DOCSLIB.ORG

Architecture and Landscape of Florence

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Architecture and Landscape of Florence ® FONDAZIONE ROMUALDO DEL BIANCO ® ISTITUTO INTERNAZIONALE LIFE BEYOND TOURISM www.fondazione-delbianco.org www.istitutointernazionalelbt.org Discovering the past together, building a common future to share PROGRAM OF THE WORKSHOP Architecture and Landscape of Florence Florence, March 4-11, 2018 Workshop Leader: Prof. Mieczysław Ziomek University Nicolaus Copernicus in Toruń, Faculty of Fine Arts, Poland Workshop Coordinator: Prof. Michał Trager Architecture and Landscape of Florence IMPORTANT INFORMATION LUNCHES Each participant will receive on arrival the “DISCOUNT LUNCH CARD” for the Caffé ASTRA al Auditorium al Duomo, via de’ Cerretani 54/r to be used during the workshop week, from Monday to Saturday, during the lunchtime (12.00 – 15.00) with the discount prices indicated on the card. FOUNDATION’S INTERNATIONAL LIBRARY In accordance with its tradition, participants are kindly requested to donate to the Foundation a record of their country and culture, like a book(s), which will become part of the international library of the Foundation. For any urgent or sudden needs you can contact the Istituto Internazionale Life beyond Tourism’s office on: + 39 055 284722 or Mr. SIMONE GIOMETTI on his mobile phone +39 392 4977227 Architecture and Landscape of Florence PROGRAM OF THE WORKSHOP IN FLORENCE Architecture and Landscape of Florence MONDAY, MARCH 5TH,2018 Location: Palazzo Coppini via del Giglio, 10, Florence 9.00 Registration of the participants 9.30 Welcome by the Fondazione Romualdo Del Bianco® - Life Beyond Tourism® 10.00-13.00 Life Beyond Tourism class “Travel for Dialogue” presentation of Life Beyond Tourism courses by the Istituto Internazionale Life Beyond Tourism Location: Caffè Astra al Duomo via de’ Cerretani 56/R 13.15 Welcome cocktail for participants Free time: Time for painting (afternoon) Architecture and Landscape of Florence TUESDAY, MARCH 6TH,2018 Free time: Autonomous visit to the Galleria degli Uffizi (morning) Piazzale degli Uffizi, 6 Ticket price: 8.00 euro per person Free time: Time for painting (afternoon) WEDNESDAY, MARCH 7TH,2018 Free time: Autonomous visit to Palazzo Pitti and Boboli Garden (morning) Piazza de' Pitti, 1 Ticket price: 8.50 euro per person for Galleria Palatina e Appartamenti Reali, Galleria d’Arte Moderna, Museo degli Argenti, Galleria del Costume 7.00 euro per person for Giardino di Boboli, Museo delle Porcellane, Giardino Bardini Free time: Time for painting (afternoon) Architecture and Landscape of Florence THURSDAY, MARCH 8TH,2018 Free time: Autonomous visit to San Marco Museum (morning) Piazza San Marco, 3 Ticket price: 4.00 euro per person Free time: Autonomous visit to Galleria dell’Accademia (afternoon) Via Ricasoli, 58/60 Ticket price: 12.50 euro per person Time for painting FRIDAY, MARCH 9TH,2018 Free time: Time for painting (morning) Autonomous visit to the Cappelle Medicee Piazza Madonna Aldobrondiini Ticket price: 6.00 euro per person Location: Caffè Astra al Duomo via de’ Cerretani 56/R 14.00 Preparation of the exhibition of the students’s works 16.00 Exhibition of the students’s works "The Architecture and Landscape of Florence" with discussion and delivery of the Life Beyond Tourism certificates 18.00 Farewell Pasta Party for all the Workshops participants *) This is a Preliminary Programme subject to changes according to logistics aspects. In any case the Foundation is not responsible for any of those changes, which will be communicated as soon as possible Architecture and Landscape of Florence State Florentine Museums – tickets and opening time: Accademia Gallery, Via Ricasoli 58/60 Open from Tuesday to Sunday 8.15 – 18.50 Ticket: 12.50 euro per person San Marco Museum, Piazza San Marco 3 Open from Monday to Friday 8.15 – 13.50 Open Saturday and Sunday from 8.15 to 16.50. Closed the 1st, 3rd and 5th Sunday, and 2nd and 4th Monday each month. Ticket: 4.00 euro per person Uffizi Gallery, Piazzale degli Uffizi 6 Open from Tuesday to Sunday 8.15 -18.50 Ticket: 8.00 euro per person Palazzo Pitti, Piazza de' Pitti 1 (includes the entrance to the Galleria Palatina, the Appartamenti Reali and the Galleria d’Arte Moderna) Open from Tuesday to Sunday 8.15 -18.50 Ticket: 8.50 euro per person Boboli Gardens, Piazza de' Pitti 1 (includes the entrance to the Museo degli Argenti, the Museo delle Porcellane, the Galleria del Costume and the Giardino Bardini) Open from Monday to Sunday 8.15 -18.30 Ticket: 7.00 euro per person Bargello Museum, Via del Proconsolo 4 Open from Monday to Sunday 8.15-17.00 Closed the 2nd and 4th Sunday and 1st, 3rd and 5th Monday each month. Ticket: 4.00 euro per person Medici Chapels, Piazza Madonna degli Aldobrandini 6 Open from Monday to Sunday 8.15-17.00 Closed the 2nd and 4th Sunday and 1st, 3rd and 5th Monday each month. Ticket: 6.00 euro per person Architecture and Landscape of Florence Architecture and Landscape of Florence .
