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Full Report on Columbia `Music People' Meet; Davis: `Be Open to Change''

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DEPARTMf N1 ART AND RCORDiNS ALLEN WUMri : Cue From. The TV Cartridge? (Ed) . Full Report On Columbia `Music People' Meet; Davis: `Be Open To Change'' ... Maitland Clarifies `Near -Total' H wood Base ... Buddah Extends Pacts /Mayfield, Impressions, Hawkins ... BeIIIJarrard Tie AMES BROWN: BROWN IS BEAUTIFUL www.americanradiohistory.com She never promised you another "Rose Garden:' But here it is, anyway: "How Can I UnloveYou:' Lynn Anderson's new single has a lot in common with her million seller, "Rose Garden." It was written by Joe South. Produced by Glenn Sutton. And it has the kind of universal message that will make it equally at home on Top -40, country and easy listening stations. \Ve beg your pardon. It could be another "Rose Garden." "How Can I UnloveYou"4-45429 by Lynn Anderson. On Columbia Records ^>. o COI UMBI MARCAS REG. PRINTEO IN U_S.A www.americanradiohistory.com THE INTERNATIONAL MUSIC -RECORD WEEKLY Cash Box Vol. XXXIII - Number 6/July 31, 1971 Publication Office/1780 Broadway, New York, New York 10019/Telephone: JUdson 6-2640/Cable Address Cash Box, N. Y. GEORGE ALBERT President and Publisher MARTY OSTROW Vice President IRV LICHTMAN Editor in Chief EDITORIAL CHRISTIE BARTER West Coast Editor ED KELLEHER ERIC VAN LUSTBADER KENNY KERNER EDITORIAL ASSISTANTS MIKE MARTUCCI ANTHONY LANZETTA ADVERTISING STAN SOIFER Advertising Manager Music: EXECUTIVES TV 'Now' ACCOUNT & ED ADLUM, New York HARVEY GELLER, Hollywood WOODY HARDING Art Director COIN MACHINE á VENDING ED ADLUM General Manager Cue From TV Cartridge? DON DROSSEL CAMILLE COMPASIO, Chicago LISSA MORROW. Hollywood CIRCULATION THERESA TORTOSA, Mgr. HOLLYWOOD HARVEY GELLER-CHRISTIE BARTER 6430 Sunset Blvd.. Hollywood, Calif. 90028 Phone: (213) 465-2129 NASHVILLE JUANITA JONES 806 16th Ave. South. Nashville, Tenn. 37203 Phone: (615) 244-2898 CHICAGO Somehow or other, TV and the sound music industry -oriented, rather than CAMILLE COMPASIO 29 E. Madison St., Chicago, III. Phone: (302) FI 6-7272 of contemporary music have yet to confined to the requirements of TV join a mutual admiration society. A networks, sponsors and production ENGLAND HOLLAND DORRIS LAND PAUL ACKET number of youth -oriented music vari- people who care less about music than 3 Cork Street Theresiastraat 59-63 shows attempted the way something comes across in London WI The Hague ety to set things Tel. 01-7342374 Tel: 837/00 straight, but none really succeeded- visual terms. In other words, the music GERMANY ITALY even if we grant TV's addiction to con- scene will be telling the folks who CHRISTIAN TOERSLEFF GABRIELE G. ABBATE tinually high ratings and the resulting handle the visual aspects of cartridge 2 Hamburg 56 Viale A. Doria 10 Leuchtturm Weg 30 20124 Milano Tel: 34-91-94-86 high mortality rate of all kinds of com- production what they would like to see. BELGIUM mercial programming on the networks. Thus, the point -of -view will be that of BRAZIL ETIENNE SMET PEDRO FRAZAO Postbus 