DOCSLIB.ORG

ARTIST INDEX(Continued)

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
ARTIST INDEX(Continued) ChartARTIST Codes: CJ (Contemporary Jazz) INDEXINT (Internet) RBC (R&B/Hip-Hop Catalog) –SINGLES– DC (Dance Club Songs) LR (Latin Rhythm) RP (Rap Airplay) –ALBUMS– CL (Traditional Classical) JZ (Traditional Jazz) RBL (R&B Albums) A40 (Adult Top 40) DES (Dance/Electronic Songs) MO (Alternative) RS (Rap Songs) B200 (The Billboard 200) CX (Classical Crossover) LA (Latin Albums) RE (Reggae) AC (Adult Contemporary) H100 (Hot 100) ODS (On-Demand Songs) STS (Streaming Songs) BG (Bluegrass) EA (Dance/Electronic) LPA (Latin Pop Albums) RLP (Rap Albums) ARB (Adult R&B) HA (Hot 100 Airplay) RB (R&B Songs) TSS (Tropical Songs) BL (Blues) GA (Gospel) LRS (Latin Rhythm Albums) RMA (Regional Mexican Albums) CA (Christian AC) HD (Hot Digital Songs) RBH (R&B Hip-Hop) XAS (Holiday Airplay) OCT CA (Country) HOL (Holiday) NA (New Age) TSA (Tropical Albums) CS (Country) HSS (Hot 100 Singles Sales) RKA (Rock Airplay) XMS (Holiday Songs) CC (Christian) HS (Heatseekers) PCA (Catalog) WM (World) CST (Christian Songs) LPS (Latin Pop Songs) RMS (Regional Mexican Songs) 31 CCA (Country Catalog) IND (Independent) RBA (R&B/Hip-Hop) DA (Dance/Mix Show Airplay) LT (Hot Latin Songs) RO (Hot Rock Songs) 2020 $NOT HS 17 BLACKBEAR B200 171; AK 4, 14; DES 33; LUKE COMBS B200 21, 27; CA 1, 3; CS 6, 10, FLEETWOOD MAC B200 14, 59; BL 8; DLP 8, TAME IMPALA B200 188; MO 17; RKA 15; LADY A CA 1; CS 15, 22, 30; CST 3; H100 THE 1975 MO 19; RKA 34 H100 54, 71; HD 13; MO 1, 31; ODS 25; RBH 21, 45; H100 45, 57; HA 25; HD 21 18; INT 17; PCA 3, 7; H100 21; HD 3; ODS 10; RO 45 100; HA 50 21 SAVAGE B200 3; RBA 2; RLP 2; H100 42, 50, 28; RKA 1, 44; RO 5, 17; RS 23; STM 31 PERRY COMO HOL 23 RO 2, 10, 13, 20, 22; STM 12 INTERNET MONEY B200 26; IND 6; RBA 13; LADY GAGA B200 92; EA 1, 2, 23; STX 6; A40 82; ODS 12, 15; RBH 16, 18, 35, 45; RP 25; RS BLACK THOUGHT DLP 7 CONAN GRAY B200 122; A40 38; H100 64; LARRY FLEET CS 57 RLP 14; H100 10; ODS 1; RBH 5; RP 14; RS 10; AC 11; DES 3, 14, 18 15, 17; STM 17, 18 BLACK COFFEE DA 28 STM 43 FLORIDA GEORGIA LINE CA 48; CS 25, 27; 5; STM 2 KENDRICK LAMAR B200 66, 94; PCA 10, 22; 24KGOLDN HS 20; A40 23; AK 1; DA 14, 34; BLACKPINK B200 10; DLP 15; INT 7; WM 2, LOS CONTACTO LT 39; RMS 26 CST 30 I PREVAIL RKA 22 RBA 35 DES 10, 33; H100 1; HA 3; HD 6; MO 11; ODS 14; DES 14; H100 84 ADAN CONTERO RMS 23 SONNY FODERA DES 49 THE IRISH CHAMBER ORCHESTRA CL 11 MIRANDA LAMBERT CA 38; CS 41 4; RKA 12; RO 1; RP 11; RS 1; STM 4 THE BLACK CROWES HSS 7 BRADLEY COOPER STX 6 LUIS FONSI LA 27; LPA 3; LPS 7 IR-SAIS LT 34 CHRIS LANE CS 11, 16; H100 68; HA 38 LOS 2 DE LA S LT 42; RMS 14 THE BLACK EYED PEAS LA 19; LPS 14 CHENCHO CORLEONE LT 32 FOR KING & COUNTRY CC 12; A40 30; AC 19; BEN ISAACS CC 13; INT 16 TORY LANEZ H100 18; HA 37; ODS 9; RBH 8; 2PAC B200 137; IND 28; PCA 39 BLAC YOUNGSTA B200 32; RBA 16; RLP 17 CHRIS CORNELL MO 26; RKA 6; RO 34 CA 12; CST 10 IVAN MOODY RKA 45 RBS 20; RP 6; RS 7; STM 11 42 DUGG RP 19; STM 34 JAMES BLAKE DES 19, 34, 47 CORPSE RO 48 JAMES FORTUNE GS 9 BURL IVES HOL 17 LARKIN POE BL 11 50 CENT H100 32; HA 30; RBH 11; RP 2; RS BENNY BLANCO A40 25; H100 14; HD 2; HSS JOEL CORRY DA 2; DES 6 JIMMY FORTUNE CC 13; INT 16 IVY QUEEN LR 25 LARRAY H100 81; RBH 34 10; STM 45 3; ODS 7; STM 6 ROBERT COUNTS CS 49 FOUSHEE