"Fiddler on the Roof"

Total Page:16

File Type:pdf, Size:1020Kb

CAPITOL'S FISCAL '63-'64 "Fiddler On The Roof"- BEST YEAR IN HISTORY A Hurricane On Broadway e HOLLYWOOD-Sales of Capitol Ree- collection of vocal performances that NEW YORK - "Fiddler On The Jerry Bock and Sheldon Harnick who )rds for the fiscal year ended last achieved best-seller status on 'pop' Roof," the new Zero Mostel musical, have garnered raves in the past for e June 30 reached the highest level in charts; and a number of complete- opened on Broadway last week with the "Fiorello" of a few years ago, 1 :he label's 22 -year history. opera recordings, including 'Andrea the force of a Fall hurricane and "She Loves Me" of last season, and d Glenn E. Wallichs, chairman of the Chenier' and `Samson & Delilah,' that heralded the new musical theater for the New York World's Fair pro- d ooard and chief executive officer, dis- drew unanimous praise from critics season with one of the brightest and duction, "To Broadway With Love," _losed last week that Capitol's net and consumers alike. most widely acclaimed shows to bow which closed only because of poor sales totalled $57,460,133, an increase "The past fiscal year saw Capitol in many a year. The new Bock and Fair attendance. The score is pub- of $8,855,187 over the previous fiscal terminate its activities in the elec- Harnick show has been likened to lished by Tommy Valando's Sunbeam year. Net income for the year was tronics field through the sale of this "How To Succeed," "Hello, Dolly" Music, BMI's most prolific publisher a $1,952,533, an increase of $951,517 aspect of its business. Despite signfi- and "Funny Girl" in importance and of show music to date. Sunbeam has over the previous year. Earnings cant sales for the three -year -old projected box-office receipts. published all of the-earlier Harnick amounted to $4.24 per share of com- electronics division, Capitol's man- The New York Times reported that and Bock shows including "Tender- mon stock outstanding at June 30 agement determined to withdraw following the opening, lines of ticket - loin" and "Body Beautiful." e. compared to last year's $2.17 per from this highly competitive field. seekers converged upon the box-office The show's star, Zero Mostel, fast share. "Prospects for the new fiscal year of the Imperial Theater and that becoming one of the foremost per- In a letter to Capitol stockholders, are bright, with new product from police barricades had to be set up to forming names in the world of musi- in Wallichs commented: both domestic and overseas sources allow entrance into the neighboring cal comedy, was a driving force in "As was the case for most English- finding immediate success and enabl- Piccadilly Hotel. Carl Fisher, general his last show, "A Funny Thing si speaking countries, 1963-1964 was for ing Capitol to maintain its substantial manager for producer Harold Prince, Happened On The Way To The a Capitol the 'Year of The Beatles.' position in both the single-record estimated that advance sales have Forum," and has been acclaimed by With an unbroken string of million - and album markets." topped the $650,000 mark and that the critics as a major contributor to selling albums and singles, the phe- Broadway ticket brokers are com- the success of "Fiddler On The Roof." nomenal British foursome became the plaining loudly over the few tickets fastest -selling artists in the history available to them. The major backers of the show, as of the American record industry. Bob Skaff Promoted RCA Victor Records, which did not reported in the New York Times, With The Beatles leading the way, invest in the show, (an unusual situ- are the First Theater Investing Serv- Capitol clearly dominated the Ameri- ation by today's standards is reported ice ($71,000) , Morton Mitos$y ($22,- can singles market, with four dif- to have paid a higher royalty fee for 500), and Anthony Brady Farrell n ($22,500) retired producer and ferent records achieving No. 1 chart the original cast rights. Victor etched a status. the album this past weekend (27) at former owner of the Mark Bellinger "Equally impressive was Theater. Profit splits and fees include Capitol's the Webster Hall studios, and is fee 15 is performance in the album field. Be- expected to rush the package into a of $10,000, percent of the h sides the ubiquitous profits and 3 percent of the gross to Beatles, a dozen release by this week (Oct. 1). For the Robbins and .e artists were represented on the best- label, the instant success of "Fiddler" Jerome for staging ib seller charts: The choreography; $4,000 a week to Beach Boys, Nat portends a cast album of major sig- 10 of the King Cole, Dick Dale, Bobby