The Nelson Brothers Perform Classic Country Music Memories

Total Page：16

File Type：pdf, Size：1020Kb

Town of Canandaigua Parks and Recreation presents... The Nelson Brothers perform Classic Country Music Memories This group is a favorite amongst all! Brian Nelson, along with his band, will have you captured from beginning to end with the songs you will all be up and dancing to. You will hear all your favorites from Merle Haggard, Willie Nelson, Jim Reeves, Waylon Jennings, Don Williams, Hank Williams and many more! There may even be an auctioneer somewhere in there! A show you are sure to enjoy! New York State Country Music Hall of Fame On display is an array of memorabilia from many Nashville and local entertainers. Inside the Hall of Fame view the glamorous Any questions please contact: wardrobes donned by famous performers. Enjoy the history and Canandaigua Parks and Recreation peruse the walls of plaques of persons inducted into the Hall of Dennis Brewer Fame and the Hall of Honor. Also see the one of a kind pictures (585) 394-1120 from over the last 30 years and memorabilia from local musicians. Thursday, October 11, 2018 Departure Times and Locations: Departure Town Location This tour includes: Time • Round-trip deluxe motorcoach transportation Henrietta Senior Center • New York State Country Music Hall of Fame and Henrietta 8:45 am 515 Calkins Road Opry Barn at Cortland Country Music Park • Chicken & Biscuits luncheon Behind Victor • Matinee performance of Classic Country Music Victor 9:15 am Presbyterian Church Memories Show performed by The Nelson Brothers 70 East Main Street • Destiny USA for dinner on your own Canandaigua Park & Ride • Gratuity for waitstaff and motorcoach driver Canandaigua/ 9:30 am in Farmington off Route 332 Farmington on Plastermill Road Tour Cost: $82.00 per person Approximate Return Time: 7:15 pm - 8:00 pm COVERED WAGON TOURS A DIVISION OF Niagara Scenic Tours CoveredWagonTours.net AVON OFFICE • 585.438.3063 LOD18039.

Copy Link

Recommended publications

His Music Touched Millions Partab Ramchand
REAR WINDOW JIM REEVES His music touched millions Partab Ramchand or innumerable Western were almost always emotional. music fans in India their He has either lost the girl he Fidea of nirvana or total loved, or is a victim of unrequited bliss is to close their eyes and love and has been unjustly treated listen to the velvety voice of by the girl who has ditched him. Jim Reeves. His 54th death It would appear that there is a lot anniversary falls on 31 July and of melancholy in Reeves’ songs, his 95th birth anniversary on 20 but he was able to convey the August, and as such it is a good hurt through his rich baritone time to remember the singer and apt usage of words. In his whose voice and words have numbers the music stays in touched millions of lives around the background; it is the voice the world. Among the many and words that are of utmost countries in which “Gentleman importance. Jim” was popular, India and Sri Jim Reeves Lanka rank very high. Outside of In India, Reeves continues to enjoy the US where he was born, Reeves immense popularity more than half was not complete without numerous a century after his death. Among the enjoys unprecedented popularity in requests for a Jim Reeves song. South Africa among Western singers; Anglo-Indian community there is no it would not be wrong to say that In Madras I have attended numerous function or event that does not feature India and Sri Lanka are perhaps “Jim Reeves Nite’s” over the years, a song or two by Reeves, and the next on the list.
