson Pickett Can't Get Next To You slow Al Green Can't Keep It Up fast blues - swing Little Charlie and the Nightcats Can't Turn You Loose fast Otis Redding Cissy Strut medium New Orleans INSTR. The Meters Cleo's Mood slow INSTRUMENTAL Junior Walker Cold Sweat medium funk James Brown Get Ready medium Rare Earth Going To The River slow swing Taj Mahal Grazing In The Grass medium INSTRUMENTAL Hugh Masakela Grits Ain't Groceries medium Little Milton Here I Am, Come and Take Me medium Al Green/Seal High Flying Baby fast Rod Piazza Hold On, I'm Coming medium Sam and Dave Hoochie Koochie Man Slow Muddy Waters Hot Little Mama medium swing Johnny Guitar Watson I Ain't Drunk, I'm Just Drinkin' medium swing Albert Collins I Feel Good medium funk James Brown I Got the Feeling medium funk James Brown Jody Grind medium Horace Silver Knock On Wood medium Wilson Pickett Listen Here medium INSTRUMENTAL Eddie Harris Memphis Train medium Rufus Thomas Midnight Hour relaxed Wilson Pickett Mustang Sallie relaxed Wilson Pickett Nightime Is the Right Time slow Ray Charles Night Train medium up James Brown Papa's Got a Brand New Bag medium funk James Brown Red House medium slow blues Blues Standard Route 66 medium swing Old Standard Running Blue medium swing Boz Scaggs Sittin' on the Dock of the Bay slow Otis Redding Smack Dab in the Middle medium swing Ray Charles Song For My Father medium latin INSTRUMENTAL Horace Silver Soul Man medium Sam and Dave Stand by Me slow Ben E.
    [Show full text]
  • Howlin Wolf 1991.Pdf
    FOREFATHERS Howlin’ W olf JUNE 10,1910 - JANUARY 10,1976 BY PETER GURALNICK OWLIN’ WOLF WAS LARGER than life in every respect. As an entertainer, as an individual, and as a bluesman, he was outsized, unpredictable, and always his own man. He was a great blues singer who pos­ sessed that quality of egocentric self-absorption that is the mark of the true showman. To many people this may seem contradictory, but Wolf proved that to its natural audience blues is not all pain and suffering, but is instead a kind of re­ his voice that was his crowning glory, a voice which could lease. When you listen to the blues, you should be moved; fairly be called inimitable, cutting with a sandpaper rasp and doubtless you should take the deep blues of a singer like overwhelming ferocity but retaining at the same time a curi­ Muddy Waters or Howlin’ Wolf with the sense of dignity that ous delicacy of shading, a sense of dynamics and subtlety of is intended. You should also come away with a smile on your approach that set it off from any other blues singer’s in that lips. rich tradition. It combined the rough phrasing of Patton with Howlin’ Wolf was a totally enigmatic personality. He was the vocal filigree of Tommy Johnson and its familial descen­ a man at once complex, driven, and dant: the blue yodel of Jimmie altogether impossible to read. I think WOLF’S RIGHT HAND: Rodgers, a white country singer he was as much a mystery to his HUBERT SUMLIN, LEAD GUITAR whom Wolf always admired.
