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Art Basel Announces 2014 Program for Miami Beach from December 3 PRESS RELEASE MIAMI BEACH | NOVEMBER 11 | 2014 Film: Art Basel announces 2014 program for Miami Beach From December 3 through 7, 2014, Art Basel’s Film sector will include over 80 films and videos selected by David Gryn, director of London's Artprojx. In addition, This Brunner, the film connoisseur and long-time Art Basel collaborator has selected the feature-length film Big Eyes (2014), directed by Tim Burton, for a special screening at the Colony Theatre on Friday, December 5. Gryn’s program of film and video works, drawn from the show's participating galleries, includes work by Charles Atlas, Martin Creed, Susan Hiller, Parker Ito, Mark Leckey, Babette Mangolte, Takeshi Murata, Laure Prouvost, Alex Prager, Mark Wallinger, and a tribute to Harun Farocki, who passed away this July. In conjunction with the popular outdoor screenings in SoundScape Park on the 7,000-square-foot outdoor projection wall of the New World Center, an extended film program will be presented within Art Basel’s newly designed film viewing room inside the Miami Beach Convention Center. Directed and produced by Tim Burton, Big Eyes (2014) tells the true story of one of the most epic art frauds in history. In the late 1950s and early 1960s, painter Walter Keane (Christoph Waltz) revolutionized the commercialization of popular art with his enigmatic paintings of waifs with big eyes. Yet, the truth would eventually be discovered: Keane’s works were actually not created by him, but by his wife, Margaret Keane (Amy Adams). Big Eyes (2014) centers on Margaret’s awakening as an artist, the phenomenal success of her paintings, and her tumultuous relationship with her husband, who was catapulted to international fame while taking credit for her work. The feature film has been selected by Zurich collector This Brunner, a curator of Art Basel's Film sectors since 1992. Big Eyes (2014) will be shown at the Colony Theatre, 1040 Lincoln Road, Miami Beach at 8.30pm on Friday, December 5, 2014. Entry is free, but seating is limited. The film will be on general release in the United States from December 25. Curated around the notion of Playfulness, David Gryn’s fourth selection for Film will feature a wide array of film and video works: from Susan Hiller’s scientific Resounding (Infrared) (2014) to Atsushi Kaga’s dark and quirky 2007 series of hand-drawn animations and Hans Op de Beeck’s sublime Parade (2012). A highlight of the program will pair Charles Atlas’s 1986 film Ex Romance, and a new Miami Beach-specific edit of Parker Ito’s Wipeout XL. Artist Tabor Robak and David Gryn will co-curate a series of films addressing the unearthly reverberations of the Internet, gaming, and digital magical- realism, featuring work by younger artists Jon Rafman and Oliver Laric, alongside a tribute to the late Harun Farocki. The program will also look at dance in film with works by Dara Friedman, Rashaad Newsome and the seminal filmmaker Babette Mangolte. Every evening from 6pm to the start of the first film screening, sound works by Larry Achiampong, Jennie C. Jones, Stephen Vitiello and Raed Yassin will be presented on the state-of-the arts surround sound system in SoundScape Park. Art Basel, whose Lead Partner is UBS, has expanded its commitment to showing diverse film and video works by designing a dedicated film viewing room within the Miami Beach Convention Center’s exhibition halls. An extended selection of over 100 selected works, also curated by Gryn, will be presented for individual, viewer-directed private screening. Access is free with an entry ticket to the show. On Friday, December 5, at 2pm, Art Basel's Salon program will feature Playfulness: artists as online gamers, surfers and armchair digital revolutionaries, a talk between David Gryn and the artists Tabor Robak and Rachel Rose, moderated by the curator Chrissie Iles. Art Basel entry tickets include admission to Salon. For the full gallery list and extended film program, please visit: artbasel.com/miamibeach/film. GENERAL INFORMATION Daily (December 3 – 7) Miami Beach Convention Center Film Library In conjunction with the outdoor program, over 100 selected works will be presented on six touch-screen monitors within the newly designed Film Library. Access with a show entrance ticket. Nightly (December 3 – 6) SoundScape Park Evening Film Program Outdoor screenings will take place in SoundScape Park on the 7,000-square-foot outdoor projection wall of the New World Center, a three-minute walk from the Miami Beach Convention Center. Admission to Film at SoundScape Park is free. Visitors are encouraged to bring blankets and lawn chairs. Every evening from 6pm to the start of the first film screening, sound works by different artists will be presented in SoundScape Park: Wednesday: Stephen Vitiello, Scraped and Bowed, 2013-2014, Courtesy of the artist Thursday: Larry Achiampong, The Mogya Project, 2014, Courtesy of the artist Friday: Jennie C. Jones, From the Low to Higher Resonance, 2011-2014, Sikkema Jenkins & Co. Saturday: Raed Yassin, The Deaf Oud, 2010), Kalfayan Galleries Free public access, seating is limited – bring a blanket or lawn chair. Friday, December 5 | 8.30pm | Colony Theatre Special Film Screening Big Eyes, 2014, by Tim Burton Running time 108' The feature film selected by curated This Brunner will be shown at the Colony Theatre, 1040 Lincoln Road, Miami Beach. The screening is followed by a panel discussion with key figures in the film's production. Entry is free, but seating is limited. DETAILED FILM PROGRAM CURATED BY DAVID GRYN Wednesday, December 3 | 8pm | Playfulness Running time 65' In this program the intelligence, wit, and humor of artists such as Turner Prize winners Mark Leckey, Elizabeth Price, Martin Creed, and Laure Prouvost will be punctuated, among others, by the brief digitally animated paintings of Hayal Pozanti and the slapstick human sculptural intervention of Wood & Harrison. Hayal Pozanti, A Lifetime of Likes, 2014, 25", Jessica Silverman Gallery Wood & Harrison, Board, 1993, 3'02'', Carroll / Fletcher Alex Rodríguez, Nocturno 2, 2013, 3'59'', Casas Riegner Hayal Pozanti, IP Overlords, 2014, 12", Jessica Silverman Gallery Mark Leckey, Pearl Vision, 2012, 3'10'', Gavin Brown’s enterprise, Cabinet, Galerie Buchholz Wood & Harrison, Headstand, 1995, 1'02'', Carroll / Fletcher Brian Bress, The Portrait Room, 2006, 4'10'', Cherry and Martin Hayal Pozanti, Mobile Blinders, 2014, 15", Jessica Silverman Gallery Elizabeth Price, The Tent, 2012, 12', MOT International Rachel Rose, A Minute Ago, 2014, 8'43'', Courtesy of the artist Hayal Pozanti, Virtual Diaspora, 2014, 22", Jessica Silverman Gallery Camille Henrot, Coupé/Décalé, 2010, 5'20'', Metro Pictures, kamel mennour Wood & Harrison, Device, 1996, 2'45'', Carroll / Fletcher Tomislav Gotovac, Feeling 7, 2000, 4'06'', Alexander Gray Associates, galerie frank elbaz Hayal Pozanti, Empathy Box, 2014, 22", 2014, 25", Jessica Silverman Gallery Taro Izumi, Steak House, 2009, 3'51'', Galerie Georges-Philippe & Nathalie Vallois Laure Prouvost, For A Better Life, 2006, 1'52'', MOT International Wood & Harrison, Three-Legged, 1997, 3'39'', Carroll / Fletcher Martin Creed, Work No. 670 Orson and Sparky, 2007, 4'16'', Hauser & Wirth Wednesday, December 3 | 9pm | Armchair Surfers Running time 60' The artists in this program place a mirror in front of us – the Armchair Surfers of the 21st century – to explore the impact of an all-encompassing digitized world on humanity. In these works humor, titillation, coolness, memories, self-absorption and otherwise quirky reflections merge with our daily consumption of social media. CAR (Conceptual Artists Research/Michelle Grabner), Pool, 1996, 3'10'', James Cohan Gallery Saya Woolfalk, ChimaTek: Hybridization Machine, 2013, 3'40'', Leslie Tonkonow Artworks + Projects Chris Doyle (with music by Joe Arcidiacono), Waste_Generation, 2010-2011, 6'29'', Andrew Edlin Gallery CAR (Conceptual Artists Research/Michelle Grabner), Egg Toss, 1996, 1'52'', James Cohan Gallery Charles Richardson, Rehearsal (Miami edit), 2014, 4’, Courtesy of the artist Nate Boyce, Scroll Sequence, 2014, 5'33'', Altman Siegel Dashiell Manley, Untitled, 2011, 7'49'', Jessica Silverman Gallery Florian Meisenberg, You are certainly entitled to this opinion, 2014, 7'40'', Wentrup Leo Gabin, Oh Baby, 2013, 2'49'', Elizabeth Dee, Peres Projects CAR (Conceptual Artists Research/Michelle Grabner) and David Robbins, Appleton East High School Band, 1999, 1'33'', James Cohan Gallery Clunie Reid, Wet Dave (boom boom), 2009, 5'34'', MOT International Saya Woolfalk, Chimera, 2013, 2'49'', Leslie Tonkonow Artworks + Projects Jayson Musson, Art Thoughtz with Hennessy Youngman: Beuys-Z, 2011, 5'11'',Salon 94 Wednesday, December 3 | 10pm | Ex-Romance Running time 64' Charles Atlas has been a pioneering figure in film and video for over four decades, working with some of the most seminal, groundbreaking choreographers of our time, such as Michael Clark and the late Merce Cunningham. In this program, Atlas’s film Ex- Romance (1986) will be paired with a special 2014 Miami-edit of Wipeout XL by Parker Ito, heightening the common ground between the artists' incongruous interests – from Tarot to foot-fetishes. Charles Atlas, Ex Romance, 1986, 48'23'', Luhring Augustine Parker Ito, Wipeout XL (Miami Beach), 2014 15’44”, Courtesy of the artist Thursday, December 4 | 10pm | The Digital Revolutionaries Running time 67' Co-curated by the artist Tabor Robak and David Gryn, this program will address the unearthly reverberations of the Internet, gaming, and digital
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