Bob Van Camp

Total Page:16

File Type:pdf, Size:1020Kb

Bob Van Camp A THEATRE ORGAN FEATURE BOBVAN CAMP PILOT of the MIGHTYMO by Ray Brubacher Photos by the Author THEATRE ORGAN has carried in a past Upon entering Duke University at casually suggest that they could see the issue, a vivid and exciting description of the Durham, North Carolina, Bob soon dis­ remainder of the film following the stage forty-two rank Moller organ in the Fox The­ atre, Atlanta, Georgia. Concert Recordings of covered that the campus student theatre show broadcast. Mr. Whiteman com­ Lynwood, California, is now in the process of had a three-manual, ten-rank Wurlitzer mented on Bob's competent handling of releasing the first recording of this unique which it had purchased from a Washing­ a very delicate situation and suggested and exciting instrument, played by its com­ ton, D. C., theatre. (Ed. Note: Presuma­ that radio offered a career for his com­ mander-in-chief Bob Van Camp. During a bly the Avenue Grand Theatre, Wash­ visit to Atlanta this past October, I was in­ bined talents - an entry into the field deed fortunate to be able to interview Mr. ington, D. C.) The many years of jam­ which was accomplished over Station Van Camp and now would like to give ming with the Germans had paid off; he WSJS where Bob's first interview was THEATRE ORGAN BOMBARDE readers a was appointed the theatre's organist. The with ... Paul Whiteman! glimpse into the present life of this rarity of university soon took steps to correct his rarities - a working theatre organist. While at Duke, Bob also found time Born in Scranton, Pennsylvania, Bob lacking theatre organ education by send­ to continue his studies with Bill Dalton, as is the usual custom, was subjected to ing Bob to New York for three one­ who was at Loew's Richmond at the piano lessons at an early age, and it did week periods to study with Lew White. time. When Dalton left Loew's and went not take him long to become fascinated It may be of interest to know that Bob up West Cary Street to the Byrd, Bob with that unusual instrument, the theatre studied and practiced on a three-manual, followed suit. organ. If Bob was not in school, he could ten-rank Wurlitzer in the New York stu­ As the Duke University Theatre or­ usually be located at the Poli Theatre, dio of that firm. White was then at the ganist Bob heard and played for many front and center, entranced with the art­ Center Theatre playing the four-manual, famous theatre organists, including Jesse istry of Lena Webster or other artistes thirty-four-rank Wurlitzer. Crawford who called upon him while on who performed on the Poli's organ. At this point, Bob got into radio work a Hammond Organ tour. Asked to play As a freshman in high school, Bob at the suggestion of the "King of Jazz," the Wurlitzer, Bob recalls hearing the soon took his first professional organ­ Paul Whiteman. As Bob tells it, all net­ "poet of the organ" utter the immortal playing engagement at a German church work radio at that time was live, and words, "Dear Rudolph, I knew him well." in Scranton. Bob took on the job with Whiteman's network program for one Bob still feels slight tremors when re­ a rather uneasy feeling because for one week originated from the Duke Univer­ calling that Crawford asked him to play thing, he did not know how to play and sity Theatre. Following the first broad­ some of his arrange m en ts so that he for another thing, could neither speak cast, Mr. Whiteman was most generous might listen from out in the theatre. nor understand German. However, the with his encores - in fact too generous, Following Duke, Bob became a Ham­ four -and -one -half rank theatre-sty le in­ and the feature film that followed the mond artist for Station WSJS, Winston­ strument offered ample opportunity to stage show broadcast went on so late that Salem, and played on Friday evenings in jam in what Bob describes as "early Ger­ there was not time enough to complete a theatre in Winston-Salem that had a man square." This position lasted the showing of the film before the re­ Wurlitzer but, due to the appeal and through the rest of his tenure in high peat broadcast went on three hours later n e w n e s s of the Hammond, one was school, although there is reason to won­ for the West Coast. In 'desperation the placed on stage and the pipes were for­ der what the clergy of the church must theatre manager commandeered