Oslo Filharmonien −+ Co-principal Timpani with tutti percussion duty

Orchestral excerpts CONTENTS: PAGE

General information 3

Timpani 4 - 18

1 Viken Etude 4 2 Hindemith Symphonic Metamorphosis 7 3 Carter Variations for 8 4 Elgar Enigma Variations 9 5 Shostakovich no. 11 10 6 Bartok Music for string instruments, percussion and celesta 11 7 Bartok Violin concerto no. 2 12 8 Martin Concerto for 7 winds, timpani, percussion and strings 13 9 Brahms Symphony no. 2 14 10 Wagner Götterdämmerung, Sigfried’s Funeral march 15 11 Strauss Rosenkavalier Suite 16 12 Lindberg Seht die Sonne 17 13 Mahler Symphony no. 4 18 14 Mahler Symphony no. 5 18

Percussion 19 - 44

15 Berg Ekstrakt 2 20 16 Shostakovich The Bolt 22 17 Nordheim Tenebrae 25 18 Hegdal Fables of the Late Early Bird 26 19 Dukas L’ Apprenti Sorcier 28 20 Borodin Polovetsian Dances 31 21 Dvorak Carnival Overture 33 22 Mahler Symphony no. 3 34 23 Strauss Ein Heldenleben 34 24 Saint-Saëns Sampson et Dalila 35 25 Tsjaikovskij Sleeping Beauty Suite 36 26 Brahms Symphony no. 4 37 27 Grieg Vom Monte Pincio 38 28 Dvorak Carnival Ouverture 39 29 Halvorsen Entry march of the boyars 41 30 Williams Harry Potter, The Knight Bus 42

Solo work 44

Sommerfeldt Music for one percussion player 44 All movements GENERAL INFORMATION

This PDF file contains all audition requirements for this audition. If an excerpt is not marked with brackets, you are expected to prepare the whole part.

The first round of the audition is a video recording to be uploaded as part of your application.

Candidates who qualify for the live audition in must be prepared to perform everything contained in this file, including the repertoire from the video audition.

RECORDING INSTRUCTIONS

Your video audition is one timpani part and one percussion part. Both parts have to be recorded in one, continous, unedited take. However, we do not require the timpani and percussion parts to be recorded at the same date or location. The works must be recorded in the exact order specified below.

VIDEO AUDITION REPERTOIRE:

Part 1: Timpani

Excerpt # Composer Work

1 Viken Etude 3 Carter Variations for Orchestra 4 Elgar Enigma Variations 5 Shostakovich Symphony no. 11 6 Bartok Music for string instruments, percussion and celesta 7 Bartok Violin concerto no. 2 8 Martin Concerto for 7 winds, timpani, percussion and strings 9 Brahms Symphony no. 2

Part 2: Percussion

Excerpt # Composer Work

15 Berg Ekstrakt 2 Solo work Sommerfeldt Music for one percussion player, 3rd mvt. 19 Dukas L’ Apprenti Sorcier 21 Dvorak Carnival Overture Timpani excerptsEtude OFO 26/4 2020 1: Viken Etude

Haydn The Creation Beethoven Symph. no. 5, 4th mvt. Largo alla breve A Allegro Timpani                     

5                                   

10                             

15                        

20                             

25                          B 30                         Beethoven Symph. no. 7, 1st mvt. 37 C [Vivace]         sempre                 4 2 Etude OFO 26/4 2020 43                         Haydn The Creation Beethoven Symph. no. 5, 4th mvt. cresc. Largo alla breve A Allegro  49 Timpani                                                    5   54                                                          

10 59 Beethoven Symph. no. 7, 1st mvt.                                                         

15 65                                                       

20 70                                                             D 75 25                                                               Sibelius Symph. no. 7 B rit. E 30 82 [Adagio]                                              poco marcato        Beethoven Symph. no. 7, 1st mvt. 88 37 C [Vivace]                                 sempre                 5 3

Sibelius Symph. no. 7 92                              marcato 

94 F stringendo               

Tchaikovsky Symph. no. 4, 1st mvt. 99 G Allegro con anima                                cresc.         

102                                    

105                            

108                             

111                              

114                        dim.

119                   

6 2: Hindemith Symphonic Metamorphosis, 2. mvt.

This excerpt will be played with accompaniment

[

]

7 3: Carter Variations for orchestra

[

]

8 4: Elgar Enigma Variations

9 5: Shostakovich Symphony no. 11, 1. mvt.

