DOCSLIB.ORG

© in This Web Service Cambridge University

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

Cambridge University Press 978-1-107-10974-2 - Literature and the Politics of Post-Victorian Decadence Kristin Mahoney Index More information Index Aberdeen Standard, The, 89, 100 Beerbohm, Max, 4, 5, 7, 9, 12, 14, 15, 16, 17, 23, Acton, Harold, 9 58, 82, 83, 195, 198, 199 Adam, Kenneth, 52 and camp, 28–29, 36, 53–54 Adams, Jad, 226 and cosmopolitanism, 17, 36 Adorno, Theodor, 204 and Decadence, 29–30 Aesthetic Movement, 59 and detachment, 53 aestheticism, 4, 5, 16, 72–73 and Kipling, 31–32 Agathocleous, Tanya, 205 and modernism, 45–49 Alcock, Caterina Bower, 22, 155, 170, 172–75 and nostalgia, 26–27, 34, 36, 39, 40, 41, 53–54 influence on Beresford Egan, 155, 175, 177, and pacifism, 44 185 and post-Victorian Decadence, 18–19, 27–29, works: Baudelaire, 173 54 De Sade, 173–75 and the Boer War, 30–31 Policeman of the Lord, The, 172 and World War I, 32–34, 41–42 “Satirist Among Us, A”, 172 BBC broadcasts, 19, 27–28, 49–54 Sink of Solitude, The, 162–64, 169–70 politics, 44–45 Alford, Norman, 220 popularity in the twentieth century, 43–44, Allan, Maud, 6 54–56 Allen, Paul, 188 works: “Advertisements”, 51–52 Allison, Jonathan, 224 Christmas Garland, A, 32 Anderson, Amanda, 13–14, 77 “Dandies and Dandies”, 33 Anstruther-Thomson, Clementina, 72 “Defence of Cosmetics”, 29 Antonielli, Arianna, 225 “Enoch Soames”, 27, 41, 42 Arnold, Matthew, 14, 77 “Ghosts” exhibition, 1 Arthur of Brittany, 93 Happy Hypocrite, The, 30 “Letter to the Editor”, 30 Bach, Johann Sebastian, 79 “London Revisited”, 50 Baker, Michael, 164 Mainly on the Air, 28, 54 Bakhtin, Mikhail, 45 Mirror of the Past, The, 27, 28, 36–41 Barnes, G. R., 52 “Peep into the Past, A”, 30 Barres,´ Maurice, 75 Poets’ Corner, The, 32 Baudelaire, Charles, 157, 158, 173, 186 Rossetti and His Circle, 25–26, 34–36, 42–43 Bax, Clifford, 123, 146, 147 Second Childhood of John Bull, The, 30–31 Beardsley, Aubrey, 1, 4, 9, 10, 11, 12, 14, 17, 120, “Small Boy Seeing Giants, A”, 27 148, 151, 156, 186, 199 Some Persons of the Nineties, 1–3 influence on Beresford Egan, 21, 153, 154, “Speed”, 52 158–61, 166–68, 173, 174, 179–82, 184 Survey, A, 44 Beardsley, Mabel, 148 Zuleika Dobson, 29, 46 Beaumont, Matthew, 120 Behling, Laura, 162, 230 Beer, Gillian, 63, 213 Behrman, S. N., 39 253 © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-1-107-10974-2 - Literature and the Politics of Post-Victorian Decadence Kristin Mahoney Index More information 254 Index Bell, Clive, 55 and ephebophilia, 89, 90, 95 Bell, Vanessa, 49 and post-Victorian Decadence, 88–89, 90, Benkovitz, Miriam, 96, 99, 100 116–17 Bennett, Arnold, 42 and socialism, 90, 91–92, 99–101, 106, 113 Benson, Robert Hugh, 96 class politics, 85, 86–90, 91–99, 105, 116, 117 Billiani, Francesca, 82, 216 poverty, 95–97, 104, 105 Billing, Noel Pemberton, 6 reception, 88–89, 97, 102–03, 113–14, 116–17 Billyard-Leake, Edward Whaley, 113 style, 106 Blaikie-Murdoch, W. G., 2 works: Desire and Pursuit of the Whole, The, Bland, Hubert, 90, 101 98 Blavatsky, Helena, 122 Don Renato, 116 Boer War, 30 Hadrian the Seventh, 88, 90–92, 98–99, Boni, Albert, 11 100–01, 103, 115 Book-Collector’s Quarterly, The, 106, 108 Hubert’s