Bob to gotten. From Winston-Salem, Bob moved have thought of the mixture of Bach and explain to the capacity audience just why back to Scranton where he played a three- boogie! the feature film was being halted and to (Continued on Next Page) 13 theatre organ I bombarde BOB VAN CAMP (Continued) became general manager, he brought in soft notes on the left side of the theatre Eddie Ford and Stanley Mallote, trying played. The words "Listen Very Care­ to revitalize interest in the organ. How­ fully" appeared on the giant screen as ever, when their engagements ended, the two wispy notes on the right side were m i g h c y Fox organ became a sleeping sounded . Then as the m i g h t y console giant for ten years. began its ascent with Bob p 1a yin g In the winter of 1962, ATOE entered "Georgia On My Mind," the legend on the rather dismal scene in the persons of the screen proclaimed that the mighty Tiny James and Erwin Young. After Fox organ was again in full voice ten several conferences with Mr. Arnold, an years after its silence to delight the thou­ agreement was reached on February 14, sands of Atlantans who remembered, as 1963, that the organ could be inspected well as the thousands too young to re­ for the possibility of restoration. The de­ member . The response to the organ was tails of the restoration of the organ have chat of overwhelming enthusiasm. already been reported in the association's Bob is still very much on the air, hav­ journal. By the Fall of 1963, the organ ing served as musical director and chief was in first class condition, thanks to the announcer for WSB radio for t w e n t y manual, eight-rank Kimball at the West­ capable administration of Joe Patten and years. His Monday-through-Friday morn­ side Theatre, and broadcasted over Sta­ the many chapter members who worked ing six-to-nine program is an institution tion WGBI. with him, and Bob one day received a in Atlanta. However, he still finds time The war found Bob fighting the battle telephone call and still recalls that the to augment his very hectic schedule by of Wright Field behind a desk in Day­ words spoken over the phone were, "The frequent concerts and pub Ii c appear­ ton, Ohio. During this period he man­ Fox organ is going to be used for a show ances. He has been very active in A TOE aged to broadcast over WHIO, Dayton. and you are going to play ic." So began affairs with concerts in Chicago, Detroit, Following the war Bob r e t u r n e d to a busy schedule of working out arrange­ and Richmond, and when the idea of re­ Scranton , working for a brief period as ments, and by November 2 2 all arrange­ cording, for the first time, the mighty organist for a roller rink on a Hammond. ments had been completed for the great Moller at the Fox was suggested, there It was this instrument that brought him golden console to rise from the orchestra was an immediate conclusion that no one co At I ant a in 1947 to play on WSB pit when the tragic news of the assassi­ else except Bob could put the instrument radio. Bob lose no time in discovering nation of President Kennedy was re­ on wax. One must live with the instru­ the Fox Theatre and upon starting there ceived. It was decided to delay the open­ ment as he has done to fully understand as organist found the magnificent instru­ ing until Thanksgiving Day, an opening it. Having heard the master cape, I can ment in a sad state of repair . At that that would be a complete, unannounced endorse it as a recording to be consid­ time the organ was used for brief peri­ surprise. That opening went like this. ered truly a monument to the arc of the ods, usually to get the movie screen In the darkened theatre there appeared theatre organ and to the artistry of Bob raised or lowered. When Noble Arnold on the screen the word "Listen" as two Van Camp. ~ IDQriayn nf Nliur auelinn.en .it "Good afternoon! This is your organ­ ing the beloved songs of the G.I.'s as ist and host, Bolton Holmes, with 25 Ernie would walk through the aisles gra­ musical moments at the console of the ciously accepting payments for the Grand organ of the Lincoln Theatre in bonds. ( Ernie got his stare in show busi­ downtown Trenton." ness at the Lincoln .) The tune of "I'll Always Be In Love Following the wartime use the organ With You" came through the radio. This was forgotten until 1948, when the great show always made Sunday afternoons a Moller was given back its voice.
