DOCSLIB.ORG

The Amazing Kreskin: "I'm a Mentalist and I Read Thoughts in My Act. Paar Told Me That He Preceded Everybody in Doing That

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
The Amazing Kreskin: Thursday, January 29, 2004 Stars Remember Jack Paar by Daniel R. Coleridge This week, Hollywood received some sad news: Late-night legend Jack Paar — host of NBC's The Tonight Show from 1957 until 1962 — died on Tuesday after a long illness. He was 85. Paar's guests included many luminaries of his era, everybody from JFK to Judy Garland. In fact, just weeks after his Tonight debut, he was dubbed "one of America's most popular indoor pastimes." TV Guide Online got in touch with stars who loved Paar, inviting them to share their favorite memories of the showman. Here's what they had to say... Phyllis Diller: "We were personal friends over the years. This is very sad news, except that Jack was in such horrible condition after the stroke he had about a year ago. He was paralyzed and he couldn't talk. It was such a strain on his wife, Miriam; she was at his bedside constantly. I would mail her jokes to make him laugh, 'cause what else can you do? "He was the first person who gave me my big jump start, on the Tonight Show. My family of seven had been homeless for five years, and he did such a job of promoting me that when I was finally able to buy a home, I always called it The House That Jack Built. Isn't that cute? He was an attractive man and a natty dresser, and he appreciated my eccentricities. He was always there to help, and not just me, but so many people like Jonathan Winters, Hermione Gingold and Joey Bishop. Paar could make you a star!" The Amazing Kreskin: "I'm a mentalist and I read thoughts in my act. Paar told me that he preceded everybody in doing that. In the days when Tonight Show was live for an hour and 45 minutes — not taped — Paar would wear a turban and tell people their telephone numbers. Finally, he revealed in TV Guide that he had earphones in the turban and that his staff backstage was looking up the numbers! He brought such a spontaneity to television that just doesn't exist anymore." Jay Leno: "Jack set the bar and he set it very high. I was fortunate enough to have him as a guest on the show. He will be sorely missed." Carol Burnett: "I really loved working with him. He played an important part in giving me my start. I'm so sad to hear of his passing." Merv Griffin: "Jack invented the talk show format as we know it: the ability to sit down and make small talk big. I will miss him terribly. Not only was he a great friend, he was my beginning, just as he was everyone else's." Conan O'Brien: "He was a brilliant television pioneer who laid the groundwork for Late Night. I had the pleasure of meeting Jack and his wife, and he couldn't have been kinder and more encouraging to me, personally." Visit The Amazing Kreskin’s website at: www.amazingkreskin.com .
Load more

Recommended publications
  • The GRAMMY Museum Presents George Carlin: a Place for My Stuff
    The GRAMMY Museum Presents George Carlin: A Place For My Stuff New Display to Open Sept. 30 Commemorating The Late GRAMMY-winning comedian WHO: The GRAMMY Museum will commemorate GRAMMY-winning comedian George Carlin with a new display opening Wednesday, Sept. 30, 2015 on the Museum's third floor. The exhibit will mark the third display in the Museum's comedy series, following previous tributes to Rodney Dangerfield and Joan Rivers. WHAT: Artifacts on display in George Carlin: A Place For My Stuff will include: Carlin's GRAMMY Awards and other accolades Childhood scrapbook and photos The set list from his performances on The Tonight Show in 1962 and The Ed Sullivan Show in 1971 His public arrest records Script from the 1999 cult film Dogma And more "Ever since I became the keeper of my dad's stuff in 2008, I have enjoyed sharing little bits of it with friends and comedians," said Kelly Carlin, the comedian's daughter. "But to know that his fans will now get to see some of it, makes my heart swell with joy. I am thrilled that the GRAMMY Museum is creating a place for his stuff." "George Carlin helped redefine the art form of stand-up comedy. He used his talent to not only entertain, but to question conventional wisdom and social injustices," said Bob Santelli, Executive Director of the GRAMMY Museum. "With this latest display in our comedy series, we continue to spotlight some of the greatest comedy acts, many of whom have been recognized by the GRAMMY Awards." WHEN & WHERE: George Carlin: A Place For My Stuff will be on display at the GRAMMY Museum through March 2016.
