Silver Screen: How Films Shape Public Perception of Financial Regulation in the 20Th and 21St Centuries by Loren E
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Preview Chapter 7: a Few Good Women
7 A Few Good Women Zhou Qunfei grew up poor in Hunan Province, where she worked on her family’s farm to help support her family. Later, while working at a factory in Guangdong Province, she took business and computer courses at Shen- zhen University. She started a company with money she saved working for a watch producer. In 2015 she was the world’s richest self-made woman, with a fortune of $5.3 billion, according to Forbes. Her wealth comes from her company, Lens Technology, which makes touchscreens. It employs 60,000 people and has a market capitalization of nearly $12 billion. Lei Jufang was born in Gansu Province, one of the poorest areas of northwest China. After studying physics at Jiao Tong University, she cre- ated a new method for vacuum packaging food and drugs, which won her acclaim as an assistant professor. On a trip to Tibet she became fascinated by herbal medicines. In 1995 she founded a drug company, Cheezheng Tibetan Medicine, harnessing her skill in physics and engineering to exploit the untapped market for Tibetan medicine. Her company has a research institute and three factories that produce herbal healing products for con- sumers in China, Malaysia, Singapore, and North and South America. She has amassed a fortune of $1.5 billion. In most countries, women get rich by inheriting money. China is dif- ferent: The majority of its women billionaires are self-made. Zhou Qunfei and Lei Jufang are unusual because they established their own companies. Most of the eight Chinese female self-made company founders worth more than $1 billion made their money in real estate or in companies founded jointly with husbands or brothers. -
Political Capture and Economic Inequality
178 OXFAM BRIEFING PAPER 20 JANUARY 2014 Housing for the wealthier middle classes rises above the insecure housing of a slum community in Lucknow, India. Photo: Tom Pietrasik/Oxfam WORKING FOR THE FEW Political capture and economic inequality Economic inequality is rapidly increasing in the majority of countries. The wealth of the world is divided in two: almost half going to the richest one percent; the other half to the remaining 99 percent. The World Economic Forum has identified this as a major risk to human progress. Extreme economic inequality and political capture are too often interdependent. Left unchecked, political institutions become undermined and governments overwhelmingly serve the interests of economic elites to the detriment of ordinary people. Extreme inequality is not inevitable, and it can and must be reversed quickly. www.oxfam.org SUMMARY In November 2013, the World Economic Forum released its ‘Outlook on the Global Agenda 2014’, in which it ranked widening income disparities as the second greatest worldwide risk in the coming 12 to 18 months. Based on those surveyed, inequality is ‘impacting social stability within countries and threatening security on a global scale.’ Oxfam shares its analysis, and wants to see the 2014 World Economic Forum make the commitments needed to counter the growing tide of inequality. Some economic inequality is essential to drive growth and progress, rewarding those with talent, hard earned skills, and the ambition to innovate and take entrepreneurial risks. However, the extreme levels of wealth concentration occurring today threaten to exclude hundreds of millions of people from realizing the benefits of their talents and hard work. -
Films Winning 4 Or More Awards Without Winning Best Picture
