DOCSLIB.ORG

Nysba Spring 2003 | Volume 14 |No

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Nysba Spring 2003 | Volume 14 |No NYSBA SPRING 2003 | VOLUME 14 |NO. 1 Entertainment, Arts and Sports Law Journal A publication of the Entertainment, Arts and Sports Law Section of the New York State Bar Association Remarks from the Chair The year 2003 picked up right Sherman & Flynn; Michael Mellis of Major League where 2002 left off for the Enter- Baseball Advanced Media; and Peter Smith of Hogan & tainment, Arts and Sports Law Hartson. Indeed, the timeliness of their discussion and Section with a fabulous Annual the need for adequate protections on digital media could Meeting. Thanks to the hard not have been underscored more by the fact that less work of Kenny Nick and Ayala than 24 hours after the Annual Meeting program, The Deutsch, we hosted a program New York Times ran an article on the front page of its entitled “Practicing in the Gray Business Section revealing that Major League Baseball Areas of Intellectual Property intends to experiment with the Internet distribution of Law: Creative Resolutions to Pro- live video from its games this summer. tecting Your Digital Rights.” For our members who were unable to attend, we are In addition to keynote speaker Bernard Sorkin, pleased once again to offer a transcript of our Annual Senior Counsel of AOL Time Warner, our members were Meeting in this edition. treated to the various perspectives of George Cooke of Our Friday program was not our only event at this Home Box Office; Jonathan Frankel of Swidler Berlin year’s Annual Meeting. We accepted the Intellectual Shereff Friedman; Jeffrey Johnson of Pryor Cashman Inside “Harry Potter and the Order of the Court” Pennsylvania Woman Sanctioned for Bringing Bad Faith Editor’s Note ..........................................................................................3 Infringement Claims ......................................................................58 Law Student Initiative Winners............................................................4 (Jessie Beeber and Edward Rosenthal) The Phil Cowan Memorial Scholarship ..............................................5 Star Struck—What to Do When “It” Hits the Fan for Your EASL Annual Meeting Keynote Address............................................6 Celebrity Client................................................................................60 (Bernard Sorkin) (Lisa M. Fantino) EASL Section Annual Meeting............................................................11 Lawyer Assistance Program Can Help Attorneys with Alcoholism and Substance Abuse Problems......................64 Junior Prom or NBA? A Legal Analysis of LeBron James’ Failed Quest to Enter the NBA Draft Prior to Graduating The Need for Paranoia in Drafting Entertainment Contracts........65 from High School ............................................................................38 (Michael L. Baroni) (Christopher B. Abbott) Any “Copyright” for Litigants?..........................................................68 Defining Artists’ Rights and Alternatives: (Alan J. Hartnick) Ownership of the Creative Message ............................................48 The New German Law on Copyright Contracts— (Damien Granderson) Is German Law Going Socialist? ..................................................70 Whose Right Is It Anyway? Captain America Smashes (Alexander R. Klett) Through to Preserve an Author’s Right to Terminate Pro Bono Update ..................................................................................74 a Copyright Grant ..........................................................................53 (Elisabeth K. Wolfe) (Ross J. Charap and Faith Wu) Upcoming VLA Programs ..................................................................77 Property Law Section’s invitation to co-host its after- I want to welcome a new member to our Executive noon program earlier that week, in which Jay Flemma Committee and congratulate a current member on her took a lead role by organizing two panels. The first was new position. First, our newest member is our CLE a review of the law and policy of the Supreme Court’s Chair, Cameron Myler. Cameron, a four-time U.S. Win- decision in Eldred v. Ashcroft,1 moderated by Jay Kogan, ter Olympian, not only plans to assist our Section in Chair of our Literary Works and Related Rights Com- ensuring that our members receive CLE credit for as mittee. The second was a discussion of the ramifications many of our programs as possible, but is also looking of the recent district court decision in the Tiger Woods forward to working with Ayala, who is Chair of the case against sports artist Rick Rush, concerning Woods’ Committee on Sports, to host programs of interest to rights of publicity and privacy. members who practice in that field. Incidentally, as you may notice from the prior sentence, we have renamed