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Nouvelles Acquisitions
USB NOUVELLES ACQUISITIONS Janvier - février 2018 Cote Titre/Auteur Collection multimédia P - Linguistique et littérature PN 1997 .A1 W279 2013 no.84 Interview with the vampire : the vampire chronicles / [réalisé par Neil Jordan ; scénario de Anne Rice ; production, Studio Geffen Pictures]. PN 1997 .A1 W279 2013 no.85 Seven / [réalisé par David Fincher ; scénario de Andrew Kevin Walker ; production, New Line Cinema]. PN 1997 .A1 W279 2013 no.86 L.A. confidential / [réalisé par Curtis Hanson ; scénario de Curtis Hanson, Brian Helgeland ; adapté du roman de James Ellroy ; production, Regency Enterprises]. PN 1997 .A1 W279 2013 no.87 The matrix / [écrit et réalisé par The Wachowski Brothers ; production, Warner Bros., Village Roadshow Pictures, Silver Pictures]. PN 1997 .A1 W279 2013 no.88 The notebook / [réalisé par Nick Cassavetes ; scénario de Jeremy Leven ; adaptation du roman de Nicholas Sparks par Jan Sardi ; production, New Line Cinema]. PN 1997 .A1 W279 2013 no.89 Million dollar baby / [réalisé par Clint Eastwood ; scénario de Paul Haggis ; basé sur la nouvelle de F.X. Toole ; production, Warner Bros., Malpaso Productions, Lakeshore Entertainment]. PN 1997 .A1 W279 2013 no.90 Harry Potter and the philosopher's stone / [réalisé par Chris Columbus ; scénario de Steven Kloves, basé sur le roman de J.K. Rowling ; production, Warner Bros.]. PN 1997 .A1 W279 2013 no.91 The lord of the rings : the fellowship of the ring / [réalisé par Peter Jackson ; scénario de Fran Walsh, Philippa Boyens, Peter Jackson, d'après l'oeuvre de J. R. R. Tolkien ; production, New Line Cinema, WingNut Films, The Saul Zaentz Company]. PN 1997 .A1 W279 2013 no.92 The lord of the rings : the two towers / [réalisé par Peter Jackson ; scénario de Fran Walsh, Philippa Boyens, Stephen Sinclair, Peter Jackson, d'après l'oeuvre de J. -
The Ithacan, 1995-10-05
Ithaca College Digital Commons @ IC The thI acan, 1995-96 The thI acan: 1990/91 to 1999/2000 10-5-1995 The thI acan, 1995-10-05 Ithaca College Follow this and additional works at: http://digitalcommons.ithaca.edu/ithacan_1995-96 Recommended Citation Ithaca College, "The thI acan, 1995-10-05" (1995). The Ithacan, 1995-96. 7. http://digitalcommons.ithaca.edu/ithacan_1995-96/7 This Newspaper is brought to you for free and open access by the The thI acan: 1990/91 to 1999/2000 at Digital Commons @ IC. It has been accepted for inclusion in The thI acan, 1995-96 by an authorized administrator of Digital Commons @ IC. OPINION ACCENT SPORTS INDEX Accent .......................... 11 Holding the line An apple a day... Comeback victory Classifieds .................... 16 Comics ......................... 17 College should not extend Apple harvest offers sam Men's soccer team scores Opinion ........................... 8 benefits packages too far 8 pling of local fruits 17 in final minutes to seal win 19 Sports ........................... 19 Thursday, October 5, 1995 The Volume 63, Number 7 24 pages ITHACAN Free The Newspaper For The Ithaca College Community Park bequest used for special programs the request and discussing reasons for the Money left to office of president to provide "The gift is very important for need. for unbudgeted College needs the president to have to be Campus community members can request used to the educational advan these funds from Whalen by letter or by $40,000 a year to the president's office dis contacting him through their dean or direc By Heather Duncan cretionary fund during Park's lifetime. -
Demps: Born to Teach