Arthur, 88, 93–94, 95, 102 Borst, William, 55 Nicholas Crabbe, 101 Bowser, Rhoda, 139 photography, 85, 89, 94 Breen, Margaret, 168 Toto stories, 92 Bridges, Robert, 141, 142 Towards Aristocracy, 89, 93, 96 Bristow, Joseph, 17, 196, 198 “Unforgettable Experience, An”, 100 Brittain, Vera, 163 Venice letters, 87, 90, 95, 97–98, 114, 115–16 Brockington, Grace, 213 Weird of the Wanderer, The, 102 Bronsman, Catharine, 177 Cravan, Arthur, 6 Brophy, Brigid, 10 Crook, Paul, 63 Brown, Horatio, 96 Cross, Victoria, 189 Bruce, Kathleen, 54 Crowell, Ellen, 195, 220 Burdett, Osbert, 2, 13 Crowley, Aleister, 118–19, 123 Burger,¨ Peter, 204 Cullen, Tom, 110, 112 Burgh, Hubert de, 93 “Cult of the Clitoris” trial, 6, 170 Burke’s Landed Gentry, 111 Butler, Judith, 199 dandyism, 4, 9, 11, 17, 22 Butts, Mary, 85, 86–87, 88, 104, 105 Danson, Lawrence, 14, 29, 34, 36, 39, 45 Darwin, Charles, 71–72 Cambridge Heretic Society, 84 Deane, Seamus, 128 camp, 4, 16, 17, 19, 28–29, 198–99 Debelius, Margaret, 202 Campbell, Lady Gertrude Elizabeth (Blood), 139 Decadence, 3, 4–5, 10, 13, 16, 59, 87, 88, 89, 98, Canning, Richard, 202 103, 108, 117 Cape, Jonathan, 162 and cosmopolitanism, 13–14 Carpenter, Edward, 89, 90, 93, 94, 99 and detachment, 4, 16–18, 22, 76, 154 Caton, R. A., 172, 173, 179 and femininity, 166, 182, 184 Cecil, David, 30, 32 and queer theory, 200 Champion, Henry Hyde, 90, 99–101, 114 post-Victorian, 3–4, 5, 6, 11, 22–23, 24, 156, Churchill, Winston, 55 194–95, 197, 198, 200 Cloud, Yvonne, 43 Deer, Patrick, 230 Cohen, Ed, 199 Dellamora, Richard, 67, 82, 95, 168, 230, 235 Colby, Vineta, 66, 217 Denisoff, Dennis, 28, 29, 166, 201 Constable, Liz, 201 detachment, 77, 135 Corvine Society, 20, 88–89, 99, 102–03, 109, Devereux, Felicity, 192 113–14 Dick, F. J., 122 and conservatism, 102–03, 114, 116–17 Dickens, Charles, 103 Corvo, Baron (Frederick Rolfe), 4, 12, 15, 17, 20, Dickinson, G. Lowes, 66 85–86 Dixon, Joy, 129 and altruism, 98–99 Doan, Laura, 168, 230, 231 and Catholicism, 85, 100 Dollimore, Jonathan, 199 and collaboration, 101–02, 105 Douglas, James, 162, 164, 169, 170 and Decadence, 87, 90, 92, 106 Douglas, Lord Alfred, 6, 10, 107, 148, 177, 196 © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-1-107-10974-2 - Literature and the Politics of Post-Victorian Decadence Kristin Mahoney Index More information Index 255 Douglas, Sholto, 109 Fox, Charles Masson, 87, 95, 97 Dowling, Linda, 223 Franke, Damon, 217 Dowson, Ernest, 139 Fraser, Hilary, 62 Doyle, Sir Arthur Conan, 141 Freedman, Jonathan, 4, 75 Freud, Sigmund, 61, 66 Eagleton, Terry, 224 Fry, Roger, 45 Earle, David, 178 Eastham, Andrew, 203, 204 Gagel, Mandy, 211 Egan, Beresford, 15, 17, 21–22, 23, 200 Gagnier, Regenia, 87, 88, 89, 95, 98, 117, 156, and “sexual inversion”, 162, 164–70, 184, 193 220, 230 and cosmopolitanism, 156–58, 162, 193 Galsworthy, John, 42 and post-Victorian Decadence, 153–55, 156, George, Lloyd, 112 161, 162, 174, 177, 182 Gide, Andre,´ 178 and same-sex desire, 175, 179, 182, 184, 193 Gielgud, John, 195 and South Africa, 155, 156–61, 188, 189–92 Gloeden, Wilhelm von, 94 and the female dandy, 184–85, 186, 187, 188, Goodrich, Lloyd, 43 189–91 Gosse, Edmund, 42 and World War I, 188–89 Gould, Warwick, 136, 152, 225, 226 and World War II, 192 