High School English Grammar and Composition
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PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized. -
First-Run Smoking Presentations in U.S. Movies 1999-2006
First-Run Smoking Presentations in U.S. Movies 1999-2006 Jonathan R. Polansky Stanton Glantz, PhD CENTER FOR TOBAccO CONTROL RESEARCH AND EDUCATION UNIVERSITY OF CALIFORNIA, SAN FRANCISCO SAN FRANCISCO, CA 94143 April 2007 EXECUTIVE SUMMARY Smoking among American adults fell by half between 1950 and 2002, yet smoking on U.S. movie screens reached historic heights in 2002, topping levels observed a half century earlier.1 Tobacco’s comeback in movies has serious public health implications, because smoking on screen stimulates adolescents to start smoking,2,3 accounting for an estimated 52% of adolescent smoking initiation. Equally important, researchers have observed a dose-response relationship between teens’ exposure to on-screen smoking and smoking initiation: the greater teens’ exposure to smoking in movies, the more likely they are to start smoking. Conversely, if their exposure to smoking in movies were reduced, proportionately fewer teens would likely start smoking. To track smoking trends at the movies, previous analyses have studied the U.S. motion picture industry’s top-grossing films with the heaviest advertising support, deepest audience penetration, and highest box office earnings.4,5 This report is unique in examining the U.S. movie industry’s total output, and also in identifying smoking movies, tobacco incidents, and tobacco impressions with the companies that produced and/or distributed the films — and with their parent corporations, which claim responsibility for tobacco content choices. Examining Hollywood’s product line-up, before and after the public voted at the box office, sheds light on individual studios’ content decisions and industry-wide production patterns amenable to policy reform. -
Folk & Rock Legends, Peter Yarrow & John Waite, To
FOR IMMEDIATE RELEASE Media Contact: Lauren Jahoda Photos available upon request 845.583.2193 [email protected] FOLK & ROCK LEGENDS, PETER YARROW & JOHN WAITE, TO PERFORM IN THE EVENT GALLERY AT BETHEL WOODS THIS OCTOBER Tickets On Sale April 6th at 10 AM April 2, 2018 (BETHEL, NY) – The intimate, indoor Event Gallery at Bethel Woods Center for the Arts will host two acclaimed performers this October, including Peter Yarrow, of legendary folk group Peter, Paul & Mary, on Friday, October 5th at 8:00 p.m. and John Waite, of English/American rock supergroup Bad English, on October 21 at 8:00 p.m. Reserved seating tickets for both shows go on-sale to the general public on Friday, April 6th at 10:00 a.m. at www.BethelWoodsCenter.org Prior to the Peter Yarrow performance on October 5, indulge in an exclusive pre-show, farm-to-table dinner, presented by Bethel Woods’ own Executive Chef Armand Vanderstigchel. Plus, enhance your visit by making it a weekend getaway and joining us on Saturday, October 6th for the seventh annual Wine Festival at Bethel Woods located throughout the Bethel Woods’ main campus. Savor the finest wines from the Hudson Valley and Finger Lake regions, shop unique artisans and crafters, and enjoy specialty foods and food trucks to satisfy all cravings, all against the backdrop of live music and the beauty of the Sullivan County Catskills during peak fall foliage. Tickets for the Wine Festival are on sale now at BethelWoodsCenter.org. Continue to celebrate fall at Bethel Woods with a bountiful farm-to-table dinner presented by Executive Chef Armand Vanderstigchel with a pre-show, multi-course dinner that will take place in the Market Sheds prior to the John Waite concert on October 21. -