We also co-sponsored a panel discussion and cock- the Committee on Professional Sports to reflect the fact tail reception geared toward introducing young lawyers that many of our members practice in, and many of our to the industry, and provided career advice to those programs relate to, fields other than professional sports. aspiring to make a career in entertainment, arts or sports law. My predecessor, Judith Bresler, spoke on Rosemarie Tully, a member of our Executive Com- that panel, which was a huge success. Our Section is mittee from the 10th District for the past several years, committed to the career development of newer attor- has succeeded Elisabeth Wolfe as Membership Chair. neys, and we hope that those of you who are looking to Elisabeth has made great strides over the past year in gain experience will take advantage of our various pro- reaching out to members of the bar, educating them on grams, receptions and other opportunities to gain con- the benefits our Section offers and, as a result, growing nections, knowledge and experience, such as at our our membership. We look forward to continue growth VLA clinics. under Rosemarie’s guidance. By the time you will have read this, our spring con- With many upcoming events planned—including ference—scheduled for March 28-29 at Doral Arrow- programs, another VLA clinic and other matters of wood Resort in Rye Brook, New York—will have interest such as the Phil Cowan Memorial Scholar- passed so I will wait until the next issue to provide a ship—members should make it a regular practice to report on that. However, as I write this column, I would check our Web site, http://www.nyeasl.org, for news be remiss if I did not express my excitement about the and information. conference and my appreciation for the efforts of Jay Flemma and Kenny Nick in putting together what is Jeffrey A. Rosenthal shaping up to be a true blockbuster event. Endnote 1. ___ U.S. ___, 123 S. Ct. 769 (2003). GET CLE CREDIT FOR SUBMITTING ARTICLES If you have written an article, or have an idea for one, please contact Entertainment, Arts and Sports Law Journal Editor Elissa D. Hecker, Esq. The Harry Fox Agency, Inc. 711 3rd Avenue New York, NY 10017 [email protected] Articles should be submitted on a 3-1/2" floppy disk, preferably in Microsoft Word or WordPerfect, along with a printed original and biographical information. 2 NYSBA Entertainment, Arts and Sports Law Journal | Spring 2003 | Vol. 14 | No. 1 Editor’s Note This issue of the Journal We are also fortunate to have submissions by attor- is launching our Law Stu- neys who were involved with trying and winning the dent Initiative, which is cases about which they write. The first involves an designed to bridge the gap interpretation by the Second Circuit on behalf of cre- between law students and ators of copyrighted works, involving termination the entertainment, arts and rights, contractual agreements and works for hire. The sports law communities and second concerns J.K. Rowling and Scholastic, Inc. in shed light on students’ their defense of the Harry Potter books against an diverse perspectives in these author who fabricated evidence in an attempt to prove practice areas. We were very claims of copyright and trademark infringement. fortunate to have received As you will see from Elisabeth’s Pro Bono Update, quite a number of quality the Pro Bono Committee has been very active. We had submissions, and have our second clinic with VLA on February 12th, which selected two authors as our first published winners. was a great success. Elisabeth will be sending Pro Bono Christopher Abbott, a second-year law student at St. Updates via e-mail to all EASL Section members during John’s University School of Law, writes about LeBron the course of the year, which will outline the involve- James’ failed quest to enter the NBA draft prior to grad- ments of the Committee and how each member can uating from high school. Damien Granderson, a third- participate. We also have an article featuring VLA’s pro- year law student at Albany Law School of Union Uni- grams, as an informational resource for EASL Section versity, has submitted an article about defining artists’ members. rights. As a result of their high-quality submissions, both of these authors will receive a free membership to Finally, please be advised that authors can now get the EASL Section next year, and an opportunity to reach CLE credit from having an article published in the out to EASL Section members with their talent. EASL Journal. To submit an article or letter to the Edi- tor, please contact me at [email protected]. The This issue of the Journal also features what has next deadline is Friday, May 30, 2003. become an annual tradition, the publication of the tran- script
Load more

Recommended publications
  • "Fiddler on the Roof"
