BB.Com Discog
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Customizable • Ease of Access Cost Effective • Large Film Library
CUSTOMIZABLE • EASE OF ACCESS COST EFFECTIVE • LARGE FILM LIBRARY www.criterionondemand.com Criterion-on-Demand is the ONLY customizable on-line Feature Film Solution focused specifically on the Post Secondary Market. LARGE FILM LIBRARY Numerous Titles are Available Multiple Genres for Educational from Studios including: and Research purposes: • 20th Century Fox • Foreign Language • Warner Brothers • Literary Adaptations • Paramount Pictures • Justice • Alliance Films • Classics • Dreamworks • Environmental Titles • Mongrel Media • Social Issues • Lionsgate Films • Animation Studies • Maple Pictures • Academy Award Winners, • Paramount Vantage etc. • Fox Searchlight and many more... KEY FEATURES • 1,000’s of Titles in Multiple Languages • Unlimited 24-7 Access with No Hidden Fees • MARC Records Compatible • Available to Store and Access Third Party Content • Single Sign-on • Same Language Sub-Titles • Supports Distance Learning • Features Both “Current” and “Hard-to-Find” Titles • “Easy-to-Use” Search Engine • Download or Streaming Capabilities CUSTOMIZATION • Criterion Pictures has the rights to over 15000 titles • Criterion-on-Demand Updates Titles Quarterly • Criterion-on-Demand is customizable. If a title is missing, Criterion will add it to the platform providing the rights are available. Requested titles will be added within 2-6 weeks of the request. For more information contact Suzanne Hitchon at 1-800-565-1996 or via email at [email protected] LARGE FILM LIBRARY A Small Sample of titles Available: Avatar 127 Hours 2009 • 150 min • Color • 20th Century Fox 2010 • 93 min • Color • 20th Century Fox Director: James Cameron Director: Danny Boyle Cast: Sam Worthington, Sigourney Weaver, Cast: James Franco, Amber Tamblyn, Kate Mara, Michelle Rodriguez, Zoe Saldana, Giovanni Ribisi, Clemence Poesy, Kate Burton, Lizzy Caplan CCH Pounder, Laz Alonso, Joel Moore, 127 HOURS is the new film from Danny Boyle, Wes Studi, Stephen Lang the Academy Award winning director of last Avatar is the story of an ex-Marine who finds year’s Best Picture, SLUMDOG MILLIONAIRE. -
Download Placebo English Summer Rain Mp3
Download Placebo English Summer Rain Mp3 Download Placebo English Summer Rain Mp3 1 / 3 2 / 3 Download the album or mp3, watch videos Placebo. All video clips of all ... Get MP3 album, 2003-09-15 ... 1996. 125, Placebo - English Summer Rain, English .... Zu ihrem 20-jährigen Jubiläum veröffentlichen Placebo die Retrospektive ... MP3 Download Amazon ... English Summer Rain (Single Version).. Download Placebo English Summer Rain Mp3 >>> http://urllio.com/y5zo8 c1bf6049bf 8 Jun 2012 - 3 min - Uploaded by PLACEBOSubscribe: .... "English Summer Rain" is the fourth single from Placebo's fourth studio album Sleeping with ... Print/export. Create a book · Download as PDF · Printable version .... Listen English Summer Rain mp3 songs free online by Placebo. Download English Summer Rain on Hungama Music app & get access to Sleeping With Ghosts .... Watch the video for English Summer Rain from Placebo's Sleeping with Ghosts for free, and see the artwork, lyrics and similar artists.. Mendengarkan English Summer Rain (Single Version) oleh Placebo di JOOX sekarang. Lagu dari album A Place For Us To Dream.. Werbefrei streamen oder als CD und MP3 kaufen bei Amazon.de. ... weil er untypisch für dieses Album ist, dessen Perlen english summer rain, this picture, the .... Entdecken Sie English Summer Rain von Placebo bei Amazon Music. Werbefrei streamen oder als CD und MP3 kaufen bei Amazon.de.. 9. The Bitter End 10. Without You I'm Nothing (feat. David Bowie) 11. English Summer Rain 12. Breathe Underwater (Slow) 13. Soulmates 14.. Nghe & tải nhạc English Summer Rain (Single Version) - Placebo | GetLinkAZ MP3, ZWZCAZBO English Summer Rain (Single Version), Placebo Download ... -
Problem Children: Troping Early Modern
