DOCSLIB.ORG

Art Basel Announces 2014 Program for Miami Beach from December 3

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Art Basel Announces 2014 Program for Miami Beach from December 3 PRESS RELEASE MIAMI BEACH | NOVEMBER 11 | 2014 Film: Art Basel announces 2014 program for Miami Beach From December 3 through 7, 2014, Art Basel’s Film sector will include over 80 films and videos selected by David Gryn, director of London's Artprojx. In addition, This Brunner, the film connoisseur and long-time Art Basel collaborator has selected the feature-length film Big Eyes (2014), directed by Tim Burton, for a special screening at the Colony Theatre on Friday, December 5. Gryn’s program of film and video works, drawn from the show's participating galleries, includes work by Charles Atlas, Martin Creed, Susan Hiller, Parker Ito, Mark Leckey, Babette Mangolte, Takeshi Murata, Laure Prouvost, Alex Prager, Mark Wallinger, and a tribute to Harun Farocki, who passed away this July. In conjunction with the popular outdoor screenings in SoundScape Park on the 7,000-square-foot outdoor projection wall of the New World Center, an extended film program will be presented within Art Basel’s newly designed film viewing room inside the Miami Beach Convention Center. Directed and produced by Tim Burton, Big Eyes (2014) tells the true story of one of the most epic art frauds in history. In the late 1950s and early 1960s, painter Walter Keane (Christoph Waltz) revolutionized the commercialization of popular art with his enigmatic paintings of waifs with big eyes. Yet, the truth would eventually be discovered: Keane’s works were actually not created by him, but by his wife, Margaret Keane (Amy Adams). Big Eyes (2014) centers on Margaret’s awakening as an artist, the phenomenal success of her paintings, and her tumultuous relationship with her husband, who was catapulted to international fame while taking credit for her work. The feature film has been selected by Zurich collector This Brunner, a curator of Art Basel's Film sectors since 1992. Big Eyes (2014) will be shown at the Colony Theatre, 1040 Lincoln Road, Miami Beach at 8.30pm on Friday, December 5, 2014. Entry is free, but seating is limited. The film will be on general release in the United States from December 25. Curated around the notion of Playfulness, David Gryn’s fourth selection for Film will feature a wide array of film and video works: from Susan Hiller’s scientific Resounding (Infrared) (2014) to Atsushi Kaga’s dark and quirky 2007 series of hand-drawn animations and Hans Op de Beeck’s sublime Parade (2012). A highlight of the program will pair Charles Atlas’s 1986 film Ex Romance, and a new Miami Beach-specific edit of Parker Ito’s Wipeout XL. Artist Tabor Robak and David Gryn will co-curate a series of films addressing the unearthly reverberations of the Internet, gaming, and digital magical- realism, featuring work by younger artists Jon Rafman and Oliver Laric, alongside a tribute to the late Harun Farocki. The program will also look at dance in film with works by Dara Friedman, Rashaad Newsome and the seminal filmmaker Babette Mangolte. Every evening from 6pm to the start of the first film screening, sound works by Larry Achiampong, Jennie C. Jones, Stephen Vitiello and Raed Yassin will be presented on the state-of-the arts surround sound system in SoundScape Park. Art Basel, whose Lead Partner is UBS, has expanded its commitment to showing diverse film and video works by designing a dedicated film viewing room within the Miami Beach Convention Center’s exhibition halls. An extended selection of over 100 selected works, also curated by Gryn, will be presented for individual, viewer-directed private screening. Access is free with an entry ticket to the show. On Friday, December 5, at 2pm, Art Basel's Salon program will feature Playfulness: artists as online gamers, surfers and armchair digital revolutionaries, a talk between David Gryn and the artists Tabor Robak and Rachel Rose, moderated by the curator Chrissie Iles. Art Basel entry tickets include admission to Salon. For the full gallery list and extended film program, please visit: artbasel.com/miamibeach/film. GENERAL INFORMATION Daily (December 3 – 7) Miami Beach Convention Center Film Library In conjunction with the outdoor program, over 100 selected works will be presented on six touch-screen monitors within the newly designed Film Library. Access with a show entrance