RBS 24 -J- ZARA LARSSON DA 22 9TH WONDER CJ 7 PRISCILLA BLOCK CS 45 GRAHAM COXON MO 36; RKA 50 PETER FRAMPTON BL 12 LAUREN ALAINA CS 6, 9; H100 37; HA 32; ALAN JACKSON B200 147; CA 16; CC 2, 35; HD 40 -A- BOBBY “BORIS” PICKETT AND THE CRYPT- LEANNA CRAWFORD CST 27 KIRK FRANKLIN GA 9, 10, 15, 16; HOL 49; A40 HOL 10; INT 6; PCA 43 KICKERS HD 47 A7S DA 17; DES 5, 28; H100 87 CREEDENCE CLEARWATER REVIVAL B200 30; AC 19; CA 12; CST 10; GS 8 DONALD LAWRENCE GA 24 JACK HARLOW B200 78; RBA 40; H100 18; HA ABBA B200 185 ANDREA BOCELLI CX 13 58; IND 12; PCA 6 AUSTIN FRENCH CA 21; CST 25 37; ODS 9; RBH 8; RP 6; RS 7; STM 11 TASHA LAYTON CA 9; CST 14 A BOOGIE WIT DA HOODIE B200 114, 160 JOE BONAMASSA BL 10 ELVIS CRESPO TSA 13 FUERZA REGIDA RMA 18 JACKBOYS B200 120 MAJOR LAZER DES 17, 32 AC/DC B200 72; PCA 12; RKA 7; RO 27 BON IVER AK 12; RO 15 BING CROSBY HOL 12, 20, 22 FUTURE B200 45; RBA 25; RLP 24; STM 23 MICHAEL JACKSON B200 77; INT 19; PCA 14; LDNE LT 43 YOLANDA ADAMS GA 23 BON JOVI B200 169; INT 22; AC 16 CHRISTOPHER CROSS HD 43 -G- RBA 39; RBL 8 ANGELA B. LECANZO RIVERA TSS 20 ADELE B200 153; PCA 46 BONNIE X CLYDE DA 25; DES 41 CHARLIE CRUZ TSS 12 KENNY G CJ 4, 14; HOL 37 JACKSON WANG DES 45 LECRAE CC 24; CST 44 LA ADICTIVA BANDA SAN JOSE DE CHRIS BOTTI CJ 12 MILEY CYRUS A40 18; AC 25; DA 29; H100 48; ANA GABRIEL LPA 14 THE JACKSONS HOL 46 LEDISI ARB 6 MESILLAS LT 29; RMS 1 DANTE BOWE CST 49 HA 43; HD 22 JUAN GABRIEL LPA 6 BISHOP BRANDON A. JACOBS SR. & NEW BRENDA LEE HOL 24 ADJE DES 23 BOY PABLO MO 40; RKA 46 NOAH CYRUS HS 6; CS 50 GALANTIS DES 29, 45 ZION TEMPLE CHURCH DLP 25; GA 7 LOS LEGENDARIOS LR 19; LT 25 TRACE ADKINS DLP 19 BRANDY ARB 12 -D- RORY GALLAGHER BL 14 JACQUEES RBS 13 JOHN LEGEND HOL 27; AC 26; ARB 15 BRANDON LAKE CA 15; CST 7 LELE PONS LT 27 CHRISTINA AGUILERA AC 14 D-SOL DA 8 GALLICANTUS CL 15 BONEY JAMES CJ 9 TONI BRAXTON ARB 9, 27 AJR A40 7; AK 3; H100 26; HA 26; HD 11; MO GANGSTAGRASS BG 10 GAVIN JAMES A40 35 LENIER TSS 25 DABABY B200 15, 118; RBA 7; RLP 9; A40 27; 33; RO 4; STM 41 BRENT FAIYAZ B200 164; IND 37; RBL 22 DA 33, 39; H100 8, 13, 18, 47, 78; HA 9, 36, CARLOS GARCIA TSS 17 JAMESON RODGERS CA 47; CS 1, 5; H100 JOHN LENNON B200 168; INT 15; HSS 13 GARY BREWER & THE KENTUCKY ALABAMA HOL 34 37, 49; HD 27, 37; ODS 3, 9, 11; RBH 4, 6, 8, KANY GARCIA LPS 23 29; HA 15 ARI LENNOX ARB 16 RAMBLERS BG 3 RAUW ALEJANDRO LA 25; LRS 15; LR 4, 12; 33, 46; RP 4, 6, 8, 17; RS 4, 6, 7; STM 3, 10, 11 NIO GARCIA LA 8; LRS 8; H100 95; LR 10; LT 4 NICKY JAM LPS 25; LT 20 CARIN LEON LT 31; RMS 22 LEE BRICE CS 3, 38; H100 17; HA 19; HD 15, LT 8, 10, 34 DADDY YANKEE H100 73; LR 9, 13, 14; LT 2, 13 GASHI DES 46 CHRIS JANSON CS 54 LES MUSICIENS DU LOUVRE CL 14 36; STM 28 EL ALFA LA 41 DAFT PUNK EA 15, 25 KELONTAE GAVIN GS 17 JASON ALDEAN B200 88; CA 8, 31; IND 18; LIL BABY B200 7, 187; RBA 4; RLP 4; DA 17; BROOKS & DUNN CA 43 CS 2; H100 16; HA 18; HD 16; STM 22 DES 28; H100 13, 51, 72, 90, 97; HD 42; ODS JIMMIE ALLEN HS 19; CS 50 LAUREN DAIGLE B200 182; CC 3, 6; HOL 26; BECKY G LA 36; LPS 19 ALL TIME LOW AK 14; MO 1; RKA 1; RO 17 BROTHERS OSBORNE CA 33; INT 25; CS IND 39; CST 1 JAWSH 685 A40 5; AC 22; DA 23; H100 5; HA 3, 22; RBH 6, 19, 29, 38, 40; RP 16, 17, 19; RS 30, 33 G-EAZY A40 28; H100 71; HD 13; RBH 28; ALMOST MONDAY MO 35 DALEX LT 46 5; HD 8; ODS 17; STM 14 6, 18, 24; STM 3, 27, 34 BLANCO BROWN CS 32, 