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25A--Entrance Mass Many Books Sample 25A Sunday Mass: Rubrics, Instructions, and Pastoral Notes – One Book Is Not Enough – SAMPLE Eliot Kapitan Adapted from the larger work: Training and Formation on the Roman Missal, third typical edition; Appendix 005: Handout, booklet – Excerpts from the Order of Mass. 15 October 2009, revised 08 September 2010. © 2009, Federation of Diocesan Liturgical Commissions [FDLC], Region 7. All rights reserved. Available from • Federation of Diocesan Liturgical Commissions [FDLC], Suite 70, 415 Michigan Avenue, Washington DC 20017. (202) 635-6990. Fax (202) 529-2452. E-mail [email protected]. Web http://www.fdlc.org. o Direct link: http://www.fdlc.org/Roman_Missal/RM_Reg07.htm .Part 1: View but not print worship manuals. Part II: 36 appendices. • Contact your diocesan worship office: if it purchased a copy of the entire work, it can share elements with parishes and institutions within diocesan boundaries. – FOR STUDY PURPOSES ONLY – FOR STUDY PURPOSES ONLY – FOR STUDY PURPOSES ONLY – FOR STUDY PURPOSES ONLY – SACRAMENTARY = Roman Missal, second typical edition (1985) ROMAN MISSAL, third typical edition (2010) The Sacramentary, revised according to the Roman Missal, second typical Parts of the Order of Mass. edition, 1 March 1985, approved for use in the Dioceses of the United States of America. Excerpts from the English translation of The Order of Mass I, © 2006, 2008, 2010, International Committee on English in the Liturgy, Inc. All rights reserved. Excerpts from the English translation of The Roman Missal, second typical edition © 1985, 1975, 1973, International Committee on English in the Liturgy, Inc. All rights reserved. NOTE: the following are part of this complete ritual book. English translation of Glory to God, Nicene Creed, Apostles’ Creed, Preface Dialogue, Holy, and Lamb of God by the International Consultation of English Text (ICET). All rights reserved. SACRAMENTARY = Roman Missal, second typical edition (1985) ROMAN MISSAL, third typical edition (2010) ENTRANCE SONG 1. When the people are gathered, the Priest approaches the After the people have assembled, the priest and the ministers go to altar with the ministers while the Entrance Chant is sung. the altar while the entrance song is being sung. When he has arrived at the altar, after making a profound bow with the ministers, the Priest venerates the altar with a kiss When the priest comes to the altar, he makes the customary and, if appropriate, incenses the cross and the altar. Then, with the reverence with the ministers, kisses the altar and (if incense is used) ministers, he goes to the chair. incenses it. Then, with the ministers, he goes to the chair. Page 2 GIRM for RM, 3rd (USA, 2010) Introduction to the Order of Mass (2003) Sing to the Lord (2007) General Instruction of the Roman Missal etc. Bishops’ Committee on the Liturgy, United States United States Conference of Catholic Bishops, Sing Liturgy Documentary Series 14. Washington: Conference of Catholic Bishops, Introduction to the to the Lord: Music in Divine Worship. Washington: USCCB Publishing, 2011. ISBN: 978-1-60137- Order of Mass: A Pastoral Resource of the Bishops’ USCCB Publishing, 2007. ISBN 13:978-1-60137- 176-8.. Committee on the Liturgy. Washington: USCCB 022-8. Publishing, 2003. ISBN 10:1-57455-544-8. © 2010, International Committee on English in the © 2007, United States Conference of Catholic Liturgy Corporation; © 2010, United States Foreword © 2003, United States Conference of Bishops, Inc. All rights reserved. Conference of Catholic Bishops, Inc. All rights Catholic Bishops; text © 2003, International reserved. Committee on English in the Liturgy, Inc. All rights reserved. GIRM for RM, 3rd (USA, 2010) Introduction to the Order of Mass (2003) Sing to the Lord (2007) The Entrance Entrance Procession The Entrance Chant or Song 47. When the people are gathered, and as the 67. Worship begins with the opening song and 142. After the entire liturgical assembly has Priest enters with the Deacon and ministers, the procession, which help to create an ambience of been gathered, an Entrance chant or song is Entrance Chant begins. Its purpose is to open solemnity, a sense of oneness in Christ, and an sung as the procession with the priest, deacon, the celebration, foster the unity of those who awareness of the mystery being unfolded. 