EXPLORING COVERAGE of DR. SUNERA THOBANI's OCTOBER Lst, 2001 SPEECH
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By Omission and Commission : 'Race'
National Library Bibliothbque nationale 1*1 of Canada du Canada Acquisitions and Direction des acquisitions et Bibliographic Services Branch des services bibliographiques 395 Wellington Street 395, rue Wellington Ottawa, Ontario Ottawa (Ontario) KIA ON4 KIA ON4 Your hie Votre ri2ference Our Me Notre reference The author has granted an L'auteur a accorde une licence irrevocable non-exclusive licence irriivocable et non exclusive allowing the National Library of permettant a la Bibliotheque Canada to reproduce, loan, nationale du Canada de distribute or sell copies of reproduire, prGter, distribuer ou his/her thesis by any means and vendre des copies de sa these in any form or format, making de quelque maniere et sous this thesis available to interested quelque forme que ce soit pour persons. mettre des exemplaires de cette these a la disposition des personnes interessees. The author retains ownership of L'auteur conserve la propriete du the copyright in his/her thesis. droit d'auteur qui protege sa Neither the thesis nor substantial these. Ni la these ni des extraits extracts from it may be printed or substantiels de celle-ci ne otherwise reproduced without doivent &re imprimes ou his/her permission. autrement reproduits sans son autorisation. ISBN 0-315-91241-3 BY OMISSION AND COMMISSION: 'RACE' AND REPRESENTATION IN CANADIAN TELEVISION NEWS by Yasmin Jiwani B.A., University of British Columbia, 1979 M.A., Simon Fraser University, 1984 THESIS SUBMITTED IN PARTIAL FULFILMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY in the Department of Communication @ Yasmin Jiwani 1993 SIMON FRASER UNIVERSITY July, 1993 All rights reserved. -
Strange Heaven
189CanLitSummer2006-5 10/4/06 10:24 Page 85 Herb Wyile As For Me and Me Arse Strategic Regionalism and the Home Place in Lynn Coady’s Strange Heaven The narrative of a sensitive soul struggling to survive in a claustrophobic small town is so ubiquitous in Canadian literature as to be practically consonant with it. Think of, for starters, Margaret Laurence’s Manawaka novels, W.O. Mitchell’s Who Has Seen the Wind and (perhaps the pinnacle of the genre) Sinclair Ross’s As For Me and My House. That claustrophobia, furthermore, is often compounded by the dynamics of the dysfunctional family, as in Martha Ostenso’s Wild Geese, Alden Nowlan’s Various Persons Named Kevin O’Brien, and, more recently, Lynn Coady’s Strange Heaven (1998). However, as much as we might be inclined to read such preoccupations as defining the larger national literary culture, those preoccupations (as with so much else in Canada) are shot through with regional differences that complicate the unity that such shared concerns suggest. Coady’s novel, for example, which is about a Cape Breton teenager who returns from a spell in a psychiatric ward to her “cuckoo’s nest” of a family after giving up her baby for adoption, can certainly be seen as a sig- nificant and overlooked comic addition to these Canadian specialties. However, whereas typically the critique of the small town implicitly invites the critical gaze of the outsider, Strange Heaven turns that gaze back on the observer in a fashion that foregrounds the cultural politics between centre and periphery. -
Cahiers-Papers 53-1
The Giller Prize (1994–2004) and Scotiabank Giller Prize (2005–2014): A Bibliography Andrew David Irvine* For the price of a meal in this town you can buy all the books. Eat at home and buy the books. Jack Rabinovitch1 Founded in 1994 by Jack Rabinovitch, the Giller Prize was established to honour Rabinovitch’s late wife, the journalist Doris Giller, who had died from cancer a year earlier.2 Since its inception, the prize has served to recognize excellence in Canadian English-language fiction, including both novels and short stories. Initially the award was endowed to provide an annual cash prize of $25,000.3 In 2005, the Giller Prize partnered with Scotiabank to create the Scotiabank Giller Prize. Under the new arrangement, the annual purse doubled in size to $50,000, with $40,000 going to the winner and $2,500 going to each of four additional finalists.4 Beginning in 2008, $50,000 was given to the winner and $5,000 * Andrew Irvine holds the position of Professor and Head of Economics, Philosophy and Political Science at the University of British Columbia, Okanagan. Errata may be sent to the author at [email protected]. 