ticket. Nightly (December 3 – 6) SoundScape Park Evening Film Program Outdoor screenings will take place in SoundScape Park on the 7,000-square-foot outdoor projection wall of the New World Center, a three-minute walk from the Miami Beach Convention Center. Admission to Film at SoundScape Park is free. Visitors are encouraged to bring blankets and lawn chairs. Every evening from 6pm to the start of the first film screening, sound works by different artists will be presented in SoundScape Park: Wednesday: Stephen Vitiello, Scraped and Bowed, 2013-2014, Courtesy of the artist Thursday: Larry Achiampong, The Mogya Project, 2014, Courtesy of the artist Friday: Jennie C. Jones, From the Low to Higher Resonance, 2011-2014, Sikkema Jenkins & Co. Saturday: Raed Yassin, The Deaf Oud, 2010), Kalfayan Galleries Free public access, seating is limited – bring a blanket or lawn chair. Friday, December 5 | 8.30pm | Colony Theatre Special Film Screening Big Eyes, 2014, by Tim Burton Running time 108' The feature film selected by curated This Brunner will be shown at the Colony Theatre, 1040 Lincoln Road, Miami Beach. The screening is followed by a panel discussion with key figures in the film's production. Entry is free, but seating is limited. DETAILED FILM PROGRAM CURATED BY DAVID GRYN Wednesday, December 3 | 8pm | Playfulness Running time 65' In this program the intelligence, wit, and humor of artists such as Turner Prize winners Mark Leckey, Elizabeth Price, Martin Creed, and Laure Prouvost will be punctuated, among others, by the brief digitally animated paintings of Hayal Pozanti and the slapstick human sculptural intervention of Wood & Harrison. Hayal Pozanti, A Lifetime of Likes, 2014, 25", Jessica Silverman Gallery Wood & Harrison, Board, 1993, 3'02'', Carroll / Fletcher Alex Rodríguez, Nocturno 2, 2013, 3'59'', Casas Riegner Hayal Pozanti, IP Overlords, 2014, 12", Jessica Silverman Gallery Mark Leckey, Pearl Vision, 2012, 3'10'', Gavin Brown’s enterprise, Cabinet, Galerie Buchholz Wood & Harrison, Headstand, 1995, 1'02'', Carroll / Fletcher Brian Bress, The Portrait Room, 2006, 4'10'', Cherry and Martin Hayal Pozanti, Mobile Blinders, 2014, 15", Jessica Silverman Gallery Elizabeth Price, The Tent, 2012, 12', MOT International Rachel Rose, A Minute Ago, 2014, 8'43'', Courtesy of the artist Hayal Pozanti, Virtual Diaspora, 2014, 22", Jessica Silverman Gallery Camille Henrot, Coupé/Décalé, 2010, 5'20'', Metro Pictures, kamel mennour Wood & Harrison, Device, 1996, 2'45'', Carroll / Fletcher Tomislav Gotovac, Feeling 7, 2000, 4'06'', Alexander Gray Associates, galerie frank elbaz Hayal Pozanti, Empathy Box, 2014, 22", 2014, 25", Jessica Silverman Gallery Taro Izumi, Steak House, 2009, 3'51'', Galerie Georges-Philippe & Nathalie Vallois Laure Prouvost, For A Better Life, 2006, 1'52'', MOT International Wood & Harrison, Three-Legged, 1997, 3'39'', Carroll / Fletcher Martin Creed, Work No. 670 Orson and Sparky, 2007, 4'16'', Hauser & Wirth Wednesday, December 3 | 9pm | Armchair Surfers Running time 60' The artists in this program place a mirror in front of us – the Armchair Surfers of the 21st century – to explore the impact of an all-encompassing digitized world on humanity. In these works humor, titillation, coolness, memories, self-absorption and otherwise quirky reflections merge with our daily consumption of social media. CAR (Conceptual Artists Research/Michelle Grabner), Pool, 1996, 3'10'', James Cohan Gallery Saya Woolfalk, ChimaTek: Hybridization Machine, 2013, 3'40'', Leslie Tonkonow Artworks + Projects Chris Doyle (with music by Joe Arcidiacono), Waste_Generation, 2010-2011, 6'29'', Andrew Edlin Gallery CAR (Conceptual Artists Research/Michelle Grabner), Egg Toss, 1996, 1'52'', James Cohan Gallery Charles Richardson, Rehearsal (Miami edit), 2014, 4’, Courtesy of the artist Nate Boyce, Scroll Sequence, 2014, 5'33'', Altman Siegel Dashiell Manley, Untitled, 2011, 7'49'', Jessica Silverman Gallery Florian Meisenberg, You are certainly entitled to this opinion, 2014, 7'40'', Wentrup Leo Gabin, Oh Baby, 2013, 2'49'', Elizabeth Dee, Peres Projects CAR (Conceptual Artists Research/Michelle Grabner) and David Robbins, Appleton East High School Band, 1999, 1'33'', James Cohan Gallery Clunie Reid, Wet Dave (boom boom), 2009, 5'34'', MOT International Saya Woolfalk, Chimera, 2013, 2'49'', Leslie Tonkonow Artworks + Projects Jayson Musson, Art Thoughtz with Hennessy Youngman: Beuys-Z, 2011, 