Apple Pro Booklet 5
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Final Cut Express HD: Frequently Asked Questions
Frequently Asked Questions About Final Cut Express HD Why isn’t my serial number accepted by the program? Make sure you are reading from the original serial number label that came with the product. Be sure to enter your first and last name, and verify there are no mistakes in the serial number field. Also, make sure you enter a zero and not an O, a 1 and not a lowercase L, where appropriate. It is necessary to enter the dashes in the serial number. Make sure there are no spaces before or after the serial number. Why can’t I hear audio while capturing? To hear audio during the capture process, connect headphones or speakers to your camcorder or deck. Why can’t I hear audio during playback from the Timeline? If you’re viewing the video on an external camcorder or deck, connect headphones or speakers to that device. If you’re viewing the video on the monitor connected to your computer, choose View > Video Out > Canvas Playback. Final Cut Express HD doesn’t recognize my camcorder. What’s wrong? Â Verify that the camcorder is on, connected to the computer, and in VTR mode. Â Make sure your camcorder is on the Final Cut Express HD qualified device list at http://www.apple.com/finalcutexpress/qualification.html. Â Use the appropriate Easy Setup for your camcorder. Some camcorders require FireWire Basic protocol. Â If you are using the Capture Now button to capture, make sure you press Play on the camcorder. How do I transfer my project to iDVD? Select the icon for your finished sequence in the Browser. -
Editing AVCHD with Final Cut Pro 7
Understanding AVCCAM Workflow o VCHD 1 1 Editing A 1 with Final Cut P r 7 TABLE OF CONTENTS THE AVCHD WORKFLOW ON APPLE 3 COMPUTERS……………………………………………………………………………............ EDITING AND OUTPUTTING AVCHD WITH APPLE FINAL CUT PRO 7 Transferring AVCHD Footage to Your Mac………………………………............................. 3 Copying AVCHD Footage to A Hard Drive…………………………………………................ 4 Transferring AVCHD Footage Directly From the Panasonic 4 AVCCAM Cameras to Your Mac......................................................................................... Editing With Final Cut Pro 7.…………................................................................................ 5 OUTPUT OPTIONS …………………………………………………...................................... 5 To iPod................................................................................................................................ 8 To YouTube......................................................................................................................... 10 To Blu-ray or AVCHD Disc.................................................................................................. 11 To Standard Definition DVD................................................................................................ 14 THE AVCHD WORKFLOW – ARCHIVING Archiving To Hard Drive………………………………………………………………................ 14 Archiving To Blu-ray Disc……………………………………………………………................. 14 Archiving To Standard DVD Discs ……………………………………………….................... 14 To DLT or LTO Tape…………………………………………………….................................. -
Final Cut Express 2 Edit Like a Pro
Final Cut Express 2 Edit like a pro. Key Features The powerful, affordable DV editor Final Cut Express 2 is a robust and cost-effective editing solution for digital video Capture video. Connect a FireWire-equipped enthusiasts. Based on Apple’s award-winning Final Cut Pro 4 professional video editing DV camcorder to your Mac and capture video software, Final Cut Express 2 delivers incredible real-time performance and advanced directly to the Browser window. Then organize and manage your clips with ease. editing features tailored to meet the needs of home, education, and creative business videographers. For flexible, full-featured DV editing, Final Cut Express 2 is the perfect Customize the interface. Change window combination of power, ease of use, and affordability. and track layouts, add interface buttons, and reorganize Browser columns to make your Approachable editing flow more easily. Final Cut Express 2 was designed to provide a simple, straightforward workflow. Just plug your FireWire-equipped DV camcorder or deck into your Macintosh and use Make professional edits. Use editing tech- the Capture window to capture your footage. The Browser and hierarchical clip bins niques like slip, slide, ripple, roll, and split to help you organize, search, and sort your clips. make edits without altering your source video. Improved trimming tools and a new Trim Edit The Final Cut Express interface provides multiple ways of performing actions so you window make your edits smoother. can work the way you like. Start a project by dragging clips into the Timeline or the Canvas window, then arrange and edit them together with a number of intuitive tools. -
Everything You Need to Know About Apple File System for Macos