[

]

[

]

10 6: Bartók Music for string instruments, percussion and celesta 2. mvt.

[

]

11 4. mvt. [

]

7: Bartók Violin concerto no. 2, 2. mvt.

[ ]

12 8: Martin Concerto for 7 winds, timpani, percussion and strings. 3. mvt.

[

]

13 9: Brahms Symphony no. 2, 4. mvt.

[

]

[

] 14 10: Wagner Götterdämmerung, Sigfried’s funeral march

15 11: Strauss Rosenkavalier Suite

[

]

16 12: Lindberg Seht die Sonne

[

]

17 13: Mahler Symphony no. 4, 3. mvt.

[

]

14: Mahler Symphony no. 5, 1. mvt.

[ ]

18 Percussion excerpts

19 15: Berg Ekstrakt 2 snare drum

20 21 16: Shostakovich The Bolt xylophone

This excerpt will be played with piano accompaniment

22 16: Shostakovich The Bolt xylophone

This excerpt will be played with piano accompaniment

23 24 2 17: NordheimMarimba Tenebrae vibraphone 120 >œ œ œ#œnœ#œ > > œ#œ #œnœ#œnœ #œ ≈ #œnœ œ ‰ & #œnœ#œ œ œ œ#œ œ#œ mf [ #œnœ#œ >œ > 124 > œ œ œ #œ nœ #œ œ ‰ œ #œ #œ nœ #œ nœ 3 & œ œ nœ nœ #œ nœ nœ œ 4 #>œ

127 128 3 7 2 3 2 &4 œ 8 ∑ 4 ∑ 4 ∑ 4 >#œ#œnœ f > œ œ œ#œ 3 œ #œ #œ œ 7 #œ#œ > œ œ 2 3 2 {? 4 #œ œ œ œ 8 œ œ ‰ 4 ∑ 4 ∑ 4 3 mp 3

131 135 3 3 4 3 j j 3 2 7 ‰ ‰ ‰ ‰ 2 j‰ 3nœ œ ‰ ‰ 2 ≈ 3 & 4 8 œ#œ j œœ j j 4 #œ#œ 4 #œ œ nnœ #œ 4 j™ 4 mp œ œ #œ œ # œ œ œ#œ # œ mf

139 3 > > 2 3 œ 2 ] & 4#œnœ œ#œ œnœ#œ#œnœ œ #œ 4 Œ 4 Œ œ#œ œ œ 4 > > > >œ ##˙ œ nœ#œ > #œ m>p m>p mf rit. 143 q=112 2 3#œ œ j 4 & 4 Œ ∑ ∑ 4 œ œ #œ œ ‰ 4 #œ 3 . . œ m-p f mf . Amoré DISCOVERING LATE for work! The king of Tango Nuevo 147 147 accel. 153 q== 14625 3 5 3 j 3 4 ∑ 7 ‰ 2 j‰ 3nœ œ ‰ j‰ j‰ 2 & 4 8#œ œ j j 4 #œ#œ 4 #œ œ nnœ #œ 4 ] [ f œ œ ##œ mœp mf # œ

156 2 3#>œ nœ > 2 3 & 4 j™ ≈ 4 œ #œ œ nœ #œ #œ nœ œ œ #œ 4 ™ ‰ 4 œ #œ > > > > ##˙ œ f> 25 2 Marimba

120 > œ œ œ#œnœ > > #œ œ#œ #œnœ ≈ nœ œ ‰ & #œnœ#œnœ#œ œ œ œ#œ#œ œ#œ#œ mf #œnœ#œ >œ >

124 > œ œ œ #œ nœ #œ œ ‰ œ #œ #œ nœ #œ nœ 3 & œ œ nœ nœ #œ nœ nœ œ 4 #>œ

127 128 3 7 2 3 2 &4 œ 8 ∑ 4 ∑ 4 ∑ 4 >#œ#œnœ f > œ œ œ#œ 3 œ #œ #œ œ 7 #œ#œ > œ œ 2 3 2 {? 4 #œ œ œ œ 8 œ œ ‰ 4 ∑ 4 ∑ 4 3 mp 3

131 135 3 4 3 3 j 3 2 7 ‰ ‰ ‰ ‰ 2 j‰ 3nœ œ œ ‰ j‰ 2 ≈ 3 & 4 8 œ#œ j œœ j j 4 #œ#œ 4 œ#œ œ nnœ #œ 4 j™ 4 mp œ œ #œ œ # œ œ œ#œ # œ mf

