Borge Mogensen Shaker Table
Total Page：16
File Type：pdf, Size：1020Kb
Load more
Recommended publications
-
The Journal of William Morris Studies
The Journal of William Morris Studies volume xx, number 4, summer 2014 Editorial – Pearls for the ancestors Patrick O’Sullivan 3 William Morris’s unpublished Arthurian translations, Roger Simpson 7 William Morris’s paternal ancestry Dorothy Coles†, revised Barbara Lawrence 19 The ancestry of William Morris: the Worcester connection David Everett 34 Jane Morris and her male correspondents Peter Faulkner 60 ‘A clear Xame-like spirit’: Georgiana Burne-Jones and Rottingdean, 1904-1920 Stephen Williams 79 Reviews. Edited by Peter Faulkner Linda Parry, William Morris Textiles (Lynn Hulse) 91 Mike and Kate Lea, eds, W.G Collingwood’s Letters from Iceland: Travels in Iceland 1897 (John Purkis) 95 Gary Sargeant, Friends and InXuences: The Memoirs of an Artist (John Purkis) 98 the journal of william morris studies . summer 2014 Barrie and Wendy Armstrong, The Arts and Crafts Movement in the North East of England (Martin Haggerty) 100 Barrie and Wendy Armstrong, The Arts and Crafts Movement in Yorkshire (Ian Jones) 103 Annette Carruthers, The Arts and Crafts Movement in Scotland. A History (Peter Faulkner) 106 Laura Euler, Arts and Crafts Embroidery (Linda Parry) 110 Clive Bloom, Victoria’s Madmen. Revolution and Alienation (Peter Faulkner) 111 Hermione Lee, Penelope Fitzgerald: A Life (Christine Poulsom) 114 Carl Levy, ed, Colin Ward. Life,Times and Thought (Peter Faulkner) 117 Rosalind Williams, The Triumph of the Human Empire. Verne, Morris and Stevenson at the end of the world (Patrick O’Sullivan) 120 Guidelines for Contributors 124 Notes on Contributors 126 ISSN: 1756-1353 Editor: Patrick O’Sullivan ([email protected]) Reviews Editor: Peter Faulkner ([email protected]) Designed by David Gorman ([email protected]) Printed by the Short Run Press, Exeter, UK (http://www.shortrunpress.co.uk/) All material printed (except where otherwise stated) copyright the William Mor- ris Society. -
DESIGN DESIGN Traditionel Auktion 899
DESIGN DESIGN Traditionel Auktion 899 AUKTION 10. december 2020 EFTERSYN Torsdag 26. november kl. 11 - 17 Fredag 27. november kl. 11 - 17 Lørdag 28. november kl. 11 - 16 Søndag 29. november kl. 11 - 16 Mandag 30. november kl. 11 - 17 eller efter aftale Bredgade 33 · 1260 København K · Tlf. +45 8818 1111 [email protected] · bruun-rasmussen.dk 899_design_s001-276.indd 1 12.11.2020 17.51 Vigtig information om auktionen og eftersynet COVID-19 har ændret meget i Danmark, og det gælder også hos Bruun Rasmussen. Vi følger myndig- hedernes retningslinjer og afholder den Traditionelle Auktion og det forudgående eftersyn ud fra visse restriktioner og forholdsregler. Oplev udvalget og byd med hjemmefra Sikkerheden for vores kunder er altafgørende, og vi anbefaler derfor, at flest muligt går på opdagelse i auktionens udbud via bruun-rasmussen.dk og auktionskatalogerne. Du kan også bestille en konditions- rapport eller kontakte en af vores eksperter, der kan fortælle dig mere om specifikke genstande. Vi anbefaler ligeledes, at flest muligt deltager i auktionen uden at møde op i auktionssalen. Du har flere muligheder for at følge auktionen og byde med hjemmefra: • Live-bidding: Byd med på hjemmesiden via direkte videotransmission fra auktionssalen. Klik på det orange ikon med teksten ”LIVE” ud for den pågældende auktion. • Telefonbud: Bliv ringet op under auktionen af en af vores medarbejdere, der byder for dig, mens du er i røret. Servicen kan bestilles på hjemmesiden eller via email til [email protected] indtil tre timer før auktionen. • Kommissionsbud: Afgiv et digitalt kommissionsbud senest 24 timer inden auktionen ud for det pågældende emne på hjemmesiden. -
The Dining Room
the Dining Room Celebrate being together in the room that is the heart of what home is about. Create a space that welcomes you and your guest and makes each moment a special occasion. HOOKER® FURNITURE contents 4 47 the 2 Adagio 4 Affinity New! dining room 7 American Life - Roslyn County New! Celebrate being together with dining room furniture from Hooker. Whether it’s a routine meal for two “on the go” 12 American Life - Urban Elevation New! between activities and appointments, or a lingering holiday 15 Arabella feast for a houseful of guests, our dining room collections will 19 Archivist enrich every occasion. 