5'11'',Salon 94 Wednesday, December 3 | 10pm | Ex-Romance Running time 64' Charles Atlas has been a pioneering figure in film and video for over four decades, working with some of the most seminal, groundbreaking choreographers of our time, such as Michael Clark and the late Merce Cunningham. In this program, Atlas’s film Ex- Romance (1986) will be paired with a special 2014 Miami-edit of Wipeout XL by Parker Ito, heightening the common ground between the artists' incongruous interests – from Tarot to foot-fetishes. Charles Atlas, Ex Romance, 1986, 48'23'', Luhring Augustine Parker Ito, Wipeout XL (Miami Beach), 2014 15’44”, Courtesy of the artist Thursday, December 4 | 10pm | The Digital Revolutionaries Running time 67' Co-curated by the artist Tabor Robak and David Gryn, this program will address the unearthly reverberations of the Internet, gaming, and digital
Load more

Recommended publications
  • Art Scout: 11 Must-See Shows Before 2014 Ends, and a Few to Carry You Into 2015
    Art Scout: 11 Must-See Shows Before 2014 Ends, and a Few to Carry You Into 2015 By Alanna Martinez • 12/16/14 6:31pm Hannah Barrett, Summer Shepherds (2013). (Courtesy Regina Rex) In this special edition of Art Scout, rather than highlight just one show of importance we’re giving you a whole list of shows we hope you won’t miss before they close—and a few that will still be open when you return from the Holidays. “Steve Gianakos: Accessories and Other Girlie Desire” at Fredericks & Freiser, Through December 20 Done in the style of 1950s children’s books, Steve Gianakos’ acrylic paintings are anything but innocent lessons disguised as simple stories. Instead, a sea monster locks lips with a topless beauty in She Was In No Hurry to be Married Again (2013), an interoffice sex scandal takes place in plain sight in The Boss’ Wife’s Sister (2013), and the artist’s perverse thoughts are translated in thought bubble format in It Was Hard to Tell What She Was Thinking (2014). Steve Gianakos, She Was In No Hurry to be Married Again (2013). (Courtesy Fredericks & Freiser) Shea Hembrey: MultiVerses at Bryce Wolkowitz Gallery, Through December 20 This solo show is presented as a faux group show starring fictional artists Artemesia Adebayo, Pawnee Calhoun, Harvey Lee, Elgin Rivers, and Phyllia Stanhope. In keeping with Mr. Hembrey’s fascination with nature and science, the central theme of “Multiverses” is the cosmos. Shea Hembrey, Pawnee Calhoun untitled (double portal) (2014). (Courtesy Bryce Wolkowitz Gallery) “Susan Te Kahurangi King: Drawings from Many Worlds” at Andrew Edlin Gallery, Through December 20 Independent curator Chris Byrne (co- founder of the Dallas Art Fair and author of the graphic novel The Magician) has put together the first U.S.
    [Show full text]
  • AV-Big Eyes-2
    By Jon Ronson Sun 26 Oct 2014 https://www.theguardian.com/artanddesign/2014/oct/26/art-fraud-margaret-walter-keane-tim-burton-biopic The big-eyed children: the extraordinary story of an epic art fraud In the 1960s, Walter Keane was feted for his sentimental portraits that sold by the million. But in fact, his wife Margaret was the artist, working in virtual slavery to maintain his success. She tells her story, now the subject of a Tim Burton biopic Margaret Keane at home in Napa, California. For years, she painted portraits of big-eyed children for which her husband took the credit. Photograph: Robert Gumpert for the Guardian here’s a sweet, small suburban house in the vineyards of Napa, northern California. Inside, a family of devout Jehovah’s Witnesses bustles around, offering me a cheese T plate. A Siamese cat weaves in and out of my legs. Everything is lovely. Sitting unobtrusively in the corner is 87-year-old Margaret Keane. “Would you like some macadamia nuts?” she asks. She hands me Jehovah’s Witness pamphlets too. “Jehovah looks after me every day,” she says. “I really feel it.” She is the last person you’d expect to be a participant in one of the great art frauds of the 20th century. This story begins in Berlin in 1946. A young American named Walter Keane was in Europe to learn how to be a painter. And there he was, staring heartbroken at the big-eyed children fighting over scraps of food in the rubbish. As he would later write: “As if goaded by a kind of frantic despair, I sketched these dirty, ragged little victims of the war with their bruised, lacerated minds and bodies, their matted hair and runny noses.