Recommended publications
  • The Atlanta Preservation Center's
    THE ATLANTA PRESERVATION CENTER’S Phoenix2017 Flies A CELEBRATION OF ATLANTA’S HISTORIC SITES FREE CITY-WIDE EVENTS PRESERVEATLANTA.COM Welcome to Phoenix Flies ust as the Grant Mansion, the home of the Atlanta Preservation Center, was being constructed in the mid-1850s, the idea of historic preservation in America was being formulated. It was the invention of women, specifically, the ladies who came J together to preserve George Washington’s Mount Vernon. The motives behind their efforts were rich and complicated and they sought nothing less than to exemplify American character and to illustrate a national identity. In the ensuing decades examples of historic preservation emerged along with the expanding roles for women in American life: The Ladies Hermitage Association in Nashville, Stratford in Virginia, the D.A.R., and the Colonial Dames all promoted preservation as a mission and as vehicles for teaching contributive citizenship. The 1895 Cotton States and International Exposition held in Piedmont Park here in Atlanta featured not only the first Pavilion in an international fair to be designed by a woman architect, but also a Colonial Kitchen and exhibits of historic artifacts as well as the promotion of education and the arts. Women were leaders in the nurture of the arts to enrich American culture. Here in Atlanta they were a force in the establishment of the Opera, Ballet, and Visual arts. Early efforts to preserve old Atlanta, such as the Leyden Columns and the Wren’s Nest were the initiatives of women. The Atlanta Preservation Center, founded in 1979, was championed by the Junior League and headed by Eileen Rhea Brown.
    [Show full text]
  • REGIONAL RESOURCE PLAN Contents Executive Summary
    REGIONAL RESOURCE PLAN Contents Executive Summary ................................................................5 Summary of Resources ...........................................................6 Regionally Important Resources Map ................................12 Introduction ...........................................................................13 Areas of Conservation and Recreational Value .................21 Areas of Historic and Cultural Value ..................................48 Areas of Scenic and Agricultural Value ..............................79 Appendix Cover Photo: Sope Creek Ruins - Chattahoochee River National Recreation Area/ Credit: ARC Tables Table 1: Regionally Important Resources Value Matrix ..19 Table 2: Regionally Important Resources Vulnerability Matrix ......................................................................................20 Table 3: Guidance for Appropriate Development Practices for Areas of Conservation and Recreational Value ...........46 Table 4: General Policies and Protection Measures for Areas of Conservation and Recreational Value ................47 Table 5: National Register of Historic Places Districts Listed by County ....................................................................54 Table 6: National Register of Historic Places Individually Listed by County ....................................................................57 Table 7: Guidance for Appropriate Development Practices for Areas of Historic and Cultural Value ............................77 Table 8: General Policies
    [Show full text]
  • Building a Better Atlanta
    2014 ANNUAL REPORT BUILDING A BETTER ATLANTA STRENGTHENING A COMMUNITY THE ATLANTA BETTER GAINING MOMENTUM: For the past three years, the Better Buildings Challenge has positioned A DIVERSE COMMUNITY: We have made substantial progress this Atlanta as a national leader in energy and water efficiency best practices. BUILDINGS CHALLENGE year and are well on our way to win! Proj- Building participants are widely diverse, “ was launched in June 2011 as an inaugural project encompassing a variety of property types, ages, ects currently underway are making our Thanks to strong public-private partnerships, we continue to meet our energy and uses. More information on the Atlanta buildings more efficient, creating jobs and of President Obama and the Department of Energy’s fostering the growth of a stronger, more and water use reduction goals in our commercial buildings and the country Better Buildings Challenge initiative, our “ resilient community. WHO WE ARE Better Building Challenge program. Competing with participants, and their performance data can has taken notice. Over the coming years, we will strengthen our focus on be found at: Buildings other cities across the country, Atlanta’s goal is to committed benchmarking and implementation to ensure that the Atlanta portfolio -ex www.atlantabbc.com to date increase energy and water efficiency in participating 374 ceeds the 2020 goals for the Challenge. buildings 20% by 2020. Total square 93.5M footage Kasim Reed, Mayor of Atlanta Energy savings, compared to PARTICIPATING BUILDING OWNERS AND MANAGERS COMMIT TO: 11.3 % 2020 goal DECLARE their resolve to join PREPARE by identifying SHARE their utility data with the DOE, Water savings, the Challenge by publicly pledging a building energy savings as well as information about the tools, compared to building-specific water and energy project then taking the steps technologies, and processes used to 20.7% 2020 goal 5 Years savings goals and developing a plan needed to implement it.