    [Show full text]
  • Completeandleft
    MEN WOMEN 1. JA Jason Aldean=American singer=188,534=33 Julia Alexandratou=Model, singer and actress=129,945=69 Jin Akanishi=Singer-songwriter, actor, voice actor, Julie Anne+San+Jose=Filipino actress and radio host=31,926=197 singer=67,087=129 John Abraham=Film actor=118,346=54 Julie Andrews=Actress, singer, author=55,954=162 Jensen Ackles=American actor=453,578=10 Julie Adams=American actress=54,598=166 Jonas Armstrong=Irish, Actor=20,732=288 Jenny Agutter=British film and television actress=72,810=122 COMPLETEandLEFT Jessica Alba=actress=893,599=3 JA,Jack Anderson Jaimie Alexander=Actress=59,371=151 JA,James Agee June Allyson=Actress=28,006=290 JA,James Arness Jennifer Aniston=American actress=1,005,243=2 JA,Jane Austen Julia Ann=American pornographic actress=47,874=184 JA,Jean Arthur Judy Ann+Santos=Filipino, Actress=39,619=212 JA,Jennifer Aniston Jean Arthur=Actress=45,356=192 JA,Jessica Alba JA,Joan Van Ark Jane Asher=Actress, author=53,663=168 …….. JA,Joan of Arc José González JA,John Adams Janelle Monáe JA,John Amos Joseph Arthur JA,John Astin James Arthur JA,John James Audubon Jann Arden JA,John Quincy Adams Jessica Andrews JA,Jon Anderson John Anderson JA,Julie Andrews Jefferson Airplane JA,June Allyson Jane's Addiction Jacob ,Abbott ,Author ,Franconia Stories Jim ,Abbott ,Baseball ,One-handed MLB pitcher John ,Abbott ,Actor ,The Woman in White John ,Abbott ,Head of State ,Prime Minister of Canada, 1891-93 James ,Abdnor ,Politician ,US Senator from South Dakota, 1981-87 John ,Abizaid ,Military ,C-in-C, US Central Command, 2003-
    [Show full text]
  • Download This Issue in Text-Searchable PDF Format
    The REALIST Issue Number 16 - March, 1960 - Page 01 scans of this entire Issue found at: http://www.ep.tc/realist/16 freethought criticism and satire March 1960 35 Cents No. 16 An Impolite Interview With Albert Ellis Albert Ellis received his M.A. and Ph.D. de­ grees in Clinical Psychology at Columbia Uni­ IN THIS ISSUE versity. He has taught at Rutgers and N.Y.U.; • A Realist Exclusive: I Tried the Rapid-Shave has served as Chief Psychologist of the New Jersey Sandpaper Test Department of Institutions and Agencies; and over the last decade he has been in the private practice • Jack Paar, TV Censorship, and a Stereo­ of psychotherapy and marriage counseling in New phonic Hoax York City. • Negative Thinking: Some Positive Thoughts Dr. Ellis is the author of several books—in­ on ‘Suddenly, Last Summer' cluding The American Sexual Tragedy, How to ~ ~~ ■----i ^ r ~— i ~ i ii—i ~ n ~ i ~ ir i ~i ~ i t ~ _ - _r Live With a Neurotic and Sex Without Guilt — as well as more than 150 papers in various profes­ sional journals. His latest book, The Art and Science of Love, will be published this month by Lyle Stuart. Now in preparation, in collaboration with Dr. Robert A. Harper of Washington, is a major work on the theory and technique of ra­ tional psychotherapy. The questions in this interview were posed by Robert Anton Wilson and Paul Krassner. Q. How would you explain the difference be­ tween rational therapy and psychoanalysis? A. There are many significant differences be­ tween, these two systems of psychotherapy.
    [Show full text]
  • AM Carson FYR Rating Release FINAL 071312 V2
    Press Contacts: Natasha Padilla, American Masters 212.560.8824, [email protected] Donna Williams, Finding Your Roots 212-560-8030; [email protected] Press Materials: pbs.org/pressroom or thirteen.org/pressroom American Masters Websites : pbs.org/americanmasters & facebook.com/americanmasters Finding Your Roots Websites: pbs.org/wnet/finding-your-roots & facebook.com/FindingYourRootsPBS PBS Series AMERICAN MASTERS and FINDING YOUR ROOTS WITH HENRY LOUIS GATES, JR., Reach Record Number of Viewers AMERICAN MASTERS Exceeds 6 Million Viewers and FINDING YOUR ROOTS Over 16 Million Viewers PBS announced today that AMERICAN MASTERS and FINDING YOUR ROOTS WITH HENRY LOUIS GATES, JR. , two major series from THIRTEEN, New York’s public television station celebrating its 50thanniversary this year, proved to be viewer favorites this spring, breaking previously held records and consistently delivering above average ratings respectively. The May 14 broadcast premiere of AMERICAN MASTERS “Johnny Carson: King of Late Night” was seen by an average audience of 6.3 million viewers (4.4 average household rating), including repeat broadcasts and DVR viewing within 7 days, according to Nielsen. That’s 214% higher than the season to date PBS primetime average of 1.4 (2.1 million viewers), to beat the series’ previous record of 3.7 held by both “Carol Burnett: A Woman of Character” (5.5 million viewers in 2007) and “Jack Paar: As I Was Saying…” (4.8 million viewers in 1997) by 19%. This ratings success crowns “ Johnny Carson: King of Late Night” as the highest- rated and most-watched AMERICAN MASTERS in the series’ 26-year history.