    CAPITOL'S FISCAL '63-'64 "Fiddler On The Roof"- BEST YEAR IN HISTORY A Hurricane On Broadway e HOLLYWOOD-Sales of Capitol Ree- collection of vocal performances that NEW YORK - "Fiddler On The Jerry Bock and Sheldon Harnick who )rds for the fiscal year ended last achieved best-seller status on 'pop' Roof," the new Zero Mostel musical, have garnered raves in the past for e June 30 reached the highest level in charts; and a number of complete- opened on Broadway last week with the "Fiorello" of a few years ago, 1 :he label's 22 -year history. opera recordings, including 'Andrea the force of a Fall hurricane and "She Loves Me" of last season, and d Glenn E. Wallichs, chairman of the Chenier' and `Samson & Delilah,' that heralded the new musical theater for the New York World's Fair pro- d ooard and chief executive officer, dis- drew unanimous praise from critics season with one of the brightest and duction, "To Broadway With Love," _losed last week that Capitol's net and consumers alike. most widely acclaimed shows to bow which closed only because of poor sales totalled $57,460,133, an increase "The past fiscal year saw Capitol in many a year. The new Bock and Fair attendance. The score is pub- of $8,855,187 over the previous fiscal terminate its activities in the elec- Harnick show has been likened to lished by Tommy Valando's Sunbeam year. Net income for the year was tronics field through the sale of this "How To Succeed," "Hello, Dolly" Music, BMI's most prolific publisher a $1,952,533, an increase of $951,517 aspect of its business.
    [Show full text]
  • Updates & Amendments to the Great R&B Files
    Updates & Amendments to the Great R&B Files The R&B Pioneers Series edited by Claus Röhnisch from August 2019 – on with special thanks to Thomas Jarlvik The Great R&B Files - Updates & Amendments (page 1) John Lee Hooker Part II There are 12 books (plus a Part II-book on Hooker) in the R&B Pioneers Series. They are titled The Great R&B Files at http://www.rhythm-and- blues.info/ covering the history of Rhythm & Blues in its classic era (1940s, especially 1950s, and through to the 1960s). I myself have used the ”new covers” shown here for printouts on all volumes. If you prefer prints of the series, you only have to printout once, since the updates, amendments, corrections, and supplementary information, starting from August 2019, are published in this special extra volume, titled ”Updates & Amendments to the Great R&B Files” (book #13). The Great R&B Files - Updates & Amendments (page 2) The R&B Pioneer Series / CONTENTS / Updates & Amendments page 01 Top Rhythm & Blues Records – Hits from 30 Classic Years of R&B 6 02 The John Lee Hooker Session Discography 10 02B The World’s Greatest Blues Singer – John Lee Hooker 13 03 Those Hoodlum Friends – The Coasters 17 04 The Clown Princes of Rock and Roll: The Coasters 18 05 The Blues Giants of the 1950s – Twelve Great Legends 28 06 THE Top Ten Vocal Groups of the Golden ’50s – Rhythm & Blues Harmony 48 07 Ten Sepia Super Stars of Rock ’n’ Roll – Idols Making Music History 62 08 Transitions from Rhythm to Soul – Twelve Original Soul Icons 66 09 The True R&B Pioneers – Twelve Hit-Makers from the
    [Show full text]
  • ALBUMS EAG -ES, "HOTEL CALIFORNIA" (Prod
    DFDICATED TO THE NF SINGLES ALBUMS EAG -ES, "HOTEL CALIFORNIA" (prod. by Bill SPINNERS; "YOU'RE THROWING A GOOD LOVE AMERICA, "HARBOR." This trio has Szymczyk) (writers: Felder -Henley - AWAY" (prod. by Thom Bell) (writ- mastered a form-easy-going, soft rock Frey) (pub. not listed) (6:08). Prob- ers: S. Marshall & T. Wortham) built around three-part harmonies and ably America's hottest group on bath (Mighty Three, BMI) (3:36). The group (on its more recent Ips) the sweet pro- the album and singles levels, The has slowed the tempo from its romp- duction and arrangements of George Eagles have followed the stunning ing "Rubberband Man" but main- Martin. "Don't Cry Baby," -Now She's success of "New Kid In Town" with tains the eclectic sound that has Gone" and "Sergeant Darkness" fill the the title track from their platinum made them a major force through- prescription most eloquently. They'll Ip. A mild reggae flavor pervades out pop and souldom. The track is never be in dry dock. Warner Bros. BSK the tune. Asylum 45386. from their forthcoming Ip. Atl. 3382. 3017 (7.98). THE MANHATTANS, "IT FEELS SO GOOD TO THE ISLEY BROTHERS, "THE PRIDE" (prod. by BAC -ëMAN-TURNER OVERDRIVE, "FREE- ItF LOVED SO BAD' (prod. by The The Isley Brothers) (R. Isley-O. Isley- WAYS." With "Freeways," BTO has Manhattans Co./Bobby Martin) (Raze R. Isley-C. Jasper -E.. Isley-M.Isley) reached a new stage of its career. zle Dazzle, BMI) (3:58). The group (Bovina, ASCAP) (3:25). A growling Hinted at previously _but fully devel- opens the tune with one of its by guitar and loping bass sound sets oped now, the group has retained its now obligatory narrative exhorta- the pace for the group's best effort power while moving to a more melody tions which sets the tors.