Load more

Recommended publications
  • Gardens of Genoa, the Italian Riviera & Florence
    American Horticultural Society Travel Study Program GARDENS OF GENOA, THE ITALIAN RIVIERA & FLORENCE September 5 – 14, 2017 WITH AHS HOST KATY MOSS WARNER AND TOUR LEADER SUSIE ORSO OF SPECIALTOURS American Horticultural Society Announcing an 7931 East Boulevard Drive Alexandria, VA 22308 American Horticultural www.ahsgardening.org/travel Society Travel Study Program GARDENS OF GENOA, THE ITALIAN RIVIERA & FLORENCE September 5 – 14, 2017 WITH AHS HOST KATY MOSS WARNER AND TOUR LEADER SUSIE ORSO OF SPECIALTOURS Designed with the connoisseur of garden travel in mind, GARDENS OF GENOA, THE ITALIAN RIVIERA & FLORENCE the American Horticultural Society Travel Study Program Join us for unforgettable experiences including: offers exceptional itineraries that include many exclusive • Boboli Gardens, created by Cosimo I de’ Medici experiences and unique insights. Your participation benefits the work of the American Horticultural Society • Museum of the Park – the International Centre and furthers our vision of “Making America a Nation of of Open-Air Sculpture, an open air “botanical art Gardeners, a Land of Gardens.” gallery” • Uffizi Gallery, with work by masters including Botticelli, Michelangelo, da Vinci and Raphael • Villa Gamberaia and many other villas and palaces with wonderfully designed and tended gardens • The Italian city of Genoa, with its restored waterfront; Santa Margherita and Portofino, with their colorful charm; and Florence, the beloved Renaissance city Look inside for more details about this remarkable program… Please refer to the enclosed reservation form for pricing and instructions to reserve your place on this AHS Travel Study Program tour. For more information about AHS Travel Study Program tours, please contact development@ahsgardening.
    [Show full text]
  • Italy YOUR ITINERARY
    Offered to the Students and Friends of Smith Preparatory Academy and FCCPSA The Splendors of Italy Verona-Vicenza-Venice-Padua-Florence-Siena-San Gimignano-Rome* February 24 – March 7, 2022 YOUR ITINERARY Together with Leader Michael Phillips: Headmaster of Smith Preparatory Academy and a Director of FCCPSA. $ from Orlando* February 24–March 7, 2022 Tour Code: 222118 On February 24th, you will depart Orlando to spend 12 wonderful days discovering the splendors of Italy. Fantastic excursions, cultural encounters, historical sites, delicious food and exotic shopping make this trip exciting and rewarding. Bring these amazing memories home with you on March 7th. SPACE ON THE TOUR IS LIMITED, SO DON’T DELAY! PLEASE RETURN YOUR ONLINE APPLICATION AND $100 DEPOSIT TO EATOURS.COM BY AND RECEIVE A FREE GONDOLA RIDE IN VENICE! Verona, Vicenza, Padua & Venice February 24-February 27, 2022 Upon arrival February 25th, you will transfer to Verona, a delightful city for enjoying a guided tour* including the Roman Arena* and Juliet’s balcony before continuing to your hotel in Vicenza. Complete the afternoon exploring the city before dinner. The morning of February 26th, you will depart Vicenza on a scenic train* for an excursion to Padua! Padua is an old university town with an illustrious academic history that is rich in art and architecture. Upon arrival to Padua, a guided tour of the city* is planned, including the Scrovengi Chapel* and St. Anthony’s Basilica*. Dedicate this afternoon to exploring Vicenza where you may optionally visit Teatro Olympico. Your adventure continues February 27th, on a picturesque train* ride excursion to Venice! Enjoy a guided tour of the city* where you may see sights such as St.