33 RS 23 ALOE BLACC AC 18; ARB 30 DAN + SHAY B200 183; CA 23; A40 15; CS 8, J BALVIN LA 13, 15, 35; LRS 11, 13; H100 73, LIL DURK B200 37; RBA 19; RLP 20; H100 3, ISABEL GEHWEILER CX 12 AMBA SHEPHERD DES 50 CHRIS BROWN B200 93, 116; RBA 50; RBL 14; H100 43; HA 33; HD 12 83; LPS 1, 5; LR 2, 9, 16; LT 2, 3, 12, 20, 32 90; HA 7; ODS 5; RBH 2, 38; RBS 15; RP 1; 13, 17; ARB 19; H100 15; HA 13; RBH 7; RBS GENESIS REVISITED BAND & ORCHESTRA RS 3; STM 5 ANITTA LPS 6; LR 17; LT 17 DANNY FELIX RMS 30 JELLY ROLL B200 110; DLP 13; IND 22; INT 13 2; STM 21 CX 14 LIL MOSEY B200 139 ANTHONY COLON TSS 21 HOPE DARST CST 16 CHARLES JENKINS & FELLOWSHIP KANE BROWN B200 55, 190; CA 5, 25, 29; GENTE DE ZONA TSA 16 CHICAGO GS 20 LIL POPPA HS 25 JORDAN DAVIS CS 25, 28, 49; HD 26 MARC ANTHONY TSA 8, 9, 10, 12; TSS 3 A40 13; H100 20; HA 24; HD 19; ODS 23; BRANDON PATRICK GEORGE CL 4 JEREMIH ARB 1; H100 70; HA 35; RBH 27; LIL TJAY B200 126; H100 40; ODS 14; RBH 15; GIOVANNI ANTONINI CL 13 STM 25 MILES DAVIS JZ 3 CRECER GERMAN RMS 6 RBS 6 RS 14; STM 13 ANUEL AA B200 128; LA 3, 38; LRS 3; H100 ZAC BROWN BAND B200 158; CA 19; IND DEVIN DAWSON CS 6, 9; H100 37; HA 32; STAN GETZ JZ 12 FRED JERKINS GS 22 LIL UZI VERT B200 31, 81; RBA 15, 43; RLP 16 95; LR 10, 13; LT 4, 13, 36, 47 HD 40 35; PCA 50 G HERBO IND 46 JERRY DI LA 47; LT 19 LIL WAYNE B200 130; PCA 35; H100 18; HA STEVE AOKI DA 10 YUSSEF DAYES CJ 15 BRRAY H100 95; LR 10; LT 4 JOAO GILBERTO JZ 12 PEDRO JESUS TSS 24 37; ODS 9; RBH 8; RP 6; RS 7; STM 11 OMAR APOLLO HS 12 DAYGLOW AK 16; MO 3; RKA 3; RO 19 BRS KASH H100 93; RBH 39 BRANTLEY GILBERT CS 39, 43; RKA 45 JHAY CORTEZ LA 14; LRS 12; LT 23 LINKIN PARK B200 74; PCA 13 DE LA GHETTO LT 46 APPALACHIAN ROAD SHOW BG 6 LUKE BRYAN B200 186; CA 24; CS 29 JOHNNY GILL ARB 24 DUA LIPA B200 44; A40 6, 27; AC 6, 12; DA JHENE AIKO B200 42; RBA 23; RBL 2; ARB 15; ARCANGEL B200 136; IND 27; LA 5, 30; LRS BTS B200 12, 54, 121; IND 2, 11, 24; INT 3; DEEP SEA DIVER HS 22 NINO SEGARRA TSS 18 H100 69; HA 47; RBH 26; RBS 5, 10, 25 39; H100 34, 36, 47, 83; HA 11, 16, 36; HD 27; 5; LT 26, 45, 46 PCA 2, 31; RLP 7; WM 3, 4, 6, 10, 11, 12, 13; DEFTONES RKA 19 GIVEON HS 4; ARB 18; RBS 12 JHORRMOUNTAIN DES 23 LPS 1; LR 2; LT 3 ARIANA GRANDE B200 68; HOL 39; A40 10; A40 19; AC 21; DA 21; H100 7; HA 20; HD 1; DELANEY JANE RKA 22 ROBERT GLASPER CJ 7 J.I THE PRINCE OF N.Y HS 13 LIQUID MIND NA 9 AC 11; DES 3 ODS 16; STM 16 LANA DEL REY B200 199; AK 11; HD 24; RO 14 GLASS ANIMALS AK 25; MO 13; RKA 21; KARI JOBE CST 8, 47 LITTLE BIG TOWN CS 23, 40; HD 14 ESLABON ARMADO LA 18, 20; RMA 2, 3; LT MICHAEL BUBLE HOL 6; JZ 4, 6, 13 JASON DERULO A40 5; AC 22; DA 23; DES 23; RO 32, 35 ANTONIO CARLOS JOBIM JZ 12 LIZZO B200 112; PCA 29 48; RMS 4 BUENA VISTA SOCIAL CLUB TSA 18 H100 5; HA 5; HD 8; ODS 17; STM 14 DANNY GOKEY CC 29; CA 6; CST 9 JOE ELLIOTT RKA 45 LOCASH CS 52 LOUIS ARMSTRONG JZ 5 ALEX BUENO TSS 4 DEUTER NA 6, 7 GEOFFREY GOLDEN GA 14 BILLY JOEL B200 157; PCA 49 KEYONDRA LOCKETT GS 13 JAMES ARTHUR B200 155; PCA 48; DA 24; LOS BUKIS RMA 15 RAHEEM DEVAUGHN ARB 23 GOLDMUND CX 10 ELTON JOHN B200 47 KAREEN LOMAX DA 36; DES 20 DES 16 BURNA BOY WM 15; DES 9 ALVARO DIAZ LPS 15 ANTHONY GOMES BL 1 JOHN K A40 40 LONDON SYMPHONY ORCHESTRA CL 3 ARTISTS FOR RECOVERY RKA 45 KEVIN BURT BL 3 RUSSELL DICKERSON CS 4, 7; H100 41; HA 22 MATI GOMEZ LPS 25 CODY JOHNSON CS 44 LONR.
Load more