56 While the success of such situation fare what sounds and looks best in terms DE VASCONCELOS B-2700 SintNiklaas 76-54-39 as the Monkees, the Partridge Family of the musical act. Rue Frei Caneca, II, Apt. 13 Tel: (03) Sao Paulo, S.P., Brazil Tel: 257-15-58 AUSTRALIA and the Archies does provide a gener- Certainly, if the video cartridge does ARGENTINA PETER SMITH ous outlet for music, one can rightfully hold great musical potential and there 40 Winters Way a MIGUEL SMIRNOFF Doncaster 3108 claim that the impact of the shows is is wide degree of success in the sales Belgrano 3252, Piso 4 "B" Victoria, Australia Buenos Aires, Argentina not totally dependent on their musical or rentals of cartridge product, TV it- Tel: 89-6796 MEXICO values, but more so on a good, clean self would likely seize the opportunity CANADA SALVADOR ARREGUIN ANTONIO SENS fun kiddie approach. to develop musical properties along WALT GREALIS Tiber 100 - 7 y 8 Pisos How is TV to provide an ample similar lines. It's simply a case of meet- RPM Mexico 5, D.F. 1560 Bayview Ave. Tel: 525-39-52 II -62-96 forum for more sophisticated kinds of ing the competition. And such compe- Toronto 17, Ontario Tel: (416) 489-2166 JAPAN contemporary music? The answer, tition can really be a boon to the ex- FRANCE Adv. Mgr. oddly enough, could come from the posure of musical acts on a one -two - SACHIO SAITO FRANK LIPSIK development of the audio-visual cart- punch basis. 5 Rue Alfred Dormeuil I -II 2-Chome Shinbashi 78 Croissy Minato -Ku, Tokyo ridge for home use. Although this new A note of caution, of course, is that Tel: 225-26-31 Tel: 504-1651 home -entertainment medium will com- music people cannot neglect the visual SPAIN Editorial Mgr. pete with TV for the nightly hours spent aspects of the TV cartridge, and must JOAQUIN MERINO FUMIYO TACHIBANA Presidente Carmona, II I-11 2-Chome Shinbashi before a video tube, TV may well learn rely on technicians and staging talents Madrid 20, Spain Minato -Ku, Tokyo Tel. 270-2915 Tel: 5041651 a musical lesson from it. Even at this on the tricks of the trade. It has to be early stage in the soft -ware picture for a partnership, one that reflects SUBSCRIPTION RATES $35 per year anywhere in the the U.S.A., Published weekly at 34 N. Crystal St.. E. Strouds- cartridge TV, the music is best in both burg, Pa. by Cash Box, 1780 Broadway, New York, N.Y. industry audio and visual thinking. 10019. Second class postage paid at New York, N.Y., U.S.A. and additional offices. thinking in terms of presentations If TV gets the message, it and the TV Copyright © 1971 by The Cash Box Pulblishiag Co., Inc. through the medium. The thrust of cartridge can do an immense exposure All rights reserved. Copyright under Universal Copyright Convention. these presentations will probably be job for the music industry. www.americanradiohistory.com TOP 100 Box July 31, 1971 ashlox Cash - DON'T PULL YOUR LOVE WON'T GET FOOLED AGAIN GOOD ENOUGH TO BE YOUR WIFE Hamilton, Joe Frank & Reynolds -Dunhill 4276 2 3 The Who -Decca 32846 46 55 Jeannie C. Riley -Plantation 75 79 - MR. BIG STUFF IF NOT FOR YOU 69 TALKING IN YOUR SLEEP Jean Knight-Stax 