    [Show full text]
  • Florence Celebrates the Uffizi the Medici Were Acquisitive, but the Last of the Line Was Generous
    ArtNews December 1982 Florence Celebrates The Uffizi The Medici were acquisitive, but the last of the line was generous. She left all the family’s treasures to the people of Florence. by Milton Gendel Whenever I vist The Uffizi Gallery, I start with Raphael’s classic portrait of Leo X and Two Cardinals, in which the artist shows his patron and friend as a princely pontiff at home in his study. The pope’s esthetic interests are indicated by the finely worked silver bell on the red-draped table and an illuminated Bible, which he has been studying with the aid of a gold-mounted lens. The brass ball finial on his chair alludes to the Medici armorial device, for Leo X was Giovanni de’ Medici, the second son of Lorenzo the Magnificent. Clutching the chair, as if affirming the reality of nepotism, is the pope’s cousin, Cardinal Luigi de’ Rossi. On the left is Cardinal Giulio de’ Medici, another cousin, whose look of reverie might be read, I imagine, as foreseeing his own disastrous reign as Pope Clement VII. That was five years in the future, of course, and could not have been anticipated by Raphael, but Leo had also made cardinals of his three nephews, so it wasn’t unlikely that another member of the family would be elected to the papacy. In fact, between 1513 and 1605, four Medici popes reigned in Rome. Leo X was a true Renaissance prince, whose civility and love of the arts impressed everyone - in the tradition of his father, Lorenzo the Magnificent.
    [Show full text]
  • In G. B. Falda's Engraving of the Vatican Gardens We See the Villa
    BRAMANTE AND THE REDISCOVERY OF AXIAL PLANNING at this time, and to accommodate them the garden APOTHEOSES OF THE who was responsible for several excavations including began to assume the role of outdoor museum. In RENAISSANCE VILLA GARDEN: that of nearby Hadrian’s Villa and for the rediscovery addition to the Belvedere Court at the Vatican, Bra- VILLA D’ESTE AND VILLA LANTE of many antique marbles, mosaics, and other artifacts. mante built a giardino segreto, the so-called Statue Although Castello and the Boboli Gardens contained Being a wealthy humanist collector, Ippolito had, in Court, located between the upper court and the water features symbolically associated with Duke fact, put Ligorio on his payroll as his personal archae- Belvedere, for Pope Julius II’s collection of antique Cosimo’s reputation as a builder of aqueducts, it is to ologist in 1550, the year in which he had been sculpture. In 1584, Cardinal Fernando de’ Medici the Roman Campagna that we must turn to find gar- appointed to the Tivoli post and had begun to dream bought the collection amassed some sixty years ear- dens that apotheosize water and use it with the inven- of a great hillside garden below the palace. One part lier by Cardinal Andrea della Valle, sending the free- tiveness of a choreographer directing the movements of Ligorio’s job was undoubtedly to garner antique standing pieces to Florence to embellish the Boboli of the dance or the creativity of a sculptor exploring marbles to combine with contemporary sculpture in Gardens and keeping the reliefs to decorate the facade the plasticity of clay.
