A Critique of Canadian Multiculturalism As a State Policy And
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2019 Survey of Canadians CANADA: PULLING TOGETHER OR DRIFTING APART? Final Report APRIL 2019
confederation of tomorrow 2019 Survey of Canadians CANADA: PULLING TOGETHER OR DRIFTING APART? Final Report APRIL 2019 INSTITUTE FOR RESEARCH ON PUBLIC POLICY This study was conducted by the Environics Institute for Survey Research, in partnership with the following organizations: THE MOWAT CENTRE The Mowat Centre is an independent public policy think-tank located at the Munk School of Global Affairs and Public Policy at the University of Toronto, and Ontario’s non-partisan, evidence-based voice on public policy. We undertake collaborative applied policy research, propose innovative research-driven recommendations, and engage in public dialogue on Canada’s most important national issues. https://mowatcentre.ca/ THE CANADA WEST FOUNDATION The Canada West Foundation focuses on the policies that shape the West, and by extension, Canada. Through independent, evidence-based research and commentary, the Canada West Foundation provides practical solutions to tough public policy challenges facing the West at home and on the global stage. http://cwf.ca LE CENTRE D’ANALYSE POLITIQUE – CONSTITUTION ET FÉDÉRALISME (CAP-CF) À L’UNIVERSITÉ DU QUÉBEC À MONTRÉAL (UQAM) CAP-CF’s mission is to stimulate research on constitutional politics and federalism, and to advance in innovative ways the analysis and understanding of contemporary constitutional issues in Canada and other federations. https://capcf1.wixsite.com/accueil INSTITUTE FOR RESEARCH ON PUBLIC POLICY Founded in 1972, the Institute for Research on Public Policy is an independent, national, bilingual, not-for-profit organization. The IRPP seeks to improve public policy in Canada by generating research, providing insight and informing debate on current and emerging policy issues facing Canadians and their governments. -
Strong Cultures and Subcultures in Dynamic Organizations
02-091 The Role of Subcultures in Agile Organizations Alicia Boisnier Jennifer A. Chatman1 1 The second author wrote this paper while a Marvin Bower Fellow at the Harvard Business School and is grateful for their support. We also thank Elizabeth Mannix, Rita McGrath, and an anonymous reviewer for their insightful suggestions. Copyright © 2002 by Alicia Boisnier and Jennifer A. Chatman Working papers are in draft form. This working paper is distributed for purposes of comment and discussion only. It may not be reproduced without permission of the copyright holder. Copies of working papers are available from the author. The Role of Subcultures in Agile Organizations Alicia Boisnier and Jennifer A. Chatman1 Haas School of Business University of California, Berkeley May 24, 2002 To appear in, R. Petersen and E. Mannix, Leading and managing people in dynamic organizations. Forthcoming, 2002. 1 The second author wrote this paper while a Marvin Bower Fellow at the Harvard Business School and is grateful for their support. We also thank Elizabeth Mannix, Rita McGrath, and an anonymous reviewer for their insightful suggestions. 2 Organizations face increasingly dynamic environments characterized by substantial, and often unpredictable technological, political, and economic change. How can organizations respond rapidly to such changes or become more agile? Organizational agility, according to Lee Dyer, “requires a judicious mix of stability and reconfigurability” (2001: 4). We consider an unlikely source of agility: organizational culture. This may seem like an odd juxtaposition since strong unitary cultures exert a stabilizing force on organizations by encouraging cohesion, organizational commitment, and desirable work behaviors among members (e.g., Deal & Kennedy, 1982; Nemeth & Staw, 1989; O'Reilly & Chatman, 1986). -
2 the Cultural Economy of Fandom JOHN FISKE