    [Show full text]
  • MINOR HISTORIES Statements, Conversations, Proposals MIKE KELLEY Edited by John C
    KELLEY MINOR HISTORIES Statements, Conversations, Proposals MIKE KELLEY edited by John C. Welchman What John C. Welchman calls the “blazing network of focused conflations” from which Mike Kelley’s styles are generated is on display in all its diversity in this second volume of his writings. The first volume, Foul Perfection, contained thematic essays and writings about other artists; this collection concentrates on Kelley’s own work, ranging from texts in “voices” that grew out of scripts for performance pieces to expository critical and autobiographical writings. Minor Histories organizes Kelley’s writings into five sections. “Statements” consists of twenty pieces produced MINOR between 1984 and 2002 (most of which were written to accompany exhibitions), including “Ajax,” which draws on MIKE KELLEY Homeric epic, Colgate-Palmolive advertising, and Longinus to present its eponymous hero; “Some Aesthetic High Points,” an exercise in autobiography that counters the standard artist bio included in catalogs and press releases; and a sequence of “creative writings” that use mass cultural tropes in concert with high art mannerisms—approximating in prose the visu- MINOR HISTORIES al styles that characterize Kelley’s artwork. “Video Statements and Proposals” are introductions to videos made by Kelley and other artists, including Paul McCarthy and Bob Flanagan and Sheree Rose. “Image-Texts” offers writings that accom- Statements, Conversations, Proposals pany or are part of artworks and installations. This section includes “A Stopgap Measure,” Kelley’s zestful millennial essay in social satire, and “Meet John Doe,” a collage of appropriated texts. The section “Architecture” features a discussion of Kelley’s Educational Complex (1995) and an interview in which he reflects on the role of architecture in his work.
    [Show full text]
  • AMY ADAMS Five Time Academy Award Nominated and Golden
    AMY ADAMS Five time Academy Award nominated and Golden Globe winning actress Amy Adams has built an impressive body of work, challenging herself with each new role. Adams was most recently seen in Batman v Superman: Dawn of Justice, the sequel to the highly successful Man of Steel which was released in 2013, as Lois Lane opposite Henry Cavill as Superman and Ben Affleck as Batman. The film was released by Warner Bros, on March 25, 2016 and to date has grossed $8.8 million worldwide at the box office. Adams is currently in production on Justice League Part One in which she reprises her role as Lois Lane. Adams is also set to star in Denis Villenueve’s Story of Your Life opposite Jeremy Renner and Forest Whitaker. Taking place after alien crafts land around the world, the film follows the story of an expert linguist (Adams) who is recruited by the military to determine whether the aliens come in peace or are a threat. Paramount Pictures will release the film in the fall of 2016. Adams recently wrapped production on Tom Ford’s Nocturnal Animals opposite Jake Gyllenhaal. The film, based on Austin Wright's 1993 novel “Tony and Susan” will be released by Focus Features in December 2016. Adams will next go into production on HBO’s high-profile drama series Sharp Objects in which she will star and executive produce with Jean-Marc Vallee at the helm as director. Based on Gillian Flynn’s New York Times Best Selling book by the same name the series centers on a reporter (Adams) who confronts the psychological demons from her past when she returns to her hometown to cover a violent murder.