WHITE PAPER Everything you need to know about Apple File System for macOS Picture it: the ship date for macOS High Sierra has arrived. Sweat drips down your face; your hands shake as you push “upgrade.” How did I get here? What will happen to my policies? Is imaging dead? Fear not, because the move from HFS+ (the current Mac file system) to Apple File System (APFS) with macOS High Sierra is a good thing. And, with this handy guide, you’ll have everything you need to prepare your environment. In short, don’t fear APFS. To see how Jamf Pro can facilitate seamless macOS High Sierra upgrades in your environment, visit: www.jamf.com • After upgrading to macOS High Sierra, end users will Wait, how did we get here? likely see less total space consumed on a volume due to new cloning options. Bonus: End users can store HFS, and the little known MFS, were introduced in 1984 up to nine quintillion files on a single volume. with the original Macintosh. Fast forward 13 years, and • APFS provides us with a new feature called HFS+ served as a major file system upgrade for the Mac. snapshots. Snapshots make backups work more In fact, it was such a robust file system that it’s been the efficiently and offer a new way to revert changes primary file system on Apple devices. That is all about to back to a given point in time. As snapshots evolve change with APFS. and APIs become available, third-party vendors will Nineteen years after HFS+ was rolled out, Apple be able to build new workflows using this feature. -
FCS Remover User Manual 1
FCS Remover User Manual 1 FCS Remover User Manual FCS Remover enables you to completely remove Final Cut Studio, Final Cut Pro X, Final Cut Express and Final Cut Server from your system. This is essential as a troubleshooting aid or when upgrading to a major new version of the software. Last updated 09/15/14 FCS Remover User Manual 2 Quick Start 1. You will be presented with the following screen upon launching the application: 2. If you wish to uninstall all components of Final Cut Studio and you have no other Apple Pro Apps such as Logic or Shake on your system, skip to Step 4. 3. If you only wish to remove certain components, use the check boxes to select and deselect them or use the Preset dropdown menu at the top of the window. Last updated 09/15/14 FCS Remover User Manual 3 The following presets are available: All – Selects all components. All Final Cut Studio / Express – This selects all Final Cut Studio / Express components and not Final Cut Server. All Final Cut Server – This selects all Final Cut Server components and not Final Cut Studio. Compressor and Qmaster Only – This selects only Compressor and Qmaster, as these are the most commonly reinstalled applications. Maximum Compatibility – This removes Final Cut Studio but does not remove Final Cut Studio components that are shared by other Apple ProApps such as Logic and Shake. This allows you to remove Final Cut Studio without harming your other ProApp installations. Receipts only – This only removes receipts. Receipts are used by the Final Cut Studio installer to keep track of what has been installed, so removing only receipts is a way of causing the installer to overwrite the original files on the disk without actually removing them. -
Shake User Manual
Shake Homepage.qxp 5/20/05 6:25 PM Page 1 Shake 4 User Manual To view the user manual, click a topic in the drawer on the side. Otherwise, click a link below. m Late-Breaking News m New Features m Tutorials m Cookbook m Keyboard Shortcuts m Shake Support m Shake on the Web m Apple Training Centers Apple Computer, Inc. FilmLight Limited (Truelight): Portions of this software © 2005 Apple Computer, Inc. All rights reserved. are licensed from FilmLight Limited. © 2002-2005 FilmLight Limited. All rights reserved. Under the copyright laws, this manual may not be copied, in whole or in part, without the written consent FLEXlm 9.2 © Globetrotter Software 2004. Globetrotter of Apple. Your rights to the software are governed by and FLEXlm are registered trademarks of Macrovision the accompanying software license agreement. Corporation. The Apple logo is a trademark of Apple Computer, Inc., Framestore Limited (Keylight): FS-C Keylight v1.4 32 bit registered in the U.S. and other countries. Use of the version © Framestore Limited 1986-2002. keyboard Apple logo (Option-Shift-K) for commercial purposes without the prior written consent of Apple Industrial Light & Magic, a division of Lucas Digital Ltd. may constitute trademark infringement and unfair LLC (OpenEXR): Copyright © 2002 All rights reserved. competition in violation of federal and state laws. Redistribution and use in source and binary forms, with or without modification, are permitted provided that Every effort has been made to ensure that the the following conditions are met: information in this manual is accurate. Apple Computer, Inc. is not responsible for printing or clerical errors. -
Editing AVCHD with Final Cut Pro 7
