MUSIC TECHNOLOGY LINKS Curated by Dr
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Apple Pro Booklet 5
Introducing: The Apple Pro Training Series The best way to learn Apple’s professional digital video and audio software! First Look: Final Cut Express (Available in April) Logic 6 (Available in May) Final Cut Pro 4 (Available in June) Shake 3 (Available in June) Advanced Finishing Techniques in Final Cut Pro 4 (Available in June) DVD Studio Pro 2 (Available TBD) Coming Soon: Advanced Logic Final Cut Pro for Now there’s a new way to learn Apple’s popular video-editing, Avid Editors audio, and film-compositing tools: a comprehensive course that’s both a self-paced learning tool and the approved curriculum for all ColorSync-based Apple-certified trainers. Color Management DVD Included! Each Apple Pro Training Series title comes with a companion DVD that includes all of the lesson files used in the book. The Shake and Logic books also include free trial versions of the software. The Apple Pro Training Series is published by Peachpit Press. In every book! 3 All project files are on the included DVD. Project Files Lesson 3 folder Lesson time estimates help you plan your time. Time This lesson takes approximately 60 minutes to complete. Go through the chapter Goals Launch Final Cut Pro from start to finish or skip to just the sections that Open a project interest you. Work with the interface Work with menus, keyboard shortcuts, and the mouse Work with projects in the browser Create a new bin Organize a project Quit and hide Final Cut Pro Ample illustrations help you master techniques fast. Books use real-world projects that you work through, step by step. -
Pro 2 OS 1.4 Addendum
Pro 2 OS 1.4 Manual Addendum Pro 2 OS version 1.4 adds a number of new features not covered in the main Operation Manual. These features are described in the following addendum in the order shown below. New Features in OS 1.4 • Linear frequency modulation for classic DX-style FM. • Arpeggiator Beat Sync. This Global parameter quantizes keyboard perfor- mance of the arpeggiator so that notes are triggered precisely on the beat. • Sequencer Direction parameter, which provides new options for sequencer playback direction: forward, reverse, ping-pong, and random. • Rest/tie note input during step recording on track 1 of the Sequencer. • Lock sequence, which allows you to continuously run the same sequence while changing presets/programs. • MIDI CC output from the Pro 2 sequencer. • Trigger/Gate CV output, which gives you the ability to send a per-step gate signal from the CV output of the Pro 2 Sequencer. • Alternate Tunings. The Pro 2 now ships with 16 preset alternative tunings ranging from Equal temperament to Indonesian Gamelan tunings. Other tuning sets can be downloaded if desired. 1 Checking Your Operating System Version If you’ve just purchased your Pro 2 new, OS 1.4 may already be installed. If not, and you want to use the new features just described, you’ll need to update your OS to version 1.4 or later. To update your Pro 2 OS, you’ll need a computer and a USB cable, or a MIDI cable and MIDI interface. To download the latest version of the Pro 2 OS along with instructions on how to perform a system update, visit the Sequential website at: https://www.sequential.com/download-latest-pro-2-os/ To check your OS version: 1. -
High Tech on a Low Budget
HIGH TECH ON A LOW BUDGET Finding Technology That Teaches Without Breaking The Bank Iowa Bandmaster's Association Conference May 11, 2012 2:00pm Chad Criswell- Southeast Polk Community Schools All of the links provided in this document are also available as clickable links at www.MusicEdMagic.com Based on the National Standards and on content guidelines available at: www.menc.org/resources/view/the-school-music-program-a-new-vision 1 & 2 - Singing or Playing alone and with others, a varied repertoire of music. Software and iPad Apps: Special Needs: SmartMusic Kinectar- Free http://www.smartmusic.com http://www.kinectar.org eJamming http://www.ejamming.com iPad Apps: Skype APS Music Master Pro http://www.skype.com ForScore Trombone Pro/Trumpet Pro/French Horn Pro Song Surgeon Flute+ http://www.songsurgeon.com/ Instruments in Reach Clarinet Quiz Aviary Tonara http://www.aviary.com Seline and Seline HD Community Band http://www.community-band.com 3. Improvising melodies, variations, and accompaniments. Software: iShed Jazz Impro-visor- FREE http://www.themusicinteractive.com/TMI/Downloads http://www.cs.hmc.edu/~keller/jazz/improvisor O Generator iPad Apps: http://www.o-music.tv Loopseque Improvox Aviary- FREE http://www.aviary.com Hardware: JamStudio - FREE BOSS BR-80 Digital Audio Recorder http://www.jamstudio.com 4. Composing and arranging music within specified guidelines. Music Notation Software: Finale Notepad 2012- FREE iPad Notation Apps: http://www.finalenotepad.com Notion - $15 Scorio- $4 MuseScore- FREE http://www.musescore.com Composition Tutorials: PyWare MusicWriter Touch Secret Composer http://www.pyware.com/musicwriter/ http://www.secretcomposer.com Hyperscore Digital Audio Workstations: http://www.hyperscore.com Ardour - (Pay what you feel it is worth) - Mac and Linux http://www.ardour.org Noteflight http://www.musicedmagic.com/music-technology/essential-free- LMMS- FREE - Windows and Linux music-education-software.html http://lmms.sourceforge.net 5. -