Recommended publications
  • 'Thrive Not Survive'
    THE INDEPENDENT VOICE OF THE UNIVERSITY OF CONNECTICUT SINCE 1896 • VOLUME CXXVI, NO. 100 Thursday, February 27, 2020 An interview with USG presidential candidate Josh Crow Last week, the Editorial Board for the good ones we have, and DC: You have more expe- interviewed the two candidates frankly start calling out the ad- rience in the upper levels of for the USG presidential elections, ministrators who have bad ones USG than the other candi- which will occur from March 3-5. with us, so there starts to be a date. How do you think that’s Today, we share with you our in- pressure for us to move towards prepared you to take on the terview with Josh Crow, edited for a system where everyone works presidency? length and clarity. A full transcript with us. JC: Most importantly, I know can be found online at dailycam- DC: How would you mea- how to deal with student govern- pus.com. sure and define success in ment, as does my running mate concrete terms for your ad- Alex. Which sounds like a silly Daily Campus: What do ministration? little thing, but for anyone who you see as the current rela- JC: We want — this is very has any experience with the stu- tionship between USG and ambitious — but we want by dent government, you know it the administration, and what the end of next year for every- can be frankly a pain in the ass would you like to change one to be able to point to some- to work with, and that’s a huge about that relationship? thing and say USG has done learning curve for somebody Josh Crow: I think it depends that for me.
    [Show full text]
  • In Defense of Rap Music: Not Just Beats, Rhymes, Sex, and Violence
    In Defense of Rap Music: Not Just Beats, Rhymes, Sex, and Violence THESIS Presented in Partial Fulfillment of the Requirements for the Master of Arts Degree in the Graduate School of The Ohio State University By Crystal Joesell Radford, BA Graduate Program in Education The Ohio State University 2011 Thesis Committee: Professor Beverly Gordon, Advisor Professor Adrienne Dixson Copyrighted by Crystal Joesell Radford 2011 Abstract This study critically analyzes rap through an interdisciplinary framework. The study explains rap‟s socio-cultural history and it examines the multi-generational, classed, racialized, and gendered identities in rap. Rap music grew out of hip-hop culture, which has – in part – earned it a garnering of criticism of being too “violent,” “sexist,” and “noisy.” This criticism became especially pronounced with the emergence of the rap subgenre dubbed “gangsta rap” in the 1990s, which is particularly known for its sexist and violent content. Rap music, which captures the spirit of hip-hop culture, evolved in American inner cities in the early 1970s in the South Bronx at the wake of the Civil Rights, Black Nationalist, and Women‟s Liberation movements during a new technological revolution. During the 1970s and 80s, a series of sociopolitical conscious raps were launched, as young people of color found a cathartic means of expression by which to describe the conditions of the inner-city – a space largely constructed by those in power. Rap thrived under poverty, police repression, social policy, class, and gender relations (Baker, 1993; Boyd, 1997; Keyes, 2000, 2002; Perkins, 1996; Potter, 1995; Rose, 1994, 2008; Watkins, 1998).