    [Show full text]
  • Tunarangers Cover List
    THE TUNA RANGERS PARTIAL SONG LIST OF COVERS SONGS Up Tempo Songs 1. Got My Mojo Working-I Feel So Good MUDDY WATERS 2. One Way Out ALLMAN BROTHERS 3. Sweet Little Sixteen-Teenage Wedding CHUCK BERRY 4. Around And Around-Honky Tonk Women-Dead Flowers ROLLING STONES 5. You Can't Do That-Chains-I'll Cry Instead-Slow Down BEATLES 6. Fortunate Son-Born On The Bayou-Suzy Q-Midnight Special C.C.R. 7. Going Up The Country CANNED HEAT 8. Blues In The Bottle LOVING SPOONFUL 9. Shop Around SMOKEY ROBINSON & MIRACLES 10. Unchain My Heart-I Got A Woman RAY CHARLES 11. Walking The Dog RUFUS THOMAS 12. Fast Train To Georgia BILLY JOE SHAVER 13. Folsom Prison Blues JOHNNY CASH 14. She Caught The Katy-Corrina TAJ MAHAL 15. Stay With Me THE FACES 16. Hanky Panky TOMMY JAMES 17. Walking Blues-Get Out Of My Life Woman-All These Blues PAUL BUTTERFIELD 18. Pride & Joy STEVIE RAY VAUGHN 19. On A Night Like This-Highway 61-It Takes A Lot To Laugh-Like A Rolling Stone-Tom Thumb Blues- Down On The Flood-All Along The Watchtower-Leopard Skin Pill Box Hat BOB DYLAN 20. Walking By Myself JIMMY ROGERS 21. I’m Crying-We Gotta Get Out Of This Place ANIMALS 22. Mr. Spaceman THE BYRDS 23. Rockin' Pneumonia-Seventh Son JOHNNY RIVERS 24. Good Morning Blues LEADBELLY 25. Oh Lonesome Me DON GIBSON Ballads and Slower Songs 1. Guilty BONNIE RAITT 2. Stand By Me BEN E. KING 3. Sporting Life LOVIN' SPOONFUL 4.
    [Show full text]
  • ELECTRIC BLUES the DEFINITIVE COLLECTION Ebenfalls Erhältlich Mit Englischen Begleittexten: BCD 16921 CP • BCD 16922 CP • BCD 16923 CP • BCD 16924 CP
    BEAR FAMILY RECORDS TEL +49(0)4748 - 82 16 16 • FAX +49(0)4748 - 82 16 20 • E-MAIL [email protected] PLUG IT IN! TURN IT UP! ELECTRICELECTRIC BBLUESLUES DAS STANDARDWERK G Die bislang umfassendste Geschichte des elektrischen Blues auf insgesamt 12 CDs. G Annähernd fünfzehneinhalb Stunden elektrisch verstärkte Bluessounds aus annähernd siebzig Jahren von den Anfängen bis in die Gegenwart. G Zusammengestellt und kommentiert vom anerkannten Bluesexeperten Bill Dahl. G Jede 3-CD-Ausgabe kommt mit einem ca. 160-seitigen Booklet mit Musikerbiografien, Illustrationen und seltenen Fotos. G Die Aufnahmen stammen aus den Archiven der bedeutendsten Plattenfirmen und sind nicht auf den Katalog eines bestimmten Label beschränkt. G VonT-Bone Walker, Muddy Waters, Howlin' Wolf, Ray Charles und Freddie, B.B. und Albert King bis zu Jeff Beck, Fleetwood Mac, Charlie Musselwhite, Ronnie Earl und Stevie Ray Vaughan. INFORMATIONEN Mit insgesamt annähernd dreihundert Einzeltiteln beschreibt der Blueshistoriker und Musikwissenschaftler Bill Dahl aus Chicago die bislang umfassendste Geschichte des elektrischen Blues von seinen Anfängen in den späten 1930er Jahren bis in das aktuelle Jahrtausend. Bevor in den Dreißigerjahren Tonabnehmersysteme, erste primitive Verstärker und Beschallungssysteme und schließ- lich mit Gibsons ES-150 ein elektrisches Gitarren-Serienmodell entwickelt wurde, spielte die erste Generation der Gitarrenpioniere im Blues in den beiden Jahrzehnten vor Ausbruch des Zweiten Weltkriegs auf akustischen Instrumenten. Doch erst mit Hilfe der elektrischen Verstärkung konnten sich Gitarristen und Mundharmonikaspielern gegenüber den Pianisten, Schlagzeugern und Bläsern in ihrer Band behaupten, wenn sie für ihre musikalischen Höhenflüge bei einem Solo abheben wollten. Auf zwölf randvollen CDs, jeweils in einem Dreier-Set in geschmackvollen und vielfach aufklappbaren Digipacks, hat Bill Dahl die wichtigsten und etliche nahezu in Vergessenheit geratene Beispiele für die bedeutendste Epoche in der Geschichte des Blues zusammengestellt.