Everything You Need to Know About Apple File System for Macos
WHITE PAPER Everything you need to know about Apple File System for macOS Picture it: the ship date for macOS High Sierra has arrived. Sweat drips down your face; your hands shake as you push “upgrade.” How did I get here? What will happen to my policies? Is imaging dead? Fear not, because the move from HFS+ (the current Mac file system) to Apple File System (APFS) with macOS High Sierra is a good thing. And, with this handy guide, you’ll have everything you need to prepare your environment. In short, don’t fear APFS. To see how Jamf Pro can facilitate seamless macOS High Sierra upgrades in your environment, visit: www.jamf.com • After upgrading to macOS High Sierra, end users will Wait, how did we get here? likely see less total space consumed on a volume due to new cloning options. Bonus: End users can store HFS, and the little known MFS, were introduced in 1984 up to nine quintillion files on a single volume. with the original Macintosh. Fast forward 13 years, and • APFS provides us with a new feature called HFS+ served as a major file system upgrade for the Mac. snapshots. Snapshots make backups work more In fact, it was such a robust file system that it’s been the efficiently and offer a new way to revert changes primary file system on Apple devices. That is all about to back to a given point in time. As snapshots evolve change with APFS. and APIs become available, third-party vendors will Nineteen years after HFS+ was rolled out, Apple be able to build new workflows using this feature. -
USING MICROPHONE ARRAYS to RECONSTRUCT MOVING SOUND SOURCES for AURALIZATION 1 Introduction
USING MICROPHONE ARRAYS TO RECONSTRUCT MOVING SOUND SOURCES FOR AURALIZATION Fanyu Meng, Michael Vorlaender Institute of Technical Acoustics, RWTH Aachen University, Germany {[email protected]) Abstract Microphone arrays are widely used for sound source characterization as well as for moving sound sources. Beamforming is one of the post processing methods to localize sound sources based on microphone array in order to create a color map (the so-called “acoustic camera”). The beamformer response lies on the array pattern, which is influenced by the array shape. Irregular arrays are able to avoid the spatial aliasing which causes grating lobes and degrades array performance to find the spatial positions of sources. With precise characteristics from the beamformer output, the sources can be reconstructed regarding not only spatial distribution but also spectra. Therefore, spectral modeling methods, e.g. spectral modeling synthesis (SMS) can be combined to the previous results to obtain source signals for auralization. In this paper, we design a spiral microphone array to obtain a specific frequency range and resolution. Besides, an unequal-spacing rectangular array is developed as well to compare the performance with the spiral array. Since the second array is separable, Kronecker Array Transform (KAT) can be used to accelerate the beamforming calculation. The beamforming output can be optimized by using deconvolution approach to remove the array response function which is convolved with source signals. With the reconstructed source spectrum generated from the deconvolved beamforming output, the source signal is synthesized separately from tonal and broadband components. Keywords: auralization, synthesizer, microphone arrays, beamforming, SMS PACS no. -
FCS Remover User Manual 1
FCS Remover User Manual 1 FCS Remover User Manual FCS Remover enables you to completely remove Final Cut Studio, Final Cut Pro X, Final Cut Express and Final Cut Server from your system. This is essential as a troubleshooting aid or when upgrading to a major new version of the software. Last updated 09/15/14 FCS Remover User Manual 2 Quick Start 1. You will be presented with the following screen upon launching the application: 2. If you wish to uninstall all components of Final Cut Studio and you have no other Apple Pro Apps such as Logic or Shake on your system, skip to Step 4. 3. If you only wish to remove certain components, use the check boxes to select and deselect them or use the Preset dropdown menu at the top of the window. Last updated 09/15/14 FCS Remover User Manual 3 The following presets are available: All – Selects all components. All Final Cut Studio / Express – This selects all Final Cut Studio / Express components and not Final Cut Server. All Final Cut Server – This selects all Final Cut Server components and not Final Cut Studio. Compressor and Qmaster Only – This selects only Compressor and Qmaster, as these are the most commonly reinstalled applications. Maximum Compatibility – This removes Final Cut Studio but does not remove Final Cut Studio components that are shared by other Apple ProApps such as Logic and Shake. This allows you to remove Final Cut Studio without harming your other ProApp installations. Receipts only – This only removes receipts. Receipts are used by the Final Cut Studio installer to keep track of what has been installed, so removing only receipts is a way of causing the installer to overwrite the original files on the disk without actually removing them. -
