Benefactors of the Wallace Collection Programme of Events 2018
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The Rough Guide to Naples & the Amalfi Coast
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The Wallace Collection — Rubens Reuniting the Great Landscapes
XT H E W ALLACE COLLECTION RUBENS: REUNITING THE GREAT LANDSCAPES • Rubens’s two great landscape paintings reunited for the first time in 200 years • First chance to see the National Gallery painting after extensive conservation work • Major collaboration between the National Gallery and the Wallace Collection 3 June - 15 August 2021 #ReunitingRubens In partnership with VISITFLANDERS This year, the Wallace Collection will reunite two great masterpieces of Rubens’s late landscape painting: A View of Het Steen in the Early Morning and The Rainbow Landscape. Thanks to an exceptional loan from the National Gallery, this is the first time in two hundred years that these works, long considered to be companion pieces, will be seen together. This m ajor collaboration between the Wallace Collection and the National Gallery was initiated with the Wallace Collection’s inaugural loan in 2019 of Titian’s Perseus and Andromeda, enabling the National Gallery to complete Titian’s Poesie cycle for the first time in 400 years for their exhibition Titian: Love, Desire, Death. The National Gallery is now making an equally unprecedented reciprocal loan to the Wallace Collection, lending this work for the first time, which will reunite Rubens’s famous and very rare companion pair of landscape paintings for the first time in 200 years. This exhibition is also the first opportunity for audiences to see the National Gallery painting newly cleaned and conserved, as throughout 2020 it has been the focus of a major conservation project specifically in preparation for this reunion. The pendant pair can be admired in new historically appropriate, matching frames, also created especially for this exhibition. -
Libretto Scuole A.S. 2014/15
Officina delle Muse Programma didattico Anno scolastico 2014/2015 Officina delle Muse “Officina delle Muse” è un’associazione culturale ONLUS la cui attività è volta alla promozione dell’arte e della cultura e alla tutela e valorizzazio- ne dell’ambiente. Per il perseguimento di queste finalità, l’associazione si dedica all’organizzazione di mostre, percorsi didattici, convegni, visite ed escursioni. Tra i nostri obiettivi vi è anche quello di far avvi- cinare all’arte e alla cultura quelle persone che ri- sultano svantaggiate in ragione di condizioni fisi- che, psichiche, economiche, sociali o familiari. 1 Napoli e provincia Musei e complessi di interesse storico- artistico e archeologico Napoli Il Museo Archeologico Nazionale di Napoli Il percorso pre- vede una visita alle principali collezioni del museo. Il gruppo potrà an- che scegliere di approfondire la conoscenza di una se- zione in particolare. L’Appartamento storico di Palazzo Reale Un viaggio nella storia con re e regine illustri tra i fastosi arredi dell’appartamento storico del pa- lazzo. 2 Museo di Capodimonte Il museo ospita le collezioni Far- nese e borbonica che costituiscono i nuclei principali del patrimonio museale di Capodimonte. L'origine della raccolta Far- nese si deve all'azione politica e alle scelte culturali di Alessandro Farnese (1468-1549), che, ancora prima di diventare papa col nome di Paolo III, aveva coltivato l'interesse per il collezionismo artistico e antiquario. Museo di San Martino Visita alla certosa e ai suo tesori, passando per la nuova sezione na- vale ed ammirando i famosi prese- pi (possibilità di laboratorio su porcellana, pastori e pittura su maiolica). -
Online Course Description
Online Course Introducing… Reynolds and His Rivals Dates Tuesday 14 and Wednesday 15 September 2021 Times 18.00–20.00 GMT Location Zoom Webinar Tutor Jacqui Ansell Level All Levels Joshua Reynolds, Miss Nelly O'Brien, about 1762-63 (detail) Course Description The great painter, Sir Joshua Reynolds, was famously the first President of the Royal Academy, founded in 1768. The son of a Devon schoolteacher, he rose through the ranks of society to achieve his ultimate aim – to paint for King George III. In his mission to raise the status of painting to the same rank as its ‘sister art of poetry,’ he developed a style of portraiture known as the ‘Grand Style’, imbued with intellectual content. Known as much for his experimental techniques as his innovative iconography, Reynolds’ paintings often suffered from the ravages of time and taste – with young artists of the 19th century christening him ‘Sir Sloshua’! Fashion, in terms of dress as well as approaches to portraiture, will be the key subject of this course, as we explore Reynolds’ attempts to appeal to posterity, as well as to his contemporaries. Session One: ‘Something Modern for the Sake of Likeness’ The 18th century was a ‘Golden Age’ for British portraiture, with Hogarth, Reynolds, Ramsay, as well as Wright of Derby, Gainsborough and Lawrence emerging to lead this field. The rise of Rococo fashions in art and dress created a concern for frills and fripperies, which posed a problem for artists. Not only were these fiddly and time- consuming to consign to canvas, but the rapid pace of fashion change meant that portraits could look old-fashioned before the paint was dry. -