2 The Cultural Economy of Fandom JOHN FISKE Fandom is a common feature of popular culture in industrial societies. It selects from the repertoire of mass-produced and mass-distributed entertainment certain performers, narratives or genres and takes them into the culture of a self-selected fraction of the people. They are then reworked into an intensely pleasurable, intensely signifying popular culture that is both similar to, yet significantly different from, the culture of more ‘normal’ popular audiences. Fandom is typically associated with cultural forms that the dominant value system denigrates – pop music, romance novels, comics, Hollywood mass-appeal stars (sport, probably because of its appeal to masculinity, is an exception). It is thus associated with the cultural tastes of subordinated formations of the people, particularly with those disempowered by any combination of gender, age, class and race. All popular audiences engage in varying degrees of semiotic productivity, producing meanings and pleasures that pertain to their social situation out of the products of the culture industries. But fans often turn this semiotic productivity into some form of textual production that can circulate among – and thus help to define – the fan community. Fans create a fan culture with its own systems of production and distribution that forms what I shall call a ‘shadow cultural economy’ that lies outside that of the cultural industries yet shares features with them which more normal popular culture lacks. In this essay I wish to use and develop Bourdieu’s metaphor of 30 THE CULTURAL ECONOMY OF FANDOM describing culture as an economy in which people invest and accumulate capital. -
By Omission and Commission : 'Race'
National Library Bibliothbque nationale 1*1 of Canada du Canada Acquisitions and Direction des acquisitions et Bibliographic Services Branch des services bibliographiques 395 Wellington Street 395, rue Wellington Ottawa, Ontario Ottawa (Ontario) KIA ON4 KIA ON4 Your hie Votre ri2ference Our Me Notre reference The author has granted an L'auteur a accorde une licence irrevocable non-exclusive licence irriivocable et non exclusive allowing the National Library of permettant a la Bibliotheque Canada to reproduce, loan, nationale du Canada de distribute or sell copies of reproduire, prGter, distribuer ou his/her thesis by any means and vendre des copies de sa these in any form or format, making de quelque maniere et sous this thesis available to interested quelque forme que ce soit pour persons. mettre des exemplaires de cette these a la disposition des personnes interessees. The author retains ownership of L'auteur conserve la propriete du the copyright in his/her thesis. droit d'auteur qui protege sa Neither the thesis nor substantial these. Ni la these ni des extraits extracts from it may be printed or substantiels de celle-ci ne otherwise reproduced without doivent &re imprimes ou his/her permission. autrement reproduits sans son autorisation. ISBN 0-315-91241-3 BY OMISSION AND COMMISSION: 'RACE' AND REPRESENTATION IN CANADIAN TELEVISION NEWS by Yasmin Jiwani B.A., University of British Columbia, 1979 M.A., Simon Fraser University, 1984 THESIS SUBMITTED IN PARTIAL FULFILMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY in the Department of Communication @ Yasmin Jiwani 1993 SIMON FRASER UNIVERSITY July, 1993 All rights reserved. -
Discover Canada the Rights and Responsibilities of Citizenship 2 Your Canadian Citizenship Study Guide
STUDY GUIDE Discover Canada The Rights and Responsibilities of Citizenship 2 Your Canadian Citizenship Study Guide Message to Our Readers The Oath of Citizenship Le serment de citoyenneté Welcome! It took courage to move to a new country. Your decision to apply for citizenship is Je jure (ou j’affirme solennellement) another big step. You are becoming part of a great tradition that was built by generations of pioneers I swear (or affirm) Que je serai fidèle before you. Once you have met all the legal requirements, we hope to welcome you as a new citizen with That I will be faithful Et porterai sincère allégeance all the rights and responsibilities of citizenship. And bear true allegiance à Sa Majesté la Reine Elizabeth Deux To Her Majesty Queen Elizabeth the Second Reine du Canada Queen of Canada À ses héritiers et successeurs Her Heirs and Successors Que j’observerai fidèlement les lois du Canada And that I will faithfully observe Et que je remplirai loyalement mes obligations The laws of Canada de citoyen canadien. And fulfil my duties as a Canadian citizen. Understanding the Oath Canada has welcomed generations of newcomers Immigrants between the ages of 18 and 54 must to our shores to help us build a free, law-abiding have adequate knowledge of English or French In Canada, we profess our loyalty to a person who represents all Canadians and not to a document such and prosperous society. For 400 years, settlers in order to become Canadian citizens. You must as a constitution, a banner such as a flag, or a geopolitical entity such as a country. -