1 Quoted in Deborah Dundas, “Giller Prize shortlist ‘so good,’ it expands to six,” 6 October 2014, accessed 17 September 2015, www.thestar.com/entertainment/ books/2014/10/06/giller_prize_2014_shortlist_announced.html. 2 “The Giller Prize Story: An Oral History: Part One,” 8 October 2013, accessed 11 November 2014, www.quillandquire.com/awards/2013/10/08/the-giller- prize-story-an-oral-history-part-one; cf. -
Annual Report 09 Draft V1
rabble (rāb'əl) noun 1. a disorderly crowd. 2. Canada’s online source for alternative news and views. 2009 Annual Report What can you find at rabble.ca? in-cahoots: our featured links to social original news and columns movement and labour stories reprints of articles from many other progressive sources live and pre-recorded video Canada-wide event calendar a plethora of podcasts on issues of the day issue pages: an aggregate of stories, links and news on specific issues now what?: advice from an the book lounge: a multi-featured book urban feminist section with original reviews, book events and more special features: short-term sections that public polls to check the pulse of focus on a range of issues rabble visitors daily and weekly e-newsletter with links to our hot stories blogs from writers and activists across Canada (and beyond) progressive newswire and news from around the world babble: our famous moderated discussion board video commons: where people can talk news and views face to face We l c o m e from Publisher Kim Elliott & President Duncan Cameron “Over the last two decades, at least, corporate speech and state speech, in tandem, have narrowed the public space pushing us into ever disappearing, ever meager definitions of the communal. Contesting that hegem- ony, over language and politics, rabble reclaims and widens the space of citizenship.” Author and Toronto Poet Laureate Dionne Brand rabble.ca is a form of fight-back. rabble.ca fights back against the narratives of private over public, of business over labour, of "me" over "us." Our community media is just that: about, by and for communities to explore the issues of the day. -
Anansi Fall 2011
Karin Altenberg Threes Anna Edem Awumey Peter Behrens Lynn Coady Elena Forbes John Fraser Misha Glenny Adam Gopnik Ian Hamilton Marjorie Harris Jim Harrison Robert Hough Fred Jourdain Stephen Kelman Robert Lepage Roberta Lowing Ai Mi ANANSI Marie Michaud GRANTA • PORTOBELLO Steve Milton FALL 2011/WINTER 2012 Scott Moir Erín Moure Alison Pick Iain Reid Edward Riche Frauke Scheunemann Steve Sem-Sandberg Carrie Snyder Tessa Virtue ISBN: 978-1-77089-060-2 9 7 8 1 7 7 0 8 9 0 6 0 2 Anansi_F11_cover_final_REV.indd 1 11-04-19 2:46 PM • • House of Anansi Press Inc. 110 Spadina Avenue, Suite 801, Toronto, Ontario M5V 2K4 Tel: 416.363.4343 Fax: 416.363.1017 www.anansi.ca recent AWArdS For AnAnSi booKS Ann Abel by KAthleen Winter h oldinG Still For as lonG as PoSSible by • Finalist, Orange Prize for Fiction Zoe WhittAll • Finalist, Scotiabank Giller Prize • Winner, Earla Dunbar Consumer Award • Finalist, Rogers Writers’ Trust Fiction Prize • Finalist, ReLit Award • Finalist, Governor General’s Literary Award: Fiction • Finalist, Lambda Literary Awards: Transgender Fiction • Finalist, Amazon.ca First Novel Award • Finalist, Lambda Literary Awards: Lesbian Fiction • Finalist, Thomas Head Raddall Atlantic Fiction Award • ALA Stonewall Book Awards: Barbara Gittings • Finalist, CBA Libris Awards for Fiction Book of the Year Literature Award Honor Book and Author of the Year t rhe ir AtionAliSt byA SuZ nne buFFAm • Finalist, OLA Evergreen Award • Finalist, CBC Bookies: Best Overall Book • Finalist, Griffin Poetry Prize • #1 National Bestseller oP reS lAndor by erín moure • A New York Times Editors’ Choice • Finalist, A. M. -