    [Show full text]
  • The Phil Spector Christmas Album Various Artists First Appearance in Trade Magazines: November 9, 1963
    A Christmas Gift for You The Phil Spector Christmas Album Various Artists First appearance in trade magazines: November 9, 1963 Label TP1 – White label with black print Monarch test pressing with job number 6051. The test pressing did not pass quality standards. The album was issued with a new job number. Label 62sdj Mono Philles PHLP-4005 Promotional Copy – White label with black print East Coast West Coast Label 62s – Light Blue label with Phil Spector rim text Monarch pressing with job number 6070. Label 63m – Yellow and Red label with comma in rim text. “Thick” color bar. Black print; bold titles. Some copies of the side two label are missing the side designator; most copies have it. Label 63m – Yellow and Red label with comma in rim text. “Thick” color bar. Black print; thin, round titles. After Phil Spector stopped releasing records on the Philles label in 1972, he turned to Apple for the re- release of his Christmas album. George Harrison asked Clive Arrowsmith to photograph Phil for the album cover that was being designed by (John) Kosh. Photos © 1972 Clive Arrowsmith Among the mish-mash of “toys” on the back cover was a top hat (with its wrap- around band removed) that George brought to the session and which was (supposedly) worn by Mick Jagger. Another item among the goodies was a (British) copy of Fantastic Four #127 – cover-dated October 1972. Most famously, Phil was wearing three pinback buttons reading “Back to MONO.” He continued his pro-mono campaign for at least two years, and for some time John Lennon helped him promote mono records.
    [Show full text]
  • Acuff -Rose Neil Wilburn the Rock 'N' Roll Readies Studio Olympics in N
    Rubytones Win Acuff -Rose Neil Wilburn The Rock 'n' Roll Readies Studio Olympics in N. J. Signs Four In Nashville NASHVILLE - Acuff -Rose NASHVILLE -Neil Wilburn, Billboard TOP 40 LAMBERTVILLE. N. J.- Publications, Inc., and related The Rubytones president of Bragg Records. is of Trenton, subsidiaries signed four artists N. J., won the First spending $40.000 to build his Annual last week. Best known is coun- own studios in a building he is Rock 'n' Roll Olympics here try singer Stu Phillips. who was remodeling at 17th Labor Day (6) at St. John Ter - 720 Avenue EASY a Canadian network TV per- rell's Music Circus. Nine groups South, in the Record Row area. sonality until he moved to Nash- Wilburn and competed in the finals for a his staff moved ville . in August. into the building last week and NG $1.000 first prize, a TV appear- LISTERTI Phillips, who records for RCA will begin moving recording ance, recording contract, and n... Dr. b..r ILng middl. <f. h.raod .mobs mmptt.d from Victor, was signed as a writer equipment into agent representation by Asso- the studio next ...0...i ,.wt ..i...nd redis .ruila.,.1, play lSud ln rook Drd... ciated Booking Corp. and artist. Phillips has an early week. Wilburn said it will take morning "Stu Phillips Show" on two months to wire the studio The other finalists included local Station WSIX -TV. and ready it for recording. the Galaxies IV, the Avalons, the Bobby Moore, local bass play- Among country artists Wil- four Patens -all from Trenton, TITLE Artist, Ube Number er who burn records are Gwen Collins, i the Prophets from Fredericks- had the hit, "Mexico," was signed with his combo as a Neal Merritt, Pal Brady, Dave burg, Va.: the Legends from Hickory recording artist for in- Rich, Van Givens, Ray King Flemington.