FILMS WINNING 4 OR MORE AWARDS WITHOUT WINNING BEST PICTURE Best Picture winner indicated by brackets Highlighted film titles were not nominated in the Best Picture category [Updated thru 88th Awards (2/16)] 8 AWARDS Cabaret, Allied Artists, 1972. [The Godfather] 7 AWARDS Gravity, Warner Bros., 2013. [12 Years a Slave] 6 AWARDS A Place in the Sun, Paramount, 1951. [An American in Paris] Star Wars, 20th Century-Fox, 1977 (plus 1 Special Achievement Award). [Annie Hall] Mad Max: Fury Road, Warner Bros., 2015 [Spotlight] 5 AWARDS Wilson, 20th Century-Fox, 1944. [Going My Way] The Bad and the Beautiful, Metro-Goldwyn-Mayer, 1952. [The Greatest Show on Earth] The King and I, 20th Century-Fox, 1956. [Around the World in 80 Days] Mary Poppins, Buena Vista Distribution Company, 1964. [My Fair Lady] Doctor Zhivago, Metro-Goldwyn-Mayer, 1965. [The Sound of Music] Who's Afraid of Virginia Woolf?, Warner Bros., 1966. [A Man for All Seasons] Saving Private Ryan, DreamWorks, 1998. [Shakespeare in Love] The Aviator, Miramax, Initial Entertainment Group and Warner Bros., 2004. [Million Dollar Baby] Hugo, Paramount, 2011. [The Artist] 4 AWARDS The Informer, RKO Radio, 1935. [Mutiny on the Bounty] Anthony Adverse, Warner Bros., 1936. [The Great Ziegfeld] The Song of Bernadette, 20th Century-Fox, 1943. [Casablanca] The Heiress, Paramount, 1949. [All the King’s Men] A Streetcar Named Desire, Warner Bros., 1951. [An American in Paris] High Noon, United Artists, 1952. [The Greatest Show on Earth] Sayonara, Warner Bros., 1957. [The Bridge on the River Kwai] Spartacus, Universal-International, 1960. [The Apartment] Cleopatra, 20th Century-Fox, 1963. -
Legal Division Practice Exams
Department of Homeland Security Federal Law Enforcement Training Centers Glynco, Georgia Legal Division Practice Exams (Use of Force, 4th Amendment, 5th and 6th Amendments, Courtroom Evidence, Electronic Law and Evidence, Federal Court Procedures, Federal Criminal Law, Courtroom Testimony, and Officer Liability) August 2015 FLETC Legal Division Practice Exam Guide – August 2015 Notes for the student: 1. The purpose of the practice exams is to help students learn how to apply legal principles in a factual situation. 2. This practice exam may not address all the EPOs you are responsible for, or all the materials you must know to master an EPO. The student is responsible for knowing and mastering the EPOs. 3. These questions may be harder or easier than those found on the actual exam. 4. Reviewing the answers - even the correct ones - will help you master the principles. 5. Use a piece of paper to cover the answers on the bottom while you are answering the question. 4th Amendment Practice Exam 1. Thompson is suspected of running a counterfeiting operation out of his garage. The garage is attached to the dwelling. Without a warrant, three officers step onto his curtilage, shine a flashlight into the garage, and take a quick look. They observe a number of what appear to be $100 bills hanging from a clothesline. Was the observation into the garage lawful? a. No, because the officers physically intruded on a constitutionally protect location without either a warrant or an exception to the 4th Amendment. b. No, because the use of a flashlight violated Thompson’s reasonable expectation of privacy. -
Florenz Ziegfeld Jr
CALIFORNIA STATE UNIVERSITY, NORTHRIDGE ZIEGFELD GIRLS BEAUTY VERSUS TALENT A thesis submitted in partial fulfillment of the requirements For the degree of Master of Arts in Theatre Arts By Cassandra Ristaino May 2012 The thesis of Cassandra Ristaino is approved: ______________________________________ __________________ Leigh Kennicott, Ph.D. Date ______________________________________ __________________ Christine A. Menzies, B.Ed., MFA Date ______________________________________ __________________ Ah-jeong Kim, Ph.D., Chair Date California State University, Northridge ii Dedication This thesis is dedicated to Jeremiah Ahern and my mother, Mary Hanlon for their endless support and encouragement. iii Acknowledgements First and foremost I would like to express my deepest gratitude to my thesis chair and graduate advisor Dr. Ah-Jeong Kim. Her patience, kindness, support and encouragement guided me to completing my degree and thesis with an improved understanding of who I am and what I can accomplish. This thesis would not have been possible without Professor Christine Menzies and Dr. Leigh Kennicott who