23 Auberose From expandable refectory tables to fliptop tables, we have 28 Bohéme New! a dining solution to meet your needs. From 18th Century European to French Country to Contemporary, our style 32 Chatelet selection is vast and varied. Design details like exquisite 35 Corsica veneer work, shaped fronts, turned legs and planked tops will 39 Curata lift your spirits and impress your guests. 42 Elixir Just as we give careful attention to our design details, we 44 Hill Country also give thought to added function in our dining pieces. Your meal preparation and serving will be easier as you take 50 Leesburg advantage of our wine bottle racks, flatware storage drawers 52 Live Edge and expandable tops. 54 Mélange With our functional and stylish dining room selections, we’ll 56 Pacifica New! help you elevate meal times to memorable experiences. 58 Palisade 64 Sanctuary 61 Rhapsody 72 Sandcastle 76 Skyline 28 79 Solana 82 Sorella 7 83 Studio 7H 86 Sunset Point 90 Transcend 92 Treviso 95 True Vintage 98 Tynecastle 101 Vintage West 104 Wakefield 106 Waverly Place 107 Dining Tables 109 Dining Tables with Added Function 112 Bars & Entertaining 116 Dining Chairs 124 Barstools & Counter Stools 7 132 Index & Additional Information 12 1 ADAGIO For more information on Adagio items, please see index on page 132. -
Witold Rybczynski HOME 1 7
Intimacy and Privacy C hap t e r Two 1' And yet it is precisely in these Nordic, apparently gloomy surroundings that Stimrnung, the sense of intimacy, was first born. - MARIO PRAZ AN ILLUSTRATED HISTORY OF INTERIOR DECORATION Consid", the room which Albrecht Durer illustrated in his famous engraving St. Jerome in His Study. The great Ren aissance artist followed the convention of his time and showed the early Christian scholar not in a fifth-century setting-nor in Bethlehem, where he really lived- but in a study whose furnishings were typical of Durer's Nuremberg at the begin ning of the sixteenth century. We see an old man bent over his writing in the corner of a room. Light enters through a large leaded-glass window in an arched opening. A low bench stands against the wall under the window. Some tasseled cushions have been placed on it; upholstered seating, in which the cushion was an integral part of the seat, did not appear until a hundred years later. The wooden table is a medieval design-the top is separate from the underframe, and by removing a couple of pegs the whole thing can be easily disassembled when not in use. A back-stool, the precursor of the side chair, is next to the table. The tabletop is bare except for a crucifix, an inkpot, and a writing stand, but personal possessions are in evidence else Albrecht DUrer, St. Jerome in His where. A pair of slippers has been pushed under the bench. 15 Study (1514) ,... Witold Rybczynski HOME 1 7 folios on the workplace, whether it is a writer's room or the cockpit of a The haphazard is not a sign of sloppiness-bookcases have not yet jumbo jet. -
French Provincial Dining Table
French Provincial Dining Table Howard inheres her versine viperously, undermentioned and introversive. Parry often memorialising Saundersondisgustingly whencolonising smuttiest her wound Sherlock unprecedentedly, outwear semasiologically headachy andand causative.represent her lower-case. Décor and soft furnishings would introduce complementary colours with more subdued hues of blue, green, pink and yellow. The Dining chairs have a wheat pattern carving reflecting the surroundings in the country. Elegant dining room with a cozy feel. As a landscape builder, he helped establish two gardening companies. This inspiring accent chair brings a feel of antique charm to a decor. We hope you will be able to examine an actual sample to fully appreciate this artistic work. Our old dining set was painted white and I loved them for a long time, but I was ready to go in a different direction. That allows you to add more of a sophisticated twist to the upper levels of the dining room. We can help get you the best shipping quotes or you can set it all up on your own. Showcase your business and projects on Houzz Pro to build your brand. Ready to win more clients and streamline your business? Looks great in our home. Exquisite Large French Antique Oak Provincial Louis XV Extension Dining Table. Maybe try one of the links below or a search? Registering for a sale and placing bids on any lot signifies that you or your agent have examined the property as fully as you desire. In your traditional home, picture this table holding your jigsaw puzzle in the sunroom. Gold drapes, gold drawer handles, or a duvet color made from gold fabric can really make you feel Parisian and chic. -