From Britishness to Multiculturalism: Official Canadian Identity in the 1960S
Études canadiennes / Canadian Studies Revue interdisciplinaire des études canadiennes en France 84 | 2018 Le Canada et ses définitions de 1867 à 2017 : valeurs, pratiques et représentations (volume 2) From Britishness to Multiculturalism: Official Canadian Identity in the 1960s De la britannicité au multiculturalisme : l’identité officielle du Canada dans les années 1960 Shannon Conway Electronic version URL: http://journals.openedition.org/eccs/1118 DOI: 10.4000/eccs.1118 ISSN: 2429-4667 Publisher Association française des études canadiennes (AFEC) Printed version Date of publication: 30 June 2018 Number of pages: 9-30 ISSN: 0153-1700 Electronic reference Shannon Conway, « From Britishness to Multiculturalism: Official Canadian Identity in the 1960s », Études canadiennes / Canadian Studies [Online], 84 | 2018, Online since 01 June 2019, connection on 07 July 2019. URL : http://journals.openedition.org/eccs/1118 ; DOI : 10.4000/eccs.1118 AFEC From Britishness to Multiculturalism: Official Canadian Identity in the 1960s Shannon CONWAY University of Ottawa The 1960s was a tumultuous period that resulted in the reshaping of official Canadian identity from a predominately British-based identity to one that reflected Canada’s diversity. The change in constructions of official Canadian identity was due to pressures from an ongoing dialogue in Canadian society that reflected the larger geo-political shifts taking place during the period. This dialogue helped shape the political discussion, from one focused on maintaining an out-dated national identity to one that was more representative of how many Canadians understood Canada to be. This change in political opinion accordingly transformed the official identity of the nation-state of Canada. Les années 1960 ont été une période tumultueuse qui a fait passer l'identité officielle canadienne d'une identité essentiellement britannique à une identité reflétant la diversité du Canada. -
SPRING 2008 R.A.C.E.Link
SPRING 2008 R.A.C.E.link TABLE OF CONTENTS RACE EDITORIAL 2 COORDINATING COMMITTEE Yasmin Jiwani NO ACADEMIC EXERCISE 3 Sedef Arat-Koc Sunera Thobani Associate Professor, Department of Politics and Public Administration, Ryerson University THE CAMP: A PLACE WHERE LAW HAS DECLARED 9 THAT THE RULE OF LAW DOES NOT OPERATE Enakshi Dua Sherene Razack Associate Professor, School of Women’s Studies, York University UPDATE ON THE TAYLOR BOUCHARD COMMISSION Charmaine Nelson ON ‘REASONABLE ACCOMMODATION’ 18 Associate Professor, Art History & Gada Mahrouse Communication Studies, McGill University Sherene Razack ECENT UBLICATIONS OF NTEREST R P I 22 Professor, Department of Sociology & Equity compiled by Ainsley Jenicek Studies, OISE, University of Toronto THROUGH THE LENS: FILMS ON TERRORISM 25 Sunera Thobani Ezra Winton Associate Professor, Centre for Research in Women Studies & Gender Relations, University of British Columbia MEMBERSHIP & CONFERENCE ANNOUNCEMENT 26 Yasmin Jiwani UPCOMING CONFERENCES 34 Associate Professor, Communication Studies, compiled by Ainsley Jenicek and Rawle Agard Concordia University R.A.C.E.link R.A.C.E.link EDITORIAL Yasmin Jiwani Welcome to the 2008 issue of RACE-Link. More than a newsletter but not quite a journal, RACE-Link at best constitutes a quasi-journal. In this issue, we continue to plot the lines defining race in its contemporary configurations in the post 9/11 Canadian context. This issue begins with Sunera Thobani’s article ‘No Academic Exercise’ tracing the highly problematic notion of academic freedom. Thobani calls attention to the lack of such freedom in voicing dissent against the ongoing War on Muslim bodies. She underlines the tenuous position of women of colour in the academy whose grounded knowledge is neither validated nor their critique acknowledged. -
Production of Women in Afghanistan