75¢ Friday/ Saturday February 19-20, 2021 www.perrynewspapers.com GP-Foley at full operation TCHS evacuated A little over seven “To date, we’ve months after temporarily called approximately 70 idling two of three employees back to work. production lines and cutting Currently, we have over its workforce by 30%, the 400 employees working at local Georgia-Pacific (GP) the mill,” Mixon added. Students at Taylor County High School Foley Cellulose Mill has As a result of the evacuated to the nearby Dorsett Stadium returned to full operation worldwide economic Thursday afternoon as a precautionary and re-filled some 70downturn and reduced measure due to the school receiving positions. product demand associated a “suspicious letter” that contained an “We are very pleased to with the COVID-19 share that we re-started #2 pandemic, the GP Foley “unknown white powder.” No further details mill and sent sheet to reel mill “temporarily idled” regarding the incident were available as of on Tuesday last week,” GP production lines #2 and press time Thursday. Public Affairs Manager ➟ Please see page 2 Scott Mixon said. 4-H history on the hoof! Aman earns back-to-back grand champion buckles Senior Taylor County year, Aman took first & Sale held in Madison 4-H Livestock Club place and earned “Grand this week. member Noah Aman is no Champion” honors in Aman and his steer stranger to knowing what the Feeder Steer and named “Bandit” – a it takes to win a Grand Homegrown Feeder short horn cross breed – Champion buckle. divisions at the North ➟ Please see page 2 For the second straight Florida Livestock Show Liz Newman is pictured with her first-place swine “Hoss” and her Grand Champion belt buckle. -
Human' Jaspects of Aaonsí F*Oshv ÍK\ Tke Pilrns Ana /Movéis ÍK\ É^ of the 1980S and 1990S
DOCTORAL Sara MarHn .Alegre -Human than "Human' jAspects of AAonsí F*osHv ÍK\ tke Pilrns ana /Movéis ÍK\ é^ of the 1980s and 1990s Dirigida per: Dr. Departement de Pilologia jA^glesa i de oermanisfica/ T-acwIfat de Uetres/ AUTÓNOMA D^ BARCELONA/ Bellaterra, 1990. - Aldiss, Brian. BilBon Year Spree. London: Corgi, 1973. - Aldridge, Alexandra. 77» Scientific World View in Dystopia. Ann Arbor, Michigan: UMI Research Press, 1978 (1984). - Alexander, Garth. "Hollywood Dream Turns to Nightmare for Sony", in 77» Sunday Times, 20 November 1994, section 2 Business: 7. - Amis, Martin. 77» Moronic Inferno (1986). HarmorKlsworth: Penguin, 1987. - Andrews, Nigel. "Nightmares and Nasties" in Martin Barker (ed.), 77» Video Nasties: Freedom and Censorship in the MecBa. London and Sydney: Ruto Press, 1984:39 - 47. - Ashley, Bob. 77» Study of Popidar Fiction: A Source Book. London: Pinter Publishers, 1989. - Attebery, Brian. Strategies of Fantasy. Bloomington and Indianapolis: Indiana University Press, 1992. - Bahar, Saba. "Monstrosity, Historicity and Frankenstein" in 77» European English Messenger, vol. IV, no. 2, Autumn 1995:12 -15. - Baldick, Chris. In Frankenstein's Shadow: Myth, Monstrosity, and Nineteenth-Century Writing. Oxford: Oxford Clarendon Press, 1987. - Baring, Anne and Cashford, Jutes. 77» Myth of the Goddess: Evolution of an Image (1991). Harmondsworth: Penguin - Arkana, 1993. - Barker, Martin. 'Introduction" to Martin Barker (ed.), 77» Video Nasties: Freedom and Censorship in the Media. London and Sydney: Ruto Press, 1984(a): 1-6. "Nasties': Problems of Identification" in Martin Barker (ed.), 77» Video Nasties: Freedom and Censorship in the MecBa. London and Sydney. Ruto Press, 1984(b): 104 - 118. »Nasty Politics or Video Nasties?' in Martin Barker (ed.), 77» Video Nasties: Freedom and Censorship in the Medß. -
Se7en: Medieval Justice, Modern Justice
City University of New York (CUNY) CUNY Academic Works Publications and Research John Jay College of Criminal Justice 2010 Se7en: Medieval Justice, Modern Justice Valerie Allen CUNY John Jay College of Criminal Justice How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/jj_pubs/188 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] Se7en: Medieval Justice, Modern Justice VALERIE ALLEN The World’s Iniquity NDREW KEVIN WALKER WROTE THE SCRIPT FOR SE7EN AS A ‘‘CYNICAL ‘love letter’’’ to New York, the dirty, noisy metropolis in which Ahe spent five years being miserable (Salisbury 86). On its streets, he watched the seven deadly sins performed daily, and they inspired the plot of a series of killings—each victim him or herself the perpetrator of a sin. Detective William Somerset, about to retire, teams up to solve the case with his young, idealistic replacement, David Mills. On