    [Show full text]
  • Friday Night Cypher Lyrics – Big Sean Feat. Eminem | Funmeloud
    Friday Night Cypher Lyrics – Big Sean Feat. Eminem | FunMeLoud Friday Night Cypher Lyrics – Big Sean : At almost a ten-minute run-time, this collaboration brings together rappers with very different styles, as well as individuals who have previously had disagreements – notablyEminem and Tee Grizzley, which Big Sean addressed in an interview with Vulture: Song : Friday Night Cypher Artist : Big Sean : Kash Doll, Payroll Giovanni, Royce da 5’9″, Sada Featuring Baby, Drego, Boldy James, 42 Dugg, Eminem, Cash Kidd & Tee Grizzley Produced by : KeY Wane, Jay John Henry, Helluva Beats & Hit-Boy Album : Detroit 2 Friday Night Cypher Lyrics [Intro: Tee Grizzley] Ayy, ayy, ayy Ayy, ayy, ayy (Hit-Boy) Ayy, this that Clipse sample, ayy Fuck that talkin’, let the clip slam ’em [Verse 1: Tee Grizzley] Friday Night Cypher Lyrics Yellow bands around them hundreds, you know how much that is (Tens) Too much to give me cash, they had to wire me the backend (Send it) Niggas in here lookin’ tough, you know that I got mag in (What?) Ask me am I only rappin’, you know I got that bag in (You see it) Bandman like Lonnie (Lonnie), want my head? Come find me (Come get it) Lil’ bro in that bitch chillin’, he ain’t tryna come home cocky (He chillin’) He comin’ home to a dollar (Dollar), and a mansion and a chopper (What else?) In the desert on a dirt bike (Skrrt), VLONE shirt and the Pradas (Fresh) Big nigga fresher than you, fuck you and your stylist (Woah) Paid ninety for my grill, then lost it, that’s why I ain’t smilin’ (Damn) You got Sean, you got Hit, you got
    [Show full text]
  • ARTIST INDEX(Continued)
    ChartARTIST Codes: CJ (Contemporary Jazz) INDEXINT (Internet) RBC (R&B/Hip-Hop Catalog) –SINGLES– DC (Dance Club Songs) LR (Latin Rhythm) RP (Rap Airplay) –ALBUMS– CL (Traditional Classical) JZ (Traditional Jazz) RBL (R&B Albums) A40 (Adult Top 40) DES (Dance/Electronic Songs) MO (Alternative) RS (Rap Songs) B200 (The Billboard 200) CX (Classical Crossover) LA (Latin Albums) RE (Reggae) AC (Adult Contemporary) H100 (Hot 100) ODS (On-Demand Songs) STS (Streaming Songs) BG (Bluegrass) EA (Dance/Electronic) LPA (Latin Pop Albums) RLP (Rap Albums) ARB (Adult R&B) HA (Hot 100 Airplay) RB (R&B Songs) TSS (Tropical Songs) BL (Blues) GA (Gospel) LRS (Latin Rhythm Albums) RMA (Regional Mexican Albums) CA (Christian AC) HD (Hot Digital Songs) RBH (R&B Hip-Hop) XAS (Holiday Airplay) MAR CA (Country) HOL (Holiday) NA (New Age) TSA (Tropical Albums) CS (Country) HSS (Hot 100 Singles Sales) RKA (Rock Airplay) XMS (Holiday Songs) CC (Christian) HS (Heatseekers) PCA (Catalog) WM (World) CST (Christian Songs) LPS (Latin Pop Songs) RMS (Regional Mexican Songs) 20 CCA (Country Catalog) IND (Independent) RBA (R&B/Hip-Hop) DA (Dance/Mix Show Airplay) LT (Hot Latin Songs) RO (Hot Rock Songs) 2021 $NOT HS 18, 19 BENNY BENASSI DA 16 THE CLARK SISTERS GS 14 EST GEE HS 4; H100 34; ODS 14; RBH 17; RS H.E.R. B200 166; RBL 23; ARB 12, 14; H100 50; -L- 13; STM 13 HA 23; RBH 22; RBS 6, 18 THE 1975 RO 40 GEORGE BENSON CJ 3, 4 CLEAN BANDIT DES 16 LABRINTH STX 20 FAITH EVANS ARB 28 HIKARU UTADA DLP 17 21 SAVAGE B200 63; RBA 36; H100 86; RBH DIERKS BENTLEY CS 21, 24; H100
    [Show full text]
  • Adult Contemporary Radio at the End of the Twentieth Century
    University of Kentucky UKnowledge Theses and Dissertations--Music Music 2019 Gender, Politics, Market Segmentation, and Taste: Adult Contemporary Radio at the End of the Twentieth Century Saesha Senger University of Kentucky, [email protected] Digital Object Identifier: https://doi.org/10.13023/etd.2020.011 Right click to open a feedback form in a new tab to let us know how this document benefits ou.y Recommended Citation Senger, Saesha, "Gender, Politics, Market Segmentation, and Taste: Adult Contemporary Radio at the End of the Twentieth Century" (2019). Theses and Dissertations--Music. 150. https://uknowledge.uky.edu/music_etds/150 This Doctoral Dissertation is brought to you for free and open access by the Music at UKnowledge. It has been accepted for inclusion in Theses and Dissertations--Music by an authorized administrator of UKnowledge. For more information, please contact [email protected]. STUDENT AGREEMENT: I represent that my thesis or dissertation and abstract are my original work. Proper attribution has been given to all outside sources. I understand that I am solely responsible for obtaining any needed copyright permissions. I have obtained needed written permission statement(s) from the owner(s) of each third-party copyrighted matter to be included in my work, allowing electronic distribution (if such use is not permitted by the fair use doctrine) which will be submitted to UKnowledge as Additional File. I hereby grant to The University of Kentucky and its agents the irrevocable, non-exclusive, and royalty-free license to archive and make accessible my work in whole or in part in all forms of media, now or hereafter known.