guided me within the graduate program and served on my thesis committee with enthusiasm and care. Professor Menzies, I would like to thank for her genuine interest in my topic and her insight. Dr. Kennicott, I would like to thank for her expertise in my area of study and for her vigilant revisions. I am indebted to Oakwood Secondary School, particularly Dr. James Astman and Susan Schechtman. Without their support, encouragement and faith I would not have been able to accomplish this degree while maintaining and benefiting from my employment at Oakwood. I would like to thank my family for their continued support in all of my goals. -
Iowa State Journal of Research 56.1
IOWA STATE JOURNAL OF RESEARCH I MAY, 1982 4'3 -439 Vol. 56, No. 4 IOWA STATE JOURNAL OF RESEARCH TABLE OF CONTENTS Volume 56 (August, 1981-May, 1982) No. 1, August, 1981 ASPECTS IN RENAISSANCE SCHOLARSHIP PAPERS PRESENTED AT "SHAKESPEARE AND HIS CONTEMPORARIES" SYMPOSIUM, 1981 From the Editors. 1 GALYON, L. R. Introduction...................... ...... 5 BEVINGTON, D. M. "Why Should Calamity Be Full of Words?" The Efficacy of Cursing in Richard III . 9 ANDERSON, D. K., Jr. The King's Two Rouses and Providential Revenge in Hamlet . 23 ONUSKA, J. T., Jr. Bringing Shakespeare's Characters Down to Earth: The Significance of Kneeling . 31 MULLIN, M. Catalogue-Index to Productions of the Shakespeare Memorial/Royal Shakespeare Theatre, 1879-1978 . 43 SCHAEFER, A. J. The Shape of the Supernatitral: Fuseli on Shakespeare. 49 POAGUE, L. "Reading" the Prince: Shakespeare, Welles, and Some Aspects of Chimes at Midnight . 57 KNIGHT, W. N. Equity in Shakespeare and His Contemporaries. 67 STATON, S. F. Female Transvestism in Renaissance Comedy: "A Natural Perspective, That Is and Is Not" . 79 IDE, R. S. Elizabethan Revenge Tragedy and the Providential Play-Within-a-Play. 91 STEIN, C.H. Justice and Revenge in The Spanish Tragedy... 97 * * * * * * * * * * No. 2, November, 1981 From the Editors.. ... 105 TABLE OF CONTENTS PUHL, J. Forearm liquid crystal thermograms during sustained and rhythmic handgrip contractions . 107 COUNTRYMAN, D. W. and D. P. KELLEY. Management of existing hardwood stands can be profitable for private woodland owners....... .... 119 MERTINS, C. T. and D. ISLEY. Charles E. Bessey: Botanist, educator, and protagonist . 131 HELSEL, D. B. -
The Motion Picture Director (1925-1926)
MOTION PICTURE ^ / rrL£ Annie Beginning a Neiv Series WHY HOLLYWOOD? By EDWIN CAREWE Also Two Notable Serials THUNDERING SILENCE THE NIGHT BRIDE By H. H. Van Loan By Frederic Chapin At The Director’s Service! A new, fast-moving, Portable Unit of tre- mendous power — com- pletely self-contained — for broad SOUND- CASTING, makes its bid for Movie Fame in this issue of The Director. Now you can sway that “seething mob” with absolute comfort to your- self and your staff. Terms of rental on application. TUcker 3148 ? MOTION PICTURE Volume Two September Number Three 19 2 5 Dedicated to the Creation of a Better Understanding Between Those Who Make and Those Who See Motion Pictures OLKS, meet the “new” by and for the people of that Director; new in dress industry, and yet possessing F neither the limitations of the and in its increased num- CONTENTS ber of pages, and new in its strictly class or trade publica- added features of interest and Page tion, nor the diverified appeal entertainment value, but, in of the so-called “fan” maga- IN THE DIRECTOR’S CHAIR 5 spirit of helpfulness and sincere zines. George L. Sargent concern for the best interests Insofar as it may be possible 8 of the industry of which it is A TALE OF TEMPERAMENT The Director will endeavor a part, the same Director you George Landy to steer a middle course between these two have known in the past. CAMERA STUDIES OF SCREEN groups and cordially In the development of the solicits the co-operation of all 9 PERSONALITIES are “new” Director it is our pur- who actively concerned with pose, as we enter upon the WHY HOLLYWOOD? (A Series) 17 the making of motion pictures. -