SPRING 2008 R.A.C.E.Link
SPRING 2008 R.A.C.E.link TABLE OF CONTENTS RACE EDITORIAL 2 COORDINATING COMMITTEE Yasmin Jiwani NO ACADEMIC EXERCISE 3 Sedef Arat-Koc Sunera Thobani Associate Professor, Department of Politics and Public Administration, Ryerson University THE CAMP: A PLACE WHERE LAW HAS DECLARED 9 THAT THE RULE OF LAW DOES NOT OPERATE Enakshi Dua Sherene Razack Associate Professor, School of Women’s Studies, York University UPDATE ON THE TAYLOR BOUCHARD COMMISSION Charmaine Nelson ON ‘REASONABLE ACCOMMODATION’ 18 Associate Professor, Art History & Gada Mahrouse Communication Studies, McGill University Sherene Razack ECENT UBLICATIONS OF NTEREST R P I 22 Professor, Department of Sociology & Equity compiled by Ainsley Jenicek Studies, OISE, University of Toronto THROUGH THE LENS: FILMS ON TERRORISM 25 Sunera Thobani Ezra Winton Associate Professor, Centre for Research in Women Studies & Gender Relations, University of British Columbia MEMBERSHIP & CONFERENCE ANNOUNCEMENT 26 Yasmin Jiwani UPCOMING CONFERENCES 34 Associate Professor, Communication Studies, compiled by Ainsley Jenicek and Rawle Agard Concordia University R.A.C.E.link R.A.C.E.link EDITORIAL Yasmin Jiwani Welcome to the 2008 issue of RACE-Link. More than a newsletter but not quite a journal, RACE-Link at best constitutes a quasi-journal. In this issue, we continue to plot the lines defining race in its contemporary configurations in the post 9/11 Canadian context. This issue begins with Sunera Thobani’s article ‘No Academic Exercise’ tracing the highly problematic notion of academic freedom. Thobani calls attention to the lack of such freedom in voicing dissent against the ongoing War on Muslim bodies. She underlines the tenuous position of women of colour in the academy whose grounded knowledge is neither validated nor their critique acknowledged. -
Fall 2013 / Winter 2014 Titles
INFLUENTIAL THINKERS INNOVATIVE IDEAS GRANTA PAYBACK THE WAYFINDERS RACE AGAINST TIME BECOMING HUMAN Margaret Atwood Wade Davis Stephen Lewis Jean Vanier Trade paperback / $18.95 Trade paperback / $19.95 Trade paperback / $19.95 Trade paperback / $19.95 ANANSIANANSIANANSI 978-0-88784-810-0 978-0-88784-842-1 978-0-88784-753-0 978-0-88784-809-4 PORTOBELLO e-book / $16.95 e-book / $16.95 e-book / $16.95 e-book / $16.95 978-0-88784-872-8 978-0-88784-969-5 978-0-88784-875-9 978-0-88784-845-2 A SHORT HISTORY THE TRUTH ABOUT THE UNIVERSE THE EDUCATED OF PROGRESS STORIES WITHIN IMAGINATION FALL 2013 / Ronald Wright Thomas King Neil Turok Northrop Frye Trade paperback / $19.95 Trade paperback / $19.95 Trade paperback / $19.95 Trade paperback / $14.95 978-0-88784-706-6 978-0-88784-696-0 978-1-77089-015-2 978-0-88784-598-7 e-book / $16.95 e-book / $16.95 e-book / $16.95 e-book / $14.95 WINTER 2014 978-0-88784-843-8 978-0-88784-895-7 978-1-77089-225-5 978-0-88784-881-0 ANANSI PUBLISHES VERY GOOD BOOKS WWW.HOUSEOFANANSI.COM Anansi_F13_cover.indd 1-2 13-05-15 11:51 AM HOUSE OF ANANSI FALL 2013 / WINTER 2014 TITLES SCOTT GRIFFIN Chair NONFICTION ... 1 SARAH MACLACHLAN President & Publisher FICTION ... 17 ALLAN IBARRA VP Finance ASTORIA (SHORT FICTION) ... 23 MATT WILLIAMS VP Publishing Operations ARACHNIDE (FRENCH TRANSLATION) ... 29 JANIE YOON Senior Editor, Nonfiction ANANSI INTERNATIONAL ... 35 JANICE ZAWERBNY Senior Editor, Canadian Fiction SPIDERLINE .. -
Production of Women in Afghanistan
CANADIAN WOMEN AND THE (RE)PRODUCTION OF WOMEN IN AFGHANISTAN by Melanie Butler A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS in The Faculty of Graduate Studies (Political Science) THE UNIVERSITY OF BRITISH COLUMBIA (Vancouver) August 2008 © Melanie Butler, 2008 ABSTRACT Canadian women have been at the forefront of the international movement for women’s rights in Afghanistan since the rise of the Taliban in the late 1990s. Focusing on the prominent group Canadian Women for Women in Afghanistan (CW4WAfghan), this paper looks at the role its advocacy assumes in the context of the “War on Terror”. In Canada as in