PROBLEM CHILDREN: TROPING EARLY MODERN REPRODUCTION AND DEVELOPMENT By Bethany Packard Dissertation Submitted to the Faculty of the Graduate School of Vanderbilt University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY in English August, 2010 Nashville, Tennessee Approved Professor Leah S. Marcus Professor Kathryn Schwarz Professor Lynn Enterline Professor Katherine Crawford Professor Carol Chillington Rutter Copyright © 2010 by Bethany Packard All Rights Reserved ii To Mary Frances iii ACKNOWLEDGEMENTS This work would not have been possible without generous financial support from multiple sources. The 2009 – 2010 Scholar Award from the Philanthropic Educational Organization has enabled me to focus on writing during my final year of graduate school. A Mellon Visiting Research Fellowship in Renaissance and Early Modern Studies at the University of Warwick for the summer of 2009 provided the opportunity to write and research while also engaging a new campus and new colleagues. Two Folger Institute seminars have served as bookends for the conception and completion of this dissertation project, and I thank fellow participants and leaders of these seminars, and the always-helpful librarians and staff at the Folger Shakespeare Library. The Vanderbilt University Graduate School has enabled international research through a Dissertation Enhancement Grant for Spring 2009 and a College of Arts and Sciences Summer Research Award for 2008. I would like to thank all those I have had the pleasure to work with over the course of this project. Each member of my Dissertation Committee has provided invaluable insights into my dissertation writing process and into the profession itself. I would especially like to thank Professor Leah Marcus, the chair of my committee, both for all she has taught me and for her support and guidance as I worked to find my own voice. -
COUNTER RELEASE 5: an Independent Review
COUNTER RELEASE 5: an independent review Dave Jago, Mark Sandler, and Alicia Wise Contacts: [email protected] [email protected] [email protected] Contents Executive Summary ......................................................................................................................................... 3 What We Learned ........................................................................................................................................... 4 Query logs and FAQs ................................................................................................................................... 4 Audit reports ............................................................................................................................................... 5 Survey responses: libraries and consortia .................................................................................................. 6 Survey responses: publishers ....................................................................................................................10 Librarian Focus Groups .............................................................................................................................16 Uses of COUNTER information..............................................................................................................16 Things that can be done with COUNTER 5 that were not possible before ...........................................17 The transition from R4 to R5.................................................................................................................18 -
Barny Barnicott Producer/Mixer
Barny Barnicott Producer/Mixer Since his success with The Enemy’s debut No. 1 album ‘We’ll Live and Die in these Towns’, Barny has gained a reputation as one of the UK’s leading Mixers and Producers collaborating with artists from Elastica to the Sunshine Underground. This diverse catalogue has seen Barny develop a long- standing relationship with Jim Abbiss, mixing records for him such as Arctic Monkeys’ debut ‘Whatever People Say I Am, That’s What I’m Not’ and The Temper Trap’s ‘Confessions’, all of which have been received to great international acclaim. Sam Fender ‘Play God’ / Single Mix Dan Croll Forthcoming Album Mix Half Moon Run ‘Sun Leads Me On’ / Album Mix Tibet Forthcoming Tracks Prod / Mix Compny Forthcoming Tracks Prod / Mix Peace ‘Happy People’ / Album Mix ‘In Love’ / Album Mix ‘Delicious’ / EP Mix Racing Glaciers Forthcoming Tracks Prod / Mix Whales In Cubicles Forthcoming Tracks Mix Cloud Control ‘Dream Cave’ / Album Prod / Mix The Crowns Forthcoming Album Prod / Mix The Red Lapels Forthcoming Album Prod / Mix Cave Painting ‘Votive Life’ / Album Prod / Mix Duologue Forthcoming Album Mix Ladytron ‘Gravity The Seducer’ / Album Prod / Mix ‘Witching Hour’ / Album Eng / Mix ‘Blue Jeans’ Mix Engineer ‘Oops Oh My’ Mix Engineer O Children ‘O Children’ / Album Prod / Mix Turin Breaks ‘Outbursts’ / Album Add Prod / Mix Stereophonics ‘Keep Calm And Carry On’ / Album Mix Temper Trap ‘Conditions’ / Album Mix Animal Kingdom ‘Now Go And Multiply’ / Album Mix The Sunshine Underground ‘Nobody’s Coming To Save You’ / Album Prod / Mix Bombay -