    [Show full text]
  • Read Book Tim Burton Ebook, Epub
    TIM BURTON PDF, EPUB, EBOOK Antoine De Baecque | 224 pages | 26 Oct 2011 | Cahiers du Cinema | 9782866428068 | English | Paris, France Tim Burton PDF Book Retrieved October 23, Sign In. Show all 6 Self. In those old Disney movies there is death and horror all the time. The Animated Movie Guide. You don't get it with all animals. Chicago Sun-Times. Filming began in Vancouver, British Columbia , in mid June 22, Armando Iannucci Movies. Tell us what you think about this feature. He attended the California Institute of the Arts, studying character animation. The iconography of Nightmare Before Christmas , originally conceived by Burton, has become ubiquitous amongst a plethora of goth subcultures — and it remains a testament to the emotional power of stop motion animation. I don't go on the internet really much at all. After the success of Batman , Burton agreed to direct the sequel for Warner Bros. Mia Wasikowska was cast as Alice. Batman returns to the big screen when a deformed man calling himself the Penguin wreaks havoc across Gotham with the help of a cruel businessman. In , an Air Force astronaut crash-lands on a mysterious planet where evolved, talking apes dominate a race of primitive humans. But I think it's also a kind of lonely and dark thing to want to do. Edward looked human, but was left with scissors in the place of hands due to the untimely death of his creator. Retrieved January 24, Error: please try again. And that was the emotion of it. Christopher Lee , one of Hammer's stars, was given a cameo role.
    [Show full text]
  • Halloween S.F. Vs. L.A. by Michael Snyder Now Everyone Knows in Question, Let Me Remind That Halloweentown Isn’T You That the Team Colors of H-Oh
    14 Up Front 20 A&E 24 Calendar Back Story: Beyl’s Michael Snyder: October Events: With America’s paper memories 6 Top 10 fright films 20 Cup over, it’s time to find other things to do for yourself, your Food & Wine Real Estate family, and your out-of-town visi- Critical Crass: RE Investor: tors. Check out our complete list Female critics hurt- Local residential and of concerts, nightlife, galas, films, ing their own 14 commercial news 34 activities, and more. 24 WWW.MARINATIMES.COM CELEBratinG OUR 29TH YEAR VOLUME 29 ISSUE 10 OCTOBER 2013 Three plans vie for Crissy Field go-ahead George Lucas among hopefuls seeking to build cultural institutions on old Sports Basement site by marilyn damon diamond Sports Basement is relocating to Mason Street, and at press time ontroversy is nothing the Presidio Trust was reviewing new when it comes to the environmental assessment planning major addi- for that move. tions or changes to the Those vying to be selected to CPresidio of San Francisco’s mili- develop the spot near Crissy Field tary base-turned-national park. have been narrowed to three: the The Lucas Cultural Arts Museum design IMAGE: DAVID PERRY & ASSOCIATES Promotors of several new plans Lucas Cultural Arts Museum, pro- have found that to be the case as posed by filmmaker George Lucas; new civic space that curates and interactive public programs and Lucas Cultural Arts Museum. they try to convince the public the Golden Gate National Parks creates unique visitor experienc- activities, including installa- This museum would bring to and city officials of the benefits of Conservancy, called The Presidio es at the Presidio, according to tions, art exhibits, workshops, the community a state-of-the- selecting their plan.
    [Show full text]
  • Big Eyes Is a 2014 American Biographical Drama Film Directed by Tim Burton , and Starring Amy Adams and Christoph Waltz
    Big Eyes 16.02.15 CONCA VERDE – talk by Peter Anderson (form Wikipedia) Big Eyes is a 2014 American biographical drama film directed by Tim Burton , and starring Amy Adams and Christoph Waltz . The film focuses on American artist Margaret Keane (Adams), whose work was fraudulently claimed in the 1950s and 1960s by her then-husband, Walter Keane (Waltz), and their heated divorce trial after Margaret accused Walter of stealing credit for her paintings. The film had its world premiere in New York City on December 15, 2014. [4] It was released theatrically on December 25, 2014, in the United States by The Weinstein Company .[5] The film was met with positive reviews and was nominated for three Golden Globe Awards , with Adams winning Best Actress . Adams was also nominated for a BAFTA Award for Best Actress for her performance in the film. Reception Big Eyes has received positive reviews, particularly for Waltz and Adams' performances, the script and Burton's direction. On Rotten Tomatoes , the film holds a rating of 69%, based on 147 reviews, with an average rating of 6.6/10. The site's consensus reads, "Well-acted, thought-provoking and a refreshing change of pace for Tim Burton, Big Eyes works both as a biopic and as a timelessly relevant piece of social commentary". [12] On Metacritic , the film has a score of 62 out of 100, based on 40 critics, indicating "generally favorable reviews". [13] Plot Artist Margaret Keane 's paintings of large-eyed waifs became phenomenally successful in the 1950s, but she received no recognition for it.