100 and ministers enters the church. “The purpose have been gathered, introduce their thoughts to ● The opening song should be one that of this chant is to open the celebration, foster the mystery of the liturgical time or festivity, everyone is able to join in singing to some the unity of those who have been gathered, and accompany the procession of the Priest and degree. It may consist of any of the introduce their thoughts to the mystery of the ministers. following: an antiphon and psalm from the liturgical season or festivity, and accompany Roman Missal as set to music by the Roman the procession of the priest and ministers.” 109 48. This chant is sung alternately by the choir Gradual or another musical setting; the and the people or similarly by a cantor and the seasonal antiphon and psalm of the Simple 143. Care must be taken in the treatment of the people, or entirely by the people, or by the Gradual; a song from another collection of texts of psalms, hymns, and songs in the choir alone. In the Dioceses of the United psalms and antiphons approved by the Liturgy. Verses and stanzas should not be States of America, there are four options for the USCCB or the diocesan Bishop, including omitted arbitrarily in ways that risk distorting Entrance Chant: (1) the antiphon from the psalms arranged in responsorial or metrical their content. While not all musical pieces Missal or the antiphon with its Psalm from the forms; or a suitable liturgical song chosen in require that all verses or stanzas be sung, verses Graduale Romanum, as set to music there or in accordance with GIRM, paragraph no. 47. should be omitted only if the text to be sung another setting; (2) the antiphon and Psalm of When no singing is possible, the forms a coherent whole. the Graduale Simplex for the liturgical time; recommended antiphon may appropriately be (3) a chant from another collection of Psalms used by incorporating it into the introductory 144. The text and music for the Entrance song and antiphons, approved by the Conference of remarks that may follow the greeting. 101 may be drawn from a number of sources. Bishops or the Diocesan Bishop, including ● A procession of the priest celebrant and the Psalms arranged in responsorial or metrical other ministers through the congregation a. The singing of an antiphon and psalm forms; (4) another liturgical chant that is suited expresses visible the unity and fullness of the during the entrance procession has been a to the sacred action, the day, or the time of assembly. long-standing tradition in the Roman year, similarly approved by the Conference of ● Depending on the occasion, the procession is Liturgy. Antiphons and psalms may be Bishops or the Diocesan Bishop. led by servers carrying the censer with drawn from the official liturgical books— burning incense, the cross, and two candles. the Graduale Romanum, or the Graduale If there is no singing at the Entrance, the They are followed by acolytes and other Simplex—or from other collections of antiphon given in the Missal is recited either by liturgical ministers, then the deacon or lector antiphons and psalms. the faithful, or by some of them, or by a reader; carrying the Book of the Gospels, if it is to be otherwise, it is recited by the Priest himself, used. Concelebrants, the deacon of the Mass, b. Other hymns and songs may also be sung who may even adapt it as an introductory and the priest celebrant then follow. If the at the Entrance, providing that they are in explanation (cf. no. 31). Book of the Gospels has been carried, it is keeping with the purpose of the Entrance placed on the altar upon arrival in the chant or song. The texts of antiphons, sanctuary. psalms, hymns, and songs for the Liturgy must have been approved either by the 68. The altar is an abiding symbol of Christ United States Conference of Catholic and the center of the Eucharistic action. 102 Bishops or by the local diocesan bishop. 110 ● The priest and deacon, together with __________ concelebrants and other ministers in the 109 GIRM, no. 47. 110 procession, bow to the altar on arrival as a [quotes all of GIRM, no. 48] sign of reverence. If a tabernacle containing the blessed sacrament is behind or near the altar they genuflect. 103 However, those who are carrying a liturgical object (for example, a cross, book, or candle) do not genuflect. Afterward, the priest, deacon, and any concelebrants make an additional reverence to the altar with a kiss. 104 ● On more solemn occasions this reverence may be enhanced by the use of incense. 105 ● After the procession and the reverencing of the altar, the priest and deacon proceed to the chair. From there the priest greets the people and leads the opening rite. 106 __________ 100 See GIRM, no. 47. 101 See GIRM, no. 48; see CP, no. 40a. 102 See EuchMyst, no. 24. 103 See GIRM, no. 122. 104 See GIRM, nos. 49, 122, 123, 173, 275b. 105 See GIRM, no. 123. 106 See GIRM, nos. 124, 174. Page 3 .
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