CANADIAN WOMEN AND THE (RE)PRODUCTION OF WOMEN IN AFGHANISTAN by Melanie Butler A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS in The Faculty of Graduate Studies (Political Science) THE UNIVERSITY OF BRITISH COLUMBIA (Vancouver) August 2008 © Melanie Butler, 2008 ABSTRACT Canadian women have been at the forefront of the international movement for women’s rights in Afghanistan since the rise of the Taliban in the late 1990s. Focusing on the prominent group Canadian Women for Women in Afghanistan (CW4WAfghan), this paper looks at the role its advocacy assumes in the context of the “War on Terror”. In Canada as in the United States, government agencies have justified the military invasion of Afghanistan by revitalizing the oppressed Muslim woman as a medium through which narratives of East versus West are performed. While CW4WAfghan attempt to challenge dominant narratives of Afghan women, they ultimately reinforce and naturalize the Orientalist logic on which the War on Terror operates, even helping to disseminate it through the Canadian school system. Drawing on post-colonial feminist theory, this paper highlights the implications of CW4WAfghan’s Orientalist discourse on women’s rights, and tackles the difficult question of how feminists can show solidarity with Afghan women without adhering to the oppressive narratives that permeate today’s political climate. It is only by employing alternative models that contextualize the situation of Afghan women in relation, rather than in opposition, to our own, that feminists can begin to subvert the mutually reinforcing narratives that sustain imperialist violence and women’s subordination. -
Unpopular Culture and Explore Its Critical Possibilities and Ramifications from a Large Variety of Perspectives
15 mm front 153 mm 8 mm 19,9 mm 8 mm front 153 mm 15 mm 15 mm TELEVISUAL CULTURE TELEVISUAL CULTURE This collection includes eighteen essays that introduce the concept of Lüthe and Pöhlmann (eds) unpopular culture and explore its critical possibilities and ramifications from a large variety of perspectives. Proposing a third term that operates beyond the dichotomy of high culture and mass culture and yet offers a fresh approach to both, these essays address a multitude of different topics that can all be classified as unpopular culture. From David Foster Wallace and Ernest Hemingway to Zane Grey, from Christian rock and country to clack cetal, from Steven Seagal to Genesis (Breyer) P-Orridge, from K-pop to The Real Housewives, from natural disasters to 9/11, from thesis hatements to professional sports, these essays find the unpopular across media and genres, and they analyze the politics and the aesthetics of an unpopular culture (and the unpopular in culture) that has not been duly recognized as such by the theories and methods of cultural studies. Martin Lüthe is an associate professor in North American Cultural Studies at the John F. Kennedy-Institute at Freie Universität Berlin. Unpopular Culture Sascha Pöhlmann is an associate professor in American Literary History at Ludwig-Maximilians-Universität Munich. 240 mm Martin Lüthe and Sascha Pöhlmann (eds) Unpopular Culture ISBN: 978-90-8964-966-9 AUP.nl 9 789089 649669 15 mm Unpopular Culture Televisual Culture The ‘televisual’ names a media culture generally in which television’s multiple dimensions have shaped and continue to alter the coordinates through which we understand, theorize, intervene, and challenge contemporary media culture. -
Cultural Theory and Popular Culture by John Storey
CUL T CULTURAL FIFTH EDITION U FIFTH EDITION R THEORYAND JOHN STOREY AL POPULAR THEORY CULTURE AN INTRODUCTION AN CULTURAL D In this fifth edition of his successful Cultural Theory and Popular Culture: An Introduction, John Storey has extensively revised the text throughout. As before, the book presents a clear and critical survey P of competing theories of and various approaches to popular culture. O PULA Retaining the accessible approach of previous editions, and using relevant and appropriate examples from the texts and practices of popular culture, this new edition remains a key introduction to the area. AND R THEORY NEW TO THIS EDITION CUL • Extensively revised, rewritten and updated • Improved and expanded content throughout including: • New chapter on ‘Race’, racism and representation T U • New sections on the Panoptic Machine and Convergence Culture RE • Continued explicit links to the new edition companion reader Cultural Theory and Popular Culture: A Reader POPULAR • More illustrative