Itch Chapter Excerpt
IT CH BY POLLY FARQUHAR NEW YORK FFarquhar_i-iv_1-252_r2st.inddarquhar_i-iv_1-252_r2st.indd i 119/09/199/09/19 77:57:57 AAMM Copyright © 2020 by Polly Farquhar All Rights Reserved HOLIDAY HOUSE is registered in the U.S. Patent and Trademark Offi ce. Printed and bound in December 2019 at Maple Press, York, PA, USA. www.holidayhouse.com First Edition 1 3 5 7 9 10 8 6 4 2 Library of Congress Cataloging-in-Publication Dat a Names: Farquhar, Polly, author. Title: Itch / by Polly Farquhar. Description: First edition. | New York : Holiday House, [2020] | Audience: Ages 8–12 | Audience: Grades 4–6 | Summary: Ohio sixth-grader Isaac “Itch” Fitch strives to fi t in, but everything seems to be going wrong, even before a school lunch trade sends his best friend, Sydney, to the hospital. Identifi ers: LCCN 2019022610 | ISBN 9780823445523 (hardcover) ISBN 9780823446346 (epub) Subjects: CYAC: Friendship—Fiction. | Middle schools—Fiction. Schools—Fiction. | Food allergy—Fiction. | Itching—Fiction. | Family life—Ohio—Fiction. | Ohio—Fiction. Classifi cation: LCC PZ7.1.F3676 Itc 2020 | DDC [Fic]—dc23 LC record available at https://lccn.loc.gov/2019022610 ISBN: 978-0-8234-4552-3 (hardcover) FFarquhar_i-iv_1-252_r2st.inddarquhar_i-iv_1-252_r2st.indd iiii 119/09/199/09/19 77:57:57 AAMM For my daughters FFarquhar_i-iv_1-252_r2st.inddarquhar_i-iv_1-252_r2st.indd iiiiii 119/09/199/09/19 77:57:57 AAMM CHAPTER 1 T HE DAY THE tornado came through, Sydney, Nate, and I were out riding our bikes together, burning down the banks of the river and then splashing into the water. -
Love Ain't Got No Color?
Sayaka Osanami Törngren LOVE AIN'T GOT NO COLOR? – Attitude toward interracial marriage in Sweden Föreliggande doktorsavhandling har producerats inom ramen för forskning och forskarutbildning vid REMESO, Institutionen för Samhälls- och Välfärdsstudier, Linköpings universitet. Samtidigt är den en produkt av forskningen vid IMER/MIM, Malmö högskola och det nära samarbetet mellan REMESO och IMER/MIM. Den publiceras i Linköping Studies in Arts and Science. Vid filosofiska fakulteten vid Linköpings universitet bedrivs forskning och ges forskarutbildning med utgångspunkt från breda problemområden. Forskningen är organiserad i mångvetenskapliga forskningsmiljöer och forskarutbildningen huvudsakligen i forskarskolor. Denna doktorsavhand- ling kommer från REMESO vid Institutionen för Samhälls- och Välfärdsstudier, Linköping Studies in Arts and Science No. 533, 2011. Vid IMER, Internationell Migration och Etniska Relationer, vid Malmö högskola bedrivs flervetenskaplig forskning utifrån ett antal breda huvudtema inom äm- nesområdet. IMER ger tillsammans med MIM, Malmö Institute for Studies of Migration, Diversity and Welfare, ut avhandlingsserien Malmö Studies in International Migration and Ethnic Relations. Denna avhandling är No 10 i avhandlingsserien. Distribueras av: REMESO, Institutionen för Samhälls- och Välfärsstudier, ISV Linköpings universitet, Norrköping SE-60174 Norrköping Sweden Internationell Migration och Etniska Relationer, IMER och Malmö Studies of Migration, Diversity and Welfare, MIM Malmö Högskola SE-205 06 Malmö, Sweden ISSN -
Brother Leo Bio Where Does Ola End and Brother Leo Begin? “It's A