Visual Metaphors on Album Covers: an Analysis Into Graphic Design's
Visual Metaphors on Album Covers: An Analysis into Graphic Design’s Effectiveness at Conveying Music Genres by Vivian Le A THESIS submitted to Oregon State University Honors College in partial fulfillment of the requirements for the degree of Honors Baccalaureate of Science in Accounting and Business Information Systems (Honors Scholar) Presented May 29, 2020 Commencement June 2020 AN ABSTRACT OF THE THESIS OF Vivian Le for the degree of Honors Baccalaureate of Science in Accounting and Business Information Systems presented on May 29, 2020. Title: Visual Metaphors on Album Covers: An Analysis into Graphic Design’s Effectiveness at Conveying Music Genres. Abstract approved:_____________________________________________________ Ryann Reynolds-McIlnay The rise of digital streaming has largely impacted the way the average listener consumes music. Consequentially, while the role of album art has evolved to meet the changes in music technology, it is hard to measure the effect of digital streaming on modern album art. This research seeks to determine whether or not graphic design still plays a role in marketing information about the music, such as its genre, to the consumer. It does so through two studies: 1. A computer visual analysis that measures color dominance of an image, and 2. A mixed-design lab experiment with volunteer participants who attempt to assess the genre of a given album. Findings from the first study show that color scheme models created from album samples cannot be used to predict the genre of an album. Further findings from the second theory show that consumers pay a significant amount of attention to album covers, enough to be able to correctly assess the genre of an album most of the time. -
[email protected] Website: Nightshift.Oxfordmusic.Net Free Every Month
email: [email protected] website: nightshift.oxfordmusic.net Free every month. NIGHTSHIFT Issue 122 September Oxford’s Music Magazine 2005 SupergrassSupergrassSupergrass on a road less travelled plus 4-Page Truck Festival Review - inside NIGHTSHIFT: PO Box 312, Kidlington, OX5 1ZU. Phone: 01865 372255 NEWNEWSS Nightshift: PO Box 312, Kidlington, OX5 1ZU Phone: 01865 372255 email: [email protected] THE YOUNG KNIVES won You Now’, ‘Water and Wine’ and themselves a coveted slot at V ‘Gravity Flow’. In addition, the CD Festival last month after being comes with a bonus DVD which picked by Channel 4 and Virgin features a documentary following Mobile from over 1,000 new bands Mark over the past two years as he to open the festival on the Channel recorded the album, plus alternative 4 stage, alongside The Chemical versions of some tracks. Brothers, Doves, Kaiser Chiefs and The Magic Numbers. Their set was THE DOWNLOAD appears to have then broadcast by Channel 4. been given an indefinite extended Meanwhile, the band are currently in run by the BBC. The local music the studio with producer Andy Gill, show, which is broadcast on BBC recording their new single, ‘The Radio Oxford 95.2fm every Saturday THE MAGIC NUMBERS return to Oxford in November, leading an Decision’, due for release on from 6-7pm, has had a rolling impressive list of big name acts coming to town in the next few months. Transgressive in November. The monthly extension running through After their triumphant Truck Festival headline set last month, The Magic th Knives have also signed a publishing the summer, and with the positive Numbers (pictured) play at Brookes University on Tuesday 11 October. -
The DIY Careers of Techno and Drum 'N' Bass Djs in Vienna