    [Show full text]
  • THE FLORENTINE HOUSE of MEDICI (1389-1743): POLITICS, PATRONAGE, and the USE of CULTURAL HERITAGE in SHAPING the RENAISSANCE by NICHOLAS J
    THE FLORENTINE HOUSE OF MEDICI (1389-1743): POLITICS, PATRONAGE, AND THE USE OF CULTURAL HERITAGE IN SHAPING THE RENAISSANCE By NICHOLAS J. CUOZZO, MPP A thesis submitted to the Graduate School—New Brunswick Rutgers, The State University of New Jersey in partial fulfillment of the requirements for the degree of Master of Arts Graduate Program in Art History written under the direction of Archer St. Clair Harvey, Ph.D. and approved by _________________________ _________________________ _________________________ New Brunswick, New Jersey May, 2015 ABSTRACT OF THE THESIS The Florentine House of Medici (1389-1743): Politics, Patronage, and the Use of Cultural Heritage in Shaping the Renaissance By NICHOLAS J. CUOZZO, MPP Thesis Director: Archer St. Clair Harvey, Ph.D. A great many individuals and families of historical prominence contributed to the development of the Italian and larger European Renaissance through acts of patronage. Among them was the Florentine House of Medici. The Medici were an Italian noble house that served first as the de facto rulers of Florence, and then as Grand Dukes of Tuscany, from the mid-15th century to the mid-18th century. This thesis evaluates the contributions of eight consequential members of the Florentine Medici family, Cosimo di Giovanni, Lorenzo di Giovanni, Giovanni di Lorenzo, Cosimo I, Cosimo II, Cosimo III, Gian Gastone, and Anna Maria Luisa, and their acts of artistic, literary, scientific, and architectural patronage that contributed to the cultural heritage of Florence, Italy. This thesis also explores relevant social, political, economic, and geopolitical conditions over the course of the Medici dynasty, and incorporates primary research derived from a conversation and an interview with specialists in Florence in order to present a more contextual analysis.
    [Show full text]
  • Boboli-Gardens-Map-Tour.Pdf
    The Boboli Gardens N O M L W D R Bardini Garden exit C P S F B E T G K Q A Porta Romana exit I U V H J via Romana exit Main Entrance Florencewebguide Boboli Gardens Tour A Florencewebguide tour of one of the most beautiful gardens in Florence Explore the woodsy labyrinth of Boboli with this map and detailed explanations of the garden’s highlights. Please note that the letters on the map serve as markers and do not indicated a consecutive route to follow. To give an indication of distances, walking at a leisurely pace from letter H to letter T takes about 20 minutes. Enjoy Boboli! Pitti Palace (circa 1470) Coffeehouse (Kaffeehaus) A D Home of the Pitti family, then the Grand Dukes of Built circa 1780 on order of Pietro Leopoldo, the Tuscany and King of Italy. Coffeehouse is a pavilion in Rococo style with a glass-windowed dome flanked by terraces. Social coffee drinking (as well as the drinking of hot Obelisk and Basin at the center of Amphi- chocolate) was something new in the mid-1700s B theater and the Grand Duke had the Coffeehouse built to take part in this new trend. The Egyptian obelisk is dated 1500 BC. It was brought to Rome from Egypt in approx. 70 AD and from Rome to Florence in the Boboli gardens under Ganimede lawn and fountain Pietro Leopold, Grand Duke, in 1790. E The granite basin was added in 1840. The basin The sloping lawn in front of the coffee house goes back to ancient Rome circa 200 AD where it is named after Ganimede, a figure from Greek used to be part of a thermal bath complex.
    [Show full text]
  • EURIG Annual Meeting Fiesole 2017
    EURIG Annual meeting local host Fiesole 2017 What to see in Florence Ponte Vecchio One of the main symbols of Florence, the bridge spans the Arno at its narrowest point. Butchers initially occupied the shops; the present tenants are jewellers, art dealers and souvenir sellers. The monument in honour of Benvenuto Cellini was created in 1900 to mark the fourth century of the birth of the great Florentine sculptor and master goldsmith. Museo dell’Opera del Duomo: Cathedral, Baptistery, Giotto’s Bell Tower & Museum Santa Maria del Fiore Cathedral: Florence’s main church was begun in 1296 with the design of Arnolfo di Cambio and completed structurally in 1436 with the dome engineered by Filippo Brunelleschi. Giotto’s Bell Tower: one of the showpieces of the Florentine Gothic architecture. Baptistery of St. John: one of the oldest buildings in the city, built between 1059 and 1128. The architecture is in Florentine Romanesque style. Museo dell’Opera del Duomo: houses Lorenzo Ghiberti’s original doors for the Baptistery of Florence Cathedral, called the Gates of Paradise, as well as masterpieces by Michelangelo, Donatello, Lorenzo Ghiberti, Luca della Robbia, Arnolfo di Cambio and many others. Piazza Del Duomo Various opening hours: see www.ilgrandemuseodelduomo.it Basilica di Santa Croce The Basilica is the largest Franciscan church in the world. Its most notable features are its sixteen chapels, many of them decorated with frescoes by Giotto and his pupils, and its tombs and cenotaphs. The main cloister, houses the Cappella dei Pazzi. Piazza Santa Croce, 16 Opening hours: from Monday to Saturday, 9.30-17; Sunday, 14-17.
