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G A G O S I A N Dan Colen Bibliography Selected Monographs and Catalogues: 2020 Fogle, Douglas and Dimitri Chamblas. Dan Colen: High Noon. New York: Rizzoli. 2018 Campbell, Andrianna, Douglas Fogle, Jeff Koons. Dan Colen: Mailorder Mother Purgatory. New York: Lévy Gorvy. 2017 Colen, Dan. Sweet Liberty. London: Other Criteria. 2015 Colen, Dan. Slayer Psychic. New York: Karma. Colen, Dan. Help! Greenwich: The Brant Foundation. 2014 Colen, Dan. Dan Colen: The Long Count. New York: Karma. Colen, Dan and Josh Smith. Dan Colen: Trash. Rome: Gagosian Gallery. 2013 Gund, Agnes, David Rimanelli and Vito Schnabel. White Collar Crimes. New York: Acquavella Galleries. Di Pietrantonio, Giacinto, Stefano Raimondi and Vincenzo Latronico. Confronti. Milan: Mousse Publishing. Colen, Dan. Moments Like These. New York: Karma. 2012 Colen, Dan and Harmony Korine. Pigs and Pigs and Pigs. New York: Gagosian Gallery. Colen, Dan, Ron Delsener and Matt Kenny. A Real Bronx Cheer. New York: Fulton Ryder. 2011 Colen, Dan. Disappearing Act. New York: Karma. Colen, Dan, Gunnar B. Kvaran and Grete Arbu. Peanuts. Oslo: Astrup Fearnley Museum of Modern Art. 2010 Colen, Dan and Neville Wakefield. Dan Colen: Out of the Blue. New York: Gagosian Gallery. 2008 Colen, Dan. Dan Colen. London: Gagosian Gallery. Snow, Dash and Dan Colen. Nest: Dash Snow and Dan Colen. New York: Deitch Projects. Selected Articles and Reviews: 2020 McGinley, Ryan. “Welcome to the Wild, Wild West.” V Magazine, Jan, p. 26. 2019 -------------. “Dan Colen.” Office Magazine, Mar. Mellin, Haley. “Dan Colen Premiers New Video, ‘Carry on Cowboy’.” Garage, Feb 8. Diehl, Travis. “Dan Colen.” Art in America, Jan, pp. 83-84. 2018 Goldstein, Caroline. “See How Dan Colen Tackles the Anxieties of Adulthood and Mail- Order Catalogues in His Comeback Show at Lévy-Gorvy.” artnet, May 14. 2017 Lucie-Smith, Edward. “Dan Colen Free-Spirited and up for Anything.” Artlyst, Oct 6. Freman, Nate. “’It Took a Maniac to Get It Shown’ – Dan Colen on His Rollicking, Career-Spanning Show at Damien Hirst’s Gallrey in London.” ARTnews, Oct 3. Horvat, Katja. “In conversation with Dan Colen.” Interview, Oct 1. Cochran, Sam. “Good Medicine.” Architectural Digest, Jun, p. 154. 2016 Kadet, Anne. “Artist Turns to Farming and Everyone Eats.” The Wall Street Journal, Apr 29. W W W . G A G O S I A N . C O M G A G O S I A N Rosenthal, Emerson. “Dan Colen Exposes Himself | Studio Visits.” The Creators Project, Apr 13. Shiffman, Allyson. “A Lone Star State No More: Three Major Solo Shows at the Dallas Contemporary.” W, Apr 8. 2015 Binlot, Ann. “Dallas Arts Week: Where the Art World Meets Southern Hospitality.” Forbes, Apr 15. Daniel, Daria. “Hirshhorn Director Melissa Chiu Recruits 8 New Trustees for Washington.” artnet News, Mar 16. Freeman, Nate. “Don’t Mess With Texas Art Fairs: On Dallas During a Week of Auctions and Openings.” New York Observer, Apr 16. 2014 A.M.B. “Something to chew on.” The Economist, May 21. Bauer, Anna. “Who's Who.” W Art Magazine, June-July. Baumgardner, Julie. “Dan Colen, Art World Bomb Thrower, Gets Respectable. Sort Of.” The New York Times Magazine, May 8. Chang, Susan. “Dan Colen Plants Two Upside-Down Trucks into the Ground for his Help Exhibition at the Brant Foundation.” Complex, May 14. Che, Jenny. “An Artist Trades Garbage for Canvas.” The Wall Street Journal, Aug 16- 17. Goldman, Andrew. “The Life and Times of Dan Colen.” Details, May. Elliott, Hannah. “This Summer At Peter Brant's Art Foundation, A Remembrance of Snow.” Forbes, May 23. Fairlie, Ariane. “Miracle Paintings: Wild Child Dan Colen Gets (Kind Of) Sober.” Beautiful-Decay, Sep. 