Scandi Navian Design Catalog
SCANDI NAVIAN DESIGN CATALOG modernism101 rare design books Years ago—back when I was graphic designing—I did some print advertising work for my friend Daniel Kagay and his business White Wind Woodworking. During our collaboration I was struck by Kagay’s insistent referral to himself as a Cabinet Maker. Hunched over my light table reviewing 35mm slides of his wonderful furniture designs I thought Cabinet Maker the height of quaint modesty and humility. But like I said, that was a long time ago. Looking over the material gathered under the Scandinavian Design um- brella for this catalog I now understand the error of my youthful judgment. The annual exhibitions by The Cabinet-Makers Guild Copenhagen— featured prominently in early issues of Mobilia—helped me understand that Cabinet-Makers don’t necessarily exclude themselves from the high- est echelons of Furniture Design. In fact their fealty to craftsmanship and self-promotion are constants in the history of Scandinavian Design. The four Scandinavian countries, Denmark, Sweden, Norway and Finland all share an attitude towards their Design cultures that are rightly viewed as the absolute apex of crafted excellence and institutional advocacy. From the first issue of Nyt Tidsskrift for Kunstindustri published by The Danish Society of Arts and Crafts in 1928 to MESTERVÆRKER: 100 ÅRS DANSK MØBELSNEDKERI [Danish Art Of Cabinetmaking] from the Danske Kunstindustrimuseum in 2000, Danish Designers and Craftsmen have benefited from an extraordinary collaboration between individuals, manufacturers, institutions, and governments. The countries that host organizations such as The Association of Danish Furniture Manufacturers, The Association of Furniture Dealers in Denmark, The Association of Interior Architects, The Association of Swedish Furni- ture Manufacturers, The Federation of Danish Textile Industries, Svenska Slojdforeningen, The Finnish Association of Designers Ornamo put the rest of the globe on notice that Design is an important cultural force deserv- ing the height of respect. -
The Other Side of DANISH MODERN
ICONIC STYLE The other side of DANISH MODERN The Danish design movement was alive and very well in the decades before its acknowledged reign of supremacy. Jason Mowen highlights a few of its leading lights and their star pieces. Philip Arctander’s Clam chair (left) and Flemming Lassen’s The Tired Man armchair, in the petit salon of French interior designer Pierre Yovanovitch’s 17th-century chateau in Provence. IMAGE COURTESY PIERRE YOVANOVITCH PIERRE COURTESY IMAGE VOGUELIVING.COM.AU 69 ICONIC STYLE from left: Kaare Klint’s Faaborg chair (1915) and a rare daybed in Cuban mahogany (1917), one of only two produced. The daybed sold at Danish auction house Bruun Rasmussen in 2015 for 598,000 Danish krone (around $117,300); a pair of Klint’s early Easy armchairs in Cuban mahogany and Niger leather sold at Phillips in London in 2016 for £56,250 (around $92,580). OTHING IN THE VOCABULARY OF 20TH-CENTURY DESIGN is quite so reductive as ‘Danish Modern’, a phrase that conjures images of retro-looking armchairs, teak sideboards and ceramic table lamps, many of which are not even Danish. Whether it is the result of poor geographic knowledge N on our part or the enduring legacy of Denmark’s prolific design output during the 1950s and ’60s, a particularly golden era of Danish design from the interwar years is often overlooked. It was an era born of Modernism without mass-production and its KAARE KLINT virtue lies therein: furniture was designed and handcrafted slowly, No story on Danish Modern would be possible without the love child of a generation of Danish architects and the brilliant mention of Kaare Klint, whose 1915 Faaborg chair is cabinetmakers with whom they collaborated. -
Furniture Designer, Craftsman and Modernist Poul Kjærholm Occupies a Prominent Position in the Exclusive Company of Architects