0088 3 4 Olivia Newton John -Uni 55281 43 50 Gordon Lightfoot -Reprise 1020 72 80 YOU'VE GOT A FRIEND 38 WILD HORSES 70 FOLLOW ME i James Taylor -Warner Bros. 7489 4 5 Rolling Stones -Rolling Stones 19101 (Dist: Atlantic) 18 19 Mary Travers -Warner Bros. 7481 75 78 INDIAN RESERVATION THE WAY I'VE ALWAYS Raiders -Columbia 45332 1 2 39 THAT'S SATURDAY MORNING CONFUSION DRAGGIN THE LINE HEARD IT Bobby Russell-U.A. 50788 - - Carly Simon-Elektra 45724 13 9 Tommy James -Roulette 7103 6 7 72 HE'S GONNA STEP ON YOU AGAIN HOW CAN YOU MEND A BROKEN 40 LOVE MEANS John Kongos-Elektra 45729 76 83 Sounds of Sunshine-Ranwood 896 44 45 HEART 73 IT'S THE REAL THING Bee Gees-Atco 6824 7 16 SHE'S NOT JUST ANOTHER 41 Electric Express-Linco 1001 (Dist: Atlantic) 77 84 BRING THE BOYS HOME WOMAN Freda Payne-Invictus 9092 (Dist: Capitol) 12 14 8th Day-Invictus 9087 (Dist: Capitol) 20 8 GOT TO HAVE YOUR LOVIN' Atlantic) 84 HERE COMES THAT RAINY DAY 42 RESURRECTION SHUFFLE King Floyd-Chimneyville 439 (Dist: FEELING Ashton, Gardner & Dyke -Capitol 3060 37 40 75 ONE-WAY TICKET Fortunes -Capitol 3086 11 13 I'M LEAVIN' Tyrone Davis -Dakar 624 80 86 9 I DON'T WANNA DO WRONG Elvis Presley -RCA 9998 53 64 76 LOVE ME Gladys Knight & Pips-Soul 35083 (Dist: Motown) 9 12 44 MIGHTY CLOUDS OF JOY Rascals -Columbia 45400 74 80 ME HOME, COUNTRY ROAD TAKE B. J. Thomas -Scepter 12320 45 47 77 LOVE IS LIFE John Denver -RCA 0445 15 18 SHUFFLE Earth, Wind & Fire-W.B. 7492 83 85 MERCY, MERCY, ME 45 RESURRECTION Tom Jones-Parrot 40064 40 42 Marvin Gaye -Tamia 54207 17 21 78 LIKE AN OPEN DOOR 12 IT'S TOO LATE YOU SEE IS WHAT YOU GET Fuzz -Calla 177 (Dist: Roulette) 70 71 Dramatics -Volt 4058 (Dist: Stan) 56 74 Carole King -Ode (Dist: A&M) 5 1 79 HYMN #43 Jethro Tull -Reprise 1024 86 13 SOONER OR LATER I JUST WANT TO CELEBRATE Grass Roots -Dunhill 4279 14 15 Rare Earth (Rare Earth) 5031 66 STICK UP 14 HOT PANTS 48 SHE DIDN'T DO MAGIC Haney Cone-Hot Wax 7106 (Dist: Buddah) James Brown -People 2501 16 26 Lobo -Big Tree 116 (Dist: Ampex) 50 52 81 NOBODY Band -Warner Bros. 7504 88 SWEET HITCH -HIKER RIDE WITH ME . Wright & 103rd St. Rhythm Creedence Clearwater Revival -Fantasy 665 27 57 Steppenwolf -Dunhill 4283 55 68 CRAZY LOVE 16 FUNKY NASSAU Helen Reddy-Capitol 3138 92 I THOSE CHURCH BELLS Beginning Of The End -Alston (Dist: Atlantic) 10 11 HEAR SWEET CITY WOMAN LOVE THE ONE YOU'RE WITH RINGING . Dusk -Bell 990 Stampeders-Bell 120 Isley Bros. -T -Neck 930 (Dist: Buddah) 24 28 STOP, LOOK, LISTEN TIRED OF BEING ALONE WHAT THE WORLD NEEDS NOW 51 London) Stylistics-Avco 4572 34 36 Al Greene-Hi 2194 (Dist: ABRAHAM, MARTIN & JOHN INDIAN SUMMER Tom Clay-Mowest 5002 28 66 52 YOU'RE THE REASON 85 Audience-Elektra 45732 89 Ebonys-Phila Intl 3503 (Dist: Epic) 51 56 NEVER ENDING SONG OF LOVE MAGGIE Bonnie & Friends-Atco 6804 25 30 CHANGE PARTNERS Delaney & 53 Redbone-Epic 10670 96 StephenHARLEMStills -Atlantic 2806 38 39 20 SIGNS K-JEE Band -Lionel 3213 (Dist: MGM) 21 23 Five Man Electric SPANISH Hite Liters-RCA 0461 tha Franklin-Atlantic 2817 MAYBE TOMORROW WEDDING SONG (THERE IS LOVE) Jackson 5 -Motown 1186 26 31 IT'S SUMMER Paul Stookey-Warner Bros.