    [Show full text]
  • 3/30/2021 Tagscanner Extended Playlist File:///E:/Dropbox/Music For
    3/30/2021 TagScanner Extended PlayList Total tracks number: 2175 Total tracks length: 132:57:20 Total tracks size: 17.4 GB # Artist Title Length 01 *NSync Bye Bye Bye 03:17 02 *NSync Girlfriend (Album Version) 04:13 03 *NSync It's Gonna Be Me 03:10 04 1 Giant Leap My Culture 03:36 05 2 Play Feat. Raghav & Jucxi So Confused 03:35 06 2 Play Feat. Raghav & Naila Boss It Can't Be Right 03:26 07 2Pac Feat. Elton John Ghetto Gospel 03:55 08 3 Doors Down Be Like That 04:24 09 3 Doors Down Here Without You 03:54 10 3 Doors Down Kryptonite 03:53 11 3 Doors Down Let Me Go 03:52 12 3 Doors Down When Im Gone 04:13 13 3 Of A Kind Baby Cakes 02:32 14 3lw No More (Baby I'ma Do Right) 04:19 15 3OH!3 Don't Trust Me 03:12 16 4 Strings (Take Me Away) Into The Night 03:08 17 5 Seconds Of Summer She's Kinda Hot 03:12 18 5 Seconds of Summer Youngblood 03:21 19 50 Cent Disco Inferno 03:33 20 50 Cent In Da Club 03:42 21 50 Cent Just A Lil Bit 03:57 22 50 Cent P.I.M.P. 04:15 23 50 Cent Wanksta 03:37 24 50 Cent Feat. Nate Dogg 21 Questions 03:41 25 50 Cent Ft Olivia Candy Shop 03:26 26 98 Degrees Give Me Just One Night 03:29 27 112 It's Over Now 04:22 28 112 Peaches & Cream 03:12 29 220 KID, Gracey Don’t Need Love 03:14 A R Rahman & The Pussycat Dolls Feat.
    [Show full text]
  • Top 100 Most Requested Latin Songs
    Top 100 Most Requested Latin Songs Based on millions of requests played and tracked through the DJ Intelligence® music request system at weddings & parties throughout 201 9 RANK ARTIST SONG 1 Luis Fonsi & Daddy Yankee Feat. Justin Bieber Despacito 2 Pitbull Feat. John Ryan Fireball 3 Jennifer Lopez Feat. Pitbull On The Floor 4 Cardi B Feat. Bad Bunny & J Balvin I Like It 5 Pitbull Feat. Ne-Yo, Afrojack & Nayer Give Me Everything 6 Marc Anthony Vivir Mi Vida 7 Elvis Crespo Suavemente 8 Bad Bunny Feat. Drake Mia 9 Pitbull Feat. Ne-Yo Time Of Our Lives 10 DJ Snake Feat. Cardi B, Ozuna & Selena Gomez Taki Taki 11 Gente De Zona Feat. Marc Anthony La Gozadera 12 Daddy Yankee Gasolina 13 Prince Royce Corazon Sin Cara 14 Daddy Yankee Dura 15 Shakira Feat. Maluma Chantaje 16 Celia Cruz La Vida Es Un Carnaval 17 Prince Royce Stand By Me 18 Daddy Yankee Limbo 19 Nicky Jam & J Balvin X 20 Carlos Vives & Shakira La Bicicleta 21 Daddy Yankee & Katy Perry Feat. Snow Con Calma 22 Luis Fonsi & Demi Lovato Echame La Culpa 23 J Balvin Ginza 24 Becky G Feat. Bad Bunny Mayores 25 Ricky Martin Feat. Maluma Vente Pa' Ca 26 Nicky Jam Hasta El Amanecer 27 Prince Royce Darte Un Beso 28 Romeo Santos Feat. Usher Promise 29 Romeo Santos Propuesta Indecente 30 Pitbull Feat. Chris Brown International Love 31 Maluma Felices Los 4 32 Pitbull Feat. Christina Aguilera Feel This Moment 33 Alexandra Stan Mr. Saxobeat 34 Daddy Yankee Shaky Shaky 35 Marc Anthony Valio La Pena 36 Azul Azul La Bomba 37 Carlos Vives Volvi A Nacer 38 Maluma Feat.