    [Show full text]
  • Philles Records Singles Labels
    Philles Records Singles Labels 61 October, 1961 to June, 1962 Orange label with “Philles” at top 62c July, 1962 to September, 1962 Light Blue label with California address 62co August, 1962 Orange label with Philles logo at left and California address 62s September, 1962 to August, 1963 Light Blue label with Phil Spector rim text 62so December, 1962 Orange label with Philles logo at left and Spector rim text 63 August, 1963 to June, 1967 Yellow and Red label with no comma in rim text. Under the Philles logo is a thin horizontal line. 63m August, 1963 to June, 1967 Yellow and Red label with comma in rim text. Under the Philles logo is the old-style “thick” color bar. PHILLES Singles 1st Appearances in Billboard Single Date Nature of Appearance Monarch #s Monarch Date 100 30Oc61 Review 40661? 101 03Mr62 Review -- 102 03Mr62 Review 42170 103 19My62 Review 43082 104 09Jn62 Review Not Known 105 21Jl62 Review 43952 106 25Ag62 Review 44463 107 27Oc62 Review 45209 108 12Ja63 Debut 45783 109 22De62 Review Not Known 110 26Ja63 Review 46137/46309 111dj -- -- -- 111 23Mr63 Top Tips 46914/47111 112 13Ap63 Review 47441/2 113 18My63 Review Not Known 114 29Jn63 Review 47530/1 115 03Ag63 Review 48977/48810 116 17Ag63 Review 48779/48810-X 117 05Oc63 Review 49689-X/49420 118 14De63 Review 50590/50566 119 04Ja64 Review 50710/? 119X 18Ja64 Review 50773/? 120 04Ap64 Debut 51641/2 121 13Jn64 Review 52861/702 122 04Jl64 Review 52836/988 123 08Ag64 Programming Specials 52990/? 123 (2) 17Oc64 Review 54128/394 124 28Nv64 Bottom 50 Potential
    [Show full text]
  • Extra Special Supplement to the Great R&B Files Includes Updated
    The Great R&B Pioneers Extra Special Supplement to the Great R&B Files 2020 The R&B Pioneers Series edited by Claus Röhnisch Extra Special Supplement to the Great R&B Files - page 1 The Great R&B Pioneers Is this the Top Ten ”Super Chart” of R&B Hits? Ranking decesions based on information from Big Al Pavlow’s, Joel Whitburn’s, and Bill Daniels’ popularity R&B Charts from the time of their original release, and the editor’s (of this work) studies of the songs’ capabilities to ”hold” in quality, to endure the test of time, and have ”improved” to became ”classic representatives” of the era (you sure may have your own thoughts about this, but take it as some kind of subjective opinion - with a serious try of objectivity). Note: Songs listed in order of issue date, not in ranking order. Host: Roy Brown - ”Good Rocking Tonight” (DeLuxe) 1947 (youtube links) 1943 Don’t Cry, Baby (Bluebird) - Erskine Hawkins and his Orchestra Vocal refrain by Jimmy Mitchell (sic) Written by Saul Bernie, James P. Johnson and Stella Unger (sometimes listed as by Erskine Hawkins or Jmmy Mitchelle with arranger Sammy Lowe). Originally recorded by Bessie Smith in 1929. Jimmy 1. Mitchell actually was named Mitchelle and was Hawkins’ alto sax player. Brothers Paul (tenorsax) and Dud Bascomb (trumpet) played with Hawkins on this. A relaxed piano gives extra smoothness to it. Erskine was a very successful Hawkins was born in Birmingham, Alabama. Savoy Ballroom ”resident” bandleader and played trumpet. in New York for many years.