139 3 > > 2 3 œ 2 & 4#œnœ œ#œ œnœ#œ#œnœ œ #œ 4 Œ 4 Œ œ#œ œ œ 4 > > > >œ ##˙ œ nœ#œ > #œ m>p m>p mf rit. 143 q=112 2 3#œ œ j 4 & 4 Œ ∑ 18: Hegdal∑ Fables4 ofœ theœ #Lateœ œ Early‰ 4Bird #œ 3 . . œ m-p marimba f mf . Amoré DISCOVERING LATE for work! The king of Tango Nuevo 2 Marimba 147 147 accel. 153 q==105125 5 3 3 3 120 > j j j 4 ∑ 7 œ œ œ ‰ 2 ‰ 3nœ œ œ ‰ ‰ j‰ 2 & 4 8#œ œ j#œnœj#œ 4œ#œ#œ>#œ 4 #œ œ nnœ #œ 4 > œ f œ œ mœp #œmnfœ#œnœ # œ #œ ≈ #œnœ ‰ & ##œ #œnœ#œ œ œ œ#œ œ#œ [ mf #œnœ#œ >œ > 156 2 3 > > 124 2 > 3 & 4 j™ ≈ 4#œ nœ œ #œ œ nœ #œ œ #œ 4 œ œ œ ™ ‰ 4 œ > #œ nœ œ #˙ #œ nœœ #œ œ #œ #œ nœ 3 œ #œ & > nœ>nœ œ> ‰ # ˙ œ #œ nœ #œ nœ nœ 4 œ œ f> œ #>œ

127 128 3 7 ∑ 2 ∑ 3 ∑ 2 &4 œ 8 4 4 4 >#œ#œnœ f > œ œ œ#œ 3 œ #œ #œ œ 7 #œ#œ > œ œ 2 3 2 {? 4 #œ œ œ œ 8 œ œ ‰ 4 ∑ 4 ∑ 4 3 mp 3

131 135 3 4 3 3 j 3 2 7 ‰ ‰ ‰ ‰ 2 j‰ 3nœ œ œ ‰ j‰ 2 ≈ 3 & 4 8 œ#œ j œœ j j 4 #œ#œ 4 œ#œ œ nnœ #œ 4 j™ 4 mp œ œ #œ œ # œ œ œ#œ # œ mf

139 > 3#œnœ >œ 2 3 œ œ 2 & 4 #œ œnœ#œ#œnœ œ œ#œ 4 Œ 4 Œ œ#œ œ 4 > > > > ##˙ œ nœ#œ > #œ m>p m>p mf rit. 143 q=112 2 3#œ œ j 4 & Œ ∑ ∑ œ œ œ ‰ 4#œ 4 . #œ. 4 - ] f 3 mf œ mp . Amoré DISCOVERING LATE for work! The king of Tango Nuevo 147 147 accel. 153 q=125 5 3 3 3 4 7 2 j 3nœ j j 2 & 4 ∑ 8 j j‰ 4 #œ ‰ 4 œ#œ œ ‰ nœ ‰ j‰ 4 #œ œ œ œ œ#œ œ œ n œ ##œ f ##œ mp mf

156 > 2 ≈ 3#œ nœ >œ 26 2 ‰ 3 & 4 j™ 4 #œ œ nœ #œ #œ nœ œ œ #œ 4 ™ 4 œ #œ > > > > ##˙ œ f> 2 Marimba

120 > œ œ œ#œnœ#œ > > œ#œ #œnœ ≈ nœ œ ‰ & #œnœ#œnœ#œ œ œ œ#œ#œ œ#œ#œ mf #œnœ#œ >œ >

124 > œ œ œ #œ nœ #œ œ ‰ œ #œ #œ nœ #œ nœ 3 & œ œ nœ nœ #œ nœ nœ œ 4 #>œ

127 128 3 7 ∑ 2 ∑ 3 ∑ 2 &4 œ 8 4 4 4 >#œ#œnœ f > œ œ œ#œ 3 œ #œ #œ œ 7 #œ#œ > œ œ 2 3 2 {? 4 #œ œ œ œ 8 œ œ ‰ 4 ∑ 4 ∑ 4 3 mp 3