Shake User Manual
Shake Homepage.qxp 5/20/05 6:25 PM Page 1 Shake 4 User Manual To view the user manual, click a topic in the drawer on the side. Otherwise, click a link below. m Late-Breaking News m New Features m Tutorials m Cookbook m Keyboard Shortcuts m Shake Support m Shake on the Web m Apple Training Centers Apple Computer, Inc. FilmLight Limited (Truelight): Portions of this software © 2005 Apple Computer, Inc. All rights reserved. are licensed from FilmLight Limited. © 2002-2005 FilmLight Limited. All rights reserved. Under the copyright laws, this manual may not be copied, in whole or in part, without the written consent FLEXlm 9.2 © Globetrotter Software 2004. Globetrotter of Apple. Your rights to the software are governed by and FLEXlm are registered trademarks of Macrovision the accompanying software license agreement. Corporation. The Apple logo is a trademark of Apple Computer, Inc., Framestore Limited (Keylight): FS-C Keylight v1.4 32 bit registered in the U.S. and other countries. Use of the version © Framestore Limited 1986-2002. keyboard Apple logo (Option-Shift-K) for commercial purposes without the prior written consent of Apple Industrial Light & Magic, a division of Lucas Digital Ltd. may constitute trademark infringement and unfair LLC (OpenEXR): Copyright © 2002 All rights reserved. competition in violation of federal and state laws. Redistribution and use in source and binary forms, with or without modification, are permitted provided that Every effort has been made to ensure that the the following conditions are met: information in this manual is accurate. Apple Computer, Inc. is not responsible for printing or clerical errors. -
Notensatz Mit Freier Software
Notensatz mit Freier Software Edgar ’Fast Edi’ Hoffmann Community FreieSoftwareOG [email protected] 30. Juli 2017 Notensatz bezeichnet (analog zum Textsatz im Buchdruck) die Aufbereitung von Noten in veröffentlichungs- und vervielfältigungsfähiger Form. Der handwerkliche Notensatz durch ausgebildete Notenstecher bzw. Notensetzer wird seit dem Ende des 20. Jahrhunderts vom Computernotensatz verdrängt, der sowohl bei der Druckvorlagenherstellung als auch zur Verbreitung von Musik über elektronische Medien Verwendung findet. Bis in die zweite Hälfte des 15. Jahrhunderts konnten Noten ausschließlich handschriftlich vervielfältigt und verbreitet werden. Notensatz Was bedeutet das eigentlich? 2 / 20 Der handwerkliche Notensatz durch ausgebildete Notenstecher bzw. Notensetzer wird seit dem Ende des 20. Jahrhunderts vom Computernotensatz verdrängt, der sowohl bei der Druckvorlagenherstellung als auch zur Verbreitung von Musik über elektronische Medien Verwendung findet. Bis in die zweite Hälfte des 15. Jahrhunderts konnten Noten ausschließlich handschriftlich vervielfältigt und verbreitet werden. Notensatz Was bedeutet das eigentlich? Notensatz bezeichnet (analog zum Textsatz im Buchdruck) die Aufbereitung von Noten in veröffentlichungs- und vervielfältigungsfähiger Form. 2 / 20 Bis in die zweite Hälfte des 15. Jahrhunderts konnten Noten ausschließlich handschriftlich vervielfältigt und verbreitet werden. Notensatz Was bedeutet das eigentlich? Notensatz bezeichnet (analog zum Textsatz im Buchdruck) die Aufbereitung von Noten in veröffentlichungs- -
Digital Developments 70'S
Digital Developments 70’s - 80’s Hybrid Synthesis “GROOVE” • In 1967, Max Mathews and Richard Moore at Bell Labs began to develop Groove (Generated Realtime Operations on Voltage- Controlled Equipment) • In 1970, the Groove system was unveiled at a “Music and Technology” conference in Stockholm. • Groove was a hybrid system which used a Honeywell DDP224 computer to store manual actions (such as twisting knobs, playing a keyboard, etc.) These actions were stored and used to control analog synthesis components in realtime. • Composers Emmanuel Gent and Laurie Spiegel worked with GROOVE Details of GROOVE GROOVE System included: - 2 large disk storage units - a tape drive - an interface for the analog devices (12 8-bit and 2 12-bit converters) - A cathode ray display unit to show the composer a visual representation of the control instructions - Large array of analog components including 12 voltage-controlled oscillators, seven voltage-controlled amplifiers, and two voltage-controlled filters Programming language used: FORTRAN Benefits of the GROOVE System: - 1st digitally controlled realtime system - Musical parameters could be controlled over time (not note-oriented) - Was used to control images too: In 1974, Spiegel used the GROOVE system to implement the program VAMPIRE (Video and Music Program for Interactive, Realtime Exploration) • Laurie Spiegel at the GROOVE Console at Bell Labs (mid 70s) The 1st Digital Synthesizer “The Synclavier” • In 1972, composer Jon Appleton, the Founder and Director of the Bregman Electronic Music Studio at Dartmouth wanted to find a way to control a Moog synthesizer with a computer • He raised this idea to Sydney Alonso, a professor of Engineering at Dartmouth and Cameron Jones, a student in music and computer science at Dartmouth. -
App Midi to Transcription