    [Show full text]
  • Integrating Humanities Into Family Law and the Problem with Truths Universally Acknowledged
    California Law Review Circuit Vol. 3 January 2012 Copyright © 2012 by California Law Review, Inc. AALS Section on Law and Humanities “Excavating and Integrating Law and Humanities in the Core Curriculum” 2012 AALS Annual Meeting - January 4–8, 2012 - Washington, D.C. Integrating Humanities into Family Law and the Problem with Truths Universally Acknowledged Carol Sanger* INTRODUCTION Family Law differs from the other subjects under discussion today in at least two respects. As a matter of curricular location, it is not always considered a core course. I am therefore grateful for Melissa Murray’s public recognition of the “coreness” of Family Law within a legal education. Second, if one purpose of integrating humanities into the core curriculum is to humanize the law, it is probably safe to say that Family Law is already humanized enough. The subject comes fully loaded with all too human conflict and suffering: cruelty, anger, sex, disappointed expectations, and all of these play out along one or another gender matrix. Indeed, it’s hard to think of any subject in Family Law—maybe jurisdiction?—that doesn’t have at least a flash of pain below the surface. Students don’t need to watch Kramer vs. Kramer,1 to use an ancient example, in order to understand the aftermath of divorce. A fair few of them will have experienced both the run-up and the aftermath themselves. The Copyright © 2012 California Law Review, Inc. California Law Review, Inc. (CLR) is a California nonprofit corporation. CLR and the authors are solely responsible for the content of their publications.
    [Show full text]
  • The Crystals - Singles
    The Crystals - Singles The Crystals were originally 5 New York girls – later on only 4 Barbara Alston , Dolores "Dee Dee" Kenniebrew , Mary Thomas , Patricia "Patsy" Wright and Myrna Girard . Myrna was later replaced by Dolores "La La" Brooks (who still are touring with two new members as The Crystals) – Mary left when she was married (The Crystals went on as a quartet). Later on both joined forces in The Butterflys. 0955 The Crystals There’s no other (Like my baby)/ Oh yeah, maybe baby Philles 100 (US) 1961 The first couple of Philles singles are pop songs “supervision” by Phil Spector. They sound more like Jack Nitzsche’s productions with strings. Leon could be the piano player on track 1. No piano on 2. 0956 The Crystals Uptown/ What a nice way to turn seventeen Philles 102 (US) 1962 No piano on “Uptown” – piano intro and outtro on “What a…” It could be Leon, but a maybe only. The Crystals He hit me/No one ever tells you Philles Records 105 (US) 1962 The single was withdrawn and is very hard and expensive to find. “He hit me and it felt like a kiss” was too much to stomach in those days. Don’t think Leon was involved in that one. 1235 The Crystals He’s a rebel (Darlene Love & The Blossoms)// I love you Eddie - blue/black Philles 106 (US) 1962 1423 The Crystals He’s a rebel (Darlene Love & The Blossoms)/ I love you Eddie - yellow/red Philles 106 (US) 1962 Nice hammering piano on “Hes a rebel” with an arrangement that gives way to a xylophone? Is it Leon? It could be, I think it is.
    [Show full text]
  • Historia-Musica-Combas-1.Pdf (18.66Kb)
    Historias de la música ”Del muro de sonido a los muros de una prisión” El inventor de la técnica “ El muro de sonido” Phil Spector terminará sus días entre los muros de una prisión. Un jurado de Los Ángeles lo condenó por haber matado a la actriz de serie B Lana Clarkson en su mansión de Los Ángeles en 2003. No obstante, el veredicto final no se emitirá hasta mayo del presente año. Supuestamente Lana habría muerto a consecuencia de un disparo en la casa del músico el 3 de febrero de 2003, horas después de que ambos se conocieran en un club de Sunset Strip, donde trabajaba. El primer juicio contra Spector fue declarado nulo en septiembre de 2007 ya que los miembros del jurado no fueron capaces de dar un veredicto. El jurado mantuvo una tensa deliberación: declarar culpable a Spector por disparar contra la actriz en un acceso de ira o, declararle inocente ya que como sostuvo su abogado defensor, Spector tan sólo presenció el suicidio de la mujer. Posteriormente las pruebas presentadas en el juicio, que arrancó en octubre, fueron suficientes para que se determinase que Spector mató a Lana Clarkson. La acusación retrató a Spector como un sádico misógino con un largo historial de malos tratos en el que había estado "jugando a la ruleta rusa con las vidas de las mujeres". De hecho su matrimonio con Ronnie Spector, vocalista de las Ronettes, fue un infierno de malos tratos y varias mujeres declararon en el juicio que Phil las había apuntado en alguna ocasión con una pistola.