[Show full text]
Whiskey River (Take My Mind) I
whiskey river (take my mind) i introduction 00 Bush rev pg proofs 000i-xxiv i i 12/11/06 9:58:38 AM THIS PAGE INTENTIONALLY LEFT BLANK whiskey river (take my mind) iii The True Story of Texas Honky-Tonk by johnny bush with rick mitchell foreword by willie nelson University of Texas Press, Austin introduction 00 Bush rev pg proofs 000i-xxiv iii iii 12/11/06 9:58:39 AM iv copyright © 2007 by the university of texas press All rights reserved Printed in the United States of America First edition, 2007 Requests for permission to reproduce material from this work should be sent to: Permissions University of Texas Press P.O. Box 7819 Austin, TX 78713-7819 www.utexas.edu/utpress/about/bpermission.html ∞ The paper used in this book meets the minimum requirements of ansi/niso z39.48-1992 (r1997) (Permanence of Paper). library of congress cataloging-in-publication data Bush, Johnny. Whiskey river (take my mind) : the true story of Texas honky-tonk / by Johnny Bush with Rick Mitchell ; foreword by Willie Nelson. — 1st ed. p. cm. Includes discography (p. ), bibliographical references (p. ), and index. isbn-13: 978-0-292-71490-8 (cl. : alk. paper) isbn-10: 0-292-71490-4 1. Bush, Johnny. 2. Country musicians—Texas—Biography. 3. Spasmodic dysphonia—Patients—Texas—Biography. 4. Honky-tonk music—Texas— History and criticism. I. Mitchell, Rick, 1952– II. Title. ml420.b8967a3 2007 782.421642092—dc22 [B] 2006033039 whiskey river (take my mind) 00 Bush rev pg proofs 000i-xxiv iv iv 12/11/06 9:58:39 AM Dedicated to v John Bush Shinn, Jr., my dad, who encouraged me to follow my dreams.
[Show full text]
Multimillion-Selling Singer Crystal Gayle Has Performed Songs from a Wide Variety of Genres During Her Award-Studded Career, B
MultiMillion-selling singer Crystal Gayle has performed songs from a wide variety of genres during her award-studded career, but she has never devoted an album to classic country music. Until now. You Don’t Know Me is a collection that finds the acclaimed stylist exploring the songs of such country legends as George Jones, Patsy Cline, Buck Owens and Eddy Arnold. The album might come as a surprise to those who associate Crystal with an uptown sound that made her a star on both country and adult-contemporary pop charts. But she has known this repertoire of hardcore country standards all her life. “This wasn’t a stretch at all,” says Crystal. “These are songs I grew up singing. I’ve been wanting to do this for a long time. “The songs on this album aren’t songs I sing in my concerts until recently. But they are very much a part of my history.” Each of the selections was chosen because it played a role in her musical development. Two of them point to the importance that her family had in bringing her to fame. You Don’t Know Me contains the first recorded trio vocal performance by Crystal with her singing sisters Loretta Lynn and Peggy Sue. It is their version of Dolly Parton’s “Put It Off Until Tomorrow.” “You Never Were Mine” comes from the pen of her older brother, Jay Lee Webb (1937-1996). The two were always close. Jay Lee was the oldest brother still living with the family when their father passed away.
[Show full text]
CD Brochure $19.95 to $24.95 Per CD Download
Bobby Bare – 20 Greatest Hits Johnny Paycheck 10 Greatest Hits Moe Bandy – 10 Best of Best Detroit City - Miller's Cave - Come Take This Job and Shove It - Don't It's a Cheating Situation - Hank Sunday - Please Don't Tell Me How Take Her She's All I Got - A 11 - For a Williams You Wrote My Life - I the Story Ends - Streets of Baltimore - Minute There - Someone to Give My Cheated Me Right Out Of You - Til I'm Daddy What If - All American Boy - Love to - I'm the Only Hell My Mama Too Old To Die Young - She's Not Five Hundred Miles - Green Green Ever Raised - Mister Love Maker - Really Cheatin' (She's Just Gettin' Grass of Home - The Winner - The Something About You I Love, A Good Even) - Barstool Mountain … Mermaid Song - Tender Years … Year for the Roses … Floyd Cramer – 20 Greatest Hits Stoneman Family – 28 Classics Jim Reeves - Last Date - Beautiful Isle - Arkansas 100 Years Ago - Life's Railway to 2 CD's – 20 Hits Traveler - Tonight's The Night For Heaven - Turn Me Loose – In the Mexican Joe - Welcome Love - Our Last Goodbye - I Can't Sweet By and By - Orange Blossom to My World - Bimbo - Stop Loving You - Fancy Free - Breakdown - Little Susie - That Pal Adios Amigo - When Louisiana Man - I Can't Help It If I'm of Mine - Lee Highway Blues - Two World Collides - Still In Love With You - Making Nobody's Darling But Mine - When Am I Losing You - Four Walls - Billy Bayo - He'll Have to Go Believe - Foolin' Around … the Roses Bloom Again … - Blue Side of Lonesome - I Fall to Pieces w Patsy Cline … Jack Greene & Jeanie Seely Lewis Family
[Show full text]