19. Freeman, Nate. “A First Glimpse at Walter de Maria’s Gigantic Avenue A Studio, Now Showing Dan Colen.” New York Observer, Dec. 11. Helmore, Edward. “Dan Colen: how the bad boy of New York art discovered the good life.” The Guardian, May 9. Indrisek, Scott. “Dan Colen Believes in Miracles.” Blouin Artinfo, Sep. 8. Johnson, Ken. “Ashes to Ashes, Dust to Powder.” The New York Times, July 11. Jones, Justin. “Art's Bad Boy Dan Colen Is All Grown Up.” The Daily Beast, May 12. Oppenheim, Maya. “These two artists bare all on London Bridge billboard.” Dazed, Nov. 5. Ross, Christopher. “Dan Colen.” WSJ Magazine, May. Russeth, Andrew. “Brant Sets Down in the East Village, Opening With a Dan Colen Blowout.” ARTnews, Dec. 13. Ryzik, Melena. “The Median Is the Message.” The New York Times, Sep. 11. Schnitzler, Nicole. “A Public-Art Profile of New York Cit Street Life.” Departures, Sep. 17. Schwabsky, Barry. “Dan Colen.” Artforum, Oct. Slenske, Michael. “Dan Colen Brings a Downtown Aesthetic to the Brant Foundation.” Architectural Digest, May 21. Sutton, Benjamin. “Punchy 5x5 Public Art Project Electrifies Washington DC.” artnet news, Oct. 9. Tully, Judd. “Young Guns”. Art + Auction. Nov., Vol. XXXVIII, p. 88-91. Vogel, Carol. “Inside Art – Buried in the Suburbs.” The New York Times, Apr 18. Wolff, Rachel. “New York State of Mind.” Cultured Magazine, Spring. Zhong, Fan. “An Education.” W, Sep. 22. Zhong, Fan. “Zoo York.” W, May. 2013 Tuchman, Phyllis. “The Curious Case of Dan Colen.” The Aesthete, June 6. ----------. “Dan Colen: Bad-Boy Artist.” New York Observer, Mar. 13. W W W . G A G O S I A N . C O M G A G O S I A N Bushman, M. “New York — Dan Colen: ‘The spirits I called’ at Oko through June 15th, 2013.” Art Observed, June 9. Cohn, Hana. “The 50 Most Iconic Artworks of the Past Five Years.” Complex, Jan. 8. 2012 Browne, Alix. “One Man's Trash - Dan Colen at Karma.” New York Times Style Magazine, Feb. 29. 2011 Bixio, Maria Letizia. ''Vernissage: Dan Colen.'' INSIDEART, n. 80, Oct., p. 43. Drake, Cathryn. “Friends in High Places, Artforum, Oct. 4. Hebert, Martin. “Now See This.” Art Review, Sept. Kennedy, Randy. “Not That Kind of Nose Job.” The New York Times, July 21. Martinez, Alanna, Shows Around the World - 10 Exhibitions, From Dan Colen to Zaha Hadid, ARTINFO, Sept. 14. MJP, Dan Colen. The Art Economist, Vol 1 Issue 5. Pratesi, Ludovico. ''Three amigos - Dan Colen, Nate Lowman, Dash Snow.'' Flash Art, n. 297, Nov., pp. 90 - 91. Saltz, Jerry. “After the Drips.” New York Magazine, March 27. Saltz, Jerry. “After the Drips.” New York Magazine, March 27. Stipanovich, Alexandre, Nate Lowman and Dan Colen. “Love Roses' at the National Exemplar Gallery, Opening Ceremony.” New News, Sept. 9. Thompson, B. Go See – London – Dan Colen ‘Come Out Come Out Wherever You Are’ (Featuring Work by Hanna Lidden) At Carlson Gallery. Art Observed, July 19. Zhong, Fan. “The NY Art Scene After 9.11 – A (Very) Condensed Oral History by Dan Colen and Aaron Bonaroff.” W Editors Blog, July 7. ----------. “Dan Colen.” Vogue Italy, Oct.12. ----------. Artist Dan Colen Talks About Religion, The Art World, And Inspiration (VIDEO), Huff Post Arts, October 3. ----------. “American artist Dan Colen's first major exhibition in Rome opens at Gagosian Gallery.” Artdaily, Sept. 26. ----------. “Post-911.” Artweek.LA, June 26. 