App Midi To Transcription soEolian parchedly? Carlyle rejectMarkus therewith unnaturalised and slubberingly, curtly. she marver her tarp jouk altruistically. Is Sim backboneless or Saxon after unplanted Simmonds composing The soundfonts or end of sibelius that these are appealing in use the smallest note after i have issues, covering two warnings says copyright says it hear about that transcription app to midi Just ask google and drop on Reflow. Software Limited, like Forte, the Reader seamlessly peeks the first few lines from the next page over the top. Sibelius first page feature that midi app pretty much with a dynamic sheet for apps together pitches make? Easily transpose to annotate, transcription app from carl turner for. Analyze to rattle the alarm music! Some values may be grayed out based on the time signatures in the song to ensure every beat contains at least one smallest note. Imported MIDI files also translated well. You so transcriptions, transcription or key or bass clef. Are not do try it means that transcription results. For midi app for abc translation mistakes in your changes appearance to prominently display on your computer, thank you very intuitive. If you write from elementary looping, while it we then arrange straight to understand how easy to prevent unwanted notes are using just downloaded and editing. Mail, Windows, and importing audio files requires a pro subscription. Music though a less of velocity daily life and to branch it more meaningful. Export xml export of its actual name, or a know about music transcription is enhanced for use of? As midi app subscription plan, modern daw or track. -
The Definitive Guide to Evolver by Anu Kirk the Definitive Guide to Evolver
The Definitive Guide To Evolver By Anu Kirk The Definitive Guide to Evolver Table of Contents Introduction................................................................................................................................................................................ 3 Before We Start........................................................................................................................................................................... 5 A Brief Overview ......................................................................................................................................................................... 6 The Basic Patch........................................................................................................................................................................... 7 The Oscillators ............................................................................................................................................................................ 9 Analog Oscillators....................................................................................................................................................................... 9 Frequency ............................................................................................................................................................................ 10 Fine ...................................................................................................................................................................................... -
Latin American Nimes: Electronic Musical Instruments and Experimental Sound Devices in the Twentieth Century
Latin American NIMEs: Electronic Musical Instruments and Experimental Sound Devices in the Twentieth Century Martín Matus Lerner Desarrollos Tecnológicos Aplicados a las Artes EUdA, Universidad Nacional de Quilmes Buenos Aires, Argentina [email protected] ABSTRACT 2. EARLY EXPERIENCES During the twentieth century several Latin American nations 2.1 The singing arc in Argentina (such as Argentina, Brazil, Chile, Cuba and Mexico) have In 1900 William du Bois Duddell publishes an article in which originated relevant antecedents in the NIME field. Their describes his experiments with “the singing arc”, one of the first innovative authors have interrelated musical composition, electroacoustic musical instruments. Based on the carbon arc lutherie, electronics and computing. This paper provides a lamp (in common use until the appearance of the electric light panoramic view of their original electronic instruments and bulb), the singing or speaking arc produces a high volume buzz experimental sound practices, as well as a perspective of them which can be modulated by means of a variable resistor or a regarding other inventions around the World. microphone [35]. Its functioning principle is present in later technologies such as plasma loudspeakers and microphones. Author Keywords In 1909 German physicist Emil Bose assumes direction of the Latin America, music and technology history, synthesizer, drawn High School of Physics at the Universidad de La Plata. Within sound, luthería electrónica. two years Bose turns this institution into a first-rate Department of Physics (pioneer in South America). On March 29th 1911 CCS Concepts Bose presents the speaking arc at a science event motivated by the purchase of equipment and scientific instruments from the • Applied computing → Sound and music German company Max Kohl.