DCMS-Sponsored Museums and Galleries Annual Performance
Correction notice: The chart showing the Total number of visits to DCMS - sponsored museums and galleries, 2002/03 to 2018/19 and Figure 2 showing the Total number of visits to the DCMS- sponsored museums and galleries, 2008/09 to 2018/19 were updated on 27 January 2020 to reflect the minor amendments made to the Tyne and Wear visitor figures for the years 2008/09 to 2014/15. This release covers the annual DCMS-Sponsored Museums performance indicators for DCMS- sponsored museums and galleries and Galleries Annual in 2018/19. The DCMS-sponsored museums Performance Indicators and galleries are: British Museum 2018/19 Geffrye Museum Horniman Museum Total number of visits to DCMS-sponsored museums and Imperial War Museums galleries, 2008/09 to 2018/19 National Gallery National Museums Liverpool National Portrait Gallery Natural History Museum Royal Armouries Royal Museums Greenwich Science Museum Group Sir John Soane’s Museum Tate Gallery Group Victoria and Albert Museum The Wallace Collection Responsible statistician: Wilmah Deda 020 7211 2376 Statistical enquiries: In 2018/19 there were 49.8 million visits to DCMS- [email protected] sponsored museums and galleries, an increase of @DCMSInsight 48.0% from 33.6 million visits in 2002/03 when records began. Media enquiries: 020 7211 2210 Of these1: Date: 24 October 2019 Contents 1: Introduction……………………..2 2: Visits to DCMS-sponsored museums and galleries………......3 3: Regional engagement...............9 4: Self-generated income……….10 were made by were made by Annex A: Background …...……..12 children under the overseas age of 16 visitors The total self-generated income for DCMS-sponsored museums and galleries was £289 million, an increase of 5.0% from £275 million in 2017/182. -
Color Plate A
Color Plate a Stephen H. Kawai, Enantiomeric Snails Reveling in Their Encounter on a Leaf Inspired by Chinen, land snails (Amphidromus), rock, steel wire, 90 cm, 1995. (© S.H. Kawai. Photo: D. Kubin.) 37 Downloaded from http://www.mitpressjournals.org/doi/pdf/10.1162/LEON_a_00482 by guest on 28 September 2021 Color Plate B Amit Zoran, hybrid reassemblage: The masks. Glazed ceramic, spray paint, Objet PolyJet 3D-printed heads and epoxy glue, 2010. (left) a broken helmet. (middle and right) A broken element glued around a 3D-printed head. (© Amit Zoran) 38 Downloaded from http://www.mitpressjournals.org/doi/pdf/10.1162/LEON_a_00482 by guest on 28 September 2021 Color Plate C Julian Voss-Andreae, (a–c) Heart of Steel, weathering steel and glass, height 5 ft (1.60 m), 2005. (© Julian Voss-Andreae) The images show a time-sequence of the hemoglobin-based sculpture’s metamorphosis: Photo (a) was taken right after unveil- ing, (b) after 10 days and (c) after several months of exposure to the elements. (d) Alpha Helix for Linus Pauling, powder- coated steel, 10 ft (3 m) high, 2004. (© Julian Voss-Andreae. Collection of The Linus Pauling Center for Science, Peace, and Health.) This memorial for Linus Pauling is located in front of Pauling’s childhood home in Portland, OR. (e) Angel of the West, stainless steel, 12 × 12 × 4 ft (3.70 × 3.70 × 1.20 m), 2008. (© Julian Voss-Andreae. Photo by James McEntee, courtesy of The Scripps Research Institute.) Commissioned as the signature sculpture of The Scripps Research Institute’s new cam- pus in Jupiter, FL, this sculpture plays upon the striking similarity between the human body and our immune system’s key molecule, the antibody. -
A Christmas Quiz 2020 Do You Really Know