    [Show full text]
  • Florentine Villas ARTH-UA 9308 Or ITAL-UA 9404 9656 Tuesdays, 9:00-11:45 A.M
    Fall 2018 - Florentine Villas ARTH-UA 9308 or ITAL-UA 9404 9656 Tuesdays, 9:00-11:45 a.m. Villa La Pietra, Aula Le Vedute Class Description: This course examines the Florentine villa, attempting to define this specific architectural typology and identify the unique contributions to its history made in and around Florence, primarily in the fifteenth and sixteenth centuries. Emerging from the Middle Ages, the villas of the Florentine area are among the most powerful embodiments of the “rebirth” of classical antiquity that defines the spirit of the Renaissance. The villa is here defined in accordance with its meaning both in antiquity and throughout the early modern period as a domestic structure integrated with its surrounding agricultural estate. Phenomena to be explored include: the evolution of the forms of the patronal residence, from the early Renaissance castle-villas to the classicizing villas of the later fifteenth- and early sixteenth-centuries; the emergence of the formal garden and the identification of some of its most characteristic elements; the rapport between the villa and its urban cousin, the palace. Special emphasis is given to the villas and gardens of the Medici and to the study of Villa La Pietra itself. Instructor Details: Name: Bruce Edelstein NYUGlobalHome Email Address: [email protected] Office Hours: Mondays, 3:00-5:00 p.m., or by appointment Office Location: Villa La Pietra Office Extension: 07246 Desired Outcomes: On completion of this course, students should: ❏ Have improved their ability to think critically,
    [Show full text]
  • CARACCIOLO Fall 2010 Tuesday 3:00 - 6:20
    PROJECTS IN DRAWING: THE FIGURE NYU / ROBERTO CARACCIOLO Fall 2010 Tuesday 3:00 - 6:20 Undergraduate 3 credit course. Some experience in drawing required. The course will deal with the figure, drawn from life with a model, or from the past as in paintings and sculpture. Using a wide range of materials such as: charcoal, “sanguigna”, pencils, ink and wash, tinted papers high-lighted with white chalk, and watercolors. Starting from a common approach leading into a personal one, as one overcomes technical problems. There will be class discussions on the work done, and also examples from the past, demonstrations and three slide lectures: “Classical Drawings”, “The Nude in Renaissance Art” and “The Figure in the 20th Century”. You will be expected to draw in museums and from monuments in the city. Assignments will be given regarding specific materials, subjects and approaches. Attendance is extremely important. Three absences constitute a failing grade. Each absence will erode the grade. Frequent lateness will count as an absence. You will be graded primarily according to how hard you work, how much commitment you bring to the class as a whole, on the progress made and lastly on the quality of the work. If you need to reach me I can be reached at home, in the evenings, at 06-6865431 or on my cellular phone 339 8614659. My e-mail address is: [email protected] Class Requirements Attendance Participation in class discussions Completed assignments A folder with all the work done September 7 Introduction. Line drawing in charcoal from the model. Fast sketches.
    [Show full text]
  • Medici Villas and Gardens
    Background The property was presented at the 6th session of the Medici Villas and Gardens World Heritage Committee Bureau (Paris, 1982) under the (Italy) name Medici villas in the Florence region, and then withdrawn by the Italian authorities. No 175 ICOMOS had recommended that the property’s examination be deferred while recognising at the time the possibility for its future inscription under criteria (ii) and (iv), but noting that the proposed choice of eleven villas Official name as proposed by the State Party was “neither exhaustive nor sufficiently selective”. The Medici Villas and Gardens Medici villa in Pratolino had, for example, been destroyed in the 19th century, and the park of the Demidoff villa “had Location retained only the memory of wonderful Medici gardens”. Region: Tuscany The recommendation also noted that protection did not Provinces: Florence (10 sites), Prato (2), Lucca (1) and always extend to the landscape, “an essential aspect of Pistoia (1) the aesthetics of the Medici villa”, whilst the built Municipalities: Barberino di Mugello (1 site), San Piero a environment had at times significantly changed. Sieve (1), Florence (5), Fiesole (1), Poggio a Caiano (1), Furthermore, ICOMOS considered that the great variety of Cerreto Guidi (1), Seravezza (1), Vaglia (1), Quarrata (1), legal contexts and uses (private home, school, clinic, etc.) Carmignano (1) meant the conservation of several of the nominated property’s sites was problematic. Brief description The economic, financial and political fortunes of the Medici The Boboli Gardens are already part of the Historic Centre were behind extensive patronage that had a decisive of Florence inscribed on the World Heritage List in 1982.