A U V n CC de r A standi M W o n rk g flo w Editing AVCHD with Final Cut Pro 7 1 1 1 TABLE OF CONTENTS THE AVCHD WORKFLOW ON APPLE 3 COMPUTERS……………………………………………………………………………............ EDITING AND OUTPUTTING AVCHD WITH APPLE FINAL CUT PRO 7 Transferring AVCHD Footage to Your Mac………………………………............................. 3 Copying AVCHD Footage to A Hard Drive…………………………………………................ 4 Transferring AVCHD Footage Directly From the Panasonic 4 AVCCAM Cameras to Your Mac......................................................................................... Editing With Final Cut Pro 7.…………................................................................................ 5 OUTPUT OPTIONS …………………………………………………...................................... 5 To iPod................................................................................................................................ 8 To YouTube......................................................................................................................... 10 To Blu-ray or AVCHD Disc.................................................................................................. 11 To Standard Definition DVD................................................................................................ 14 THE AVCHD WORKFLOW – ARCHIVING Archiving To Hard Drive………………………………………………………………................ 14 Archiving To Blu-ray Disc……………………………………………………………................. 14 Archiving To Standard DVD Discs ……………………………………………….................... 14 To DLT or LTO Tape…………………………………………………….................................. -
This Version Has the Raw Data in an Appendix)
Accepted for publication in 2020 by the International Journal of Communication, ijoc.org (this version has the raw data in an appendix) Podcasting as Public Media: The Future of U.S. News, Public Affairs and Educational Podcasts PATRICIA AUFDERHEIDE American University, USA DAVID LIEBERMAN The New School, USA ATIKA ALKHALLOUF American University, USA JIJI MAJIRI UGBOMA The New School, USA This article identifies a U.S.-based podcasting ecology as public media, and then examines the threats to its future. It first identifies characteristics of a set of podcasts in the U.S. that allow them to be usefully described as public podcasting. Second, it looks at current business trends in podcasting as platformization proceeds. Third, it identifies threats to public podcasting’s current business practices. Finally, it analyzes responses within public podcasting to the potential threats. It concludes that currently, the public podcast ecology in the U.S. maintains some immunity from the most immediate threats, but that as well there are underappreciated threats to it both internally and externally. Keywords: podcasting, public media, platformization, business trends, public podcasting ecology As U.S. podcasting becomes an increasingly commercially-viable part of the media landscape, are its public-service functions at risk? This article explores that question, in the process postulating that the concept of public podcasting has utility in describing, not only a range of podcasting practices, but an ecology within the larger podcasting ecology—one that permits analysis of both business methods and social practices, one that deserves attention and even protection. This analysis contributes to the burgeoning literature on podcasting by enabling focused research in this area, permitting analysis of the sector in ways that permit thinking about the relationship of mission and business practice sector-wide. -
Apple Xgrid Runs with the Wolves
Search Apple Xgrid runs with the wolves Apple Research & Technology Support Profiles in Success: Swedish University of Agricultural Sciences Programme Overview Research Opportunities ARTS Laureate Winners ARTS Institutions Swedish University of Agricultural Sciences Apple Xgrid runs with the wolves Fast results from Xgrid Cost-effective for future research Using Apple technology, the Grimsö Wildlife Research Station in Sweden is learning important techniques for sustainable management of the wolf population. Based at the Swedish University of Agricultural Sciences (SLU), the station is using an Apple Xgrid cluster system – provided by the Apple Research & Technology Support programme (ARTS) – to understand wolf demography and develop optimal management strategies. Its work will have a deep impact on how mankind interacts with these ancient but troublesome Challenges predators. Develop management strategies to “Wolf populations are expanding through natural return to past habitats in Europe, ensure wolf population viability or through reintroduction by Government agencies in the US”, explains Dr Prevent wolf extinction while Guillaume Chapron, Assistant Professor, Grimsö Wildlife Research Station at SLU. allowing for population control “They are posing problems, however - to hunters or sheep farmers, for example. So Address people and decision maker the urgent question is how we ensure wolf populations can survive, while still concerns regarding the place of allowing for some population control. Wolves have a complex ecology and the Xgrid wolves in Sweden cluster will run simulations faster than any other solution. It is critical to our Provide efficient programming and modelling environment to simulate research”. and understand wolf population ecology SLU is a modern university, designed to confront and explore many of today’s most Provide efficient programming and compelling environmental questions, “whether it is the food we eat, or the animals modelling environment to simulate we husband on our farms or love as pets, or the forests that we wander through”. -
Flip4mac WMV Version 2.3 User's Guide
