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Films Winning 4 Or More Awards Without Winning Best Picture
FILMS WINNING 4 OR MORE AWARDS WITHOUT WINNING BEST PICTURE Best Picture winner indicated by brackets Highlighted film titles were not nominated in the Best Picture category [Updated thru 88th Awards (2/16)] 8 AWARDS Cabaret, Allied Artists, 1972. [The Godfather] 7 AWARDS Gravity, Warner Bros., 2013. [12 Years a Slave] 6 AWARDS A Place in the Sun, Paramount, 1951. [An American in Paris] Star Wars, 20th Century-Fox, 1977 (plus 1 Special Achievement Award). [Annie Hall] Mad Max: Fury Road, Warner Bros., 2015 [Spotlight] 5 AWARDS Wilson, 20th Century-Fox, 1944. [Going My Way] The Bad and the Beautiful, Metro-Goldwyn-Mayer, 1952. [The Greatest Show on Earth] The King and I, 20th Century-Fox, 1956. [Around the World in 80 Days] Mary Poppins, Buena Vista Distribution Company, 1964. [My Fair Lady] Doctor Zhivago, Metro-Goldwyn-Mayer, 1965. [The Sound of Music] Who's Afraid of Virginia Woolf?, Warner Bros., 1966. [A Man for All Seasons] Saving Private Ryan, DreamWorks, 1998. [Shakespeare in Love] The Aviator, Miramax, Initial Entertainment Group and Warner Bros., 2004. [Million Dollar Baby] Hugo, Paramount, 2011. [The Artist] 4 AWARDS The Informer, RKO Radio, 1935. [Mutiny on the Bounty] Anthony Adverse, Warner Bros., 1936. [The Great Ziegfeld] The Song of Bernadette, 20th Century-Fox, 1943. [Casablanca] The Heiress, Paramount, 1949. [All the King’s Men] A Streetcar Named Desire, Warner Bros., 1951. [An American in Paris] High Noon, United Artists, 1952. [The Greatest Show on Earth] Sayonara, Warner Bros., 1957. [The Bridge on the River Kwai] Spartacus, Universal-International, 1960. [The Apartment] Cleopatra, 20th Century-Fox, 1963. -
Florenz Ziegfeld Jr
CALIFORNIA STATE UNIVERSITY, NORTHRIDGE ZIEGFELD GIRLS BEAUTY VERSUS TALENT A thesis submitted in partial fulfillment of the requirements For the degree of Master of Arts in Theatre Arts By Cassandra Ristaino May 2012 The thesis of Cassandra Ristaino is approved: ______________________________________ __________________ Leigh Kennicott, Ph.D. Date ______________________________________ __________________ Christine A. Menzies, B.Ed., MFA Date ______________________________________ __________________ Ah-jeong Kim, Ph.D., Chair Date California State University, Northridge ii Dedication This thesis is dedicated to Jeremiah Ahern and my mother, Mary Hanlon for their endless support and encouragement. iii Acknowledgements First and foremost I would like to express my deepest gratitude to my thesis chair and graduate advisor Dr. Ah-Jeong Kim. Her patience, kindness, support and encouragement guided me to completing my degree and thesis with an improved understanding of who I am and what I can accomplish. This thesis would not have been possible without Professor Christine Menzies and Dr. Leigh Kennicott who guided me within the graduate program and served on my thesis committee with enthusiasm and care. Professor Menzies, I would like to thank for her genuine interest in my topic and her insight. Dr. Kennicott, I would like to thank for her expertise in my area of study and for her vigilant revisions. I am indebted to Oakwood Secondary School, particularly Dr. James Astman and Susan Schechtman. Without their support, encouragement and faith I would not have been able to accomplish this degree while maintaining and benefiting from my employment at Oakwood. I would like to thank my family for their continued support in all of my goals. -
One Night with Fanny Brice