the run after the detectives’ lucky strike on his apartment, John Doe, the serial killer, turns himself in after only the fifth murder (gluttony, greed, sloth, lust, and pride). Luring the detectives with the promise of the last two bodies (envy and anger), Doe presents Mills with the head of the young detective’s wife, claiming envy as his besetting sin. Disregarding Som- erset’s pleas for restraint, Mills shoots Doe, incarnating himself as wrath, and completing Doe’s bloody plan. Like Walker, his authorial creator, John Doe watched the deadly sins performed daily: DAVID MILLS: I thought all you did was kill innocent people. -
Diplomarbeit
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by OTHES DIPLOMARBEIT Titel der Diplomarbeit „Das Product Placement der Automobilindustrie im Hinblick auf die Imageübertragung zwischen Auto und Star anhand von ausgewählten Beispielen“ Verfasser Roland Schrotthofer Angestrebter akademischer Grad Magister der Philosophie (Mag. phil.) Wien, 2011 Studienkennzahl lt. Studienblatt: A 317 Studienrichtung lt. Studienblatt: Theater-, Film- und Medienwissenschaft Betreuer: Mag. Dr. Claus Tieber Ich widme diese Arbeit meiner Mutter Josefa Schrotthofer. Besonderer Dank gilt meinem Betreuer Mag. Dr. Claus Tieber für die geduldige Begleitung dieser Diplomarbeit und die vielen hilfreichen Denkanstöße und Tipps, die er mir für diese Arbeit gegeben hat. Einen herzlichen Dank möchte ich an meine Freundin aussprechen, die mir bei vielen Teilen dieser Arbeit in Gesprächen mit ihrer Meinung und ihren Hinweisen geholfen sowie mir immer wieder Mut zugesprochen hat und ohne deren Beistand diese Arbeit wohl noch nicht fertig wäre. Ein herzliches Dankeschön ergeht auch an meinen Bruder, Robert Schrotthofer, der mir mit seiner Erfahrung, die er beim Schreiben seiner Diplomarbeit gesammelt hat, immer mit Rat und Tat zur Seite stand. Weiters bedanke ich mich für die Unterstützung und die vielen aufmunternden Worte bei meiner Schwester Andrea Lang und bei Herrn Dr. Walter Schönegger. INHALTSVERZEICHNIS I. EINLEITUNG ................................................................................ 4 II. PRODUCT PLACEMENT ............................................................ -
Rock”N”Roll Cinema
Rock’n’Roll Cinema Adam Trainer Bachelor of Arts With First Class Honours in Media Studies This thesis is submitted for the degree of Doctor of Philosophy School of Media, Communication and Culture Murdoch University 2005 I declare that this thesis is my own account of my research and contains, as its main content, work which has not previously been submitted for a degree at any tertiary educational institution. Adam Trainer Refereed Publications Adam Trainer. ‘“Well I Wouldn’t Buy the Merchandise”: David Bowie as Post -Auteur’ in Senses of Cinema 28. September/October, 2003. http://www.sensesofcinema.com/contents/03/28/bowie_postmodern_auteur.html This journal article was derived from Chapter Five Adam Trainer. ‘The Business of Living: Secrets & Lies’ in Australian Screen Education 36. September, 2004. pp. 127-129. This journal article was written in association with research on cinematic realism, as featured in Chapter Four. Adam Trainer. ‘“They Made Me Do It”: The Mad World of Donnie Darko’ in Australian Screen Education 37. January, 2005. pp. 138-142. This journal article was derived from Chapter Three. Adam Trainer. ‘“It’s Not My Fault You Hate My Band”: Perth Art Rock’ in Liverpool of the South Seas: Perth and Its Popular Music. Tara Brabazon ed. Crawley: University of Western Australia Press, 2005. pp. 127-135. This chapter was written in association with research on experimental music, as presented in Chapter Six. Adam Trainer. ‘A Crooked Crooked Reign’ in Liverpool of the South Seas: Perth and Its Popular Music. Tara Brabazon ed. Crawley: University of Western Australia Press, 2005. pp. -
Titles Ordered January 27 - February 3, 2017