    [Show full text]
  • Community and Marketplace : an Examination of Social And
    COMMUNITY AND MARKETPLACE : AN EXAMINATION OF SOCIAL AND COMMERCIAL FACTORS INFLUENCING THE EVOLUTION OF ROCK MUSIC Glen Robert ~sh B.G.S., Simon Fraser University, 1974 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS (COMMUNICATION) in the Department of ~ommunication @ Glen Robert Ash 1980 SIMON FRaSER UNIVERSITY April 1980 All rights reserved. This thesis may not be reproduced in whole or in part, by photocopy or other means, without permission of the author. Name: Glen Hobert Ash Degree: Master of Arts Title of Thesis: Community and Marketplace: An Exarrinatior: of Social and Commercial Factors Inf lr~encingthe Evolrrt ion of Rock Music %-a-ining Cormittee: Chairpnrson: iiohert S. Anderson - Fket3 J. Brown Zenior Su~ervisor / M. Patricia Hi dley /f PARTIAL COPYRIGHT LICENSE I hereby grant to Simon Fraser University the right to lend my thesis, project or extended essay (the title of which is shown below) to users of the Simon Fraser University Library, and to make partial or single copies only for such users or in response to a request from the library of any other university, or other educational institution, on its own behalf or for one of its users. I further agree that permission for multiple copying of this work for scholarly purposes may be granted by me or the Dean of Graduate Studies. It is understood that copying or publication of this work for financial gain shall not be allowed without my written permission. Title of Thesis/Project/Extended Essay "Community & Marketplace: An examination of social and commercial factors influencing the evolution of Fack Music." Author: ,,,,, --- -- (signature) GLEN R.
    [Show full text]
  • Predecessors of the Soul Explosion in the 1960S
    Predecessors of the Soul Explosion in the 1960s The Great R&B Files (# 10 of 12) Updated December 27, 2018 Predecessors of the Soul Explosion in the 1960s Twelve Famous Favorites Presented by Claus Röhnisch The R&B Pioneers Series - Volume Ten of twelve page 1 (62) The R&B Pioneers – Volume Ten of twelve Predecessors of the Soul Explosion in the 1960s 2 The R&B Pioneers – Volume Ten of twelve Predecessors of the Soul Explosion in the 1960s The R&B Pioneers Series: find them all at The Great R&B-files Created by Claus Röhnisch http://www.rhythm-and-blues.info The R&B Pioneers Seriesxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx xxxl Top Rhythm & Blues Records - The Top R&B Hits of of 30 classic years of Rhythm & Blues THE Blues Giants of the 1950s - Twelve Great Legends THE Top Ten Vocal Groups of the Golden 50s – Rhythm & Blues Harmony Ten Sepia Super Stars of Rock ‘n’ Roll - Idols Making Music History Transition from Rhythm to Soul: Twelve Original Soul Icons The True R&B Pioneers - Twelve Hit-Makers from the Early Years Predecessors of the Soul Explosion in the 1960s - Twelve Famous Favorites The R&B Pioneers Series: The Top 30 Favorites Clyde McPhatter – the Original Soul Star The John Lee Hooker Session Discography with Year By Year-Recap Those Hoodlum Friends – THE COASTERS The Clown Princes of Rock and Roll: The Coasters Introduction In the R&B Pioneera series a total of 68 great Sepia artists from the early years of Rhythm and Blues are presented (well, actually a 100plus individuals or groups are presented in one form or another).
    [Show full text]