A RESOLUTION to Honor Johnny Russell, Country Music Entertainer WHEREAS, Tennessee Has a Long and Proud Heritage of Being the Ce
Filed for intro on 03/19/2001 HOUSE JOINT RESOLUTION 136 By West A RESOLUTION To honor Johnny Russell, country music entertainer WHEREAS, Tennessee has a long and proud heritage of being the center of country music; and WHEREAS, Johnny Russell, legendary singer, songwriter, comedian, and storyteller is one of the leading country music entertainers; and WHEREAS, Mr. Russell has been an important member of the Grand Ole Opry since 1985; and WHEREAS, He has recorded the classics, “Rednecks, White Socks and Blue Ribbon Beer", “Catfish John", "The Baptism of Jesse Taylor", “Hello, I Love You", “She’s In Love with A Rodeo Man", and “You’ll Be Back”; and WHEREAS, His most famous song to date is the immortal “Act Naturally” which was recorded by Buck Owens and the Beatles and has sold a phenomenal 20 million copies; and WHEREAS, George Strait recorded Russell’s “Let’s Fall to Pieces Together” which topped the Billboard Magazine charts; and HJR0136 00449926 -1- WHEREAS, Dolly Parton, Emmylou Harris and Linda Rondstadt included the Russell- penned “Makin’ Plans” on their “Trio” album; and WHEREAS, Other hit songs he has written include: “Got No Reason Now For Goin’ Home” by Gene Watson, “In A Mansion Stands My Love” by Jim Reeves, “The Only Fire That Burns” by Bobby Vinton, and “You’ll Be Back” by the Statler Brothers; and WHEREAS, His songs have also been recorded by Loretta Lynn, Burl Ives, Dottie West, Patti Page, Vince Gill, and many others; and WHEREAS, Hal Durham of the Grand Ole Opry staff has said “Johnny consistently delights the Grand Ole Opry audiences with his unique style of singing and comedy.
[Show full text]
Collection 674 Robert & Laurie Gentry Collection Inventory Box Folder
Collection 674 Robert & Laurie Gentry Collection Inventory Box Folder Description ----------------------------------------------------------------------------------------------------------------------- Box 1 1 General information about Robert Gentry 2 Interview of Horace Logan at home in Seadrift, TX (4 tapes & transcription) 3 Johnny Horton song book (copy) 4 Claude King information 5 German Battleship Bismark information 6 Skyline Club 7 Johnny Horton album covers 8 Charlie “Cat” Canfield 9 Interview with Billy Walker 10 Researched list of Hank Williams show dates 11 Country Song Roundup magazine – March 1976 12 Johnnie & Jack booklet from CD album 13 Screen shots from Johnny Horton Johnny Reb promotion video 14 Photos of Hank Williams posters and list of Hank Williams publications 15 Photos of Hank Williams items on display at the Tennessee Performing Arts Center 16 Photo of Robert Gentry, Glen Sutton and Merle Kilgore at Tillman Franks book signing 17 Photos (copies) of Johnny Horton fishing trip in Florida 18 Photo of Jay Chevallier speaking at Long seminar 19 Photos of a group that toured Municipal Auditorium 1 Collection 674 Robert & Laurie Gentry Collection Inventory Box Folder Description ----------------------------------------------------------------------------------------------------------------------- 20 Photos of Tillman Franks book signing 21 Photos of Johnny Horton Ed Sullivan ad, album covers, Austin Skyline Club memento, Cormac record, red vinyl record (CD) 22 Photocopy of How to Write & Sell Songs by Hank Williams
[Show full text]
JOHN PAUL WHITE The
JOHN PAUL WHITE The Hurting Album cover What was on your mind leading up to the sessions for Kind The Hurting Kind? I wanted The Hurting Kind to be a much more complex record than I’ve made before. I wanted it to be a more ith The Hurting Kind, John Paul thought-about, arranged record. I had been burying my White has crafted a stunning album head in ‘countrypolitan’ stuff like Jim Reeves and Patsy that draws on the lush, orchestrated Cline and early Roy Orbison, and a lot of Chet Atkins music made in Nashville in the early and Bill Porter records. I think I was doing that because I 1960s. Yet these songs retain a modern feel, was looking for that style of music in today’s world, and W for any artist doing that type of thing. Then I decided to whether he’s writing about overwhelming love, unraveling relationships, or the fading memory make the kind of record that I wanted to sit down and of a loved one. listen to – one that I’ve been looking for and can’t find. White grew up in tiny Loretto, Tennessee, and Where did you record it? now lives in Florence, Alabama, not far from I have a little studio next to my house called Sun Drop Muscle Shoals. He has cultivated his career in Sound, and this is one of the first things we recorded in Nashville for two decades, first as a songwriter it. We converted an old, turn-of-the-century home next for a major publisher, then as half of The Civil to mine in the historic district of Florence, Alabama.