Titles ordered January 27 - February 3, 2017 Blu-Ray Adventure Blu-Ray Release Date: Elba, Idris The Take http://catalog.waukeganpl.org/record=b1545735 2/7/2017 Hanks, Tom Inferno / a Columbia Pictures, Imagine Entertainment http://catalog.waukeganpl.org/record=b1545732 1/24/2017 presentation in association with L Star Capital produced by Brian Grazer, Ron Howard screenplay written by David Koepp directed by Ron Howard. Comedy Blu-Ray Release Date: Beatty, Warren Rules Don't Apply http://catalog.waukeganpl.org/record=b1545802 2/28/2017 Craig, Kelly Fremon The Edge of Seventeen (DVD + Digital HD with http://catalog.waukeganpl.org/record=b1545725 2/14/2017 Ultravio) Talbert, David E. Almost Christmas (DVD + Digital HD with Ultravio) http://catalog.waukeganpl.org/record=b1545722 2/7/2017 Thornton, Billy Bob Bad Santa 2 http://catalog.waukeganpl.org/record=b1545730 2/21/2017 Wilson, Owen Masterminds / a Relativity Studios release and http://catalog.waukeganpl.org/record=b1545734 1/31/2017 presentation, in association with Surefire Entertainment Capital, of a Relativity Studios, Michaels/Goldwyn production produced by John Goldwyn, Lorne Michaels, Andrew Panay written by Chris Bowman, Hubbe Drama Blu-Ray Release Date: Affleck, Casey Manchester By The Sea http://catalog.waukeganpl.org/record=b1545733 2/21/2017 Ali, Mahershala Moonlight http://catalog.waukeganpl.org/record=b1545785 2/28/2017 Fanning, Dakota American pastoral / produced by Andre Lamal, Gary http://catalog.waukeganpl.org/record=b1545747 2/7/2017 Mucchesi, Tom Rosenberg screenplay -
The Hollywood Novelization: Film As Literature Or Literature As Film Promotion?
The Hollywood Novelization: Film as Literature or Literature as Film Promotion? Johannes Mahlknecht University of Innsbruck, American Studies Abstract Hollywood movie novelizations are novels based on mainstream films and published about the time these films are released in theaters. The present article explores the ambiguous status of this generally little- esteemed and frequently ignored form of adaptation. On the one hand, novelizations are works of literature that can be enjoyed without knowledge of the film they are based on; on the other, they can be (and often are) seen as mere tools of film advertising. This latter aspect becomes particularly evident when looking at the cover design of a novelization. It invariably features the film’s artwork (the poster image, stills, and/or typography used for promoting the film) and frequently highlights the film’s stars rather than the book’s author. By analyzing a selection of book covers of novelized versions of recent films and comparing the novelization of Terminator Salvation (Foster 2009b) with the film Terminator( Salvation 2009, dir. McG) it is based on, the article traces and exam- ines the frictions between the opposing forces—literature and film marketing—that define the genre. This article was written as part of the research project Framing Media: The Periphery of Fic- tion and Film at the University of Innsbruck, Austria, funded by the Austrian Science Fund (FWF) and headed by Mario Klarer. I would like to take this opportunity to thank Meir Sternberg and the anonymous referees of Poetics Today for their many priceless suggestions that helped improve this article. -
The Black List 2005
THE BLACK LIST 2005 THE BLACK LIST was compiled from the suggestions of over 90 film executives and high-level assistants, each of whom contributed the names of up to ten of their favorite scripts that were written in or are somehow uniquely associated with 2005 and will not be released in theaters during this calendar year. All reasonable effort was made to confirm the information contained herein. THE BLACK LIST apologizes for all misspellings, misattributions, incorrect representation identification, and questionable “2005” affiliations. If no representation information is listed, THE BLACK LIST could not determine whether or not the writer is currently represented. If they are not, it is so indicated. THE BLACK LIST is not a “best of” list. It is, at best, a “most liked” list. Enjoy. THE BLACK LIST is well aware of the irony of its name. THE BLACK LIST 2005 twentytwenty----fivefive mentions THINGS WE LOST IN THE FIRE