Captains of the Civil War, a Chronicle of the Blue and the Gray
Captains of the Civil War, A Chronicle of the Blue and the Gray William Wood The Project Gutenberg Etext of Captains of the Civil War, by Wood Copyright laws are changing all over the world, be sure to check the copyright laws for your country before posting these files!! Please take a look at the important information in this header. We encourage you to keep this file on your own disk, keeping an electronic path open for the next readers. Do not remove this. *It must legally be the first thing seen when opening the book.* In fact, our legal advisors said we can't even change margins. **Welcome To The World of Free Plain Vanilla Electronic Texts** **Etexts Readable By Both Humans and By Computers, Since 1971** *These Etexts Prepared By Hundreds of Volunteers and Donations* Information on contacting Project Gutenberg to get Etexts, and further information is included below. We need your donations. Title: Captains of the Civil War, A Chronicle of the Blue and the Gray Author: William Wood May, 2001 [Etext #2649] The Project Gutenberg Etext of Captains of the Civil War, by Wood *******This file should be named cptcw10.txt or cptcw10.zip****** Corrected EDITIONS of our etexts get a new NUMBER, cptcw11.txt VERSIONS based on separate sources get new LETTER, cptcw10a.txt THIS BOOK, VOLUME 31 IN THE CHRONICLES OF AMERICA SERIES, ALLEN JOHNSON, EDITOR, WAS DONATED TO PROJECT GUTENBERG BY THE JAMES J. KELLY LIBRARY OF ST. GREGORY'S UNIVERSITY; THANKS TO ALEV AKMAN. Scanned by Dianne Bean. Project Gutenberg Etexts are usually created from multiple editions, all of which are in the Public Domain in the United States, unless a copyright notice is included. -
Bbwcesro! Kr/ C*
'Vttijl <<^ BBwCESro! k R/ c* 8REHB •* '1 i' 1 ft^'r Hi _ Sft" 63* Scanned from the collections of The Library of Congress AUDIO-VISUAL CONSERVATION CONGRESS at The LIBRARY of u»i Packard Campus Conservation for Audio Visual www.loc.gov/avconservation Reading Room Motion Picture and Television www.loc.gov/rr/mopic Center Recorded Sound Reference www.loc.gov/rr/record Vol. XX. (JkaS? leMOtf ttffitXT* No. 1 / I?|?Ci jbf3 c "HERE THEY ARE! I'VE ROOKED 'EM!" t"| HATS the way to talk to your people as soon as you sign your contracts for the new 3 " {Pictures (Nationally Advertised) Let everybody in your town know what's coming to your theater next season. Advertise the stars, adver- of tise the plays. Tie up with the immense campaign neitional advertising. Use the trade marks. Your whole community is asking: "Where can we " see Paramount and Artcraft pictures ? Stand up and shout the glad news— fit HERE THEY ARE!" PLATERS-LASKY CORPORATION h&MOUS .JESSEl.lASKYMh.P^.CECILB.DEMILLEa>Kftr?Me™i J ADOLPllZtU<ORi'rM rNIW YORKy jadLdUJULcfggg ZEESS <w CHICAGO July 6, 19 18 — L. icturcs Another story of dramat- ic and emotional intensity which will win new thousands of admirers for the ablest young emotional star of the screen Sflorious Jldveniure By Edith Barnard Delano Directed by Hobart Henley This production is announced as "the story of every girl's dream and one girl's triumph. A drama of love's conflict with man's selfishness." The kind of story that Mae Marsh's own tremendous public selects for her to play in. -
Filed 07/15/15 Page 1 of 96 FILED 2015 Jul-15 PM 12:47 U.S
Case 5:10-cv-08023-KOB-JEO Document 53 Filed 07/15/15 Page 1 of 96 FILED 2015 Jul-15 PM 12:47 U.S. DISTRICT COURT N.D. OF ALABAMA IN THE UNITED STATES DISTRICT COURT FOR THE NORTHERN DISTRICT OF ALABAMA NORTHEASTERN DIVISION JIMMY DOYLE HINDMAN, ) ) Petitioner, ) ) v. ) 5:06-cr-00112-KOB-JEO ) 5:10-cv-08023-KOB-JEO THE UNITED STATES OF ) AMERICA, ) ) Respondent. ) MEMORANDUM OPINION The cases referenced above are before the court on the motion of petitioner Jimmy Doyle Hindman, to vacate, set aside, or correct his federal conviction and sentence pursuant to 28 U.S.C. § 2255. (Civ. Doc. 1, Crim. Doc. 153).1 Upon careful consideration, the court finds no need for an evidentiary hearing and that the motion is due to be denied. I. BACKGROUND