The American Century Theater presents Audience Guide Edited by Jack MarshallNovember 5–27 Rosslyn Spectrum Theater you can afford to seesee———— ppplaysplays you can’t afford to miss! About The American Century Theater The American Century Theater was founded in 1994. We are a professional company dedicated to presenting great, important, but overlooked American plays of the twentieth century . what Henry Luce called “the American Century.” The company’s mission is one of rediscovery, enlightenment, and perspective, not nostalgia or preservation. Americans must not lose the extraordinary vision and wisdom of past playwrights, nor can we afford to surrender our moorings to our shared cultural heritage. Our mission is also driven by a conviction that communities need theater, and theater needs audiences. To those ends, this company is committed to producing plays that challenge and move all Americans, of all ages, origins and points of view. In particular, we strive to create theatrical experiences that entire families can watch, enjoy, and discuss long afterward. These audience guides are part of our effort to enhance the appreciation of these works, so rich in history, content, and grist for debate. The American Century Theater is a 501(c)(3) professional nonprofit theater company dedicated to producing significant 20th Century American plays and musicals at risk of being forgotten. The American Century Theater is supported in part by Arlington County through the Cultural Affairs Division of the Department of Parks, Recreation, and Cultural Resources and the Arlington Commission for the Arts. This arts event is made possible in part by the Virginia Commission on the Arts and the National Endowment for the Arts, as well as by many generous donors. -
The Movies and Music of the 1930S the Depression Was a Tough Time for Families and Kids Since Money Was Scarce
The Movies and Music of the 1930s The depression was a tough time for families and kids since money was scarce. Even though this was the case and there were no television sets to watch, people managed by swimming in the canals, dancing at the Women’s Club for 25 cents, or going to the movies in Glendale. Here are the top movies that came out during the ’30s as well as the music that came out during this period. 1930 - Top Movies - Tom Sawyer, Top Hat, Animal Crackers, and Hell’s Angels Top Music “Happy Days Are Here Again” (Ben Selvin), “These Little Words” (Duke Ellington), “On the Sunny Side of the Street” (Ted Lewis and his Orchestra) 1931 – Top Movies – Frankenstein, City Lights, Mata Hari, Cimarron - Top Music - “Minnie the Moocher” (Cab Calloway), “Dream a Little Dream of Me” (Wayne King), “Goodnight Sweetheart” (Bing Crosby) 1932 - Top Movies – Tarzan the Ape Man, Trouble in Paradise, The Old Dark House. - Top Music – “All of Me” (Louis Armstrong), “It Don’t Mean a Thing” (Duke Ellington), “Night and Day” (Fred Astaire and Leo Raisman) 1933 - Top Movies – King Kong, 42ndStreet, Dinner at Eight, Sons of the Desert - Top Music – “Stormy Weather” (Ethel Waters), “Sophisticated Lady” (Duke Ellington) “We’re in the Money” (Dick Powell) 1934 - Top Movies – The Thin Man, Cleopatra, It Happened One Night - Top Music – “Moon Glow” (Benny Goodman), “Tumbling Tumbleweeds” (Paul Whitman), “Smoke Gets In Your Eyes” (Paul Whitman), “Cocktails for Two” (Duke Ellington) 1935 - Top Movies – Mutiny on the Bounty, Top Hat, Captain Blood, A Night At the Opera - Top Music – “On the Good Ship Lollipop” (Shirley Temple) “Cheek to Cheek” (Fred Astaire), “The Isle of Capri” (Ray Noble), “Lullaby of Broadway” (Blue Moon) 1936 - Top Movies – The Great Ziegfeld, Mr. -
Image of PR Practitioner in Movies and Television 1901-‐2011 1 The
Image of PR Practitioner in Movies and Television 1901-2011 1 The Image of the Public Relations Practitioner in Movies and Television 1901-2011 Joe Saltzman1 Professor of Journalism Director, The Image of the Journalist in Popular Culture (IJPC) A Project of the Norman Lear Center Annenberg School for Communication and Journalism University of Southern California Los Angeles, CA [email protected] Introduction In this article, we examine images of public relations practitioners in film and television appearing in more than 327 English-speaking films and television programs from 1901 to 2011.2 This is the largest study of its kind ever attempted and one of the first to include the image of the public relations practitioner in television programs. Many public relations practitioners believe the image of the publicist and the PR professional is one of the most negative in history. But this analysis indicates that the images of the PR practitioner are far more varied and even more positive