    [Show full text]
  • I'm Your Hoochie Coochie
    “I’m Your Hoochie Coochie Man”—Muddy Waters (1954) Added to the National Registry: 2004 Essay by Robert Gordon (guest post)* Muddy Waters Bluesman Muddy Waters was known for the power he conveyed in music: manliness, deep hurt and deep pride, sexuality. His themes were reinforced by his style: his songs hit hard, his vocals were declamatory, his band played like a swinging fist. Several of his songs could be considered his signature, and one of those is “Hoochie Coochie Man.” Odd that a man so full of machismo would be identified with two giggly pseudo words— “hoochie” and “coochie.” What do they mean anyway? Most likely they’re variants of the word “goochie” which was a southern slang term for vagina dating to the Reconstruction era. Muddy, with children by a variety of women, with female fans who’d throw underpants on stage, with a passion for sex—he was a hoochie coochie goochie man for sure. The song “Hoochie Coochie Man” was brought to Muddy in late 1953 by Willie Dixon, a bassist and songwriter who would, within a year, bring Muddy other songs that solidified his hoochie coochie image: “Just Make Love To Me,” “I'm Ready,” and “Natural Born Lover.” As a songwriter, Dixon untied, sorted, and repackaged songs, lyrics, toasts, children's games and an array of quips and boasts, putting his name on them and creating a catalog of his own. Then other, more dynamic singers made the songs into hits. He drew heavily from traditional sources, this boom-era of recording and mass distribution codifying what had been a loose and communal pool of melodies and lyrics.
    [Show full text]
  • BOB MARGOLIN BOOKING ONESHEET.Pages
    BOB MARGOLIN - DEEP BLUES Bob is prominent in today’s Blues scene. He tours worldwide at festivals, concerts, clubs and workshops. His self-titled album reveals the latest from the 2017 Blues Music Award winner for Best Male Traditional Blues Artist. Released Oct. 12, 2018 by the VizzTone Label Group (Bob is a founding partner), six new original songs are his Blues for today’s world. He also interprets nine songs he learned “back in the day” from his legendary friends Muddy Waters, The Band, Johnny Winter, Jimmy Rogers, Snooky Pryor, Pinetop Perkins and James Cotton. Bob played and sang every note, produced, recorded and mixed this album. In early 2017 Bob was featured on The Last Waltz 40 Tour, celebrating the movie and concert. Bob led songs played with Warren Haynes, Don Was, Jamey Johnson, Taj Mahal, Dr. John, Michael McDonald, Garth Hudson, and more. Bob was in the original 1976 Last Waltz concert and film, playing with Muddy Waters and The Band. In 2018 and 2019 Bob will be performing: • with the Bob Margolin Trio • with the Bobs of the Blues - Bob Corritore & Bob Stroger • Guesting with other bands, making a stronger billing than separately • Solo Bob leads "Mannish Boy" Last Waltz 40 Tour “Heaven Mississippi” from My Road From 1973-‘80 Bob played guitar in Muddy Waters’ band, appearing on all the albums Muddy made then and at special shows like The Last Waltz. Since 1980, Bob performs his own songs, but still honors his historic and personal connection to Muddy Waters. "After nearly 50 years of playing the Blues, Margolin should be bestowed with the 'icon' title.
    [Show full text]
  • Finding Aid for the Blues Archive Poster Collection (MUM01783)
    University of Mississippi eGrove Archives & Special Collections: Finding Aids Library April 2020 Finding Aid for the Blues Archive Poster Collection (MUM01783) Follow this and additional works at: https://egrove.olemiss.edu/finding_aids Part of the African American Studies Commons, American Material Culture Commons, American Popular Culture Commons, and the Other Music Commons Recommended Citation Blues Archive Poster Collection (MUM01783), Archives and Special Collections, J.D. Williams Library, The University of Mississippi This Finding Aid is brought to you for free and open access by the Library at eGrove. It has been accepted for inclusion in Archives & Special Collections: Finding Aids by an authorized administrator of eGrove. For more information, please contact [email protected]. University of Mississippi Libraries Finding Aid for the Blues Archive Poster Collection MUM01783 TABLE OF CONTENTS SUMMARY INFORMATION Summary Information Repository University of Mississippi Libraries Scope and Content Creator - Collector Arrangement Cole, Dick "Cane"; King, B. B.; Living Blues Administrative Information (Magazine); Malaco Records; University of Mississippi; Miller, Betty V. Related Materials Controlled Access Headings Title Blues Archive Poster Collection Collection Inventory ID Series 1: General Posters MUM01783 Series 2: B. B. King Posters Date [inclusive] 1926-2012 Series 3: Malaco Records Posters Date [bulk] Series 4: Living Blues Bulk, 1970-2012 Posters Extent Series 5: Dick “Cane” 3.0 Poster cases (16 drawers) Cole Collection Location Series 6: Betty V. Miller Blues Archive Collection Series 7: Southern Language of Materials Ontario Blues Association English Broadsides Abstract Series 8: Oversize These blues posters, broadsides, and oversize Periodicals printings, collected by various individuals and Series 9: Blues Bank institutions, document the world of blues advertising.