Windows Media® Components for QuickTime™ Version 2.3 T E L E S T R E A M © 2009 Telestream, Inc. Table of Contents Overview Windows Media® Components for QuickTimeTM. 1 Feature Comparison . 1 Supported Applications . 2 System Requirements . 2 Installing & Upgrading Installing Flip4Mac WMV. 2 Removing Flip4Mac WMV. 2 Web Browser Support . 3 Upgrading Flip4Mac WMV . 4 Flip4Mac WMV System Preferences. 5 Checking for Updates . 6 Purchasing or Upgrading via System Preferences . 7 Manually Entering a Serial Number. 8 Deactivating a Serial Number . 9 Activating a Serial Number . 10 Basic Features Playing Windows Media in QuickTime Player . 11 Playing Windows Media in Web Browsers . 12 Browser Plug-in Settings . 13 Movie Playback Settings . 14 Audio Playback Settings . 16 Advanced Features Importing Windows Media (Player Pro|Studio) . 17 Exporting Windows Media (Studio Editions) . 19 Export Settings . 20 Video Encoder Settings. 21 Audio Encoder Settings. 23 Content Settings . 24 Silverlight Settings. 25 Encoder Profiles . 26 Appendices Appendix A: Internet Resources . 27 Appendix B: Supported Codecs, Formats, & Protocols. 28 Prologue Copyright and Trademark Notice. 29 Obtaining Support and Information . 29 Limited Warranty and Disclaimers. 29 Windows Media Components for QuickTime Contents-i Windows Media® Components for QuickTimeTM Flip4MacTM WMV is a collection of QuickTimeTM components that enable you to play, import, and export Windows Media® video and audio files, based on the edition you license. Flip4Mac WMV can be used with most of your favorite QuickTime applications including QuickTime Player, iMovie, and Final Cut Pro. After installing Flip4Mac WMV, you can play Windows Media files using QuickTime Player and view Windows Media content on the Internet using Safari and other Web browsers. -
Podcasting As Public Media: the Future of U.S
International Journal of Communication 14(2020), 1683–1704 1932–8036/20200005 Podcasting as Public Media: The Future of U.S. News, Public Affairs, and Educational Podcasts PATRICIA AUFDERHEIDE American University, USA DAVID LIEBERMAN The New School, USA ATIKA ALKHALLOUF American University, USA JIJI MAJIRI UGBOMA The New School, USA This article identifies a U.S.-based podcasting ecology as public media and then examines the threats to its future. It first identifies characteristics of a set of podcasts in the United States that allow them to be usefully described as public podcasting. Second, it looks at current business trends in podcasting as platformization proceeds. Third, it identifies threats to public podcasting’s current business practices. Finally, it analyzes responses within public podcasting to the potential threats. The article concludes that currently, the public podcast ecology in the United States maintains some immunity from the most immediate threats, but there are also underappreciated threats to it, both internally and externally. Keywords: podcasting, public media, platformization, business trends, public podcasting ecology As U.S. podcasting becomes a commercially viable part of the media landscape, are its public service functions at risk? This article explores that question, in the process postulating that the concept of public podcasting has utility in describing not only a range of podcasting practices, but also an ecology within the larger podcasting ecology—one that permits analysis of both business methods and social practices, and one that deserves attention and even protection. This analysis contributes to the burgeoning literature on Patricia Aufderheide: [email protected] David Lieberman: [email protected] Atika Alkhallouf: [email protected] Jiji Majiri Ugboma: [email protected] Date submitted: 2019‒09‒27 Copyright © 2020 (Patricia Aufderheide, David Lieberman, Atika Alkhallouf, and Jiji Majiri Ugboma). -
C a N O N 7 D D S
Content: - Equipment use policy - Canon EOS 7D DSLR as a video camera - Checkout specifications - Equipment specifications - Important camera dials, switches, and buttons - Movie recording menu settings - Shooting mode: manual exposure recommendations - Manual focus - Important LCD monitor displays - Quick control button - Editing with Final Cut Express - Sound Recording - Battery consumption - Recommendations Canon 7D DSLR 7D Canon equipment use policy EQUIPMENT ACCESS: Access to the Media Center is granted to all students, faculty, and staff with a validated SAIC photo I.D. card. Reservations are recommended otherwise equipment may not be available. Remember to be prompt. Reservations are held for 30 minutes and then deleted. Allow at least 15 minutes to check out equipment. When returning equipment, wait until your checkout is cleared from the computer. FINES: The school enforces a strict fine policy designed to give access of equipment to the maximum amount of individuals. Fines are enforced for lateness and equipment abuse. Those who receive a fine will be denied access to equipment until the fine is paid. Fines are calculated to the minute based on an hourly fine amount. 1 Canon EOS 7D DSLR Checkout as a video camera specifications One of the main differences between the Canon 7D CHECKOUT DURATION and other Canon DSLR models available to you at 3 days per checkout (longer checkouts require the Media Center (30/40 and 50D), is the possibility a special request form and manager approval) of shooting HD video. As you may already know, DSLR video is “revolutionizing” HD video production. Reservation limit per w eek The large image sensors on these cameras yield for No back to back reservations longer lenses, resulting in images with an impressively Fine per da y shallow depth of field - similar to the “film” look.