[Show full text]
American Country Music of the Second Half of the Twentieth Century
PALACKÝ UNIVERSITY OLOMOUC FACULTY OF ARTS Department of English and American Studies Martin Hujčák AMERICAN COUNTRY MUSIC OF THE SECOND HALF OF THE TWENTIETH CENTURY Master thesis Supervisor: Mgr. Jiří Flajšar, Ph.D. Olomouc 2015 UNIVERZITA PALACKÉHO V OLOMOUCI FILOZOFICKÁ FAKULTA Katedra anglistiky a amerikanistiky Martin Hujčák AMERICKÁ COUNTRY HUDBA DRUHÉ POLOVINY 20. STOLETÍ Diplomová práca Vedúci práce: Mgr. Jiří Flajšar, Ph.D. Olomouc 2015 Prehlásenie Prehlasujem, ţe som diplomovú prácu na tému: American country music of the second half of the twentieth century vypracoval samostatne pod odborným dohľadom vedúceho diplomovej práce a uviedol som všetky pouţité podklady a literatúru. V Olomouci dňa……. ….……….. Podpis ……………………… Ďakujem vedúcemu mojej diplomovej práce Mgr. Jiřímu Flajšarovi, Ph.D. za uţitočné rady a pripomienky. Ďalej pánu doktorovi ďakujem za podnetné diskusie a trpezlivosť pri odpovedaní mojich otázok. V Olomouci 2.12.2015 Martin Hujčák Contents: Introduction ....................................................................................... 8 1 Country music background ............................................................... 10 1.1 American Folk music ..................................................................... 10 1.2 Society and the birth of Folk music ................................................ 11 1.3 Western music ................................................................................ 13 1.4 The beginning of commercial development ................................... 14 1.5 The
[Show full text]
National Historic Landmark Nomination Form (Washington, DC: U.S
NATIONAL HISTORIC LANDMARK NOMINATION NPS Form 10-934 (Rev. 12-2015) OMB Control No. 1024-0276 (Exp. 01/31/2019) PATSY CLINE HOUSE Page 1 United States Department of the Interior, National Park Service National Historic Landmarks Nomination Form 1. NAME AND LOCATION OF PROPERTY Historic Name: Patsy Cline House Other Name/Site Number: Patsy Cline Historic House Street and Number (if applicable): 608 South Kent Street City/Town: Winchester County: N/A State: Virginia 2. SIGNIFICANCE DATA NHL Criteria: 1 and 2 NHL Criteria Exceptions: n/a NHL Theme(s): III. Expressing Cultural Values 2. Visual and Performing Arts Period(s) of Significance: 1948–1957 Significant Person(s) (only Criterion 2): Patsy Cline (Virginia Patterson Hensley) Cultural Affiliation (only Criterion 6): n/a Designer/Creator/Architect/Builder: unknown Historic Contexts: Women’s History Initiative XXII. Music D. Popular K. Performers (Soloists and Ensembles) O. Recording Designated a National Historic Landmark by the Secretary of the Interior January 13, 2021 Paperwork Reduction Act Statement. We are collecting this information under the authority of the Historic Sites Act of 1935 (16 U.S.C. 461-467) and 36 CFR part 65. Your response is required to obtain or retain a benefit. We will use the information you provide to evaluate properties nominated as National Historic Landmarks. We may not conduct or sponsor and you are not required to respond to a collection of information unless it displays a currently valid OMB control number. OMB has approved this collection of information and assigned Control No. 1024-0276. Estimated Burden Statement. Public reporting burden is 2 hours for an initial inquiry letter and 344 hours for NPS Form 10-934 (per response), including the time it takes to read, gather and maintain data, review instructions and complete the letter/form.