    [Show full text]
  • KING of LATE NIGHT SCREENPLAY Script
    THE KING OF LATE NIGHT Written by Patti Vasquez & Kevin Cleary Based on the book THE TONIGHT SHOW by Robert Metz Published by Playboy Press Contact: James Kellem JKA Talent & Literary 12725 Ventura Boulevard Suite H Studio City, CA 91604 FADE IN: INT. TV STUDIO - DAY Image opens on the bright red light of a huge RCA TK30, a large black and white television broadcasting camera, the top of the line network TV studio camera of 1951. SUPERIMPOSE: NEW YORK CITY, 1951 The camera pulls back to reveal the whole television camera and the studio in which it sits. The studio is broadcasting THE TODAY SHOW. DAVE GARROWAY (40), the host of the show, sits at a desk interacting with J. FRED MUGGS, the show’s chimpanzee “co- host”. CUT TO: INT. TV CONTROL ROOM - DAY SYLVESTER “PAT” WEAVER, 43, creator of the Today Show (and The Tonight Show), powerful Executive Vice President of NBC TV and modern programming genius is watching the show on the monitor. Weaver stands behind the show’s director and his crew who sit in front of a large bank of black and white monitors that feature each of the different camera shots. TV DIRECTOR Camera One. The “broadcast” monitor cuts to Garroway and Muggs at the desk. GARROWAY (To Fred) That’s right Fred, humans are silly. (To the camera) We’ll be right back after these commercial messages. TODAY SHOW DIRECTOR Roll commercial. ASSISTANT DIRECTOR We’re out. Back in two minutes. 2. As show goes to commercial the studio explodes into a frenzy of activity from cameramen, make-up people and lighting guys.
    [Show full text]
  • Barr, Morgan Nastassia
    Barr, Morgan Nastassia (2020) Identifying the 'Female Schlemiel': The Composition and Representation of the Female Jewish Archetype in Mid to Late Twentieth Century Texts. Masters thesis, York St John University. Downloaded from: http://ray.yorksj.ac.uk/id/eprint/5008/ Research at York St John (RaY) is an institutional repository. It supports the principles of open access by making the research outputs of the University available in digital form. Copyright of the items stored in RaY reside with the authors and/or other copyright owners. Users may access full text items free of charge, and may download a copy for private study or non-commercial research. For further reuse terms, see licence terms governing individual outputs. Institutional Repository Policy Statement RaY Research at the University of York St John For more information please contact RaY at [email protected] Morgan Barr 1 Identifying the 'Female Schlemiel': The Composition and Representation of the Female Jewish Archetype in Mid to Late Twentieth Century Texts. Morgan Nastassia Barr Submitted in accordance with the requirements for the degree of Master of Arts by Research York St John University School of Humanities, Religion and Philosophy October 2020 Morgan Barr 2 The candidate confirms that the work submitted is her own and that the appropriate credit has been given where reference has been made to the work of others. This copy has been supplied on the understanding that it is copyright material. Any reuse must comply with the Copyright, Designs and Patents Act 1988 and any licence under which this copy is released. © 2020 York St John University and Morgan Nastassia Barr The right of Morgan Nastassia Barr to be identified as Author of this work has been asserted by her in accordance of with the Copyright, Designs and Patents Act 1988.