than previously thought. Literature Review There have been previous studies on the image of the PR practitioner in film. They include Karen Miller’s landmark study in 1999 (which included film and print images),3 Larry Tavcar’s 1993 look at 17 films depicting public relations in the movies,4 Donn James Tilson’s brief look at public relations and Hollywood in 2003,5 and Carol Ames’ comprehensive follow-up to Miller’s study in 2010.6 In addition, Mordecai Lee studied images of the public relations practitioner in government and public administration, sampling 20 films from 1944 to 2000 in a 2001 study,7 and in a 2009 update8 added seven more films from 1996 to 2008. -
The Role of Hegemonic Masculinity and Hollywood in the New Korea
University of Wollongong Research Online Faculty of Law, Humanities and the Arts - Papers Faculty of Law, Humanities and the Arts 2016 The oler of hegemonic masculinity and Hollywood in the New Korea Richard Howson University of Wollongong, [email protected] Brian Yecies University of Wollongong, [email protected] Publication Details Howson, R. & Yecies, B. (2016). The or le of hegemonic masculinity and Hollywood in the New Korea. Masculinities and Social Change, 5 (1), 52-69. Research Online is the open access institutional repository for the University of Wollongong. For further information contact the UOW Library: [email protected] The oler of hegemonic masculinity and Hollywood in the New Korea Abstract We argue that during the 1940s Hollywood films had an important role to play in the creation of a postwar South Korean society based on the new global U.S. hegemony. The onnec ctions between political and economic change in South Korea and sociocultural factors have hitherto scarcely been explored and, in this context, we argue that one of the key socio-cultural mechanisms that supported and even drove social change in the immediate post-war period was the Korean film industry and its representation of masculinity. The groundbreaking work of Antonio Gramsci on hegemony is drawn on in particular, his understanding of the relationship between commonsense and good sense as well as Raewyn Connells concept of hegemonic masculinity. The character of Rick in the 1941 Hollywood classic Casablanca is used to illustrate the kind of hegemonic masculinity favoured by the U.S. Occupation authorities in moulding cultural and political attitudes in the new Korea. -
Musical Films
Musicals 42nd Street (NR) Damn Yankees (NR) 1776 (PG) A Date with Judy (NR) Across the Universe (PG-13) Deep in My Heart (NR) Alexander’s Ragtime Band (NR) De-Lovely (PG-13) All That Jazz (R) Dirty Dancing (PG-13) An American in Paris (NR) The Dolly Sisters (NR) Anchors Aweigh (NR) Dreamgirls (PG-13) Annie Get Your Gun (NR) Easter Parade (NR) The Band Wagon (NR) El Cantante (R) The Barkleys of Broadway (NR) Everyone Says I Love You (R) Begin Again (R) Evita (PG) Bells are Ringing (NR) The Fabulous Baker Boys (R) Bessie (TV-MA) Fame (1980 – R) Beyond the Sea (PG-13) Fame (2009 – PG) Blue Hawaii (PG) Fiddler on the Roof (G) The Blues Brothers (R) The Five Pennies (NR) Born to Dance (NR) Footloose (1984 – PG) Brigadoon (NR) Footloose (2011 – PG-13) The Broadway Melody (NR) For Me and My Gal (NR) Broadway Melody of 1936 (NR) Forever Plaid (G) Broadway Melody of 1938 (NR) Funny Face (NR) Broadway Melody of 1940 (NR) Funny Girl (G) Bye, Bye Birdie (G) A Funny Thing Happened on the Way to Cabaret (PG) the Forum (NR) Cadillac Records (R) The Gay Divorcee (NR) Calamity Jane (NR) Gentlemen Prefer Blondes (G) Camelot (G) Get On Up (PG-13) Carmen Jones (NR) Gigi (G) Carousel (NR) The Glenn Miller Story (NR) Chicago (PG-13) Going My Way (NR) Cinderella (NR) Good News (NR) Cover Girl (NR) Grease (PG) Crazy Heart (R) Grease 2 (PG) Grease Live! (TV14) Look for the Silver Lining (NR) The Great Ziegfeld (NR) Love & Mercy (PG-13) Guys and Dolls (NR) Love Me Tender (NR) Gypsy (NR) Love’s Labour’s Lost (PG) Hair (PG) Mamma Mia! (PG-13) Hairspray (PG) Meet Me in St. -
Eugene O'neill Festival Returns