Allan Loeb CAA Carin Sage twentytwenty----fourfour mentions JUNO Diablo Cody Gersh Sarah Self fifteen mentions LARS AND THE REAL GIRL Nancy Oliver UTA Tobin Babst fourteen mentions ONLY LIVING BOY IN NEW YORK Allan Loeb CAA Carin Sage thirteen mentions CHARLIE WILSON'S WAR Aaron Sorkin Endeavor Jason Spitz ten mentions KITERUNNER, THE David Benioff CAA Todd Feldman nine mentions FANBOYS Adam Goldberg WMA Ken Freimann POWER OF DUFF, THE Stephen Belber BWCS Todd Hoffman eight mentions AGAINST ALL ENEMIES Jamie Vanderbilt Endeavor Adriana Alberghetti seven mentions A KILLING ON CARNIVAL ROW Travis Beacham WMA Cliff Roberts -
"Seven" Movie Full Story Map by Daniel Calvisi | Http
Seven Story Map by Daniel Calvisi Act Four Screenplays SEVEN Serial Killer Thriller Written by Andrew Kevin Walker Directed by David Fincher Running Time: 121 minutes BASIC STORY MAP PROTAGONIST: DETECTIVE WILLIAM SOMERSET, jaded cop, one week from retirement Skill: Intellectual Misbehavior: Even-tempered and contemplative (thus clashing with his hot-headed partner, David Mills) EXTERNAL GOAL: To catch the killer INTERNAL GOAL: To retire and move away MAIN DRAMATIC CONFLICT: John Doe and Mills THEME: Is the world worth saving? CENTRAL DRAMATIC QUESTION: Can Somerset and Mills work together to catch John Doe? THE ENDING: Mills kills John Doe, thus completing the cycle of seven deadly sins, and Somerset decides to remain on the job. ARC: Somerset goes from a jaded cop close to retirement to a mentor for a younger detective to a commitment to remain in the city and help solve crimes. LOGLINE: Two detectives hunt a brutal serial killer who has based his murders on the seven deadly sins. Seven Story Map by Daniel Calvisi Act Four Screenplays FULL STORY MAP STORY ENGINES ACT 1: Somerset struggles to retire in peace, but is sucked in by the emergence of a serial killer who is inspired to kill by the Seven Deadly Sins. ACT 2A: Somerset and Mills follow clues to find the killer before his next murder. ACT 2B: They battle John Doe, but he escapes. They find his latest victim, the most grisly murder yet, and Somerset quits the case. ACT 3: Somerset must contain Mills and protect him from John Doe. THE BEAT SHEET (note: this is not a complete scene list) ACT ONE 1 - OPENING: DET. -
Proquest Dissertations
NOTE TO USERS This reproduction is the best copy available. UMI* HORROR AND REENCHANTMENT: A SUPERNATURAL GENRE IN A SECULAR AGE SCOTT PRESTON A DISSERTATION SUBMITTED TO THE FACULTY OF GRADUATE STUDIES IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY JOINT PROGRAM IN COMMUNICATION AND CULTURE YORK UNIVERSITY TORONTO, CANADA APRIL 2010 Library and Archives Bibliotheque et 1*1 Canada Archives Canada Published Heritage Direction du Branch Patrimoine de Pedition 395 Wellington Street 395, rue Wellington Ottawa ON K1A 0N4 OttawaONK1A0N4 Canada Canada Your file Votre reference ISBN: 978-0-494-64932-9 Our file Notre reference ISBN: 978-0-494-64932-9 NOTICE: AVIS: The author has granted a non L'auteur a accorde une licence non exclusive exclusive license allowing Library and permettant a la Bibliotheque et Archives Archives Canada to reproduce, Canada de reproduire, publier, archiver, publish, archive, preserve, conserve, sauvegarder, conserver, transmettre au public communicate to the public by par telecommunication ou par I'lnternet, prefer, telecommunication or on the Internet, distribuer et vendre des theses partout dans le loan, distribute and sell theses monde, a des fins commerciales ou autres, sur worldwide, for commercial or non support microforme, papier, electronique et/ou commercial purposes, in microform, autres formats. paper, electronic and/or any other formats. The author retains copyright L'auteur conserve la propriete du droit d'auteur ownership and moral rights in this et des droits moraux qui protege cette these. Ni thesis. Neither the thesis nor la these ni des extraits substantiels de celle-ci substantial extracts from it may be ne doivent etre imprimes ou autrement printed or otherwise reproduced reproduits sans son autorisation.