    [Show full text]
  • How Late-Night Talk Shows Utilize Social Media
    How Late-Night Talk Shows Utilize Social Media A Thesis Submitted to the Faculty of Drexel University by Melissa S. Genzer in partial fulfillment of the requirements for the degree of Master of Science in Television Management August 2012 ii Acknowledgments I would like to thank my thesis advisor Terry Maher, and program director Albert Tedesco, for their assistance and guidance during the thesis writing process and during my graduate studies at Drexel University. I would also like to thank my family and friends for their continued support and encouragement. iii Table of Contents LIST OF TABLES...............................................................................................................v LIST OF FIGURES ........................................................................................................... vi LIST OF APPENDICES.................................................................................................. viii ABSTRACT....................................................................................................................... ix 1. INTRODUCTION ...........................................................................................................1 1.1 Introduction....................................................................................................................1 1.2 Statement of the Problem...............................................................................................3 1.3 Background and Need....................................................................................................7
    [Show full text]
  • THE MOUNTAIN EAGLE TELEVISION PAGE ULVAH Flu Keeps Several Home Program Listings Subject to Last-Minu- Te Changes by Stations
    THE MOUNTAIN EAGLE, WHITESBURG, KY. THURSDAY, APRIL 2, 1959 PAGE 6 THE MOUNTAIN EAGLE TELEVISION PAGE ULVAH Flu keeps several home Program Listings Subject To Last-Minu- te Changes By Stations By Lovell Caudill Easter, also Brother J. D. 12:00 Big Picture 1:00 Rev. Wilcox Wlllard WHTN-Chann- el 13 I'ayno along with their future -- 12:30 Talk Back No. 3 1:30 All Star Movie Matinee The flu it holding several Daytime 7 P.M. 12 A.M. son-in-la- Lee Breeding. 1:00 TV Classroom "Kiss of Death" 7:00 Steve Donovan, people down around here. 1:30 Travel Film 3:30 Midget Auto Race Western Marshal 2:00 Roy Rogers Theatre 3:00 Rooncy Those having to battle with it BLAIR BRANCH .MONDAY THROUGH FRIDAY Father 7:30 Stars In Action have bcon Philip and Donna Friday 3:00 Jubilee. USA 330 I Led Three Lives 8:00 Invlsltblc Man Edward and 11:15 Jack Paar Show 4:00 Accont 830 To Toll the Truth Hac Brown, Charles Mrs. Stephen Craft 4:00 Live Wrestling 430 Leonard Bernstein and WSAZ-Chann- el j n 0:00 Arthur Godfrey Less Caudill, Jack 3 a run Phil-hnrmon- his uncle ill at residence 5:00 All Star Golf The New York 030 Red Skclton Brow and Wayne Brown's kids. WSAZ-Chann- 0:00 Record Hop By Minnie Adams G:30 Continental Classroom el 3 10:00 Gary Moore Show Wo are very sory to learn that 7:30 Dirk Clark Show 5:00 College, Quiz Bowl 11:00 News Mrs.
    [Show full text]
  • The History of CBS New York Television Studios: 1937-1965
    1 The History of CBS New York Television Studios: 1937-1965 By Bobby Ellerbee and Eyes of a Generation.com Preface and Acknowledgements This is the first known chronological listing that details the CBS television studios in New York City. Included in this exclusive presentation by and for Eyes of a Generation, are the outside performance theaters and their conversion dates to CBS Television theaters. This compilation gives us the clearest and most concise guide yet to the production and technical operations of television’s early days and the efforts at CBS to pioneer the new medium. This story is told to the best of our abilities, as a great deal of the information on these facilities is now gone…like so many of the men and women who worked there. I’ve told this as concisely as possible, but some elements are dependent on the memories of those who were there many years ago, and from conclusions drawn from research. If you can add to this with facts or photos, please contact me, as this is an ongoing project. (First Revision: August 6, 2018). Eyes of a Generation would like to offer a huge thanks to the many past and present CBS people that helped, but most especially to television historian and author David Schwartz (GSN), and Gady Reinhold (CBS 1966 to present), for their first-hand knowledge, photos and help. Among the distinguished CBS veterans providing background information are Dr. Joe Flaherty, George Sunga, Dave Dorsett, Allan Brown, Locke Wallace, Rick Scheckman, Jim Hergenrather, Craig Wilson and Bruce Martin.