    [Show full text]
  • Chuck Mangione
    Chuck Mangione Year Album Chart Peak 1971 Friends and Love...A Chuck Mangione Concert Jazz Albums 14 1971 Friends and Love...A Chuck Mangione Concert The Billboard 200 116 1971 Together The Billboard 200 194 1972 Chuck Mangione Quartet Jazz Albums 14 1972 Chuck Mangione Quartet The Billboard 200 180 1972 Together Jazz Albums 22 1973 Alive! Jazz Albums 21 1973 Friends and Love...A Chuck Mangione Concert Jazz Albums 36 1974 Land of Make Believe Jazz Albums 7 1975 Chase the Clouds Away Jazz Albums 6 1975 Chase the Clouds Away The Billboard 200 47 1975 Encore Jazz Albums 24 1976 Bellavia Jazz Albums 7 1976 Bellavia The Billboard 200 68 1976 Encore The Billboard 200 102 1977 Feels So Good Jazz Albums 1 1977 Land of Make Believe The Billboard 200 157 1977 Main Squeeze Jazz Albums 4 1977 Main Squeeze The Billboard 200 86 1978 Children of Sanchez Jazz Albums 1 1978 Children of Sanchez The Billboard 200 14 1978 Children of Sanchez R&B Albums 37 1978 Feels So Good The Billboard 200 2 1978 The Best of Chuck Mangione [Mercury] Jazz Albums 23 1978 The Best of Chuck Mangione [Mercury] The Billboard 200 105 1979 An Evening of Magic, Live at the Hollywood Bowl Jazz Albums 5 1979 An Evening of Magic, Live at the Hollywood Bowl The Billboard 200 27 1980 Fun and Games Jazz Albums 1 1980 Fun and Games The Billboard 200 8 1980 Fun and Games R&B Albums 13 1981 Tarantella Jazz Albums 10 1981 Tarantella R&B Albums 51 1981 Tarantella The Billboard 200 55 1982 Love Notes Jazz Albums 8 1982 Love Notes R&B Albums 53 1982 Love Notes The Billboard 200 83 1983 70 Miles Young Jazz Albums 19 1983 Journey to a Rainbow Jazz Albums 10 1983 Journey to a Rainbow The Billboard 200 154 1984 Disguise The Billboard 200 148 1988 Eyes of the Veiled Temptress Top Contemporary Jazz 22 Albums 1999 The Feeling's Back Top Jazz Albums 12 2000 Everything for Love Top Jazz Albums 15.
    [Show full text]
  • Abraham Mateo BIO Hablar De Abraham Mateo Como El De Un Joven Artista Español, Con Aspiraciones Internacionales, Es Quedarse Co
    Abraham Mateo BIO Hablar de Abraham Mateo como el de un joven artista español, con aspiraciones internacionales, es quedarse corto. Con sólo 16 años, Abraham Mateo, ha pasado de ser una joven promesa del pop en todo el mundo, a ser una realidad, un éxito con presencia en los 4 continentes. Su disco AM, el primero con Sony Music, salió a la venta en Noviembre de 2013, certificando en su primera semana el estatus de disco de oro. Su carta de presentación fue su primer single, Señorita. El videoclip de esta canción ya ha superado los 58 millones de reproducciones, una cifra record en España, y más tratándose del primer single de un artista nuevo de tan sólo 15 años (los que tenía cuando se estrenó). Tras su primer single Señorita, Abraham Mateo lanzaba su segundo single, Girlfriend, que volvía a sumar millones de visitas al video en VEVO/Youtube. Para el tercer single “Lánzalo”, Abraham, compositor de la canción, decidió colaborar con UNICEF y donar todos los beneficios que generase la canción a los niños afectados por la reciente guerra de Siria. El volumen de seguidor@s “abrahamers” de Abraham Mateo, es también de infarto. Más de treinta y cinco clubs de fans repartidos por todo el planeta (Latinoamérica, Estados Unidos, Canadá, Filipinas, Italia, Francia, Thailandia, India…) con los que Abraham está en contacto permanente, tanto de forma directa a través de sus representantes, como de las redes sociales que él mismo maneja. Más de 3 millones de “likes” en Facebook, más de medio millón de seguidores en Twitter, más de 200.000 en Instagram, casi 400.000 suscriptores en su canal de Youtube/VEVO, todos ellos en un constante crecimiento, a un ritmo de miles por semana, son sólo algunos de los datos que reflejan el potencial de este jovencísimo artista.