A CHRISTMAS QUIZ 2020 DO YOU REALLY KNOW YOUR LONDON? 1. Why was the cross at Charing Cross originally erected? 2. Who was woken at Kensington Palace and told that she was the Queen and what was the date of this event 3. When George III acquired Buckingham House, what was the house usually called during his reign? 4. From what royal palace, did Queen Elizabeth I conduct the defence of England against the Spanish Armada? 5. Who, on 30th January 1649, stepped out of a window of the Banqueting House to his death? 6. What catastrophe started in Farriner’s Baking house on 2nd September 1666? 7. What was the event on 20th June 1834, which J M W Turner depicted? 8. Why did St. Paul’s Cathedral almost suffer the same fate in December 1940, as its predecessor had suffered 9. When the Pantheon, designed by James Wyatt, was burnt down in January 1792, what particularly astonished the spectators, who came to look at the scene on the following day? . 10. In 1698 the Palace of Whitehall was burnt to the ground apart from one major building. What was the building? 11 Originally the Great Western Railway was planned to terminate at Euston and share the terminus with the London and Birmingham Railway. Why did Brunel, the chief engineer for the GWR, object to this? 12. Victoria Station was built for two different railway companies. What was the name of these companies? 13. Where and in what year was the first escalator built on the Underground? 14. What marked the entrance to Euston, when it was first built? 15. -
The Courtauld Friends at the Heart of the Art Movement
The Courtauld Friends at the heart of the art movement Gift Impact Report 2018/19 Prepared for the Trustees of The Friends of The Courtauld Institute of Art June 2020 Thank you for your support We are grateful to The Friends of The Courtauld Institute for its longstanding commitment to our mission and work. Your exceptionally generous grant of £200,000 in 2018/19 provided support across The Courtauld’s core activities, strengthening the institution as a whole. We are delighted to present this overview impact report to highlight just some of the ways in which, together, we are shaping the future of art history. Right: Susannah Kingwill, PhD candidate, History of Art Friends of The Courtauld Institute Scholar 2018/19 and 2019/20 Your impact in 2018/19: £15,000 towards our Public Programmes outreach activities in schools and colleges We aim to transform the way art history is taught to young people, and to raise their aspirations within higher education and the cultural sector. At a time when the arts and humanities are gravely endangered, there is an urgency in this enterprise. Our public programme aims to change lives, offering opportunities for personal, educational and career development, which would not otherwise be open. The Courtauld’s programme targets schools with a high number of pupils qualifying for free school meals (primary and secondary), and the sixth form and further education (FE) colleges, which serve them. With the generous support of The Courtauld Friends, we have continued to enrich and develop our programmes for young people throughout this crucial stage of the Gallery’s transition and closure. -
15X21 DICEMBRE:Layout 1
dicembre gennaio QUINapoli 2010/11 Infopoint Azienda Autonoma di Indice / Contents Soggiorno Cura e Turismo di Napoli: Monumenti . .3 via San Carlo 9 Monuments tel. 081 402394 Eventi del mese . .41 [email protected] Events of the month Piazza del Gesù, 7 Alberghi . .56 tel. 081 5512701 Hotels 081 5523328 Affittacamere . .63 [email protected] Rent Rooms via Santa Lucia, 107 B&B . .64 tel. 081 2457475 Ostelli / Hostels . .67 081 7647064 Ristoranti . .68 fax 081 2452458 Napoli Restaurants QUI Pizzerie . .70 EPT - sede Centrale Pizza restaurants Piazza dei Martiri 58 è una pubblicazione dell’Azienda Autonoma Cucina Etnica . .71 Napoli Soggiorno, Cura e Turismo di Napoli Ethnic Food tel. 081 4107211 Aut. Trib. Napoli n. 3102 del 7/4/1982 UnicoCampania . .73 fax 081 401961 Dicembre 2010 - Gennaio 2011 Treni . .76 Trains Comune di Napoli Direttore Responsabile Osservatorio Turistico Autolinee . .78 Buses Roberta D’Agostino Culturale Piazza del Plebiscito Aliscafi . .79 In redazione Colonnato della Chiesa Hydrofoils Fabiana Calemma, Raffaella Capozzi, di San Francesco di Paola Traghetti / Navi . .80 Maurizio Cerullo, Domenico Guida tel. 081 7956161/62 Ferries / Ships foto di copertina: Enzo Barbieri Collegamenti da e per URP Comune di Napoli l’aereoporto . .83 Transport from/ to airport traduzioni testi: Laura Caliendo Piazza Municipio Palazzo San Giacomo ArteCard . .84 Azienda Autonoma di Soggiorno tel. 081 7955000 CitySightseeing . .85 Cura e Turismo di Napoli www.comune.napoli.it Autonoleggi . .86 Palazzo Reale Car Rental Piazza del Plebiscito 1 per informazioni e 80132 Napoli Mezzi di trasporto aggiornamenti consultare per i Musei . .87 tel. 081 2525711 il sito: www.inaples.it Transport to Museums fax 081 418619 Consolati . -
UNIVERSITY of MARYLAND Autumn 2010