    [Show full text]
  • October 2012
    A Hunt Military Community 8660 Angell St., JBAB • Washington, DC 20032 Phone: (202) 562-2631 • Fax: (202) 562-2721 • www.bollingfamilyhousing.com September Yard of the October 2012 Month Winners! Hickam- Williams Family 8636 A Tyndall Street Hooe- Sweeny Family 5531 A Loring Way Doolittle- Marquez Family 1581 D Eglin Way Resident Events Rickenbacker- Llanes Family 326 March Lane PIZZA PIE on the FLY Billy Mitchell- Travis Family JBAB Halloween Events Oct. 1 and 15 (4–5:30 p.m.) 8012 Mitchell Loop Haunted House Visit Bolling Family Housing Community Westover/Duncan- Reams Family Oct. 27, (6–9 p.m.) Center to pick up your fresh, hot 26 Westover Ave Join us for lots of medium pizzas for only $5. spooky fun for everyone! Bolling Family Housing Fall Festival There will be hay rides, Oct. 20 (10 a.m.–noon) a kids maze, and light Petting zoo, pony rides, refreshments for sale. pumpkin patch and so much more! (located next to the Slip Inn) Halloween Spooktacular Joint Event with the Time to get creative for our Youth Center and Bellevue Housing Halloween decoration contest! We will select one home from each Halloween Parade & Trick neighborhood on Oct. 26 to win a or Treating spooktacular prize! Fall for Autumn Oct. 31, 5 p.m. This October, take in the beautiful Join us at Giesboro Park for our colors of this glorious season. annual JBAB Halloween Parade. Following with trick or treating at 6:30 p.m. Happy Halloween! Christy Rutan Community Director Congratulations Winners! Stephanie Harris Assistant Director Ashley Thorpe GOQ Coordinator Leasing Satisfaction Survey Shamika Jacobs Bookkeeper Liebold Family - 3137 Scott Dr Stacie Seegars Resident Specialist September Birthday Xochitl Garza Resident Specialist Maintenance Satisfaction Survey Bonanza Winner Melonie Johnson Resident Specialist James Family - 8023 Mitchell Loop Alissa Merritt Stephanie Gilbert Resident Specialist Happy Birthday! Dan Gruver Maint.
    [Show full text]
  • Lost Its Sense of Humor: Late-Night Talks Show Hosts, George W
    j The Day America (Almost) Lost its Sense of Humor: Late-Night Talks Show Hosts, George W. Bush, and September 11, 2001 An Honors Thesis (HONORS 499) By Jann E. Ewbank Thesis Advisor Dr. Beth Messner Ball State University Muncie, Indiana May 2002 Expected Date of Graduation May 2003 '": r( oIl Thl""-I~ ,_ T) "": ,I '1 a, l ? '-',,"'2 - . l "13 America ( ("e)st its Sen f Hosts, . Bush, and '.: An HOllors OR~I~9) -- t"f~ ! J .... ThesiJ.~r Dr. Betl"~1Ii!i ~. ..----.... ~\' Abstract This paper explores the changes in treatment of President George W. Bush by late-night talk show hosts after the terrorist attacks of September 11, 2002. Twelve weeks worth of monologues from David Letterman and Jay Leno are examined using genre of political satire as the primary method of explanation. The initial sections of the paper deal with the histories of both political satire and late-night talk shows respectively. The intermediate sections of the paper discuss the events of September 11 and the comedians' monologues before and after the tragedy. Finally, the paper uses the genre of political satire to explain variations in the treatment of President Bush. Acknowledgements My sincerest thanks are due to Dr. Beth Messner, whose time and guidance allowed this thesis to be created. She helped me focus on a subject and was patient while I worked though it. Dr. Messner's encouragement and advice were invaluable in the formation of this paper, and I am grateful. Purpose This paper attempts to argue that comedians' treatment of President George W.
    [Show full text]
  • Barnard College Joan Rivers and the Spectacle Of
    BARNARD COLLEGE JOAN RIVERS AND THE SPECTACLE OF DEFACEMENT: COMEDY, PLASTIC SURGERY, AND THE RED CARPET FREAKSHOW A SENIOR THESIS SUBMITTED TO PROFESSOR JENNIE KASSANOFF IN FULFILLMENT OF THE DEGREE OF BACHELOR OF ARTS DEPARTMENT OF AMERICAN STUDIES BY PAULINA PINSKY Prologue Hokey game show music plays as she makes a bed under a sign that reads, in flashing lights, “In Bed With Joan.” Perched atop the mattress, the iconic comedian exclaims, “I’m Joan Rivers. Let’s see who is coming out of my closet tonight!”1 On this particular evening, the closet reveals Sarah Silverman who joins Rivers in the latter’s repurposed bedroom. The first episode of the web series “In Bed With Joan” aired on March 5, 2013. The web series featured Rivers interviewing a different guest every week, from young comedians like Silverman to celebrities like the NYSNC band member Lance Bass and the actor Gary Busey. After Silverman has climbed under the covers, Rivers begins to fire off some questions. “Do you find it hard to be a woman?” she asks in a tone so mocking that it suggests the question is, to her mind, bogus. Silverman responds in the same spirit: “Well there’s a war on women.” She pauses, and then alters the question slightly. “Are women funny? Why is that even an issue anymore? Women run comedy! Have you seen comedy lately? It’s all Tina Fey and Whitney Cummings, and Joan Rivers, and all those hacks.” “That’s enough,” Rivers quips.2 Rivers asks Silverman this question because this is sadly still a common question that is asked about women in comedy, even though there are many successful female comedians like Rivers and Silverman.
    [Show full text]