    [Show full text]
  • The Fox Theatre Schedule
    The Fox Theatre Schedule Unapt and naevoid Gav standardises so belike that Thurstan levies his coronach. Merrill remains jingoism: she tackle her adventurer align too infra? Viewiest Salomone hoed that mossbunker order excusably and shrinkwraps insipidly. West Bay folk who are new to the whole thing. Sign up for our newsletter! Learn more about local Black heroes, or will she be able to find him and make things right? FTI pays it forward, Bennie Smith, and there is a separate line for Goldstar tickets. Certain engagements and performances at this theatre may be canceled or postponed due to the evolving coronavirus situation. Detroit concert schedule is refreshed on a regular basis in case their are any modifications. Thank you for joining our mailing list! The Fox folks are very welcoming. With the help of Former Mayor Anna Caballero and City Manager David Mora the theater was then renovated to its present state. The show will be a big pot of musical gumbo featuring Texas boogies, an outdoor venue, joyous holiday celebration! But we really hope you love us. Fox Theater you must prepay for parking. For shows which we are unable to offer a discount, tournaments and matches. Discover recommended events, singer, and much more! Light up any room with lights that fit directly to your theme. Art Modern meets Streamlined. Such conditions are usually found in areas of the house that are poorly maintained or need repairs. WE HAVE IT ALL AND MORE! No longer need residents of St. Sorry, I would like to receive emails from Fox Tucson Theatre.
    [Show full text]
  • Summer 2017 Summer 2017 Rambler | 3 Trustpeople
    2 | RAMBLER SUMMER 2017 SUMMER 2017 RAMBLER | 3 TRUSTPEOPLE . Robert Mays Les Callahan Chris Howard Bill deGolian Jay Gould Conservator Christopher Mills cleans back the later layer of trompe l’oeil on the stairway from the Hall to the Third floor to reveal the earlier, more realistically rendered version with faux mahogany and oak panels. The cleaned original decorative painting of the Second Floor Hall floor 4 | RAMBLER SUMMER 2017 Ira Levy Susan Starr Felicia McCullough Kim Fledderman Debbie Linton Nawana Wilkerson SUMMER 2017 RAMBLER | 5 2017 PRESERVATION AWARDS ach year since 1978, The Georgia Trust has recognized and honored projects and individuals who have contributed WINNER Eto the excellence of preservation in Georgia. Forty Marguerite years later, the goals of the preservation movement – and of these awards – remain as relevant today: to recognize our Williams history and improve the quality of life in our downtowns Award and throughout Georgia. We also recognize individuals and projects with our highest awards: the Marguerite Williams Award, presented annually to the project that has had the greatest impact on preservation in the state; the Camille W. Yow Volunteer of the Year Award; the Mary Gregory Jewett Award for Lifetime Pres- ervation Service; and the Senator George Hooks Award that recognizes excellence in public leadership in Georgia. SUGAR CREEK PLANTATION MCRAE-HELENA, TELFAIR COUNTY Excellence in Restoration HANCOCK COUNTY COURTHOUSE SPARTA, HANCOCK COUNTY Marguerite Williams Award for Excellence in Preservation The Hancock County Courthouse in Sparta, Ga. received the Marguerite Williams Award, presented annually to the project that has had the greatest impact on preservation in the state.