Grayson, Victor, 112 collaboration with Caterina Bower Alcock, Green, Martin, 9 155, 162–75, 193 Greene, Graham, 55 works: Baudelaire, 173 Gregory, Lady Augusta, 138 But the Sinners Triumph, 153, 154, 177, 184–85, Gregory, Maundy, 110–13, 114, 116 187–92 and class identity, 110–13 cartoons for the Rand Daily Mail, 158–59 and conservatism, 111–12 Courtesan, 166 and the Corvine Society, 88–89 De Sade, 153, 172, 173, 175 Grossman, Alan, 123 Epilogue, 192 Gwynn, Stephen, 44 Epitaph, 157 Gyles, Althea, 15, 17, 20–21 illustrations for the works of Pierre Louys,¨ and animal rights, 143–44 177–84 and Ireland, 140–41 John Bull and the Muse, 171 and Irish Decadence, 120, 135, 146, 152 Policeman of the Lord, The, 154, 162, 172 and Leonard Smithers, 119, 133, 136–39, 145, Pollen, 154, 177, 184–87 146 Sink of Solitude, The, 154, 155–56, 161–71, 178 and occultism, 121–31, 135, 144 South African tourism advertisements, 158–61 and post-Victorian Decadence, 120, 121, 136, Eliot, George, 77 152 Eliot, T. S., 45, 195 and socialism, 143 Ellis, Edith Lees, 135 and the concept of martyrdom, 119–20, 121, Ellis, Havelock, 172 123, 129, 131, 132, 135, 136, 138, 140, 141, English Review, The, 83 142–43, 145–46, 152 Equinox, The, 118 and World War I, 141–43, 145, 152 Evangelista, Stefano, 82, 216 belief in reincarnation, 126–28 representation in the works of Fabian Society, 90 twentieth-century women writers, 119, 120, Farjeon, Eleanor, 21, 132, 147–48, 151 121, 147–51 Farr, Florence, 146 reputation at the turn of the century, 119, 146 Feldman, Jessica, 204 works: “Child’s Christmas Carol, A”, 144 Fennelly,L.W.,224 cover for Yeats’s Poems, 119 Firbank, Ronald, 9–11, 17, 196, 197–98, 199 cover for Yeats’s The Secret Rose, 119, 123–25, First Edition Club, 104, 114 129, 130, 140 Fletcher, Ian, 146, 152 cover for Yeats’s The Wind among the Reeds, Forster,E.M.,10, 195 119 Foster,A.E.Manning,141 Deirdre, 126, 140 Foster, John Wilson, 131 “Farm Hand, The”, 142–43 © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-1-107-10974-2 - Literature and the Politics of Post-Victorian Decadence Kristin Mahoney Index More information 256 Index Gyles, Althea (cont.) Jerome, Jerome K., 100 “From Rosamor Dead to Favonius for Whom John, Augustus, 55 She Died”, 145 John, King, 93, 94 “Holy War, The”, 141–42 Johnson, Pamela, 87 “How the Prince of Peace Came Back”, Joyce, Simon, 204, 206 144–45 Joynson-Hicks, William, 154, 161, 162, 164, 168, illustrations for Wilde’s “The Harlot’s 169, 170, 172 House”, 119, 136–38 Knight upon the Grave of His Lady, The, Kandola, Sondeep, 213 126 Kaye, Richard, 134 Letters to Children about Drawing, Painting, Kearney, Richard, 121, 142 and Something More, 143 Keen-Hargreaves, Harry and Jack, 111 “Love-Child, The”, 145 Khan, Noshee, 141 “Mary Magdalene”, 145 Kiely, Declan, 123 Pilgrimage, 127–28, 143 Kipling, Rudyard, 31–32, 141 “The Song of the Seine: To the Court of Kirchknopf, Andrea, 206 Kings”, 145 Kitchin, George, 45 “To Ireland”, 140 Kohlke, Marie-Luise, 206 “Winter”, 144 Kronenberger, Louis, 33, 54 Woman without a Soul, A, 133–34 Kucich, John, 206 Halberstam, Judith (Jack), 199, 231 Labour Party, 88, 90, 100, 103, 116 Haldane, J.
Recommended publications
  • MAX BEERBOHM AS a LITERARY CRITIC by BEVERLY JOAN