    [Show full text]
  • The Whyte/Orfield Band
    Tequila Sage, Southern Serenade, the Dairyland Ranch Hands, and Rada-Dada. In addition to playing with the Sue Orfield Band, he currently plays electric and upright bass with Ranger Rudy & the All shows begin at 6:30 In case of inclement weather, Tuesday Night Blues Swingin’ Wingtips, Catya’s Trio, AcoustiHoo, Code is held at the House of Rock, 422 Water Street. Blue, and Rada-Dada. *August 7 will be held at Phoenix Park. Drummer Dave Schrader has performed in many local cover bands around the Chippewa Valley May 28 Howard ‘Guitar’ Luedtke & Blue Max since the age of 15. As a road warrior and through HowardLuedtke.com June 4 Revolver hard knocks and dirty socks, he spent time traveling RevolverBand.net with several bands from 1973 through 1977 gaining August 6, 2013 at Phoenix Park June 11 Bryan Lee experience in different genres. During the 1980s he BrailleBluesDaddy.com was a proud member of “Southern Serenade,” a June 18 Tommy Bentz Band popular country-rock group who thrilled audiences TheThe Whyte/OrfieldWhyte/Orfield BandBand TommyBentz.com with their vocal and musical talents. In 1991, he June 25 Code Blue with Catya & Sue Catya.net provided the drum tracks for the rock band “Rhythm July 2 Left Wing Bourbon Kings” second CD. Currently, he is also a member of LeftWingBourbon.com “Dixie & The Dreamers.” He brings to the table a July 9 Charlie Parr smooth, versatile approach to multiple styles of CharlieParr.com music and a solid background vocal capability. July 16 Deep Water Reunion MySpace.com/DWReunion ----------------- July 23 Steve Meyer with the True Heat Band Tuesday Night Blues needs volunteers for things as (featuring Ben Harder) simple as helping set up and tear down each July 30 Ross William Perry Tuesday (20-30 minutes each), as well as some to RossWilliamPerry.com get involved in the organization and production Aug 6 The Sue Orfield Band featuring Ellen Whyte phases in the off season.
    [Show full text]
  • A Study of Blues And
    “YOUNG FASHIONED WAYS”: A STUDY OF BLUES AND AUTHENTICITY IN THREE TRANSATLANTIC STUDIO COLLABORATIONS _______________ A Thesis Presented to the Faculty of San Diego State University _______________ In Partial Fulfillment of the Requirements for the Degree Master of Arts in Music _______________ by Conor M. Jamison Fall 2013 iii Copyright © 2013 by Conor M. Jamison All Rights Reserved iv ABSTRACT OF THE THESIS “Young Fashioned Ways”: A Study of Blues and Authenticity in Three Transatlantic Studio Collaborations by Conor M. Jamison Master of Arts in Music San Diego State University, 2013 During the late 1960s and early 1970s, it was popular for blues artists—both British and American—to travel across the Atlantic to record with their fellow musicians. Three albums resulted from these collaborative exchanges which have been popular among fans, but also matters of controversy among blues purists: The London Muddy Waters Sessions, The London Howlin' Wolf Sessions, and Fleetwood Mac: Blues Jam in Chicago. Some feel that the American masters did not play to their own potential, and the white, British sidemen sound weak in comparison with their black, American counterparts. These reflections call into question the ability of the British musicians to achieve authentic blues, as well as the ability of the American players to remain authentic in a collaborative environment. In 2002, musicologist, Allan Moore published his article “Authenticity as Authentication,” wherein, he outlined a tripartite typology that can be uses as a basis for evaluating musical performances in terms of the perception of authenticity by those experiencing it. Moore's typology classifies the factors of authenticity into “first-, second-, and third-person.” Or “authenticity of: 'expression,' 'experience,' and 'execution'”.