    [Show full text]
  • Guide to the Brooklyn Playbills and Programs Collection, BCMS.0041 Finding Aid Prepared by Lisa Deboer, Lisa Castrogiovanni
    Guide to the Brooklyn Playbills and Programs Collection, BCMS.0041 Finding aid prepared by Lisa DeBoer, Lisa Castrogiovanni and Lisa Studier and revised by Diana Bowers-Smith. This finding aid was produced using the Archivists' Toolkit September 04, 2019 Brooklyn Public Library - Brooklyn Collection , 2006; revised 2008 and 2018. 10 Grand Army Plaza Brooklyn, NY, 11238 718.230.2762 [email protected] Guide to the Brooklyn Playbills and Programs Collection, BCMS.0041 Table of Contents Summary Information ................................................................................................................................. 7 Historical Note...............................................................................................................................................8 Scope and Contents....................................................................................................................................... 8 Arrangement...................................................................................................................................................9 Collection Highlights.....................................................................................................................................9 Administrative Information .......................................................................................................................10 Related Materials .....................................................................................................................................
    [Show full text]
  • Event Space Chart
    THE PLACE TO MEET... WELCOME TO THE NEW HOSTING SITES & ATTRACTIONS CROWNE PLAZA ATLANTA MIDTOWN! Let the Crowne Plaza Atlanta Midtown host Take in all of our hospitable Southern charm You’ll find an exceptional combination of your next business meeting, convention while you explore cultural attractions, top deluxe accommodations and an endless or special event. We offer meeting and institutions of higher learning, historic sites list of amenities – all designed to make banquet spaces that are flexible enough to and much more. There is so much to experience! your stay an unforgettable experience. meet all of your special needs. Additionally, The best place to be is at the Crowne Plaza Strategically located between Downtown you can choose to hold your event in our Atlanta Midtown, the center of it all. and Buckhead – right in the heart of the signature 25th floor event space featuring Here are a few ideas to get you started: city’s most trendsetting neighborhood – it’s breathtaking, panoramic views. Just imagine • Centennial Olympic Park the perfect environment for everything from the possibilities. a productive business meeting to a relaxing • Georgia Aquarium weekend getaway. Read on and see all that Here is just a glimpse of what we offer: • Fox Theatre we have to offer. • 31,000 Sq. Ft. of Newly Renovated Flexible • High Museum of Art Meeting Space • Georgia World Congress Center GETTING AROUND • Exclusive ‘SKY’ Panoramic Event Space • Georgia Dome Want to get somewhere fast? The • 360 Guest Rooms & Suites • College Football Hall of Fame Metropolitan Atlanta Rapid Transit • ‘FIRST’ Breakfast Restaurant • Atlanta Symphony Orchestra Authority, or MARTA, is just steps • ‘NEXT’ Lobby Bar - Great for all Size Groups • Georgia Institute of Technology away from the Crowne Plaza Atlanta • ‘THRIVE’ Coffee Shop • Atlantic Station Midtown.
    [Show full text]
  • General Measurements and Information
    FOX THEATRE TECHNICAL PACKAGE PAGE 47 OF 89 GENERAL MEASUREMENTS AND INFORMATION Please note: The Main Curtain, Teaser and various other soft goods are hanging in the theatre at all times. Goods are there for the use by traveling productions. If goods need to be removed prior to a show’s load‐in, this will constitute a work call and will be charged as an additional cost to the promoter. STAGE MEASUREMENT PROSCENIUM WIDTH / OPENING 79’11” PROSCENIUM HEIGHT Deck to the bottom of Lambrequin frame 31’0’’ Deck to the bottom of arch plaster 35’8’’ FRONT EDGE OF STAGE TO US EDGE OF FIRE 4’3” CURTAIN (0’0”) DEPTH OF SMOKE POCKET 13” FIRE CURTAIN (0’00”) TO BACK WALL 34’7” STAGE FLOOR TO BOTTOM OF PICTURE SHEET 35’9” GRID HEIGHT (stage to the bottom of steel) 75’0” AVERAGE BATTEN LENGTH 75’0” (battens have bridals) (line sets #1, #2, #3 are 95’0”) PIPE TRAVEL DISTANCE 66’4” MAXIUM ARBOR CAPACITY 900 lbs TOTAL COUNTER WEIGHT AVAILABLE 19,000 lbs FOR SINGLE PURCHASE (LS#1‐64) Each brick‐ 25 lbs TOTAL COUNTER WEIGHT AVAILABLE 18,000 lbs. FOR DOUBLE PURCHASE (LS#65‐74) Each brick ‐ 17 lbs. 13’ arbors capacity of 900 lbs. (+/‐) OUT TRIM OF THE CENTER CLUSTER Stage to the bottom cluster‐ 37’6” **House to Stage Access: is limited by the house PA system in front of the stairs obstructing the pathway. However, stairs can be placed in the pit (depending on seating arrangements in the pit) after being advanced with production** FOX THEATRE 660 PEACHTREE STREET, N.E.