POUL KJÆRHOLM (1929-1980) – A MASTER OF DETAIL Furniture designer, craftsman and modernist Poul Kjærholm occupies a prominent position in the exclusive company of architects and designers behind the classic and internationally acclaimed furniture from Fritz Hansen. During his 32-year career span, Kjærholm created a string of what have now become classic and exclusive icons in furniture, all born out of a perpetual, ambitious and challenging search for a minimalist ideal. Danish Poul Kjærholm was born in the small village of Øster Vrå in northern Jutland on January 8, 1929. At only 15 years of age he embarked on the journey that would eventually lead him to international fame when he was apprenticed to local master cabinetmaker Th. Grønbech in the neighbouring town of Hjørring. Having obtained his certificate of completed apprenticeship and a bronze medal for “a finely crafted mahogany- polished secretary”, as stated on the certificate, young Kjærholm decided to leave his childhood region and go to Copenhagen where he was admitted to study at The Danish School of Arts and Crafts in Frederiksberg the following year. At the school Poul Kjærholm studied under Hans J. Wegner while also following the lectures of Professor Kaare Klint at The Royal Danish Academy of Fine Arts. For a short period of time he studied under architect Jørn Utzon as well, but beyond that he was heavily influenced by international designers such as Americans Charles and Ray Eames, Bauhaus icon Ludwig Mies van der Rohe and the radical, Dutch minimalist Gerrit Rietveld. Poul Kjærholm proved his unique talent already in his early years at the Arts and Crafts school, when he engaged in bold and visionary experiments with novel materials and production technologies. -
Architecture, Design and Conservation Danish Portal for Artistic and Scientific Research
Architecture, Design and Conservation Danish Portal for Artistic and Scientific Research Aarhus School of Architecture // Design School Kolding // Royal Danish Academy On why even Danish Design needs Theory Munch, Anders V.; Lentz, Uffe Published in: Doctoral Education in Design Publication date: 2003 Document Version: Publisher's PDF, also known as Version of record Link to publication Citation for pulished version (APA): Munch, A. V., & Lentz, U. (2003). On why even Danish Design needs Theory: Theoretical First Aid Kit to the Handyman in Research. In D. Durling, & K. Sugiyama (Eds.), Doctoral Education in Design: proceedings of the third conference (pp. 87-94). Institute of Art & Design, University of Tsukuba. General rights Copyright and moral rights for the publications made accessible in the public portal are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognise and abide by the legal requirements associated with these rights. • Users may download and print one copy of any publication from the public portal for the purpose of private study or research. • You may not further distribute the material or use it for any profit-making activity or commercial gain • You may freely distribute the URL identifying the publication in the public portal ? Take down policy If you believe that this document breaches copyright please contact us providing details, and we will remove access to the work immediately and investigate your claim. Download date: 25. Sep. 2021 On why even Danish Design does need Theory Theoretical First Aid Kit for Handymen in Research Anders Munch Department of Theory and History, Aarhus School of Architecture, Denmark Uffe Lentz Institute of Design, Aarhus School of Architecture, Denmark Abstract Living in a Paradise of Danish Design where things express all the correct ideals, it would appear that you don’t need elaborate design theory. -
Charity on the Fringes of the Medieval World
Hugvísindasvið Charity On The Fringes Of The Medieval World Skriðuklaustur, A Late Medieval Priory-Hospital In Eastern Iceland Ritgerð til MA-prófs Catharine M. Wood September 2013 Háskóli Íslands Hugvísindasvið Sagnfræði- og heimspekideild Fornleifafræði Charity On The Fringes Of The Medieval World Skriðuklaustur, A Late Medieval Priory-Hospital In Eastern Iceland Ritgerð til MA-prófs Catharine M. Wood Kt.: 150371-2799 Leiðbeinandi: Steinunn Kristjánsdóttir September 2013 Figure 1: Icelandic postage stamp commemorating the 500th -year anniversary of the consecration of Skriðuklaustur’s church This is a study on the space and place of medieval monastic charity as represented by the infirmary that was in operation at Skriðuklaustur, a late medieval Augustinian monastery (1493- 1554), located in eastern Iceland. In approaching the analysis on the space and place of care, the first step is to understand what was meant by medieval monastic hospitality and charity and the factors that differentiated between the two practices. This distinction between hospitality and