Cross-Dressing to Backbeats: The Status of the Electroclash Producer and the Politics of Electronic Music Feature Article David Madden Concordia University (Canada) Abstract Addressing the international emergence of electroclash at the turn of the millenium, this article investigates the distinct character of the genre and its related production practices, both in and out of the studio. Electroclash combines the extended pulsing sections of techno, house and other dance musics with the trashier energy of rock and new wave. The genre signals an attempt to reinvigorate dance music with a sense of sexuality, personality and irony. Electroclash also emphasizes, rather than hides, the European, trashy elements of electronic dance music. The coming together of rock and electro is examined vis-à-vis the ongoing changing sociality of music production/ distribution and the changing role of the producer. Numerous women, whether as solo producers, or in the context of collaborative groups, significantly contributed to shaping the aesthetics and production practices of electroclash, an anomaly in the history of popular music and electronic music, where the role of the producer has typically been associated with men. These changes are discussed in relation to the way electroclash producers Peaches, Le Tigre, Chicks on Speed, and Miss Kittin and the Hacker often used a hybrid approach to production that involves the integration of new(er) technologies, such as laptops containing various audio production softwares with older, inexpensive keyboards, microphones, samplers and drum machines to achieve the ironic backbeat laden hybrid electro-rock sound. Keywords: electroclash; music producers; studio production; gender; electro; electronic dance music Dancecult: Journal of Electronic Dance Music Culture 4(2): 27–47 ISSN 1947-5403 ©2011 Dancecult http://dj.dancecult.net DOI: 10.12801/1947-5403.2012.04.02.02 28 Dancecult 4(2) David Madden is a PhD Candidate (A.B.D.) in Communications at Concordia University (Montreal, QC). -
Reforming Primary and Secondary Education in Latin America and the Caribbean: an IDB Strategy
DOCUMENT RESUME ED 474 669 UD 035 422 AUTHOR Castro, Claudio de Moura; Navarro, Juan Carlos; Wolff, Laurence; Carnoy, Martin TITLE Reforming Primary and Secondary Education in Latin America and the Caribbean: An IDB Strategy. Sustainable Development Department Sector Strategy and Policy Papers Series. INSTITUTION Inter-American Development Bank, Washington, DC. REPORT NO EDU-113 PUB DATE 2000-05-01 NOTE 61p AVAILABLE FROM Publications, Education Unit, Inter-American Development Bank, 1300 New York Avenue, N.W., Washington, DC 20577. Tel: 202-623-2087; Fax: 202-623-1558; e-mail: sds/[email protected]; Web site: http://www.iadb.org/sds/edu. PUB TYPE Reports Evaluative (142) EDRS PRICE EDRS Price MF01/PC03 Plus Postage. DESCRIPTORS *Accountability; *Change Strategies; Computer Uses in Education; Cost Effectiveness; Decentralization; Early Childhood Education; *Educational Change; Educational Equity (Finance); Educational Technology; Elementary Secondary Education; Foreign Countries; Governance; Teacher Participation IDENTIFIERS Action Plans; *Caribbean; *Latin America; Reform Efforts ABSTRACT This report summarizes what is known about educational improvement in Latin America and provides objectives and strategies to guide the Inter-American Development Bank (IDB) in supporting primary and secondary education in Latin America and the Caribbean over the next decade. It is based on six background papers as well as a review of the lessons learned from recent regional and country experience. The papers are "The Need for Education Reform"; "Five Critical -
Sight&Sound 5