UNIVERSITY OF MARYLAND ARTH 201: Art and Society in the West from the Renaissance to the Present Course Instructor: Mrs Elizabeth Allen This course is an introduction to Western Art from the late Gothic period to Modernism using original works of art and architecture in London as the basis for teaching. Within this broad chronological framework students will study major examples of painting, sculpture and architecture by means of a weekly class visit to the relevant gallery, museum or site. Original examples of art encountered in each class will be limited to those that serve as case studies for the art of the relevant period. The course will focus on the principal characteristics and developments of major styles and movements within Western art as well as major themes and types of art. The course will equip students with a basic terminology for describing, analysing and interpreting a range of works of art and architecture; relate the works of art to their social and historical contexts; consider the different functions of art; assess the role of materials used by artists and examine the changing role of the artist. These terms and concepts of art history have been developed by art historians to enable students and scholars to communicate the experiences of painting, sculpture and architecture, so they must be understood, learnt and assimilated on a weekly basis. Of course, works of art and architecture also make an aesthetic impact and this aspect of art will also be explored .and discussed. Teaching All classes take place in galleries, museums or on site except for the introductory class, the mid-term session, and the final two sessions (revision and final examination) which take place in the classroom. -
10 of the Best Galleries & Museums in London & Southeast
10 OF THE BEST GALLERIES AND MUSEUMS IN LONDON & THE SOUTHEAST Image credit ©Lilford Gallery Image credit ©Installation view of Nathalie Du Pasquier: Other Rooms, Camden Arts Centre, 2017. Photo: Damian Griffiths CANTERBURY, KENT LONDON LILFORD GALLERY CAMDEN ARTS CENTRE ABOUT ABOUT This eclectic gallery is centrally located in the heart of historic The Camden Arts Centre prides itself on the fact that artists are at the Canterbury. The events calendar is full of intriguing exhibitions and solo core of the program. The centre also offers studio space to schools, free shows from groundbreaking artists. of charge, so that another generation can learn to love and build skills in art. KNOWN FOR A passion for showcasing an amazing variety of artists in a number of KNOWN FOR styles and techniques. The collection at Lilford Gallery truly has World-class contemporary exhibitions and education. The gallery’s something to offer everyone who visits. exhibitions are numerous and riveting, as are the works displayed. The calendar is full of interesting discussions, performances and more. ENTRY Entry is free. Opening times and further details can be ENTRY found on the website. Entry is free, and opening times can be found on the website. EXTRAS EXTRAS Canterbury is known as a creative city, and visiting the Lilford Gallery The onsite bookshop sells art books for all ages as well as magazines. makes up part of a perfect day absorbing the culture the city has to offer. There is also a café serving fresh food and a garden which sometimes Plenty of restaurants, cafés and curious shops can be visited in showcases interactive art exhibits. -
Making Culture Matter 2018 – 2021 at the Wallace Collection Making Culture Matter 2018 – 2021 at the Wallace Collection
MAKING CULTURE MATTER 2018 – 2021 AT THE WALLACE COLLECTION MAKING CULTURE MATTER 2018 – 2021 AT THE WALLACE COLLECTION THE WALLACE COLLECTION IS AN INTERNATIONALLY ACCLAIMED TREASURE HOUSE OF OUTSTANDING MASTERPIECES, FROM PAINTINGS, SCULPTURE AND FURNITURE TO PORCELAIN, ARMS AND ARMOUR. Built over the eighteenth and nineteenth centuries by the Marquesses of Hertford and Sir Richard Wallace, it is one of the finest and most celebrated collections in the world. So that it could be kept together and enjoyed by generations of visitors, the Collection was given to the British Nation in 1897. It was an astonishing bequest and one of the greatest gifts of art works ever to be transferred into public ownership. WE BELIEVE THAT CULTURE MATTERS. Today, our job is to protect and research the Collection and at the same time to excite, entertain and engage our audiences with all that it has to offer. MAKING CULTURE MATTER 2018 – 2021 AT THE WALLACE COLLECTION From precious artefacts once owned by OUR PRIORITIES ARE TO: Sikh warriors and Mughal emperors to spectacular Asante gold and Renaissance – Broaden and deepen visitor engagement bronzes, the Wallace Collection contains – Maintain and preserve the Collection for future surprising and diverse objects from all generations corners of the globe. The works of art – Support excellence in curatorial research that we look after for the nation help us – Connect with new audiences through an understand the history of human endeavour, enhanced digital presence and we are committed to providing access to as wide a public as possible and to – Lay a strong financial foundation for the future helping visitors engage with this diversity.