diagrams and images AN INTRODUCTION • Fully revised, improved and updated companion website at www.pearsoned.co.uk/storey providing practice questions and extension activities, as well as annotated links to relevant sites on the web and further reading, and a glossary of key terms, to promote further understanding of the study of cultural theory and popular culture The new edition remains essential reading for undergraduate and postgraduate students of cultural studies, media studies, communication studies, the sociology of culture, popular culture and other related subjects. CULTURE JOHN STOREY is Professor of Cultural Studies and Director of the Centre for Research in Media and Cultural Studies at the University of Sunderland. -
Cultural Policy Landscapes a Guide to Eighteen Central and South Eastern European Countries
ERSTE Stiftung Cultural policy landscapes Studies A guide to eighteen Central and South Eastern European countries Cultural policy landscapes. A guide to eighteen Central and South Eastern European countries Authors: Veronika Ratzenböck, Katharina Okulski, Xenia Kopf Proof reading: David Westacott Editing: Andrea Huemer Vienna 2012, 116 pages All rights reserved. © ERSTE Foundation and österreichische kulturdokumentation. internationales archiv für kulturanalysen, Schultergasse 5/15, 1010 Vienna 0043 (0)1 535 27 05 [email protected] www.kulturdokumentation.org Despite careful checking, errors cannot be excluded and no claim is made to the exhaustive completeness of the data. Cultural policy landscapes A guide to eighteen Central and South Eastern European countries Veronika Ratzenböck Katharina Okulski Xenia Kopf CONTENTS 7 Preface 9 Introduction 11 1. Country profiles: 18 outlines of cultural policy development 12 Albania 15 Bosnia and Herzegovina 19 Bulgaria 22 Croatia 26 Czech Republic 30 Estonia 34 Hungary 38 Kosovo 42 Latvia 46 Lithuania 50 The Former Yugoslav Republic of Macedonia 53 Moldova 57 Poland 61 Romania 65 Serbia 69 Slovakia 73 Slovenia 77 Ukraine 81 2. Country profiles in comparison 82 2.1 A comparison of figures: cultural budgets and expenditure 85 2.2 Common issues and characteristics 87 2.2.1 Transformation and (de)centralisation 89 2.2.2 International relations and cross-regional alliances 93 2.2.3 The status of contemporary art 96 Sources 102 Annex 5 PREFACE ERSTE Foundation develops its projects in cooperation with non-profit organisations (NPOs) in East- ern Europe. As a result, we are very much involved in the local NPO scene and often learn about deci- sions on budgetary issues and political priorities first hand through our contacts. -
EXPLORING COVERAGE of DR. SUNERA THOBANI's OCTOBER Lst, 2001 SPEECH
CANADIAN PUBLIC SPACE, RACIALIZED MINORITIES AND THE MEDIA: EXPLORING COVERAGE OF DR. SUNERA THOBANI'S OCTOBER lST,2001 SPEECH. Sarah Hornstein Bachelor of Arts, Hendrix College, 2001 THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS In the Department of Sociology and Anthropology O Sarah Hornstein 2003 SIMON FRASER UNIVERSITY July 2003 All rights reserved. This work may not be reproduced in whole or in part, by photocopy or other means, without permission of the author. APPROVAL Name: Sarah Hornstein Degree: Master of Arts Title of Thesis: Canadian Public Space, Racialized Minorities, and the Media: Exploring Coverage of Dr. Sunera Thobani's October I"', 2001 Speech Examining Committee: Chair: Dr. Barbara Mitchell . - Dr. Ann Travers Senior Supervisor Assistant Professor of Sociology Simon Fraser University - Dr. Parin Dossa Member Associate Professor of Anthropology Simon Fraser University Associate Professor of Criminology Simon Fraser University Date Approved: 30 July 2003 PARTIAL COPYRIGHT LICENCE I hereby grant to Simon Fraser University the right to lend my thesis, project or extended essay (the title of which is shown below) to users of the Simon Fraser University Library, and to make partial or single copies only for such users or in response to a request from the library of any other university, or other educational institution, on its own behalf or for one of its users. I fhther agree that permission for multiple copying of this work for scholarly purposes may be granted by me or the Dean of Graduate Studies. It is understood that copying or publication of this work for financial gain shall not be allowed without my written permission.