Brother Leo Bio Where does Ola end and Brother Leo begin? “It's a question that's been rattling around in the constantly whirring mind of the Grammy nominated Swedish artist for a while, and like all good pop mysteries, may never be solved. “Brother Leo means freedom. The name comes from a reoccurring dream I had as a kid. In the dream I had a twin brother, he was a free spirit, brave, confident and always had the answers to everything. He had superpowers and his name was Leo”. A highly respected songwriter and producer in his own right, Ola Svensson has been reborn, ready to take on the world with an impressive array of songs and emotions, as Brother Leo. “The whole idea behind creating the alias was to provide an honest and creative place that forced me outside of my comfort zone. As Brother Leo I’m able to challenge and push myself as a artist and songwriter. In a way, I can be more me”. Fuelled by his winding musical journey so far, and spurred on to dig deeper into his creative expression, Ola, channelling Brother Leo, has crafted a suite of songs that are unafraid to alchemise his emotions and experiences into bold, unabashed pop anthems. These are songs for the masses, communicating universal emotions. Be they playful like the sleek ode to love, Naked, or be they heartbreaking like the redemptive hymn, Hallelujah, or the zeitgeist critical new single, Strangers on an Island; a gold-plated banger produced by British dance music legend Fatboy Slim. -
Dead Zone Back to the Beach I Scored! the 250 Greatest
Volume 10, Number 4 Original Music Soundtracks for Movies and Television FAN MADE MONSTER! Elfman Goes Wonky Exclusive interview on Charlie and Corpse Bride, too! Dead Zone Klimek and Heil meet Romero Back to the Beach John Williams’ Jaws at 30 I Scored! Confessions of a fi rst-time fi lm composer The 250 Greatest AFI’s Film Score Nominees New Feature: Composer’s Corner PLUS: Dozens of CD & DVD Reviews $7.95 U.S. • $8.95 Canada �������������������������������������������� ����������������������� ���������������������� contents ���������������������� �������� ����� ��������� �������� ������ ���� ���������������������������� ������������������������� ��������������� �������������������������������������������������� ����� ��� ��������� ����������� ���� ������������ ������������������������������������������������� ����������������������������������������������� ��������������������� �������������������� ���������������������������������������������� ����������� ����������� ���������� �������� ������������������������������� ���������������������������������� ������������������������������������������ ������������������������������������� ����� ������������������������������������������ ��������������������������������������� ������������������������������� �������������������������� ���������� ���������������������������� ��������������������������������� �������������� ��������������������������������������������� ������������������������� �������������������������������������������� ������������������������������ �������������������������� -
Making Sense of "Bad English"
MAKING SENSE OF “BAD ENGLISH” Why is it that some ways of using English are considered “good” and others are considered “bad”? Why are certain forms of language termed elegant, eloquent, or refined, whereas others are deemed uneducated, coarse, or inappropriate? Making Sense of “Bad English” is an accessible introduction to attitudes and ideologies towards the use of English in different settings around the world. Outlining how perceptions about what constitutes “good” and “bad” English have been shaped, this book shows how these principles are based on social factors rather than linguistic issues and highlights some of the real-life consequences of these perceptions. Features include: • an overview of attitudes towards English and how they came about, as well as real-life consequences and benefits of using “bad” English; • explicit links between different