Darin, sificance with heavy sales guaranteed Mostel against percent )e gross and a 2 percent royalty from Judy Garland, Jackie Gleason, Peggy as soon as the LP is issued. Harnick Lee, The Lettermen, Al Martino, "Fiddler," with a book by Joseph the album. Stein, Bock and Wayne Newton, Peter & Gordon and Stein who adapted it from stories by will share 10 percent of the gross and Nancy Wilson. Sholem Aleichem, has a score by 3 percent of the profits. .r "During the year, Capitol made further progress in the important Broadway -show field through the li acquisition of original -cast rights RCA Victor Unveils 31 LP's For Oct. to one of the season's biggest hits, IS `Funny Girl,' featuring Barbra Stre- NEW YORK-RCA Victor will re- RCA Victrola, the label's low- l isand. For next season, Capitol has lease 31 new albums for Oct., plus priced classical line, will offer "Fin- already obtained rights to two ex- the original cast album of the new landia & Other Favorites by Sibelius tremely promising musicals, `Golden Broadway smash, "Fiddler On The & Grieg"-Mackerras, London Proms Boy,' starring Sammy Davis, Jr., BOB SKAFF Roof," which was cut last week (27) Orch; Beethoven's "Symphony No. 6" and 'Ben Franklin In Paris,' starring HOLLYWOOD-Bob Skaff, vice-pres- and is being rushed into release to with Montieux and Viennâ Philhar- Robert Preston. ident and general manager of Im- highlight Oct. product. monic, Ravel's "Concerto In G" and "Similarly, Angel Records enjoyed perial Records has earned VP stripes The 12 new popular sets are "Concerto No. 2 by Prokofieff" - a year of notable achievement. Among in the entire Liberty organization, it "Frankie Carie Plays The Big Im- Munch/Boston Symph.; and Donizet- the outstanding releases was announced last week by Alvin S. ti's "Lucia Di Lammermoor" with it were the ported Hits," "The Worth Is Yet To complete Beethoven piano sonatas as Bennett, the label's topper. Come" by Stan Worth, "In A Young Peters, Peerce, Tozzi, Maero and performed by Arthur Schnabel; According to Bennett, the new as- Mood" with the Marty Gold Orch., Leinsdorf. Great Voices Of The Century,' a signment expands Skaff's duties to in- "The Ed Ames Album," "David Mer- clude overall supervision of the A&R rick Presents Hits From His Broad- and promotion departments for the way Hits" with John Gary, Ann - ry Columbia To Etch "Bajour" Danny Davis To Philles whole firm. Liberty's executive A&R Margret, Merrill-Staton voices, "Frac- director Don Blocker and promotion tured Folk Songs" by Homer and NEW YORK-Columbia Records will head, Bob Fead, will not be affected Jethro, "The Travelin' Bare," by record the original cast LP of the although other department heads will Bobby Bare, "Sam Cooke At The new Broadway musical, "Bajour," ac- coordinate all activities with Skaff. Copa," "Fess Parker Sings About cording to an announcement by God- "In little more than a year, Im- Daniel Boone, Davy Crockett, Abe dard Lieberson, president of the disk- perial has chalked up an amazing Lincoln," "Original Music From The ery. growth record under the aggressive Rogues," Nelson Riddle Orch., "Drac- "Bajour," with music and lyrics by leadership of Robert Skaff," said Ben- ula's Greatest Hits" by Gene Moss, Walter Marks, is based on the Ernest nett. "For this reason, we believe his and "Small Wonder" with Rita Pa- Kinoy adaptation of Joseph Mitchell's talents should not be limited to one vone. 'New Yorker' stories dealing with facet of our organization." gypsy life in New York. Produced by Skaff joined Liberty four years ago The sacred release includes "Silver Saxaphones Play The Golden Hymns," Edward Padula in conjunction with as a promotion man. Shortly there- Carroll and Harrie Masterson and after he became national promotion Darol Rice, "Doris Akers and The Statesmen Quartet Sing For You," Norman Twain, the musical will star director-an assignment which lasted Chita Rivera, Nancy Dussault and three years. In late 1963, he was and "The Blackwood Brothers Pre- sent Their Exciting Tenor Bill Herschel Bernardi, and co-star Rob- upped to general manager of the ert Burr and Mae Questel with Gus newly -acquired Imperial label and in Shaw." Trikonis. early '64, following a series of im- Two new sets have been added to portant strides, he was upped to the Vintage series catalog with Currently in. rehearsal, "Bajour" vice-president. "Smoky Mountain Ballads" by vari- will open out-of-town at the Shubert ous artists, and "Stomp And Joys" Theatre in Boston (Oct. 12-24), fol- by Jelly Roll Martin. lowed by an engagement at the Shu- Vee Jay Sets Push Entries from the Red Seal division bert Theatre in Phila. (Oct. 28- Nov. are Shakespeare's Othello with 14).