    MAX BEERBOHM AS a LITERARY CRITIC by BEVERLY JOAN

    MAX BEERBOHM AS A LITERARY CRITIC by BEVERLY JOAN NORBY B.A., University of British Columbia, 1949 A THESIS SUBMITTED IN PARTIAL FULFILMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS in the Department of English We accept this thesis as conforming to the required standard THE UNIVERSITY OF BRITISH COLUMBIA October, 1967 In presenting this thesis in partial fulfilment of the requirements for an advanced degree at the University of British Columbia, I agree that the Library shall make it freely available for reference and Study. I further agree that permission for extensive copying of this thesis for scholarly purposes may be granted by the Head of my Department or by h.i>s representatives. It is understood that copying or publication of this thesis for financial gain shall not be allowed without my written permission. Department of ENGLISH The University of British Columbia Vancouver 8, Canada Date October, 1967 ABSTRACT The purpose of this thesis has been to define Max Beerbohm's critical literary principles, to evaluate his con• tribution to aesthetic criticism and thereby to determine his place in the critical tradition. The methods of investi• gation have been: to study the formative influences on the development of his critical principles and to evaluate the results of their application in Max's essays and dramatic criticisms. From this study it is evident that as a man and as an artist Max was "formed" during the Eighteen-nineties. By nature he was an intellectual dandy who always preferred strong, narrow creative personalities like himself. He was detached, fastidious, witty, and humane, and he was noted for his wisdom and sound common sense, even as a very young man.
  • Enoch Soames Max Beerbohm

    Enoch Soames Max Beerbohm

    Enoch Soames Max Beerbohm El tema del diablo ha dado origen a innumerables leyendas e invenciones. Pocas tan afortunadas como ésta de Max Beerbohm, ensayista y caricaturista inglés, nacido en Londres en 1872 y muerto en Rapallo en 1956, educado en Oxford, sucesor de Bernard Shaw como crítico literario de la Saturday Review, autor de: A defense of cosmetics (1896), The happy hypocrite (1897), More (1899), Zuleika Dobson (1911), Seven men (1919), And even now (1920). Uno de los resortes más eficaces de Enoch Soames es el fondo de realidad contra el que se mueven los protagonistas. Existió el Café Royal, existieron Rothenstein y The Yellow Book (y desde luego Whistler y Beardsley), existió ese Londres finisecular con su atmósfera casi parisiense, Chesterton nos asegura que existe el príncipe de las tinieblas, y en cuanto a Enoch Soames sólo en el futuro se dijo (se dirá) que nunca llegó a existir. Cuando el señor Holbrook Jackson dio al mundo un libro sobre la literatura del 90, busqué ansiosamente en el índice el nombre de Soames, Enoch. Temía que no estuviese. Y no estaba. Sin embargo, figuraban todos los demás. Muchos escritores a quienes yo olvidara por completo o sólo recordaba vagamente, resucitaron ante mí, con sus obras, en las páginas del señor Holbrook Jackson. El libro era tan minucioso como brillante. De ahí que la omisión descubierta por mí fuese la evidencia más cabal de que el pobre Soames no había dejado huella alguna en la literatura de su década. Creo que soy la única persona que lo notó... ¡tan lamentable había sido el fracaso de Soames! Y es inútil alegar que, si hubiera conquistado algún mediano éxito, quizá se habría esfumado de mi memoria, como los demás, para retornar tan sólo al llamado del historiador.
  • By Sir Max Beerbohm Seven Men (1920 ) [Beerbohm, Sir Max] on Amazon.Com