English language systems, including child’s English, English as a lingua franca, African American English, Singlish, and New Delhi English; • examples taken from classic names in the field of sociolinguistics, including Labov, Trudgill, Baugh, and Lambert, as well as rising stars and more recent cutting-edge research; • links to relevant social parallels, including cultural outputs such as holiday myths, to help readers engage in a new way with the notion of Standard English; • supporting online material for students which features worksheets, links to audio and news files, further examples and discussion questions, and background on key issues from the book. Making Sense of “Bad English” provides an engaging and thought-provoking overview of this topic and is essential reading for any student studying sociolinguistics within a global setting. -
Mise En Page 1
MARDI 29 JUILLET 2008 HEBDO 16 - 22 AOUT 2008 34 DANGEREUSE SÉDUCTION Un film de James Foley Vendredi 22 août 20H50 VOS SOIRÉES SUR ¢ LE BOUQUET PANTONEARGENT 877 + NOIRROCESS P BLACK QUADRI GRIS 40%du DE NOIR +16 NOIR 100% au 22 août 2008 PANTONEARGENT 877 + NOIRROCESS P BLACK QUADRI GRIS 40% DE NOIR + NOIR 100% SAMEDI 16 DIMANCHE 17 LUNDI 18 20H50 HOT FUZZ 20H50 FOOTBALL 20H50 MAFIOSA cinéma ligue 1 LE CLAN S.1 23H00 JOUR DE FOOT 23H00 MIAMI VICE, DEUX série PANTONEARGENT 877 + NOIRROCESS P BLACK QUADRI GRIS 40% DE NOIR + NOIR 100% sport FLICS A MIAMI 22H35 HOT FUZZ cinéma cinéma 20H50 FRAGILE(S) 20H50 BEFORE SUNSET 20H50 ABANDONNÉE cinéma cinéma cinéma 22H30 MICKROCINÉ 22H25 DE L'OMBRE 22H25 APPARENCES courts et créations A LA LUMIÈRE cinéma cinéma 20H45 BEIJING SOIR 20H45 BEIJING SOIR 20†45 BEIJING SOIR 22†05 JEUX OLYMPIQUES 22†05 JEUX OLYMPIQUES 22†05 JEUX OLYMPIQUES BEIJING 2008 BEIJING 2008 BEIJING 2008 20†45 ZORA LA ROUSSE 20†45 ROBIN DES BOIS 20†45 LE MONDE cinéma série DE NARNIA 22†20 LE PETIT POUCET 22†15 HISTORY BOYS cinéma cinéma cinéma 23†00 ON ARRÊTE QUAND ? cinéma 20†50PUR WEEK-END 20†50 HOT FUZZ 20†50 STICK IT cinéma cinéma cinéma 22H15 HOT FUZZ 22H45 LA COMMUNE 22H30 8 HEURES CONO cinéma série magazines et divertissement 34 34 00H00 EN CLAIR 3400H00 EN CRYPTÉ 34 34 ¢ LE BOUQUET MARDI 19 MERCREDI 20 JEUDI 21 VENDREDI 22 20H50 HOLLYWOODLAND 20H50 MA VIE SANS LUI 20H50 STARTER WIFE S.1 20H50 DANGEREUSE cinéma cinéma série SÉDUCTION 22H55 CARTOUCHES 22H40 JE DÉTESTE 22H15 RAINES cinéma GAULOISES LES ENFANTS série 22H35 MI$E A PRIX cinéma DES AUTRES cinéma cinéma 20H50 LOVE (ET SES 20H50 L'ÉCHINE 20H50 LES VACANCES 20H50 ASSASSIN(S) PETITS DÉSASTRES) DU DIABLE DE MR. -
Bad English Backlash Mp3, Flac, Wma
Bad English Backlash mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Backlash Country: Europe Released: 1991 Style: Arena Rock MP3 version RAR size: 1403 mb FLAC version RAR size: 1448 mb WMA version RAR size: 1267 mb Rating: 4.8 Votes: 343 Other Formats: APE FLAC AIFF RA AAC MMF VOX Tracklist A1 So This Is Eden A2 Straight To Your Heart A3 Time Stood Still A4 The Time Alone With You A5 Dancing Off The Edge Of The World B1 Rebel Say A Prayer B2 Savage Blue B3 Pray For Rain B4 Make Love Last B5 Life At The Top Credits Bass, Backing Vocals – Ricky Phillips Drums, Backing Vocals – Deen Castronovo Engineer, Producer – Ron Nevison Guitar, Backing Vocals – Neal Schon Keyboards, Backing Vocals – Jonathan Cain Lead Vocals – John Waite Mastered By – Ted Jensen Notes Mastered at Sterling Sound. © 1991 Sony Music Entertainment Inc. Barcode and Other Identifiers Rights Society: BIEM/STEMRA Other versions Category Artist Title (Format) Label Category Country Year 468569 2, EPC Bad Backlash (CD, 468569 2, EPC Epic, Epic Europe 1991 468569 