Eugene O’Neill Festival returns Page 14 VOL. XXII, NUMBER 32 • SEPTEMBER 3, 2021 WWW.PLEASANTONWEEKLY.COM ‘Tiny homes’ in Livermore offer safety, security to unhoused residents Page 12 5 NEWS Pleasanton city manager to retire this fall 5 NEWS Livermore community mourns death of teen 18 SPORTS Friday night lights and Monday night football Experience the Difference at The Parkview Proud member of the family Experience The Parkview, a beautiful senior living community located near Centennial Park and the Pleasanton Senior Center. With a wide range of services and amenities available, our dedicated staff will help you create a lifestyle tailored to your needs and preferences. • 24-hour staffing with licensed nurse oversight • State-of-the-art fitness center and engaging 100% exercise classes • Complimentary, scheduled shuttle bus trips for Resident errands, events and appointments Satisfaction • Excursions to restaurants, theaters, museums, Score parks and sporting events • Pet-friendly with landscaped walking trails • Private rooms available in memory care Experience our community and meet our care staff today! 925-398-3933 • theparkview.org The Parkview Assisted Living and Memory Care 100 Valley Avenue, Pleasanton, CA 94566 License #015601283 Equal Housing Opportunity Page 2 • September 3, 2021 • Pleasanton Weekly PLEASANTON LISTINGS WHAT A WEEK BY JEREMY WALSH ‘And the winner is…’ t’s hard to believe September is and “Grand Hotel” really did not already here -- and heck, 2022 hold up, and by the time we finish Iis becoming clearer in view -
New Fairfield Senior Center 33 Route 37 New Fairfield, CT 06812 Tel: 203 312-5665 Fax: 203 312-5667
New Fairfield Senior Center 33 Route 37 New Fairfield, CT 06812 Tel: 203 312-5665 Fax: 203 312-5667 http://www.newfairfieldseniorcenter.com/ AUGUST 2019 HIGHLIGHTS OF August 2019 New Fairfield Senior Center offers a daily lunch program provided by The Greater Bridgeport Senior Community Café, computer classes, sewing groups, card groups (including Poker Bridge and Canasta), Yoga, Tai Chi, Zumba, and Weight Training classes, and a Women’s Book group. Friends of the Senior Center meet the 3rd Wednesday of the month at 4pm and The Commission on the Aging meets the 4th Tuesday of the month at 7:30pm. Daily calendars are available at the Center. Phone: 203-312-5665. Fill The Backpack: Donations accepted throughout August up until August 23 Join us at the Senior Center to help supply the students at the Consolidated School for the new school year. We encourage you to bring one item from the supply list every time you come to the Senior Center and place them in the very large red backpack in the great room. We will make sure every donation gets to the Consolidated School in time for the new school year to start. Let’s all chip in and ensure that all the students at the Consolidated School have a successful new school year. Bodies in Motion: Monday, Wednesday and Thursday at 10:45 Starting August 1 Enjoy this easy-to-follow class with up-beat music, can be done seated or standing at your own pace and skill and safety level. It uses a combination of weights and resistance bands, as well as several body weight exercises. -
Rick L. Pope Phonograph Record Collection 10 Soundtrack/WB/Record
1 Rick L. Pope Phonograph Record Collection 10 soundtrack/WB/record/archives 12 Songs of Christmas, Crosby, Sinatra, Waring/ Reprise/record/archives 15 Hits of Jimmie Rodgers/Dot / record/archives 15 Hits of Pat Boone/ Dot/ record/archives 24 Karat Gold From the Sound Stage , A Double Dozen of All Time Hits from the Movies/ MGM/ record/archives 42nd Street soundtrack/ RCA/ record/archives 50 Years of Film (1923-1973)/WB/ record set (3 records and 1 book)/archives 50 Years of Music (1923-1973)/WB/ record set (3 records and 1 book)/archives 60 years of Music America Likes Best vols 1-3/RCA Victor / record set (5 pieces collectively)/archives 60 Years of Music America Likes Best Vol.3 red seal/ RCA Victor/ record/archives 1776 soundtrack / Columbia/ record/archives 2001 A Space Oddyssey sound track/ MGM/ record/archives 2001 A Space Oddyssey sound track vol. 2 / MCA/ record/archives A Bing Crosby Christmas for Today’s Army/NA/ record set (2 pieces)/archives A Bing Crosby Collection vol. 1/ Columbia/record/archives A Bing Crosby Collection vol. 2/ Columbia/record/archives A Bing Crosby Collection vol. 3/ Columbia/record/archives A Bridge Too Far soundtrack/ United Artists/record/archives A Collector’s Porgy and Bess/ RCA/ record/archives A Collector’s Showboat/ RCA/ record/archives A Christmas Sing with Bing, Around the World/Decca/record/archives A Christmas Sing with Bing, Around the World/MCA/record/archives A Chorus Line soundtrack/ Columbia/ record/ archives 2 A Golden Encore/ Columbia/ record/archives A Legendary Performer Series ( -