    [Show full text]
  • Make Your Deal at the Crossroads. Make Your Deal at the Crossroads
    Make your deal at the crossroads. THE Don Ottensman Subscribe to the hardest working blues magazine with features and photos on the artists, music, clubs, festivals, societies, radio and the people of blues, R&B and Gospel. Atlanta Blues Society Get the “On the Road” map to Blues music across the country! Subscribe and get 6 jam packed issues a year of news, stories, reviews, photos and our new sampler Congratulates our Challenge CD #25, On The Road To Nowhere plus other blues bonuses, including 61/49 t-shirt and CDs. www.bigcitybluesmag.com Winners - wishing them a winning show in Memphis! Rae & The Royal Peacocks On The Road To Nowhere Sampler CD #25 with great new blues tracks FREE with every new subscription18 plus more bonuses available at www.bigcitybluesmag.com “My favorite magazine!” “This here is the Real Deal!” – Charlie Musselwhite Don Ottensman has been playing the – Taj Mahal For advertising, subscriptions, blues on KNON-FM, Dallas’s noncommer- editorial and sampler participation call or email Robert Jr Whitall cial 55,000-watt radio station, for 35 “The hardest working P.O. Box 1805, Royal Oak, MI 48068-1805 blues magazine.” 248-582-1544 Kathie Holmes years. Under his influence, KNON broad- – Solomon Burke www.bigcitybluesmag.com email: casts two hours of blues every weekday, [email protected] facebook.com/BigCityBluesMagazine as well as three hours per day of a blues/ R&B mix. Ottensman’s show has been the biggest fundraiser during the sta- tion’s pledge drive for over 30 years. He has interviewed dozens of artists and blues celebrities for his show, including B.B.
    [Show full text]
  • One Sheet Little Mike
    LITTLE MIKE SEMI FINALIST FOR BEST TRADITIONAL BLUES RELEASE FOR “PINE TOP PERKINS & JIMMY ROGERS – GENUINE BLUES LEGENDS ALBUM, EP OR SINGLE RELEASE - MIKE APPEARS ON SHORT BIO • How Long? (2016) CD • Pinetop Perkins & Jimmy Rogers – Genuine Blues Legends Queens native Little Mike grew up on (2015) CD the very competitive New York City • Friday Night (with Zora Young) (2015) CD music scene. He started playing harp • Live at the St. Augustine Bluzfest (2015) CD at age 14 and took up piano two • All the Right Moves (2014) CD years later. His first brush with the • Forgive Me (2013) CD blues came while hearing John Lee • Heaven – Pinetop Perkins (2012) Hooker at Carnegie Hall and later • Blind Pig 25th Anniversary Collection w/Pinetop Perkins (2001) listening to a Paul Butterfield record. • Live in Paris (2000) After that Little Mike couldn’t get • Hot Shot (1998) enough. If a blues show was in New • Flynns Place (1995) York City, Mike was there, especially • Prime Chops Vol 2 (1993) when the Chicago players came to • Payday (1992) town. His favorite was Muddy Waters. • Help Yourself - Eddie Clearwater (1992) “I used to go and see Muddy anytime • Prime Chops (1990) he was within 150 miles of New York“ • Heart Attack (1990) he said. “He is easily the biggest • Heart and Soul – Hurbert Sumlin W/James Cotton and Little influence on the band and my Mike (1989) playing. And if it’s not Muddy himself • After Hours - Pine Top Perkins (1988) then it’s the great guys he always • Little Mike’s Harmonica Boogie/Since My Mothers Been Ill (1985) picked
    [Show full text]