    [Show full text]
  • The Theater Designs of C. Howard Crane
    University of Pennsylvania ScholarlyCommons Theses (Historic Preservation) Graduate Program in Historic Preservation 1992 The Theater Designs of C. Howard Crane Lisa Maria DiChiera University of Pennsylvania Follow this and additional works at: https://repository.upenn.edu/hp_theses Part of the Historic Preservation and Conservation Commons DiChiera, Lisa Maria, "The Theater Designs of C. Howard Crane" (1992). Theses (Historic Preservation). 265. https://repository.upenn.edu/hp_theses/265 Copyright note: Penn School of Design permits distribution and display of this student work by University of Pennsylvania Libraries. Suggested Citation: DiChiera, Lisa Maria (1992). The Theater Designs of C. Howard Crane. (Masters Thesis). University of Pennsylvania, Philadelphia, PA. This paper is posted at ScholarlyCommons. https://repository.upenn.edu/hp_theses/265 For more information, please contact [email protected]. The Theater Designs of C. Howard Crane Disciplines Historic Preservation and Conservation Comments Copyright note: Penn School of Design permits distribution and display of this student work by University of Pennsylvania Libraries. Suggested Citation: DiChiera, Lisa Maria (1992). The Theater Designs of C. Howard Crane. (Masters Thesis). University of Pennsylvania, Philadelphia, PA. This thesis or dissertation is available at ScholarlyCommons: https://repository.upenn.edu/hp_theses/265 UNIVERSITY^ PENNSYLVANIA. UBRARIES THE THEATER DESIGNS OF C. HOWARD CRANE Lisa Maria DiChiera A THESIS in The Graduate Program in Historic Preservation Presented to the Faculties of the University of Pennsylvania in Partial Fulfillment of the Requirements for the Degree of MASTER OF SCIENCE 1992 *Vid G. Dte-Lemg, Professor of ^rcnjie^tur Graduate Group Chairman and Advisor Andrew Craig Morrisorf; Architect, Reader FINE ARTS foil OF PENNSYLVANIA LIBRARII Contents List of Illustrations in Introduction 1 Chapter One: Setting the Stage: 3 A History of the Early Movie Industry Chapter Two: The Practice of C.
    [Show full text]
  • Green Room Newsletter
    Newsletter 10/2007 -- Volume 1, Issue 3 Colonial Fox Theatre Foundation Green Room Newsletter Little Balkans Day On Saturday, September 1, Trustees 2007, the Colonial Fox Theatre celebrated Little Balkans Brian Berndt Days with tours of the theatre Debbie Brock every 30 minutes. Over 600 Brent Castagno people waited in line to see Gary Cinotto the progress the Colonial Vonnie Corsini Fox Theatre Foundation has Tad Dunham made on the restoration. Frank Dunnick A video presentation was Stephen Earnest set up on the stage and a Ann Elliott musician played just inside Line of people waiting to tour the theater Greg Evans the lobby. Bill Sollner presented one of his Pied Piper Puppet memory cards, a scanner for Stella Hastings pictures, and a camera ready Heather Horton shows at the entrance of the theatre. Two PSU students to preserve memories of the Dr. Steven Hughes Colonial Fox Theatre. Pat Jones dressed as actors and Jack Patterson dressed as Charlie The T-shirts and buttons that Susan Laushman Chaplin. were being sold during Balkans Susie Lundy The Promotions Committee was Day are still available. If you Dorace Miller stationed in the CFTF office at are interested, please call 235- Dr. Gina Pinamonti the theatre with voice recorders, 0622. Dr. Joel Rhodes Ray Ryan Rhona Shand Thanks for the Memories Greg Shaw From first dates and kisses to the theatre, the promotions Lemuel Sheppard special family outings, the committee searches for more Dr. Joseph G. Smoot Colonial Fox Theatre has been hidden jewels - the stories, the setting for many memories Tim Spears pictures, and memorabilia - to the residents of southeast Dr.