Recommended publications
  • Updates & Amendments to the Great R&B Files
    Updates & Amendments to the Great R&B Files The R&B Pioneers Series edited by Claus Röhnisch from August 2019 – on with special thanks to Thomas Jarlvik The Great R&B Files - Updates & Amendments (page 1) John Lee Hooker Part II There are 12 books (plus a Part II-book on Hooker) in the R&B Pioneers Series. They are titled The Great R&B Files at http://www.rhythm-and- blues.info/ covering the history of Rhythm & Blues in its classic era (1940s, especially 1950s, and through to the 1960s). I myself have used the ”new covers” shown here for printouts on all volumes. If you prefer prints of the series, you only have to printout once, since the updates, amendments, corrections, and supplementary information, starting from August 2019, are published in this special extra volume, titled ”Updates & Amendments to the Great R&B Files” (book #13). The Great R&B Files - Updates & Amendments (page 2) The R&B Pioneer Series / CONTENTS / Updates & Amendments page 01 Top Rhythm & Blues Records – Hits from 30 Classic Years of R&B 6 02 The John Lee Hooker Session Discography 10 02B The World’s Greatest Blues Singer – John Lee Hooker 13 03 Those Hoodlum Friends – The Coasters 17 04 The Clown Princes of Rock and Roll: The Coasters 18 05 The Blues Giants of the 1950s – Twelve Great Legends 28 06 THE Top Ten Vocal Groups of the Golden ’50s – Rhythm & Blues Harmony 48 07 Ten Sepia Super Stars of Rock ’n’ Roll – Idols Making Music History 62 08 Transitions from Rhythm to Soul – Twelve Original Soul Icons 66 09 The True R&B Pioneers – Twelve Hit-Makers from the
    [Show full text]
  • ALBUMS EAG -ES, "HOTEL CALIFORNIA" (Prod
    DFDICATED TO THE NF SINGLES ALBUMS EAG -ES, "HOTEL CALIFORNIA" (prod. by Bill SPINNERS; "YOU'RE THROWING A GOOD LOVE AMERICA, "HARBOR." This trio has Szymczyk) (writers: Felder -Henley - AWAY" (prod. by Thom Bell) (writ- mastered a form-easy-going, soft rock Frey) (pub. not listed) (6:08). Prob- ers: S. Marshall & T. Wortham) built around three-part harmonies and ably America's hottest group on bath (Mighty Three, BMI) (3:36). The group (on its more recent Ips) the sweet pro- the album and singles levels, The has slowed the tempo from its romp- duction and arrangements of George Eagles have followed the stunning ing "Rubberband Man" but main- Martin. "Don't Cry Baby," -Now She's success of "New Kid In Town" with tains the eclectic sound that has Gone" and "Sergeant Darkness" fill the the title track from their platinum made them a major force through- prescription most eloquently. They'll Ip. A mild reggae flavor pervades out pop and souldom. The track is never be in dry dock. Warner Bros. BSK the tune. Asylum 45386. from their forthcoming Ip. Atl. 3382. 3017 (7.98). THE MANHATTANS, "IT FEELS SO GOOD TO THE ISLEY BROTHERS, "THE PRIDE" (prod. by BAC -ëMAN-TURNER OVERDRIVE, "FREE- ItF LOVED SO BAD' (prod. by The The Isley Brothers) (R. Isley-O. Isley- WAYS." With "Freeways," BTO has Manhattans Co./Bobby Martin) (Raze R. Isley-C. Jasper -E.. Isley-M.Isley) reached a new stage of its career. zle Dazzle, BMI) (3:58). The group (Bovina, ASCAP) (3:25). A growling Hinted at previously _but fully devel- opens the tune with one of its by guitar and loping bass sound sets oped now, the group has retained its now obligatory narrative exhorta- the pace for the group's best effort power while moving to a more melody tions which sets the tors.