SCHEDULE the Oscars from a to Z
2021 SCHEDULE The Oscars from A to Z Thursday, April 1 6:00 AM Adam's Rib (1969) 8:00 AM The Adventures of Robin Hood (1938) 10:00 AM After The Thin Man (1936) 12:00 PM Agnes of God (1985) 2:00 PM Air Force (1943) 4:15 PM Algiers (1938) 6:00 PM Alice Adams (1935) 8:00 PM All the King's Men (1949) 10:00 PM Almost Famous (2000) 12:15 AM An American in Paris (1951) 2:15 AM Anatomy of a Murder (1959) 5:15 AM Anna Christie (1930) Friday, April 2 6:45 AM Around the World in 80 Days (1956) 10:00 AM Au Revoir Les Enfants (1987) 12:00 PM The Awful Truth (1937) 1:45 PM Baby Doll (1956) 3:45 PM The Band Wagon (1953) 5:45 PM Being There (1979) 8:00 PM Ben-Hur (1959) 12:00 AM The Best Man (1964) 2:00 AM The Big Chill (1983) 4:00 AM The Birds (1963) 2021 SCHEDULE Saturday, April 3 6:00 AM Blithe Spirit (1945) 7:45 AM Block-Heads (1938) 9:00 AM Born Yesterday (1950) 11:00 AM Bridge on the River Kwai (1957) 2:00 PM Bullitt (1968) 4:15 PM Caged (1950) 6:00 PM Calamity Jane (1953) 8:00 PM Carefree (1938) 9:45 PM Carol (2015) 12:00 AM Cat on a Hot Tin Roof (1958) 2:00 AM Charade (1967) 4:15 AM The Circus (1928) Sunday, April 4 6:00 AM Citizen Kane (1941) 8:00 AM The Corn is Green (1945) 10:00 AM Dark Victory (1939) 12:00 PM Days of Wine and Roses (1962) 2:15 PM The Defiant Ones (1958) 4:00 PM Destination Moon (1950) 5:45 PM East of Eden (1955) 8:00 PM Easter Parade (1948) 10:00 PM The Egg and I (1947) 12:00 AM The Enchanted Cottage (1945) 2:00 AM The End of the Affair (1999) 4:00 AM The Entertainer (1960) 2021 SCHEDULE Monday, April 5 6:00 AM Eskimo (1933) 8:00 AM Executive Suite (1954) 10:00 AM Experiment Perilous (1944) 11:45 AM The Facts of Life (1960) 1:30 PM The Fallen Idol (1948) 3:15 PM Far from the Madding Crowd (1962) 6:15 PM A Farewell to Arms (1932) 8:00 PM Father of the Bride (1950) 10:00 PM Five Easy Pieces (1970) 12:00 AM The 5,000 Fingers of Dr. -
Songs of the Ziegfeld Follies
SONGS OF THE ZIEGFELD FOLLIES DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University by Ann Ommen, B.M., M.A. The Ohio State University 2007 Dissertation Committee: Professor Graeme Boone, Adviser Approved by Professor Thomas Postlewait Professor Danielle Fosler-Lussier _________________________ Adviser Graduate Program in Music Copyright by Ann Ommen 2007 ABSTRACT Enormously popular in their own time, the Ziegfeld Follies have become an icon of American popular culture. Produced annually by Florenz Ziegfeld, Jr. between 1907 and 1931, these revues were and still are best-known for their lavish production numbers which brought unprecedented attention to members of the chorus. They have served as inspiration for generations of filmmakers, playwrights, and popular authors, but have only been studied by a small number of scholars, primarily those working in cultural studies. For the first time, this dissertation brings a musicological identity to the Follies by examining their songs. It addresses the legends surrounding certain songs so that their performance history can be better understood. It discusses representations of gender, race, and national identity in songs of the Follies, revealing the cultural beliefs Ziegfeld thought would be most acceptable to his largely white, middle-class audiences. It dissects comic song performances to show a specifically musical component to the humor of the Follies. Finally, it analyzes compositional techniques in the lyrics of Gene Buck and in the songs written by Irving Berlin for the Ziegfeld Follies of 1927 , the only Follies production to have been written by a single songwriter.