2 English Album) 468569 2 E-1920991, Bad Backlash (Cass, E-1920991, Epic, CBS/Sony Indonesia 1991 ET-6935 English Album) ET-6935 Bad Backlash (CD, SPV 306102 CD Steamhammer SPV 306102 CD Germany 2009 English Album, RE, RM) Bad Backlash (CD, EK 46935 Epic EK 46935 Canada 1991 English Album) Bad Backlash (Cass, ET 46935 Epic ET 46935 Canada 1991 English Album, Dol) Related Music albums to Backlash by Bad English Giggetty - Tambourine The Okra All-Stars - Okra All-Stars Over The Edge Featuring Mickey Thomas - Over The Edge Various - Karaoke Dance - With Backing Vocals Over The Edge - Over The Edge Bad English - Bad English Journey - Trial By Fire Hearts And Minds - Hearts And Minds. -
There's Only One Paris Final
Le Métro 1st & 2nd Arrondissement “Nooooo!” Sasha ran and launched himself into the Métro car just as the buzzer sounded. He was immediately tugged backwards. The corner of his shoulder bag was caught in the closing doors. He freed it with a hefty yank, allowing the doors to shut properly. The train set off. “No! I mean yes! I wasn’t saying no to you,” Sasha shouted into his phone as he regained his footing. “Yes, I’ve got it…” There were two empty folding seats next to him. He lowered the closest and plunked himself down. “I’m on my way now. I should be there shortly,” He then removed a handkerchief from the zippered pocket of his satchel and dabbed his brow. He’d worked up a sweat on his race to catch the train. Well, considering recent events, it didn’t take much for Sasha and his level of anxiety to surge. “Il n'y a qu'un seul Paris… Paris… Paris…” Oh no! Sasha grumbled to himself. No wonder that section of the Métro car was empty. He’d been in such a hurry to catch the train, he hadn’t paid any attention to the state of where he was landing. “Paris… Paris!” Most Paris Métro cars were divided into sections of stationary seats and open areas for standing. The latter also had flip down seats which passengers could use when the car wasn’t too full. Just a few feet away from Sasha, in the other half of his current section, was a musician. -
Songs by Artist
YouStarKaraoke.com Songs by Artist 602-752-0274 Title Title Title 1 Giant Leap 1975 3 Doors Down My Culture City Let Me Be Myself (Wvocal) 10 Years 1985 Let Me Go Beautiful Bowling For Soup Live For Today Through The Iris 1999 Man United Squad Loser Through The Iris (Wvocal) Lift It High (All About Belief) Road I'm On Wasteland 2 Live Crew The Road I'm On 10,000 MANIACS Do Wah Diddy Diddy When I M Gone Candy Everybody Wants Doo Wah Diddy When I'm Gone Like The Weather Me So Horny When You're Young More Than This We Want Some PUSSY When You're Young (Wvocal) These Are The Days 2 Pac 3 Doors Down & Bob Seger Trouble Me California Love Landing In London 100 Proof Aged In Soul Changes 3 Doors Down Wvocal Somebody's Been Sleeping Dear Mama Every Time You Go (Wvocal) 100 Years How Do You Want It When You're Young (Wvocal) Five For Fighting Thugz Mansion 3 Doors Down 10000 Maniacs Until The End Of Time Road I'm On Because The Night 2 Pac & Eminem Road I'm On, The 101 Dalmations One Day At A Time 3 LW Cruella De Vil 2 Pac & Eric Will No More (Baby I'ma Do Right) 10CC Do For Love 3 Of A Kind Donna 2 Unlimited Baby Cakes Dreadlock Holiday No Limits 3 Of Hearts I'm Mandy 20 Fingers Arizona Rain I'm Not In Love Short Dick Man Christmas Shoes Rubber Bullets 21St Century Girls Love Is Enough Things We Do For Love, The 21St Century Girls 3 Oh! 3 Wall Street Shuffle 2Pac Don't Trust Me We Do For Love California Love (Original 3 Sl 10CCC Version) Take It Easy I'm Not In Love 3 Colours Red 3 Three Doors Down 112 Beautiful Day Here Without You Come See Me