[Show full text]
Tastes and Sounds of the South
Tastes and Sounds of the South Your itinerary Start Location Visited Location Plane End Location Cruise Train Over night Ferry Day 1 Day 6 Howdy Nashville Taste Southern Charm In Natchez The beating heart of America's Music City will chart your pace as you prepare to Kick off the day’s sightseeing with a musical morning at the Memphis Rock 'n' Soul embark on a leisurely pilgrimage to discover the tastes and sounds of the South. Museum exploring the blues, country, and gospel of the rural South before This evening, join your Travel Director and fellow travelers for a Welcome leaving for Natchez, Mississippi. Follow the path of the famous Natchez Trace Reception. scenic road, originally established as a footpath by Native Americans and later used by explorers, traders and travelers. You’ll arrive in Natchez on the banks of Hotel - Sheraton Grand Nashville the Mississippi, surrounded by the antebellum homes. The best way to experience Natchez is with a taste of Southern hospitality and you’ll experience all Included Meals - Welcome Reception this and more at tonight’s memorable Be My Guest experience at one of the Day 2 region’s beautiful historic, private homes for a meal. Connect With Locals as Hear The Rhythm Of Nashville hosts who have lived in the area for generations open their doors and share their stories as you enjoy backyard cocktails like Planter’s Punch paired with elevated The famous Nashville Sound comes alive this morning as RCA Studio B reveals the Southern fare. legends of Elvis Presley, Jim Reeves and Roy Orbison.
[Show full text]
Country Music in the Modern Era: 1940S-1970S New World NW 207
Country Music in the Modern Era: 1940s-1970s New World NW 207 Country music is a commercial art. The music's artistic development is intertwined with the growth of those institutions that helped or hindered the performance of the music. Radio shows, record companies, and television networks have all had a place in the story. Great artists have left their mark on country music's sound, and great executives have had an equal influence on the music by affecting its packaging and availability. The term "country music" came into use only gradually in the years following World War II. "Hillbilly music" had been the term used to characterize the music of the white rural South, but after the war the style came under the influence of popular music and an urban audience, and as the music changed "hillbilly" became less and less accurate. The period between World War II and the middle seventies has generally been one of growth in the audience for this most native of American music traditions. In the twenties and thirties country material was essentially folk music placed on disc. By the end of the thirties the music had diversified to a considerable degree, but much hillbilly music continued to reflect British and American folk song. It was most frequently recorded on location in the South and Southwest. Powerful radio stations like Chicago's WLS and Nashville's WSM broadcast live country music to a growing audience. Bob Wills and his jazz influenced western swing thrilled thousands of country fans in the Southwest. Yet, despite these signs of musical growth and diversity, hillbilly music remained unfocused in the thirties.
[Show full text]
“The Stories Behind the Songs”
“The Stories Behind The Songs” John Henderson The Stories Behind The Songs A compilation of “inside stories” behind classic country hits and the artists associated with them John Debbie & John By John Henderson (Arrangement by Debbie Henderson) A fascinating and entertaining look at the life and recording efforts of some of country music’s most talented singers and songwriters 1 Author’s Note My background in country music started before I even reached grade school. I was four years old when my uncle, Jack Henderson, the program director of 50,000 watt KCUL-AM in Fort Worth/Dallas, came to visit my family in 1959. He brought me around one hundred and fifty 45 RPM records from his station (duplicate copies that they no longer needed) and a small record player that played only 45s (not albums). I played those records day and night, completely wore them out. From that point, I wanted to be a disc jockey. But instead of going for the usual “comedic” approach most DJs took, I tried to be more informative by dropping in tidbits of a song’s background, something that always fascinated me. Originally with my “Classic Country Music Stories” site on Facebook (which is still going strong), and now with this book, I can tell the whole story, something that time restraints on radio wouldn’t allow. I began deejaying as a career at the age of sixteen in 1971, most notably at Nashville’s WENO-AM and WKDA- AM, Lakeland, Florida’s WPCV-FM (past winner of the “Radio Station of the Year” award from the Country Music Association), and Springfield, Missouri’s KTTS AM & FM and KWTO-AM, but with syndication and automation which overwhelmed radio some twenty-five years ago, my final DJ position ended in 1992.
[Show full text]