    [Show full text]
  • Phoenix Cinema December & January Welcome Contents
    PHOENIX CINEMA DECEMBER & JANUARY WELCOME CONTENTS Tis the season to be jolly, dear Phoenix fans, we’re doing our part to make it so. WEEKLY E-MAIL WELCOME & CONTENTS 1-2 December leads with the filmmaker/cast screening of Chicken, an astonishing Stay up to date with all our dramatic debut by director Joe Stephenson. programming by subscribing MAIN FEATURES 3-13 to our free newsletter: e-mail We’re all on journeys of some kind and this batch of films runs the gamut. The [email protected] or PHOENIX FILM SALON + QUIZ 14 Homesman, with Tommy Lee Jones and Hilary Swank, tells a pioneer tale visit our website. of wilderness, wildness and meeting your match. With Kon-Tiki, based on a best- HOLIDAY SPECIALS 15-16 selling novel, we cling to a raft while crossing the Pacific in 1947. In Manakanama, we travel by cable car in Nepal, meeting unforgettable people en route. Bill FOLLOW US ONLINE BRINGING UP BABY 18 plays a curmudgeonly and misunderstood man with a good heart in Murray For news, chatter and St. Vincent. Big Eyes refers to the popular paintings of the 1960s associated with competitions, find us on FOR THE FAMILY 17, 19-21 artist Walter Keane. Christopher Waltz and Amy Adams play Mr. and Mrs. Facebook,Twitter and Keane in this surprising story. With a Big Bang performance, Eddie Redmayne CALENDAR 22-26 portrays physicist Stephen Hawking in The Theory of Everything. Instagram. SPECIAL EVENTS 27-30 PHOENIX NIGHTS invites guest curators to host our monthly Friday late @PhoenixCinema night slot.
    [Show full text]
  • 3 Golden Globe Nomineringar Till Tim Burtons BIG EYES
    2014-12-11 15:27 CET 3 Golden Globe nomineringar till Tim Burtons BIG EYES BIG EYES är namnet på Tim Burtons nya film om konstnären Margaret Keane med Amy Adams och Christoph Waltz i huvudrollerna. Nu har skådisduon nominerats till varsin Golden Globe för sina fantastiska prestationer i filmen; bästa kvinnliga respektive bästa manliga skådespelare. Även titelmusiken av Lana Del Rey har mottagit en nominering. BIG EYES Den nyskilda Margaret (Amy Adams) anländer till San Fransisco med sin lilla dotter för att starta ett nytt liv där. Hon träffar snart den karismatiske konstnären Walter Keane (Christoph Waltz) som drömmer om att bli en berömd konstnär. De gifter sig kort därpå, men Walters framgångar låter vänta på sig. Detta tills den fenomenala succén med ''Big Eyes''- målningarna, de berömda canvastavlorna av framförallt barn med överdimensionerade ögon, blir en sensation världen över. Makarna Keanes skapar på kort tid ett imperium av storögd konst. Avslöjandet om att dessa populära porträtt inte alls målats av Walter, utan av Margaret, slår ned som en bomb inom konstvärlden. Baserad på den otroliga, sanna historien om Margaret och Walter Keane, två artister som delade en hemlighet så exceptionell att den saboterade deras äktenskap samtidigt som den förändrade hela världens synsätt på konst. I filmen, som får svensk biopremiär den 6 mars 2015, ser vi även Krysten Ritter, Jason Schwartzman, Danny Houston och Terrence Stamp. Presskontakt: Irini Siga [email protected] 0701-85 76 12 www.scanbox.com/se Scanbox Entertainment är ett framstående nordiskt underhållningsbolag med kontor i Sverige, Norge, Danmark och Finland. Sedan företaget grundades 1980 har det gått från att vara en dansk videodistributör till att bli Nordens tredje största film- och underhållningsbolag.