charity as practiced by religious groups is important to understand because it dictated not only the form of interaction but also the location of interaction. Therefore, the second step in this study is identifying these places of care and how they were physically demarcated according to religious practice. This will be conducted by analyzing the location and architectural layout of monastic infirmaries and hospitals. Other material considerations in the practice of care include the artifacts associated with the medical profession as well as information from burials at monasteries and hospitals where the age, gender and types of pathological conditions that have been identified from the skeletal assemblage may reveal evidence of the practices and level of care administered at these infirmaries. -
Church Chair 48 About Church Chair 50 Pilot and Co-Pilot Chair 52 Dk3 6 Sideboard 54
No. 5 Contents About dk3 4 The Contemporary Collection 6 Jewel Table 8 LowLight Table 12 Tree Table 20 About Tree Table 22 dk3_3 Table 24 BlackWhite Table 26 Less Is More Table 28 Plank Sofa 34 About Plank Sofa 36 Plank Sofa 38 Tree and dk3_3 Coffee Table 40 BM2 Chair 42 Shaker Table 44 BM1 Chair 46 Church Chair 48 About Church Chair 50 Pilot and Co-Pilot Chair 52 dk3_6 Sideboard 54 ROYAL SYSTEM® 58 About RoyAL SysteM® and designer Poul Cadovius 60 RoyAL SysteM® 62 Designers 78 Detailed informations 80 dk3 wood 82 Thank you 84 Notes 86 2 ”The true aesthetic is natural, not man made” dk3 is a furniture design concept that emphasizes natural aesthetics. We create uniquely designed furniture that is shaped by nature and crafted by true enthusiasts. Always with a focus on personality, pride and sustainability. It is a vision of uniting the finest carpentry traditions with modern and classical furniture design through the fusion of timeless steel or brass components and high quality wood. The love of the organic material and uncompromising focus on quality is evident throughout the process, from the first design sketches to working in the carpentries in Denmark, where the furniture is finished and surface treated by hand. established in 2009, dk3 is exporting to more than 25 countries. dk3 is available in the finest lifestyle boutiques in New York City, London, Paris, Oslo, Stockholm, Copenhagen, Barcelona, Tokyo, Taipei, Seoul, Sydney, Mexico City and many more cities and it is with great pride, that we manufacture furniture pieces from such great Danish designers as Kaare Klint, Børge Mogensen, Poul Cadovius and more. -
KK37581 | the RED CHAIR – Design: Kaare Klint BESCHREIBUNG
KK37581 | THE RED CHAIR – Design: Kaare Klint BESCHREIBUNG Klint war der festen Überzeugung, dass bestehende Archetypen moderne Designs beeinflussen können und sollten. Daher studierte er sorgfältig verschiedene englische Stuhldesigns - darunter das Chippendale-Design. Er kombinierte verschiedene Elemente und erschuf eine neue Konstruktion mit modernem Ausdruck und optimaler Tragkraft. Das erste Modell der Kollektion war der Red Chair Large (1927), das für den Hörsaal des Designmuseums Danmark entworfen wurde. 1930 stattete Klint den Red Chair Large für das Büro des dänischen Premierministers mit Armlehnen aus. Zudem entwarf er ein Sofa, um dem historischen Ambiente im Schloss Christiansborg gerecht zu werden. Für verschiedene Esstischgrößen konzipierte Klint zudem den Red Chair Small (1928) und den Red Chair Medium (1933). Der Stuhl ist aus Massivholz gefertigt. Sitzfläche und Rückenlehne sind mit Leder ausgestattet. DER DESIGNER Das Genie, das hinter Ikonen wie dem Faaborg Chair von 1914 und dem weltbekannten Safari Chair von 1933 steht, untermauerte 1929 seinen Status mit dem Gesamtentwurf des dänischen Pavillons für die Weltausstellung in Barcelona. Design und Architektur spielten schon früh eine große Rolle in Klints Leben. Als Sohn des Architekten Peder Vilhelm Jensen-Klint, zu dessen Werken die Grundtvigskirche in Kopenhagen zählt, entwickelte Kaare Klint schon früh ein Interesse daran, Funktion und Ästhetik miteinander in Einklang zu bringen. 1924 war er an der Gründung des Fachbereichs für Möbel- und Raumgestaltung an der Königlich-Dänischen Akademie der Künste beteiligt, an der er im folgenden Jahr als außerordentlicher Professor und dann schließlich als Professor arbeitete. Als Dozent und Designer war Klint eine Inspirationsquelle und legte den Grundstein für eine Generation der renommiertesten dänischen Möbeldesigner - darunter Hans J.