the United States, government agencies have justified the military invasion of Afghanistan by revitalizing the oppressed Muslim woman as a medium through which narratives of East versus West are performed. While CW4WAfghan attempt to challenge dominant narratives of Afghan women, they ultimately reinforce and naturalize the Orientalist logic on which the War on Terror operates, even helping to disseminate it through the Canadian school system. Drawing on post-colonial feminist theory, this paper highlights the implications of CW4WAfghan’s Orientalist discourse on women’s rights, and tackles the difficult question of how feminists can show solidarity with Afghan women without adhering to the oppressive narratives that permeate today’s political climate. It is only by employing alternative models that contextualize the situation of Afghan women in relation, rather than in opposition, to our own, that feminists can begin to subvert the mutually reinforcing narratives that sustain imperialist violence and women’s subordination. -
Gender at the Barricades: the Politics and Possibilities of the Riot
Kovich: Gender at the Barricades 113 Gender at the Barricades: The Politics and Possibilities of the Riot TAMMY KOVICH York University, Canada Introduction: From the Ashes Rioting is a paroxysmic attempt to make and unmake society at the same time and has become the pinnacle of the political socialization process for many… (Truong 2017: 574) The relationship between destruction and creation is a classic preoccupation of revolutionary thought. Mikhail Bakunin, for instance, is arguably best known for his assertion that: “The passion for destruction is, at the same time, a creative passion.” (qtd. in Leier 2009: 111) As tumultuous events that by their very definition include destruction, riots epitomize this adage. Stevphen Shukaitis observes that eruptions of overt political antagonism, such as riots, create circumstances “[i]n which other forms of social life emerge”. (2009: 223) While often conceptualized in terms of negation and futility, they can also represent moments of affirmation and possibility. However fleeting and volatile, riots can present openings, creating moments of exception in which the normal rules no longer apply and liberatory potentialities emerge. This widening of possibility is particu- larly significant in regards to the organization and operation of gender. Reflecting on con- temporary uprisings in the Arab world, El, Said, Meari, and Pratt note that: “[g]endered and sexual norms and identities are malleable in general and particularly in periods of socio-political upheaval”. (2015: 8; emphasis added) They contend that moments of up- heaval provoke socio-political transformation not only in terms of changes to institutions and women’s participation in them, but also changes in “[w]omen’s self-formation, includ- ing their bodily performances”. -
For Immediate Release: 12:00 Pm ET Monday
For Immediate Release: 12:00 p.m. ET Monday, October 2, 2017 THE SCOTIABANK GILLER PRIZE PRESENTS ITS 2017 SHORTLIST October 2, 2017 (Toronto, ON) – Today, at the Scotiabank Centre in Toronto, more than 100 media and members of the publishing industry gathered for the unveiling of the 2017 Scotiabank Giller Prize shortlist. CBC Radio’s Gill Deacon hosted the special event, while jury members André Alexis (2015 Scotiabank Giller Prize winner), Anita Rau Badami, Lynn Coady (2013 Scotiabank Giller Prize winner) and Richard Beard were on hand to announce the 2017 finalists and read citations for each title. The five titles were chosen from a longlist of 12 books announced in St. John’s, NL on September 18, 2017. One hundred and twelve titles were submitted by 73 publisher imprints from across the country. Three authors on the shortlist have previous nominations, while Michelle Winters and Ed O’Loughlin appear for the first time. Also represented for the first time is independent publisher Invisible Publishing based in Picton, Ontario. The books shortlisted for the 2017 Scotiabank Giller Prize are: Rachel Cusk for her novel Transit, published by HarperCollins Publishers Ltd Ed O’Loughlin for his novel Minds of Winter, published by House of Anansi Press Michael Redhill for his novel Bellevue Square, published by Doubleday Canada Eden Robinson for her novel Son of a Trickster, published by Alfred A. Knopf Canada Michelle Winters for her novel I am a Truck , published by Invisible Publishing Rachel Cusk was previously shortlisted for her novel Outline in 2015, Michael Redhill’s debut novel Martin Sloane made the 2001 shortlist, and Eden Robinson was shortlisted for her novel Monkey Beach in 2000. -