A. Procedural History On March 29, 2006, the Grand Jury issued a multi-count indictment against Hindman, charging him in Counts One and Three with armed bank robbery, in violation of 18 U.S.C. §§ 2113(a) and (d). (Crim. Doc. 2). Counts Two and Four charged him with brandishing a firearm during the robberies, in violation of 18 U.S.C. § 924(c)(1)(A). (Id.). This court determined that 1References herein to “Civ. Doc(s). ___” are to the document numbers assigned by the Clerk of the Court in the present § 2255 civil case (Hindman v. United States, 5:10-cv-08023-KOB-JEO (N.D. Ala.)). References herein to “Crim. Doc(s). ___” are to the document numbers assigned by the Clerk of the Court in the defendant’s underlying criminal case (United States v. -
Ath001 Chronology of Limerick Athenaeum 2.Pdf
Introduction The Limerick Athenaeum is comprised of two separate buildings at Upper Cecil Street Limerick. The original building, which now houses the Limerick Vocational Educational Committee [LVEC], was built as the offices of the Commissioners of St. Michael’s Parish in 1833. It was, in effect, the Town Hall of Georgian Limerick. The second building, the Athenaeum Hall was built by the Limerick Athenaeum as a Lecture Theatre in 1855. 1833 MINUTES OF St MICHAEL'S PARISH COMMISSIONERS [Source: From original manuscripts at the Limerick Archives] April 19th 1833: At a meeting of the above, with William White in the Chair, it was resolved that the proposal of John Stokes end Michael Guerin to build the new Parish Offices be accepted, for the sum of'£ 1,070 sterling. The contractors have to expend £300 before they get any money from the Board. Nicholas Hannon is appointed superintendent. Report in the Limerick Chronicle of the 20th April 1833: "The Commissioners of St Michael's Parish, yesterday, agreed with Mr Stokes, architect, for the sum of £1,070 to erect premises for a Watch-House, Board-Room etc in Cecil Street, to be accomplished on the 1st January next". Extracts from the Minute Books of the Commissioners of St. Michael's Parish: Page 2: Creagh & Charles McMahon act as guarantors for contractors. Page l7: Letter from John Stokes re £200 payment for building costs. Page 20: Donel Barrington is agent for Earl of Limerick. John Fogerty is awarded £ 3-10-0 for plans of the new building. Page 24: £100 awarded to the builder. -
Serious Dialogue' to Aid Unity Pledged by Pope, Canterbury
THE VOICE OFFICIAL P.O. Box 1059 Miami, Fla. 33138 DIOCESE OF MIAMI Return Requested ^\TOICE HOLY WEEK - 1966 Appointments for Pontifical Ceremonies Weekly Publication of the Diocese of Miami Covering the 16 Counties of South Florida in the Cathedral of St. Mary VOL. VIII, No. 3 Price $5 a year ... 15 cents a copy APRIL 1, 1966 SECOND PASSION SUNDAY (Palm Sunday) April 3 (10:15 A.M.) Pontifical Blessing of (he Palms Serious Dialogue' To Aid Unity The Most Reverend Bishop, Celebrant The Very Reverend Monsignor David Bushey, Assistant Priest || The Right Reverend Monsignori Peter Reilly and Dominic \ Pledged By Pope, Canterbury Barry, Deacons of Honor. SOLEMN MASS CORAM EPISCOPO By JAMES C. O'NEILL The Very Reverend Monsignor Joseph O'Shea, Celebrant. ROME (NO — Pope Paul VI The Reverend Francis Lechiara, Deacon. and Anglican Archbishop Mi- chael Ramsey of Canterbury The Reverend Joseph Brunner, Subdeacon. ended their historic meetings in The Reverend Father John Glorie, Homily. Rome with a joint statement announcing the intention of the The Reverend Arthur R. DeBevoise and the Reverend David Roman Catholic Church and the Russell, Masters of Ceremonies. Anglican Communion to begin The Reverend Donald F. X. Connolly, Commentator. a "serious dialogue which . [ may lead to that unity in truth HOLY THURSDAY, APRIL 7 (10:30 A.M.) for which Christ prayed." Concelebrated Mass Of Chrism The joint statement, read both in Latin and English, was The Most Reverend Bishop, Principal Concelebrant. greeted by warm applause by The Very Reverend Monsignor David Bushey, Assistant Priest. | more than 5,000 people gather- ed m the basilica of St.