131 135 3 4 3 3 j 3 2 7 ‰ ‰ ‰ ‰ 2 j‰ 3nœ œ œ ‰ j‰ 2 ≈ 3 & 4 8 œ#œ j œœ j j 4 #œ#œ 4 œ#œ œ nnœ #œ 4 j™ 4 mp œ œ #œ œ # œ œ œ#œ # œ mf

139 3 > > 2 3 œ 2 & 4#œnœ œ#œ œnœ#œ#œnœ œ #œ 4 Œ 4 Œ œ#œ œ œ 4 > > > >œ ##˙ œ nœ#œ > #œ 4 Marimba m>p m>p mf rit. 143 =112 244 q 244 #œ 2 Œ ∑ ∑ 3 œ j ‰ 4 ? 4 œ &j 4œœ #œ œœ nœ#œ nœœ œ œ j œœ4 œ œ œ œ #œ #œœ 3 4 4 ‰ œ ≈R#œ≈ #œ ‰ Œ ‰ J ‰ ‰ œ ‰ 3 ≈#œœ .nœ Œ. œ œ 4 J m-Rp f mf . mf mp mf mp mf Amoré DISCOVERING LATE for work! The king of Tango Nuevo 147 147 153 q==110125 249 HELPINaGc Mcre. lG. amelan 248 5 3 3 3 4 7 œ#œ œ2œ nœ j#œ 3nœ j j 2 ? 3 #œ&Œ4 Œ 4 ∑ ∑Ó 8Œ œ œ œj j‰ 4 œ #œ ‰ œ4 œ≈#œ œ œ‰ nœœ ‰ j‰ 4 4 œ 4 #œ œ œ œ œ#œ œ J R œ n œ ##œ > [f mp ##œ mp mf

156 Feel free to make dynamic 252 > variations where not notated > 2 ≈ 3#œ nœ >œ 2 ™ ‰ 3 ? nœœœ&œœ4œœ#œ>œ j™œœ 4 #œœœœ#nœœ#œœ#œœœnœœœ#œœœ#œ 4 œœœœ#œœœ™œ 4 œ J#œ≈R ∑ Œ > > > >J ‰ ‰ #≈#R˙ œ mf mp f>

256 > > œ #œ#œ œ œnœ œ œ œ œ ? œ œ œ#œ œ œ >œ œ œ œ œ œ J ≈ R Œ Ó Œ

259 œ#œ œ œ œ œ œ œ œ œ œ œ œ nœ œ œ œ œ œ#œ#œ œ œ>œ nœ œ œ œ œ œ œ>œ>œ>œ ? J ≈ R J ≈ R ‰ J œ mf

262 œ œ œ œ œ œ#œ œ œ œnœ œ#œ œ œ œ œ œnœ œ œ œ œ œ œ#œ œ œ>œ ? Œ J ‰ ‰ ≈ R J ≈ R ‰ p

265 265 > ˙ œ œ œ ? œœœ #œœœœnœœ#œœ œœœœ nœœœœœœ#œœ>œ œ>œ Ó Œ Œ ≈ J ≈R J ≈R ] p mp

269 ? >œ œ œ œ#œ œ œ œnœ œ#œ œ œ œ œ œ nœ œ œ œ ∑ Œ J ‰ ‰ ≈ R mf

27 19: Dukas L’ Apprenti Sorcier glockenspiel

28 19: Dukas L’ Apprenti Sorcier glockenspiel

29 30 20: Borodin Polovetsian Dances tambourine

[

]

31 [

] [

]

[ ] 32 21: Dvořák Carnival Overture tambourine [

] [ ] [

] 33 22: Mahler Symphony no. 3, 1. mvt. gran cassa [

]

23: Strauss Ein Heldenleben gran cassa [

]

34 22: Mahler Symphony no. 3, 1. mvt. 24: Saint-Saëns Samson et Dalila gran cassa glockenspiel

35 25: Tsjaikovskij Sleeping Beauty Suite glockenspiel

36 26: Brahms Symphony no. 4 triangle

37 27: Grieg Orchestra songs, Vom Monte Pincio triangle

38 28: Dvořák Carnival Overture piatti

39 40 29: Halvorsen Entry march of the boyars snare drum

41 30: Williams Harry Potter, The Knight Bus vibraphone Mallet Percussion

42 ]

43 Solo work: Sommerfeldt Music for one percussion player, all movements.

For copyright reasons, Oslo Philharmonic will not be providing parts for this piece. It is widely available for purchase online.

44