SUNDAY MORNING POST DECEMBER 27, 2009 Sight&Sound 5 rock. Despite the horrendous first “The Automator” Nakamura for a set single, Know Your Enemy, this is a that took Stonesy blues rock and cohesive outing that tells an Ennio Morricone and hauls them interesting, albeit slightly contrived, into the 21st century, complete with story of a lovelorn couple. Horseshoes killer riffs. and Handgrenades is about as close to punk as we’re likely to get from Yuksek Green Day again. Away from the Sea (Barclay) Illustration: Teresa Tan Teresa Illustration: Somewhere between Bob Sinclar, The Dead Weather Justice and Hall and Oates, Horehound (Warner) French-born music producer, Even when Jack White takes a back remixer and DJ Pierre-Alexandre seat – literally – as a drummer, his Busson channels 80s rock and trademark bluesy guitar riff can still electro, Britpop and pounding be heard throughout the album. But dance floor beats for a schizophrenic with other members such as Alison but irresistible set. Mosshart and Jack Lawrence sharing the vocals, the Dead Weather offer a Yeah Yeah Yeahs fix for those in need of some earthy It’s Blitz! (Polydor) garage rock. Taking an electro turn, the Yeahs manage to up their game without Florence + the Machine betraying their punk roots with a set Lungs (Island) of songs that, despite a pulsating Lungs is 45 minutes of soulful vocal new electronic sheen, still sounds as bliss. Florence Welch spills her soul if they’d been made for guitars. Their on tracks such as I’m Not Calling most satisfying album yet and a You a Liar and My Boy Builds Coffins. -
“Nigel Thrift Does Have a Say Over His Pay”
fb.com/warwickboar twitter.com/warwickboar theYourboar award-winning student newspaper Wednesday 28th January, 2015 Est. 1973 | Volume 37 | Issue 7 Warwick “Nigel Thrift does have third most- targeted by a say over his pay” employers Ibrahim Khalid Students at the University of War- wick are the third most-often tar- geted by top graduate employers, reveals research by High Fliers. The annual UK Graduate Ca- reers Survey, involving over 18,000 final year students, is based on face- to-face interviews with finalists and on-campus research groups. Universities such as Manches- ter, Nottingham, Cambridge and Oxford are also among the most frequently targeted for graduate employment. The report also notes increasing confidence in the graduate recruit- ment market as the UK’s leading employers “plan to expand their graduate recruitment even further in 2015 with 8.1 percent more en- try-level vacancies than last year”. Warwick is consistently in the top ten in this annual survey. The University’s vice chancellor Profes- sor Sir Nigel Thrift said: “Warwick is a globally connected university and our students gradu- ate with an acute global awareness and an ability to thrive in a range of » Nigel Thrift’s pay over the past five years. Photo: Ann Yip countries and cultures. It is no sur- prise that they are highly sought af- al salary increased by 4.8 percent cision of their pay. recent pay rises, pay recommen- ter by many globally focused lead- Ann Yip (£16,000) to £348,000 - an incre- She pointed towards the fact that, dations have to be approved by the ing graduate employers. -
Every Purchase Includes a Free Hot Drink out of Stock, but Can Re-Order New Arrival / Re-Stock
every purchase includes a free hot drink out of stock, but can re-order new arrival / re-stock VINYL PRICE 1975 - 1975 £ 22.00 30 Seconds to Mars - America £ 15.00 ABBA - Gold (2 LP) £ 23.00 ABBA - Live At Wembley Arena (3 LP) £ 38.00 Abbey Road (50th Anniversary) £ 27.00 AC/DC - Live '92 (2 LP) £ 25.00 AC/DC - Live At Old Waldorf In San Francisco September 3 1977 (Red Vinyl) £ 17.00 AC/DC - Live In Cleveland August 22 1977 (Orange Vinyl) £ 20.00 AC/DC- The Many Faces Of (2 LP) £ 20.00 Adele - 21 £ 19.00 Aerosmith- Done With Mirrors £ 25.00 Air- Moon Safari £ 26.00 Al Green - Let's Stay Together £ 20.00 Alanis Morissette - Jagged Little Pill £ 17.00 Alice Cooper - The Many Faces Of Alice Cooper (Opaque Splatter Marble Vinyl) (2 LP) £ 21.00 Alice in Chains - Live at the Palladium, Hollywood £ 17.00 ALLMAN BROTHERS BAND - Enlightened Rogues £ 16.00 ALLMAN BROTHERS BAND - Win Lose Or Draw £ 16.00 Altered Images- Greatest Hits £ 20.00 Amy Winehouse - Back to Black £ 20.00 Andrew W.K. - You're Not Alone (2 LP) £ 20.00 ANTAL DORATI - LONDON SYMPHONY ORCHESTRA - Stravinsky-The Firebird £ 18.00 Antonio Carlos Jobim - Wave (LP + CD) £ 21.00 Arcade Fire - Everything Now (Danish) £ 18.00 Arcade Fire - Funeral £ 20.00 ARCADE FIRE - Neon Bible £ 23.00 Arctic Monkeys - AM £ 24.00 Arctic Monkeys - Tranquility Base Hotel + Casino £ 23.00 Aretha Franklin - The Electrifying £ 10.00 Aretha Franklin - The Tender £ 15.00 Asher Roth- Asleep In The Bread Aisle - Translucent Gold Vinyl £ 17.00 B.B.