Indigenous and Race-Radical Feminist Movements Confronting Necropower in Carceral States
Indigenous and Race-Radical Feminist Movements Confronting Necropower in Carceral States Lena Carla Palacios Department of Art History and Department of Integrated Studies Communication Studies in Education McGill University, Montreal A thesis submitted to McGill University in partial fulfillment of the requirements of the degree of Doctor of Philosophy in Educational Studies and Communication Studies. © Lena Palacios 2014 Lena Palacios Dedication To the victims and survivors of both sexual and state violence, to the many shadowboxers whom I know and love who intimately understand that boxing is war but so is life. 2 Lena Palacios Table of Contents Dedication 2 Table of Contents 3 Abstract (in both English and French) 4 Acknowledgements 6 Introduction—Chapter 1 7 Challenging Convictions: Indigenous and Race-Radical Women of Color Feminists Theorizing and Resisting the Carceral State Chapter 2 44 Transferring and Going Underground: Indigenous and Race-Radical Women of Color Feminist Epistemologies Chapter 3 80 Reading In-between the Lines While on the Run: Reading Racialized and Gendered Necropower in Canadian News and Legal Discourse Chapter 4 122 Outlaw Vernacular Discourses and Media-Justice Activism: Indigenous Women and Black Trans Girls Challenging Media Necropower in Settler States Chapter 5 169 “Ain’t no Justice ... It’s Just Us”: Indigenous and Girls of Color Organizing Against Carceral Feminisms and Carceral State Violence Conclusion—Chapter 6 233 With Immediate Cause: Intense Dreaming as World-making References 244 3 Lena Palacios Abstract This dissertation theorizes how Indigenous and race-radical women of color feminist activists— in particular, Black and Indigenous feminists—identify, conceptualize, and resist interlocking forms of interpersonal, sexual, and carceral state violence in white settler societies in Canada and the United States. -
Hold Me, I'm Yours
Hold me, I’m yours... Reading recommendations from your local Librarians September 28, 2020 Check out some of our staff’s favourite newly arrived and on-order books. OUR SPOTLIGHT TITLE: WATCHING YOU WITHOUT ME by Lynn Coady Place a hold in our catalogue or borrow instantly on Hoopla. At once a suspenseful page turner and a witty character study, Watching You Without Me is the perfect choice for book clubs or fans of literary Canadian fiction. Can two sisters overcome the impossible complexity of human relationships and find a healthy balance? Karen is a freshly divorced lawyer who must return to her childhood home in Nova Scotia after the sudden passing of her deeply independent mother. Kelli is her joy-filled older sister who was born with a developmental disability. She has a routine that involves many support workers coming in and out of the house. One support worker—Trevor, or “Trebbie, Trebbie, Trebbie” as Kelli calls him—starts showing up more often than the others, and questions Karen’s decision to find a long term care home for Kelli. He offers friendship, advice, and a shoulder to cry on, for both Karen and Kelli. But when he becomes a little too involved in their lives, things take a creepy turn. Watching You Without Me has the twisted, sinister atmosphere that has become a staple of Lynn Coady’s writing, but it is also brimming with heart. Coady knows how to draw out the complexities of relationships in a way that feels deeply personal, and she knows how to find beauty and significance in the strangest places.