    [Show full text]
  • Black Violin
    This section is part of a full NEW VICTORY® SCHOOL TOOLTM Resource Guide. For the complete guide, including information about the NEW VICTORY Education Department check out: newvictorYschooltools.org ® inside | black violin BEFORE EN ROUTE AFTER BEYOND INSIDE INSIDE THE SHOW/COMPANY • closer look • where in the world INSIDE THE ART FORM • WHAT DO YOUR STUDENTS KNOW NOW? CREATIVITY PAGE: Charting the Charts WHAT IS “INSIDE” BLACK VIOLIN? INSIDE provides teachers and students a behind-the-curtain look at the artists, the company and the art form of this production. Utilize this resource to learn more about the artists on the NEW VICTORY stage, how far they’ve traveled and their inspiration for creating this show. In addition to information that will enrich your students’ experience at the theater, you will find a Creativity Page as a handout to build student anticipation around their trip to The New Victory. Photos: Colin Brennen MAKING CONNECTIONS TO LEARNING STANDARDS NEW VICTORY SCHOOL TOOL Resource Guides align with the Common Core State Standards, New York State Learning Standards and New York City Blueprint for Teaching and Learning in the Arts. We believe that these standards support both the high quality instruction and deep engagement that The New Victory Theater strives to achieve in its arts education practice. COMMON CORE NEW YORK STATE STANDARDS BLUEPRINT FOR THE ARTS Speaking and Listening Standards: 1 Arts Standards: Standard 4 Music Standards: Developing Music English Language Arts Standards: Literacy; Making Connections
    [Show full text]
  • Executive of the Week: Dreamville Co-Founder Ibrahim 'Ib
    Bulletin YOUR DAILY ENTERTAINMENT NEWS UPDATE MAY 28, 2021 Page 1 of 20 INSIDE Executive of the Week: Dreamville • How Does Co-Founder Ibrahim ‘Ib’ Hamad Humbleriot Founder Anthony Demby Stay BY DAN RYS Mindful? When J. Cole released his sixth studio album, The Off- tinue breaking new ground and how management has • Identity, Awareness Season, out on Dreamville/Roc Nation/Interscope, it evolved in the decade since he and Cole made their & Representation: An AAPI Heritage Month launched a tidal wave that swept over the charts. The breakthrough in 2011. Conversation With release landed Cole his sixth straight No. 1 on the J. Cole’s The Off-Season became his sixth No. 1 Young the Giant’s Billboard 200, all 12 songs in the top 40 of the Hot album on the Billboard 200. What key decisions Sameer Gadhia 100, a record-tying four in the top 10, and leading to did you make to help make that happen? • Garth Brooks his first-ever time topping the Hot 100 Songwriters I don’t think it’s any one decision that I would sit Remembers chart, the Streaming Songs chart and the Hot Rap here and take credit for personally, because every de- Dewayne Blackwell, Songs and Hot R&B/Hip-Hop Songs charts. cision is made together with Cole. The way Cole and ‘Friends in Low In short, it was a monumental album release in I have grown to work together, we talk about every Places’ Songwriter: a career that has seen several of them. And it earns decision before we press go.
    [Show full text]
  • Gold & Platinum Awards June// 6/1/17 - 6/30/17
    GOLD & PLATINUM AWARDS JUNE// 6/1/17 - 6/30/17 MULTI PLATINUM SINGLE // 34 Cert Date// Title// Artist// Genre// Label// Plat Level// Rel. Date// We Own It R&B/ 6/27/2017 2 Chainz Def Jam 5/21/2013 (Fast & Furious) Hip Hop 6/27/2017 Scars To Your Beautiful Alessia Cara Pop Def Jam 11/13/2015 R&B/ 6/5/2017 Caroline Amine Republic Records 8/26/2016 Hip Hop 6/20/2017 I Will Not Bow Breaking Benjamin Rock Hollywood Records 8/11/2009 6/23/2017 Count On Me Bruno Mars Pop Atlantic Records 5/11/2010 Calvin Harris & 6/19/2017 How Deep Is Your Love Pop Columbia 7/17/2015 Disciples This Is What You Calvin Harris & 6/19/2017 Pop Columbia 4/29/2016 Came For Rihanna This Is What You Calvin Harris & 6/19/2017 Pop Columbia 4/29/2016 Came For Rihanna Calvin Harris Feat. 6/19/2017 Blame Dance/Elec Columbia 9/7/2014 John Newman R&B/ 6/19/2017 I’m The One Dj Khaled Epic 4/28/2017 Hip Hop 6/9/2017 Cool Kids Echosmith Pop Warner Bros. Records 7/2/2013 6/20/2017 Thinking Out Loud Ed Sheeran Pop Atlantic Records 9/24/2014 6/20/2017 Thinking Out Loud Ed Sheeran Pop Atlantic Records 9/24/2014 www.riaa.com // // GOLD & PLATINUM AWARDS JUNE// 6/1/17 - 6/30/17 6/20/2017 Starving Hailee Steinfeld Pop Republic Records 7/15/2016 6/22/2017 Roar Katy Perry Pop Capitol Records 8/12/2013 R&B/ 6/23/2017 Location Khalid RCA 5/27/2016 Hip Hop R&B/ 6/30/2017 Tunnel Vision Kodak Black Atlantic Records 2/17/2017 Hip Hop 6/6/2017 Ispy (Feat.
    [Show full text]