    [Show full text]
  • The Phil Spector Christmas Album Various Artists First Appearance in Trade Magazines: November 9, 1963
    A Christmas Gift for You The Phil Spector Christmas Album Various Artists First appearance in trade magazines: November 9, 1963 Label TP1 – White label with black print Monarch test pressing with job number 6051. The test pressing did not pass quality standards. The album was issued with a new job number. Label 62sdj Mono Philles PHLP-4005 Promotional Copy – White label with black print East Coast West Coast Label 62s – Light Blue label with Phil Spector rim text Monarch pressing with job number 6070. Label 63m – Yellow and Red label with comma in rim text. “Thick” color bar. Black print; bold titles. Some copies of the side two label are missing the side designator; most copies have it. Label 63m – Yellow and Red label with comma in rim text. “Thick” color bar. Black print; thin, round titles. After Phil Spector stopped releasing records on the Philles label in 1972, he turned to Apple for the re- release of his Christmas album. George Harrison asked Clive Arrowsmith to photograph Phil for the album cover that was being designed by (John) Kosh. Photos © 1972 Clive Arrowsmith Among the mish-mash of “toys” on the back cover was a top hat (with its wrap- around band removed) that George brought to the session and which was (supposedly) worn by Mick Jagger. Another item among the goodies was a (British) copy of Fantastic Four #127 – cover-dated October 1972. Most famously, Phil was wearing three pinback buttons reading “Back to MONO.” He continued his pro-mono campaign for at least two years, and for some time John Lennon helped him promote mono records.
    [Show full text]
  • Nysba Spring 2003 | Volume 14 |No
    NYSBA SPRING 2003 | VOLUME 14 |NO. 1 Entertainment, Arts and Sports Law Journal A publication of the Entertainment, Arts and Sports Law Section of the New York State Bar Association Remarks from the Chair The year 2003 picked up right Sherman & Flynn; Michael Mellis of Major League where 2002 left off for the Enter- Baseball Advanced Media; and Peter Smith of Hogan & tainment, Arts and Sports Law Hartson. Indeed, the timeliness of their discussion and Section with a fabulous Annual the need for adequate protections on digital media could Meeting. Thanks to the hard not have been underscored more by the fact that less work of Kenny Nick and Ayala than 24 hours after the Annual Meeting program, The Deutsch, we hosted a program New York Times ran an article on the front page of its entitled “Practicing in the Gray Business Section revealing that Major League Baseball Areas of Intellectual Property intends to experiment with the Internet distribution of Law: Creative Resolutions to Pro- live video from its games this summer. tecting Your Digital Rights.” For our members who were unable to attend, we are In addition to keynote speaker Bernard Sorkin, pleased once again to offer a transcript of our Annual Senior Counsel of AOL Time Warner, our members were Meeting in this edition. treated to the various perspectives of George Cooke of Our Friday program was not our only event at this Home Box Office; Jonathan Frankel of Swidler Berlin year’s Annual Meeting. We accepted the Intellectual Shereff Friedman; Jeffrey Johnson of Pryor Cashman Inside
    [Show full text]
  • Acuff -Rose Neil Wilburn the Rock 'N' Roll Readies Studio Olympics in N
    Rubytones Win Acuff -Rose Neil Wilburn The Rock 'n' Roll Readies Studio Olympics in N. J. Signs Four In Nashville NASHVILLE - Acuff -Rose NASHVILLE -Neil Wilburn, Billboard TOP 40 LAMBERTVILLE. N. J.- Publications, Inc., and related The Rubytones president of Bragg Records. is of Trenton, subsidiaries signed four artists N. J., won the First spending $40.000 to build his Annual last week. Best known is coun- own studios in a building he is Rock 'n' Roll Olympics here try singer Stu Phillips. who was remodeling at 17th Labor Day (6) at St. John Ter - 720 Avenue EASY a Canadian network TV per- rell's Music Circus. Nine groups South, in the Record Row area. sonality until he moved to Nash- Wilburn and competed in the finals for a his staff moved ville . in August. into the building last week and NG $1.000 first prize, a TV appear- LISTERTI Phillips, who records for RCA will begin moving recording ance, recording contract, and n... Dr. b..r ILng middl. <f. h.raod .mobs mmptt.d from Victor, was signed as a writer equipment into agent representation by Asso- the studio next ...0...i ,.wt ..i...nd redis .ruila.,.1, play lSud ln rook Drd... ciated Booking Corp. and artist. Phillips has an early week. Wilburn said it will take morning "Stu Phillips Show" on two months to wire the studio The other finalists included local Station WSIX -TV. and ready it for recording. the Galaxies IV, the Avalons, the Bobby Moore, local bass play- Among country artists Wil- four Patens -all from Trenton, TITLE Artist, Ube Number er who burn records are Gwen Collins, i the Prophets from Fredericks- had the hit, "Mexico," was signed with his combo as a Neal Merritt, Pal Brady, Dave burg, Va.: the Legends from Hickory recording artist for in- Rich, Van Givens, Ray King Flemington.