    By Sir Max Beerbohm Seven Men (1920 ) [Beerbohm, Sir Max] on Amazon.Com

    Read Ebook {PDF EPUB} Seven Men (1920 ) by Sir Max Beerbohm Seven Men (1920 ) [Beerbohm, Sir Max] on Amazon.com. *FREE* shipping on qualifying offers. Seven Men (1920 ) Oct 21, 2009 · Seven Men (1920 ) [Beerbohm, Sir Max] on Amazon.com. *FREE* shipping on qualifying offers. Seven Men (1920 ) Jun 22, 2007 · There was an 2nd edition of this book in the 1950s, Seven Men and Two Others (Prion Humour Classics) which has a few more stories. This e-book, however, has three stories complete in themselves, which are the heart of the book. The funniest story, Enoch Soames: a memory of the eighteen-nineties is available separately. Enoch Soames is a 'decadent' poet, looked up to by the …3.9/5(13)Format: PaperbackAuthor: Max BeerbohmPeople also askHow old was Max Beerbohm when he died?How old was Max Beerbohm when he died?Max Beerbohm, in full Sir Max Beerbohm, original name Henry Maximilian Beerbohm, (born August 24, 1872, London, England—died May 20, 1956, Rapallo, Italy), English caricaturist, writer, dandy, and wit whose sophisticated drawings and parodies were unique in capturing, usually without malice, whatever was pretentious, affected,...Max Beerbohm | Biography, Books, & Facts | Britannica Seven men by Sir Max Beerbohm, 1920, Heinemann edition, in English Seven Men 1920 [Leather Bound] [Max Beerbohm] on Amazon.com. *FREE* shipping on qualifying offers. Seven Men 1920 [Leather Bound] Max Beerbohm tells several stories in which six men appear as well as him. His stories are filled with humorous irony. They start off in a realistic manner but soon swerve into unreality, in the fascinating manner of many Spanish novels and many stories by the Noble Prize Winning Israeli writer Shai Agnon.3.9/5(13)Format: HardcoverAuthor: Max BeerbohmSeven men.
  • Gender and Humour II: Reinventing The

    Gender and Humour II: Reinventing The

    Issue 2011 35 Gender and Humour II: Reinventing the Genres of Laughter Edited by Prof. Dr. Beate Neumeier ISSN 1613-1878 Editor About Prof. Dr. Beate Neumeier Gender forum is an online, peer reviewed academic University of Cologne journal dedicated to the discussion of gender issues. As an English Department electronic journal, gender forum offers a free-of-charge Albertus-Magnus-Platz platform for the discussion of gender-related topics in the D-50923 Köln/Cologne fields of literary and cultural production, media and the Germany arts as well as politics, the natural sciences, medicine, the law, religion and philosophy. Inaugurated by Prof. Dr. Tel +49-(0)221-470 2284 Beate Neumeier in 2002, the quarterly issues of the journal Fax +49-(0)221-470 6725 have focused on a multitude of questions from different email: [email protected] theoretical perspectives of feminist criticism, queer theory, and masculinity studies. gender forum also includes reviews and occasionally interviews, fictional pieces and Editorial Office poetry with a gender studies angle. Laura-Marie Schnitzler, MA Sarah Youssef, MA Opinions expressed in articles published in gender forum Christian Zeitz (General Assistant, Reviews) are those of individual authors and not necessarily endorsed by the editors of gender forum. Tel.: +49-(0)221-470 3030/3035 email: [email protected] Submissions Editorial Board Target articles should conform to current MLA Style (8th edition) and should be between 5,000 and 8,000 words in Prof. Dr. Mita Banerjee, length. Please make sure to number your paragraphs Johannes Gutenberg University Mainz (Germany) and include a bio-blurb and an abstract of roughly 300 Prof.
  • Oscar Wilde & His Circle

    Oscar Wilde & His Circle

    Oscar Wilde & His Circle Catalogue 1512 Oscar Wilde & His Circle The Cohen Collection Part 1 Catalogue 1512 London Maggs Bros Ltd. MMXXI MAGGS BROS LTD., 48 BEDFORD SQUARE LONDON WC1B 3DR +44 207 493 7160 www.maggs.com Orders and enquiries to [email protected] All items are offered subject to prior sale, and sales are subject to our standard conditions of sale, not least of which is that title does not pass until payment is made in full. The full terms & conditions may be viewed at https://www.maggs.com/terms_and_conditions/ This catalogue was produced under lockdown conditions during the first year of the Great Pandemic, and its production has been a collaborative effort between Phil Cohen, Ed Maggs, Alice Rowell, Theo Miles, Ivo Karaivanov, Ashley Baynton-Williams, and all the Maggs team. - Front cover item 3 - Front endpapers from Wilde’s The House of Pomegranates,item 15 - Frontispiece, previously unpublished portrait by Vander Weyde of Lillie Langtry as Effie Deans, styled by Millais. Effectively her first stage role. Item 223. - Rear endpapers from Beardsley’s endpapers for De Vere Stacpoole’s Pierrot! A Story, item 137 - Rear cover, detail from the binding of John Gray’s Silverpoints, item 181 Contents Foreword 2 Performance History 36 John Barlas 68 Aubrey Beardsley 93 Max Beerbohm 120 Edward Carson 127 Olive Custance 134 Rudolf Dircks 135 Lord Alfred Douglas 136 Julia Frankau 144 John Gray 145 Frank Harris 165 Robert Hichens 167 Coulson Kernahan 169 Lillie Langtry 170 Stuart Merrill 177 Frank Miles 179 [Friedrich] Max Müller 182 Vincent O’Sullivan 184 Walter Herries Pollock 203 Frederick York Powell 204 Marc André Raffalovich 205 Ricketts and Shannon 206 Rennell Rodd 207 Robert Sherard 208 Reginald Turner 213 James McNeill Whistler 215 Constance Wilde 219 Theodore Wratislaw 220 Bibliographical and biographical 224 Foreword Inspired by my mentor, Professor James G.
  • ENOCH SOAMES Max Beerbohm, Precedido De UN CUENTO PERFECTO, De Roberto Bolaño