    [Show full text]
  • Opening Sequences As Cultural Analyses
    Original Article KOME − An International Journal of Pure Communication Inquiry Volume 6 Issue 1, p. 75-93. The Cyborgian Limit? Opening © The Author(s) 2018 Sequences as Cultural Analyses Reprints and Permission: [email protected] Published by the Hungarian Communication Studies Association DOI: 10.17646/KOME.2018.15 Constance Goh Centre for the Study of Post-Conflict Cultures, The University of Nottingham, UK Abstract: With the advent of digitalisation, digital soft-wares enable the creation of extraordinary opening sequences, one such being the animated opening credits of Mamoru Oshii’s 1995 Ghost in the Shell, recently reproduced in Rupert Sander’s 2017 live-action film. This paper rethinks psychoanalysis and explores this analytic approach to film in and through its opening sequence by way of the following inquiries. What is the relevance of Lacanian psychoanalysis to the question of gender in the twenty-first century if gender is supposedly one of the defining ontological facets of human beings? Given the recent attention to the place of feminist politics, can we say that Haraway’s cyberfeminist take still has challenging potential in contemporary postgendered reality when Haraway herself has called her brand of politics a postgendered one? What if that which necessitates an address is not so much the place but also the temporal event that “animates” an individual’s consciousness, especially if perception is somehow tied to how we remember our past? Investigating how one’s imagination is “animated” in one’s encounter with an aesthetic object, this paper will elaborate the epistemological import of Lacanian psychoanalysis with critical analyses of the opening scenes of Tim Burton’s 2014 Big Eyes, and the aforementioned versions of Ghost in the Shell.
    [Show full text]
  • Sydney Spectacular Leads New Year Celebrations Continued from Page 1 Nade Handed out Free Hugs
    SUBSCRIPTION THURSDAY, JANUARY 1, 2015 RABI ALAWWAL 10, 1436 AH www.kuwaittimes.net Sydney spectacular leads Min 07º Max 23º New Year celebrations High Tide 09:05 & 20:50 Low Tide Millions ring in 2015 with fireworks, concerts and light shows 02:50 & 14:00 40 PAGES NO: 16390 150 FILS HONG KONG: A huge display of fireworks lit up Hong Kong early today with brilliant bursts of color over Victoria Palestinians Harbor as the Chinese city rang in 2015 in spectacular style, launching the party for millions across Asia. turn to ICC From New Delhi to Dubai, Johannesburg, New York and Rio, millions around the world will celebrate when the as UN bid fails clock ticks past midnight, ringing in 2015 with fireworks displays, concerts and light shows. RAMALLAH: President Mahmud Abbas yesterday In Hong Kong, hundreds of thousands of people crowd- signed a Palestinian request to join the ed the city’s promenades to watch the eight-minute International Criminal Court, seeking a new Continued on Page 13 avenue for action against Israel after a failed UN resolution on ending the occupation. The Palestinians hope ICC membership will pave the India halts KD720 way for war crimes prosecutions against Israeli offi- cials for their actions in the occupied territories. bank guarantee But Israeli Prime Minister Benjamin Netanyahu KUWAIT: The India government has decided to sus- swiftly hit back, saying the Palestinians have “more pend the KD720 bank guarantee measure that was to fear” than Israel from the Hague-based court. He implemented for the welfare of the Indian domestic cited the Palestinian leadership’s links to Hamas, workers coming to Kuwait, an Indian embassy press the militant group which Israel describes as a “ter- release here said.
    [Show full text]
  • P39 2 Layout 1
    lifestyle SUNDAY, NOVEMBER 16, 2014 Film Review ‘Big Eyes’ reveal far too little he eyes may be the windows to the easy enough to believe that her courage soul, but they wind up revealing far and instinctive honesty might fail her in Ttoo little in “Big Eyes,” an unpersua- the moment, and that she might become sive, paint-by-numbers account of the a willing participant in a deception that fraud perpetrated by Walter Keane, who Walter says is no big deal, and yet some- succeeded in fooling the public and how crucial to the success of their opera- amassing a fortune by passing off his wife tion (“People don’t buy lady art,” he Margaret’s paintings as his own. Despite notes). It’s also understandable why the Amy Adams’ affecting performance as an lie might become harder and harder to artist and ‘50s/’60s housewife complicit in expose as her work becomes a cultural her own captivity, this relatively straight- phenomenon. Before long, Walter is forward dramatic outing for Tim Burton is opening his own gallery; selling countless too broadly conceived to penetrate the prints, posters and postcards; discussing mystery at the heart of the Keanes’ the motivations behind his art on televi- unhappy marriage-the depiction of sion; earning a sly endorsement from no which is dominated by an outlandish, less a lover of consumerist art than Andy ogre-like turn from Christoph Waltz that Warhol and seizing every opportunity to increasingly seems to hold the movie present paintings to politicians, digni- hostage. Still, the tale’s colorfully enter- taries and movie stars, such as Joan taining veneer and the name talents Crawford.
    [Show full text]