    [Show full text]
  • Philles Records Singles Labels
    Philles Records Singles Labels 61 October, 1961 to June, 1962 Orange label with “Philles” at top 62c July, 1962 to September, 1962 Light Blue label with California address 62co August, 1962 Orange label with Philles logo at left and California address 62s September, 1962 to August, 1963 Light Blue label with Phil Spector rim text 62so December, 1962 Orange label with Philles logo at left and Spector rim text 63 August, 1963 to June, 1967 Yellow and Red label with no comma in rim text. Under the Philles logo is a thin horizontal line. 63m August, 1963 to June, 1967 Yellow and Red label with comma in rim text. Under the Philles logo is the old-style “thick” color bar. PHILLES Singles 1st Appearances in Billboard Single Date Nature of Appearance Monarch #s Monarch Date 100 30Oc61 Review 40661? 101 03Mr62 Review -- 102 03Mr62 Review 42170 103 19My62 Review 43082 104 09Jn62 Review Not Known 105 21Jl62 Review 43952 106 25Ag62 Review 44463 107 27Oc62 Review 45209 108 12Ja63 Debut 45783 109 22De62 Review Not Known 110 26Ja63 Review 46137/46309 111dj -- -- -- 111 23Mr63 Top Tips 46914/47111 112 13Ap63 Review 47441/2 113 18My63 Review Not Known 114 29Jn63 Review 47530/1 115 03Ag63 Review 48977/48810 116 17Ag63 Review 48779/48810-X 117 05Oc63 Review 49689-X/49420 118 14De63 Review 50590/50566 119 04Ja64 Review 50710/? 119X 18Ja64 Review 50773/? 120 04Ap64 Debut 51641/2 121 13Jn64 Review 52861/702 122 04Jl64 Review 52836/988 123 08Ag64 Programming Specials 52990/? 123 (2) 17Oc64 Review 54128/394 124 28Nv64 Bottom 50 Potential
    [Show full text]
  • Extra Special Supplement to the Great R&B Files Includes Updated
    The Great R&B Pioneers Extra Special Supplement to the Great R&B Files 2020 The R&B Pioneers Series edited by Claus Röhnisch Extra Special Supplement to the Great R&B Files - page 1 The Great R&B Pioneers Is this the Top Ten ”Super Chart” of R&B Hits? Ranking decesions based on information from Big Al Pavlow’s, Joel Whitburn’s, and Bill Daniels’ popularity R&B Charts from the time of their original release, and the editor’s (of this work) studies of the songs’ capabilities to ”hold” in quality, to endure the test of time, and have ”improved” to became ”classic representatives” of the era (you sure may have your own thoughts about this, but take it as some kind of subjective opinion - with a serious try of objectivity). Note: Songs listed in order of issue date, not in ranking order. Host: Roy Brown - ”Good Rocking Tonight” (DeLuxe) 1947 (youtube links) 1943 Don’t Cry, Baby (Bluebird) - Erskine Hawkins and his Orchestra Vocal refrain by Jimmy Mitchell (sic) Written by Saul Bernie, James P. Johnson and Stella Unger (sometimes listed as by Erskine Hawkins or Jmmy Mitchelle with arranger Sammy Lowe). Originally recorded by Bessie Smith in 1929. Jimmy 1. Mitchell actually was named Mitchelle and was Hawkins’ alto sax player. Brothers Paul (tenorsax) and Dud Bascomb (trumpet) played with Hawkins on this. A relaxed piano gives extra smoothness to it. Erskine was a very successful Hawkins was born in Birmingham, Alabama. Savoy Ballroom ”resident” bandleader and played trumpet. in New York for many years.