    ENOCH SOAMES Max Beerbohm, Precedido De UN CUENTO PERFECTO, De Roberto Bolaño

    [TijeretazosLiteraria] ENOCH SOAMES Max Beerbohm, precedido de UN CUENTO PERFECTO, de Roberto Bolaño Hace un tiempo, en un almuerzo con Nicanor Parra, éste recordó los cuentos de Saki, en especial uno, “La ventana abierta”, que pertenece al libro Bestias y superbestias. El gran Saki se llamaba en realidad Hector Hugh Munro y había nacido en Birmania, entonces colonia británica, en 1870. Sus cuentos, generalmente, están inscritos en el género, tan cultivado por los ingleses, del horror y de lo sobrenatural, con grandes dosis de humor negro. Al estallido de la Primera Guerra Mundial Saki se alistó como voluntario en el ejército, un trance que ciertamente hubiera podido evitar en razón de su edad (tenía más de cuarenta años), y murió combatiendo en Beaumont-Hamel en 1916. Durante aquella larguísima sobremesa, que duró hasta que empezó a anochecer, pensé en un escritor de la misma generación de Munro aunque estilísticamente muy distinto: el gran Max Beerbohm, que nació en Londres en 1872 y que murió en Rapallo, Italia, en 1956, y que además de cuentos escribió novelas, crónicas, artículos periodísticos, ensayos, sin dejar por ello de cultivar una de sus primeras pasiones: el dibujo y la caricatura. Max Beerbohm es, posiblemente, el paradigma del escritor menor y del hombre feliz. Es decir: Max Beerbohm fue un hombre educado y bueno. Cuando por fin dejamos a Nicanor Parra y El Kaleúche y nos marchamos a Santiago me puse a pensar en el que a mi juicio es el mejor de los cuentos de Beerbohm, “Enoch Soames”, que recogen Silvina Ocampo, Borges y Bioy en la magnífica y a menudo evanescente Antología de la literatura fantástica.
  • Zuleika Dobson Online

    Zuleika Dobson Online

    O9zGW [Download ebook] Zuleika Dobson Online [O9zGW.ebook] Zuleika Dobson Pdf Free Max Beerbohm *Download PDF | ePub | DOC | audiobook | ebooks Download Now Free Download Here Download eBook Beerbohm Max 2010-09-10Original language:EnglishPDF # 1 9.25 x .44 x 7.52l, .81 #File Name: 1162718331208 pagesZuleika Dobson | File size: 78.Mb Max Beerbohm : Zuleika Dobson before purchasing it in order to gage whether or not it would be worth my time, and all praised Zuleika Dobson: 1 of 1 people found the following review helpful. I enjoyed this older bookBy Christa M. HeglandI enjoyed this older book, especially because I read it as we were touring Oxford and England. The story is set within Oxford University during the early years of the 20th century. Our narrator, never named, has been given the gift of seeing into the thoughts and emotions of all of the characters in the tale, which is presented as a 'truthful recounting' of that 'infamous event', wherein Miss Zuleika (pronounced "Zu-leek-ah" by the author) Dobson came to visit Oxford. There is much here that pokes fun at academes, ivory towers, and College life, but also there is a gentle prodding for us to examine how we view ourselves and how we interact with those around us, as well as a nod to the excesses of youth, and the youthful idea that no-one has ever felt this way before, and that no-one can possibly understand what it is like to be me. Be patient with this book; the set-up and explanations come slowly.