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    The Temptations Papa Was a Rollin' Stone / Smiling Faces Sometimes Mp3, Flac, Wma

    The Temptations Papa Was A Rollin' Stone / Smiling Faces Sometimes mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Funk / Soul Album: Papa Was A Rollin' Stone / Smiling Faces Sometimes Country: Germany Released: 1972 Style: Soul MP3 version RAR size: 1188 mb FLAC version RAR size: 1980 mb WMA version RAR size: 1106 mb Rating: 4.8 Votes: 434 Other Formats: MOD AUD MP1 FLAC MP2 AIFF DMF Tracklist A Papa Was A Rollin' Stone (Vocal) 6:44 B Smiling Faces Sometimes 3:38 Companies, etc. Record Company – Electrola Gesellschaft m.b.H. Phonographic Copyright (p) – Motown Record Corporation Credits Written-By – N. Whitfield/B. Strong* Notes Track A: ℗ 1972 Motown Rec. Corp., Keep a/c, Mono Track B: ℗ 1971 Motown Rec. Corp., GEMA, Stereo There exists German back sleeve variant with 3 LPs The Temptations - Papa Was A Rollin' Stone / Smiling Faces Sometimes Made In Germany Barcode and Other Identifiers Rights Society (Side B): GEMA Other (Side A): Keep a/c Matrix / Runout (Runout side A, stamped): 93 971 M-A-1 Matrix / Runout (Runout side B, stamped): 93 971 B-1 Other versions Category Artist Title (Format) Label Category Country Year Papa Was A Rollin' Tamla 1C 006-93 971 1C 006-93 971 The Stone / Smiling Faces Motown, M, 1C M, 1C Germany 1972 Temptations Sometimes (7", Tamla 006-93971 M 006-93971 M Single) Motown Papa Was A Rollin' The 221, RT 729 Stone / Smiling Faces Royal, Royal 221, RT 729 Iran 1972 Temptations Sometimes (7") Related Music albums to Papa Was A Rollin' Stone / Smiling Faces Sometimes by The Temptations The Temptations - Papa Was A Rolling Stone The Temptations - Cloud Nine The Temptations - Papa Was A Rollin' Stone Undisputed Truth - Smiling Faces Sometimes Was (Not Was) - Papa Was A Rollin' Stone The Temptations - Sky's The Limit George Michael - Killer / Papa Was A Rollin' Stone The Temptations - Heavenly / Zoom.
  • Classical Gas Recordings and Releases Releases of “Classical Gas” by Mason Williams

    Classical Gas Recordings and Releases Releases of “Classical Gas” by Mason Williams

    MasonMason WilliamsWilliams Full Biography with Awards, Discography, Books & Television Script Writing Releases of Classical Gas Updated February 2005 Page 1 Biography Mason Williams, Grammy Award-winning composer of the instrumental “Classical Gas” and Emmy Award-winning writer for “The Smothers Brothers Comedy Hour,” has been a dynamic force in music and television circle since the 1960s. Born in Abilene, Texas in 1938, Williams spent his youth divided between living with his 1938 father in Oklahoma and his mother in Oregon. His interest in music began when, as a teenager, he to 1956 became a fan of pop songs on the radio and sang along with them for his own enjoyment. In high Oklahoma school, he sang in the choir and formed his first group, an a capella quartet that did the 1950’s City style pop and rock & roll music of the era. They called themselves The Imperials and The to L.A. Lamplighters. The other group members were Diana Allen, Irving Faught and Larry War- ren. After Williams was graduated from Northwest Classen High School in Oklahoma City in 1956, he and his lifelong friend, artist Edward Ruscha, drove to Los Angeles. There, Williams attended Los Angeles City College as a math major, working toward a career as an insurance actuary. But he spent almost as much time attending musical events, especially jazz clubs and concerts, as he did studying. This cultural experience led him to drop math and seek a career in music. Williams moved back to Oklahoma City in 1957 to pursue his interest in music by taking a crash course in piano for the summer.