    [Show full text]
  • PAN's FOLLOWER: BACCIO BANDINELLI's VILLANO STATUE at the BOBOLI GARDEN by KATHRYN FRANCES HALL (Under the Direction of Shel
    PAN’S FOLLOWER: BACCIO BANDINELLI’S VILLANO STATUE AT THE BOBOLI GARDEN by KATHRYN FRANCES HALL (Under the Direction of Shelley Zuraw) ABSTRACT In 1558, a statue of a peasant pouring wine out of a barrel stood on top of a large green marble basin on the northeast side of the Boboli Garden in Florence. Commissioned by Duchess Eleonora di Toledo on her husband’s behalf, Baccio Bandinelli’s peasant statue represented a character from Virgil’s Georgics, dressed in contemporary garb. This statue was part of a larger pastoral allegory that presented an Arcadian vision of a land governed by Pan, the god of Nature. Combined with Giorgio Vasari’s pastoral allegories at the Palazzo Vecchio, this pastoral program at the Boboli Garden validated Duke Cosimo I de’ Medici’s title as the Grand Duke of Tuscany. This paper will analyze the artistic, cultural, and political context of the Villano commission connecting it to the longstanding history of Medicean pastoral art. Its analysis will elucidate the Villano within Duke Cosimo I de’ Medici’s pastoral patronage. INDEX WORDS: Cosimo I de’ Medici, Eleonora di Toledo, Lorenzo the Magnificent, Leo X, Clement VII, Florence, Boboli Garden, Palazzo Vecchio, Pitti Palace, Virgil, Ovid, Jacopo Sannazaro, Georgics, Eclogues, Niccolò Tribolo, Baccio Bandinelli, Giovanni di Paolo Fancelli, Jacopo Pontormo, Giorgio Vasari, Pan, Arcadia, pastoral, peasant statue, villano, fountain, countryside PAN’S FOLLOWER: BACCIO BANDINELLI’S VILLANO STATUE AT THE BOBOLI GARDEN by KATHRYN FRANCES HALL B.A., Wofford College, 2009
    [Show full text]
  • The Grand Duke Francesco I De' Medici Table-Top “Il Tavolino Di Gioie”
    The Grand Duke Francesco I de’ Medici Table-Top “Il Tavolino di gioie” Florence, circa 1568-1577 Almost certainly executed by Bernardino Porfirio da Leccio (documented 1557-1588), designed by Giorgio Vasari (1511-1574) Hardstones (Pietra Dura) set into a white marble support Now on an English 17th century style giltwood stand Length: 160 cm. (63 in.) Width: 107 cm. (42 1/8 in.) Depth: 8 cm. (3 1/8 in.) (the table top) Length: 141.5 cm. (55 11/16 in.) Width: 87 cm. (34 ¼ in.) Height: 70.5 cm. (27 ¾ in.) (the stand) Inventory research by Dr.Enrico Colle, as total confirmation of our attribution. PROVENANCE Made for Francesco I de’ Medici, Grand Duke of Tuscany (r. 1574-1587), as described by Vasari in the 1568 edition of his Lives; recorded after his death in 1588 in the Casino di San Marco, Florence Inherited on Francesco’s death by his illegitimate son, Don Antonio de’ Medici (1576-1621), recorded in 1621 still in the Casino di San Marco On his death, reverts to the main Medici possessions of Francesco’s great-nephew, Ferdinando II de’ Medici, Grand Duke of Tuscany (r. 1621-1670), and subsequently recorded in 1638 and 1663 in the Pitti Palace, Florence By descent to Anna Maria Luisa de’ Medici, Electress of the Palatinate (1667-1743), who bequeathed the Medici collections to the Tuscan state in 1737 Francesco II Stefano of Habsburg-Lorraine, Grand Duke of Tuscany (r.1737-1765), recorded in 1761 in the Pitti Palace His son, Leopoldo I of Habsburg-Lorraine, Grand Duke of Tuscany (r.1765-1790), recorded in 1771 in the Pitti Palace His son,
    [Show full text]