    [Show full text]
  • Integrating Humanities Into Family Law and the Problem with Truths Universally Acknowledged
    California Law Review Circuit Vol. 3 January 2012 Copyright © 2012 by California Law Review, Inc. AALS Section on Law and Humanities “Excavating and Integrating Law and Humanities in the Core Curriculum” 2012 AALS Annual Meeting - January 4–8, 2012 - Washington, D.C. Integrating Humanities into Family Law and the Problem with Truths Universally Acknowledged Carol Sanger* INTRODUCTION Family Law differs from the other subjects under discussion today in at least two respects. As a matter of curricular location, it is not always considered a core course. I am therefore grateful for Melissa Murray’s public recognition of the “coreness” of Family Law within a legal education. Second, if one purpose of integrating humanities into the core curriculum is to humanize the law, it is probably safe to say that Family Law is already humanized enough. The subject comes fully loaded with all too human conflict and suffering: cruelty, anger, sex, disappointed expectations, and all of these play out along one or another gender matrix. Indeed, it’s hard to think of any subject in Family Law—maybe jurisdiction?—that doesn’t have at least a flash of pain below the surface. Students don’t need to watch Kramer vs. Kramer,1 to use an ancient example, in order to understand the aftermath of divorce. A fair few of them will have experienced both the run-up and the aftermath themselves. The Copyright © 2012 California Law Review, Inc. California Law Review, Inc. (CLR) is a California nonprofit corporation. CLR and the authors are solely responsible for the content of their publications.
    [Show full text]
  • The Crystals - Singles
    The Crystals - Singles The Crystals were originally 5 New York girls – later on only 4 Barbara Alston , Dolores "Dee Dee" Kenniebrew , Mary Thomas , Patricia "Patsy" Wright and Myrna Girard . Myrna was later replaced by Dolores "La La" Brooks (who still are touring with two new members as The Crystals) – Mary left when she was married (The Crystals went on as a quartet). Later on both joined forces in The Butterflys. 0955 The Crystals There’s no other (Like my baby)/ Oh yeah, maybe baby Philles 100 (US) 1961 The first couple of Philles singles are pop songs “supervision” by Phil Spector. They sound more like Jack Nitzsche’s productions with strings. Leon could be the piano player on track 1. No piano on 2. 0956 The Crystals Uptown/ What a nice way to turn seventeen Philles 102 (US) 1962 No piano on “Uptown” – piano intro and outtro on “What a…” It could be Leon, but a maybe only. The Crystals He hit me/No one ever tells you Philles Records 105 (US) 1962 The single was withdrawn and is very hard and expensive to find. “He hit me and it felt like a kiss” was too much to stomach in those days. Don’t think Leon was involved in that one. 1235 The Crystals He’s a rebel (Darlene Love & The Blossoms)// I love you Eddie - blue/black Philles 106 (US) 1962 1423 The Crystals He’s a rebel (Darlene Love & The Blossoms)/ I love you Eddie - yellow/red Philles 106 (US) 1962 Nice hammering piano on “Hes a rebel” with an arrangement that gives way to a xylophone? Is it Leon? It could be, I think it is.