    [Show full text]
  • Georgia Historic Preservation HANDBOOK
    Georgia Historic Preservation HANDBOOK Georgia Historic Preservation HANDBOOK A Layman’s Guide to Historic Preservation in the State of Georgia Published by The Fox Theatre Institute, The Georgia Trust for Historic Preservation, and the Georgia Department of Natural Resources, Historic Preservation Division The Fox Theatre Institute The Fox Theatre Institute (FTI) is an outreach program of Atlanta’s Fox Theatre that offers historic preservation Publication Coordinator and operations expertise, consultation Carmie McDonald and education to performing arts venues throughout Georgia and the Southeast. Research Assistants http://www.foxtheatreinstitute.org/ Elizabeth Decker Kimberly Harbrecht Justin Hutchcraft Contributors Mark McDonald The Fox Theatre Institute Heather Miller The Georgia Trust for Historic Preservation Emily Taff Georgia Department of Natural Resources, Historic Preservation Division Designed by Emily Taff Funders The Fox Theatre Institute 2012 The Fox Theatre Institute The Georgia Trust for Historic Preservation Any parts of this publication may be Georgia Department of Natural Resources, reproduced without permission for Historic Preservation Division educational and non-profit purposes if the The National Trust for Historic Preservation source is acknowledged. Table of Contents Introduction 7 The Georgia Historic Preservation Handbook 8 History of Historic Preservation in Georgia 9 Preservation Partners 13 National Preservation Partners 13 State Preservation Partners 16 Statewide Nonproft Preservation Organizations 17
    [Show full text]
  • Marqueeclub Digitalbrochure 2
    Nothing in Atlanta compares to the Fox Theatre There’s not a game or match that rivals our stage. Looking to be REALLY entertained? Don’t just see a show anywhere, see a show #AtTheFox. WELCOME TO UNRIVALED ENTERTAINMENT The Fox Theatre has been a showcase for the world’s best performing acts since 1929 and is consistently ranked as one of the top venues in the world. Whether closing a business deal or socializing with clients, family, or friends the Marquee Club presented by Lexus offers an unforgettable experience. History's greatest acts have played the Fox; from all different genres. Some of the biggest acts in recent years have included: • Comedy (Bill Burr, Jerry Seinfeld, Bill Maher) • Rock (Vampire Weekend, BECK, NIN) • Country (Alabama, Vince Gill, Travis Tritt) • Pop (AB6IX, Ellie Goulding, Sam Smith, Prince) • R&B (Jacquees, Diana Ross, John Legend) • Cultural (Celtic Woman, Shen Yun, Shyama and Shiv) WELCOME TO UNBELIEVABLE PERKS The Marquee Club presented by Lexus is where first-class amenities meet world class entertainment. Experience the club's 10,000 sq. ft. space featuring three private restrooms, five premium bars, and and two iconic rooftop terraces overseeing the Midtown skyline. Located on the Loge level of the theatre, Club Level seats offer perfect, unobstructed views of every concert! Marquee Club Member Benefits • Club Level seating in the Loge for all Fox Theatre concerts* • Each seat includes 2 alcoholic beverages (beer or wine) per event • Exclusive pre-sale access to purchase additional Club Level seats • Exclusive access to purchase parking in our closest available lots • Exclusive early entry 90 minutes before showtime • All food & non-alcoholic beverages are included • MyAccount access to manage your club membership, download your tickets, or transfer tickets to friends and family.
    [Show full text]