2010 Bryce, Adam. “Dan Colen Studio Visit by Terry Richardson.” SLAMHYPE. Aug. 6. Gartenfeld, Alex. “Sober, After the Myth.” The New York Observer. July 13. Kesa, Ingrid. “oyster/outside – Dan Colen.” Oyster Magazine, Aug./ Sept. pp. 34. Lindemann, Adam. “The Last Word on Dan Colen.” The New York Observer, Oct. 5. McGinley, Ryan. “Dan Colen.” Interview Magazine. Sept. p. 254. Meneghini, Matteo. ''Dan Colen.'' Exibart Onpaper, n. 66, June, p. 71. Russeth, Andrew. “Dan Colen and Yoshitomo Nara Prepare for Fall.” ArtInfo, Aug. 26. Sarica, Federico. “Oh, merda?” Rolling Stone, n. 81, July, pp. 112-113. Spampinato, Francesco. ''Dan Colen.'' Flash Art, n. 283, May, p. 91. Smith, Roberta. “Art in Review, Dan Colen Poetry.” The New York Times, Sept. 17. pp. C29. Vogel, Carol. ''A Wild Trip From Bathroom to Gallery.''The New York Times, Sept. 9. 2009 Pieroni, Paul. “Dan Colen.” Artworld, Feb./Mar. Vogel, Carol. “Neo Factory.” Vogues Hommes International, April. 2008 Blair, Dike; Glenn O’Brien and Terry Richardson. “Dan Colen.” Purple Magazine, spring/ summer. Bodin, Von Claudia. ''Die Erfolgsbande.'' Art, 1 Oct. pp. 68-75. Cattelan, Maurizio. “Dan Colen.” Muse, p. 98-109 2007 Blair Taylor, Mary. ''Dan Colen.'' Flaunt Magazine, Aug. 9. Hirsch, Faye. ''Dash Snow and Dan Colen at Deitch.'' Art in America, Oct. Levy, Ariel. “Chasing Dash Snow.” New York Magazine, Jan. 15. Saltz, Jerry. “2007 Art in 2010, The Great Recession.” New York Magazine, Sept. 19. W W W . G A G O S I A N . C O M G A G O S I A N Wakefield, Neville. “Share Your Feelings.” I-D Magazine, p. 142-149 2006 Brooks, Amra. Review Dan Colen at Peres Projects. Artforum, summer, pp. 361-2. Helmore, Edward. “A day in the life of Dan Colen.” Modern Painters, May, p. 138. Lawrence, Vanessa. “Watch Out.” WWD, March. Weber, Bruce. “The Renegades.” W Magazine, p. 222 ----------. “The Biennial Question.” New York Magazine, Feb. 27. 2005 ----------. “Dan Colen, Artist.” i-D Magazine, July. ----------. “Work in Progress.” V, summer, p. 22. 2004 ----------. “Dan Colen.” Dazed & Confused, Dec. 2003 Poulson, Alex. “Dan Colen.” Dazed & Confused, Sept., p. 50. Poulson, Alex. “ Dan Colen.” Dazed & Confused, May, p. 40. 2002 Pieroni, Paul. ''New York.'' Art World, March 1, 2002, pp. 64-67. W W W . G A G O S I A N . C O M .
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  • DAN COLEN: Miracle Paintings

    DAN COLEN: Miracle Paintings

    G A G O S I A N G A L L E R Y August 20, 2014 PRESS RELEASE GAGOSIAN GALLERY 555 WEST 24TH STREET T. 212.741.1111 NEW YORK NY 10011 E. [email protected] GALLERY HOURS: Tue–Sat: 10:00am–6:00pm SUMMER HOURS (Through August 29): Mon–Fri 10:00am–6:00pm DAN COLEN: Miracle Paintings Tuesday, September 2–Saturday, October 18, 2014 Opening reception: Tuesday, September 16th, from 6:00 to 8:00pm I wanted these paintings to reveal themselves during the making, similar to how the trash paintings came to be. I was thinking about alchemy. So there's this juggling act; I'm starting and often ending with an image, but the oil paint and the process of using that oil paint will open up the possibility for the artwork to take a new direction. —Dan Colen Gagosian is pleased to announce an exhibition of new paintings by Dan Colen. The Miracle paintings continue an investigation that has been central to Colen's practice from the outset: to what extent does art come from the artist, and to what extent does it arise from forces independent of the artist? In his earliest paintings, Colen labored over precise oil renderings of banal interiors—a sloppy apartment bathroom, an adolescent bedroom, a camping tent—into which he introduced the presence of the supernatural— the Blue Fairy, Jesus Christ, twinkling cherubs, his deceased grandfather. He describes the subsequent series of Candle paintings as “portraits of God.” In these works, the space of the canvas contains the space of Geppetto's worktable—where Pinocchio transcends his materiality to become real—and a message appears in the smoke left by a just-extinguished candle flame.