    [Show full text]
  • Historia-Musica-Combas-1.Pdf (18.66Kb)
    Historias de la música ”Del muro de sonido a los muros de una prisión” El inventor de la técnica “ El muro de sonido” Phil Spector terminará sus días entre los muros de una prisión. Un jurado de Los Ángeles lo condenó por haber matado a la actriz de serie B Lana Clarkson en su mansión de Los Ángeles en 2003. No obstante, el veredicto final no se emitirá hasta mayo del presente año. Supuestamente Lana habría muerto a consecuencia de un disparo en la casa del músico el 3 de febrero de 2003, horas después de que ambos se conocieran en un club de Sunset Strip, donde trabajaba. El primer juicio contra Spector fue declarado nulo en septiembre de 2007 ya que los miembros del jurado no fueron capaces de dar un veredicto. El jurado mantuvo una tensa deliberación: declarar culpable a Spector por disparar contra la actriz en un acceso de ira o, declararle inocente ya que como sostuvo su abogado defensor, Spector tan sólo presenció el suicidio de la mujer. Posteriormente las pruebas presentadas en el juicio, que arrancó en octubre, fueron suficientes para que se determinase que Spector mató a Lana Clarkson. La acusación retrató a Spector como un sádico misógino con un largo historial de malos tratos en el que había estado "jugando a la ruleta rusa con las vidas de las mujeres". De hecho su matrimonio con Ronnie Spector, vocalista de las Ronettes, fue un infierno de malos tratos y varias mujeres declararon en el juicio que Phil las había apuntado en alguna ocasión con una pistola.
    [Show full text]
  • Community and Marketplace : an Examination of Social And
    COMMUNITY AND MARKETPLACE : AN EXAMINATION OF SOCIAL AND COMMERCIAL FACTORS INFLUENCING THE EVOLUTION OF ROCK MUSIC Glen Robert ~sh B.G.S., Simon Fraser University, 1974 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS (COMMUNICATION) in the Department of ~ommunication @ Glen Robert Ash 1980 SIMON FRaSER UNIVERSITY April 1980 All rights reserved. This thesis may not be reproduced in whole or in part, by photocopy or other means, without permission of the author. Name: Glen Hobert Ash Degree: Master of Arts Title of Thesis: Community and Marketplace: An Exarrinatior: of Social and Commercial Factors Inf lr~encingthe Evolrrt ion of Rock Music %-a-ining Cormittee: Chairpnrson: iiohert S. Anderson - Fket3 J. Brown Zenior Su~ervisor / M. Patricia Hi dley /f PARTIAL COPYRIGHT LICENSE I hereby grant to Simon Fraser University the right to lend my thesis, project or extended essay (the title of which is shown below) to users of the Simon Fraser University Library, and to make partial or single copies only for such users or in response to a request from the library of any other university, or other educational institution, on its own behalf or for one of its users. I further agree that permission for multiple copying of this work for scholarly purposes may be granted by me or the Dean of Graduate Studies. It is understood that copying or publication of this work for financial gain shall not be allowed without my written permission. Title of Thesis/Project/Extended Essay "Community & Marketplace: An examination of social and commercial factors influencing the evolution of Fack Music." Author: ,,,,, --- -- (signature) GLEN R.
    [Show full text]
  • Predecessors of the Soul Explosion in the 1960S
    Predecessors of the Soul Explosion in the 1960s The Great R&B Files (# 10 of 12) Updated December 27, 2018 Predecessors of the Soul Explosion in the 1960s Twelve Famous Favorites Presented by Claus Röhnisch The R&B Pioneers Series - Volume Ten of twelve page 1 (62) The R&B Pioneers – Volume Ten of twelve Predecessors of the Soul Explosion in the 1960s 2 The R&B Pioneers – Volume Ten of twelve Predecessors of the Soul Explosion in the 1960s The R&B Pioneers Series: find them all at The Great R&B-files Created by Claus Röhnisch http://www.rhythm-and-blues.info The R&B Pioneers Seriesxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx xxxl Top Rhythm & Blues Records - The Top R&B Hits of of 30 classic years of Rhythm & Blues THE Blues Giants of the 1950s - Twelve Great Legends THE Top Ten Vocal Groups of the Golden 50s – Rhythm & Blues Harmony Ten Sepia Super Stars of Rock ‘n’ Roll - Idols Making Music History Transition from Rhythm to Soul: Twelve Original Soul Icons The True R&B Pioneers - Twelve Hit-Makers from the Early Years Predecessors of the Soul Explosion in the 1960s - Twelve Famous Favorites The R&B Pioneers Series: The Top 30 Favorites Clyde McPhatter – the Original Soul Star The John Lee Hooker Session Discography with Year By Year-Recap Those Hoodlum Friends – THE COASTERS The Clown Princes of Rock and Roll: The Coasters Introduction In the R&B Pioneera series a total of 68 great Sepia artists from the early years of Rhythm and Blues are presented (well, actually a 100plus individuals or groups are presented in one form or another).
    [Show full text]