Clayninta Harris Slide Collection
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A RESOLUTION to Honor the Memory of George Hamilton IV of Nashville
SENATE JOINT RESOLUTION NO. 4 By Johnson A RESOLUTION to honor the memory of George Hamilton IV of Nashville. WHEREAS, the members of this General Assembly were greatly saddened to learn of the passing of George Hamilton IV; and WHEREAS, known as country music's international ambassador, Mr. Hamilton was a country music singer whose artistry spanned more than five decades; and WHEREAS, a Winston-Salem, North Carolina native, George Hamilton had a love for country music that was rooted in his childhood pastime of listening to Grand Ole Opry stars, including Hank Williams, Hank Snow, Little Jimmy Dickens, and Eddy Arnold; and WHEREAS, in 1956, Mr. Hamilton's music career launched with his million-selling pop single, "A Rose and a Baby Ruth," which reached number six on the Billboard Top 100 and was followed by two successive Top 40 hits; and WHEREAS, an industry pioneer, George Hamilton is considered the first pop artist to move from the genre of popular music to country music; and WHEREAS, in 1960, Mr. Hamilton joined the famed Grand Ole Opry and signed a contract, facilitated by Chet Atkins, with RCA Victor records; that same year, he earned his first Top 10 country hit, "Before This Day Ends"; and WHEREAS, in 1963, George Hamilton released his most successful song, "Abilene," which spent four weeks occupying the number one spot on the charts; and WHEREAS, Mr. Hamilton's 1965 album, Steel Rail Blues, written by folk-leaning songwriters Gordon Lightfoot, Phil Ochs, and John Hartford, experienced tremendous success in Canada and made him one of the most popular country music stars in Canada at the time; and WHEREAS, in 1969, Mr. -
Graduate Assistant: Connor Deason, Peabody College
AY ’16-17 Immersion Committee John Geer, vice provost for academic and strategic affairs; Gertrude Conaway Vanderbilt Professor of Political Science; co-chair; Bruce Barry, Brownlee O. Currey, Jr. Professor of Management, Owen Graduate School of Management; Vanessa Beasley, Dean of The Martha Rivers Ingram Commons; associate professor, communication studies, College of Arts & Science; Cynthia Brame, assistant director, Center for Teaching; senior lecturer, biological sciences; Kate Brooks, Evans Family Executive Director, Career Center; Andre Christie-Mizell, senior associate dean of undergraduate education, College of Arts & Science; associate professor, sociology; Cynthia Cyrus, vice provost for learning and residential affairs; professor of musicology; Aurelio Galli, professor, molecular physiology and biophysics, School of Medicine; Christopher Loss, associate professor, public policy and higher education, Peabody College; Elizabeth Meadows, assistant director, Curb Center; senior lecturer, English; Greg Melchor-Barz, professor of musicology, Blair School of Music; faculty head of house, Martha Rivers Ingram Commons; Dan Morgan, associate dean, College of Arts and Science; senior lecturer, earth & environmental sciences; Bart Quinet, University Registrar; Erin Rodgers, assistant professor, School of Nursing; Phillis Sheppard, associate professor, religion, psychology and culture, Divinity School; Brent Tener, Director, Office of Student Financial Aid and Scholarships; Mike Vandenbergh, David Daniels Allen Distinguished Chair in Law, Law School; and Thomas Withrow, assistant dean for design, School of Engineering; associate professor of the practice of mechanical engineering. Graduate Assistant: Connor Deason, Peabody College . -
The University of Tennessee Knoxville an Interview with Ray H. Higgins for the Veteran's Oral History Project Center for the S
THE UNIVERSITY OF TENNESSEE KNOXVILLE AN INTERVIEW WITH RAY H. HIGGINS FOR THE VETERAN’S ORAL HISTORY PROJECT CENTER FOR THE STUDY OF WAR AND SOCIETY DEPARTMENT OF HISTORY INTERVIEW BY G. KURT PIEHLER AND ELLEN EBERTS STRAWBERRY PLAINS, TENNESSEE APRIL 11, 2000 TRANSCRIPT BY ELLEN EBERTS REVIEWED BY CINNAMON BROWN MARK BOULTON KURT PIEHLER: This begins an interview with Ray H. Higgins on April 11, 2000 at Strawberry Plains, Tennessee with Kurt Piehler and ... ELLEN EBERTS: Ellen Eberts. PIEHLER: And, I guess, I’d first like to ask you a very basic question: where were you born and when were you born? RAY HIGGINS: I was born at Woodbury, Tennessee, June 18, nineteen and twenty-one. PIEHLER: And your ... parents were married in Woodbury, Tennessee? HIGGINS: Yes, yes they were married in Woodbury. She was from McMinnville, and he’s from Woodbury. PIEHLER: Do you know how your parents met? HIGGINS: Uh, they were neighbors. Uh, this is where I ad lib a little bit and tell you a little more than answering the question. PIEHLER: Please do. HIGGINS: Okay. My mother lost her husband to appendicitis. His name was Jesse Moore. And she had three children. And she lived near ... my father, uh, who was married and lost his wife with four children. Well all, putting them together automatically they had seven children, you see. (Laughter) Well, the grandparents on both sides ... felt sorry for them, I think, having that many children. So the maternal grandfather took ... our mother’s oldest daughter and, for all practical purposes, reared her as their own. -
His Music Touched Millions Partab Ramchand
REAR WINDOW JIM REEVES His music touched millions Partab Ramchand or innumerable Western were almost always emotional. music fans in India their He has either lost the girl he Fidea of nirvana or total loved, or is a victim of unrequited bliss is to close their eyes and love and has been unjustly treated listen to the velvety voice of by the girl who has ditched him. Jim Reeves. His 54th death It would appear that there is a lot anniversary falls on 31 July and of melancholy in Reeves’ songs, his 95th birth anniversary on 20 but he was able to convey the August, and as such it is a good hurt through his rich baritone time to remember the singer and apt usage of words. In his whose voice and words have numbers the music stays in touched millions of lives around the background; it is the voice the world. Among the many and words that are of utmost countries in which “Gentleman importance. Jim” was popular, India and Sri Jim Reeves Lanka rank very high. Outside of In India, Reeves continues to enjoy the US where he was born, Reeves immense popularity more than half was not complete without numerous a century after his death. Among the enjoys unprecedented popularity in requests for a Jim Reeves song. South Africa among Western singers; Anglo-Indian community there is no it would not be wrong to say that In Madras I have attended numerous function or event that does not feature India and Sri Lanka are perhaps “Jim Reeves Nite’s” over the years, a song or two by Reeves, and the next on the list. -
Johnny Cash 1992.Pdf
PERFORM ER S Johnny Cash He s the man in black, “a walking contradiction, partly granted him a solo audition in late 1954, and invited him truth and partly fiction.” His six foot-plus, ebon-draped back with his group. frame has worked itself deep into the American psyche to be On the first day of spring, 1955, the cards were on the table come as familiar to some as Woody Guthrie or Billy the Kid, at Sun. Red Kernodle succumbed to the pressure and disap Geronimo or Luke the Drifter. peared. But Cash rose to the occasion with a song he’d just fin Johnny Cash is a little bit of all those American legends. ished writing. Luther’s unadorned lead guitar picked a sparse During a career that spans five distinct decades, he has created ly melodic pattern, and Marshall came up with a bedrock more than 1,000 compositions that describe a folk hero in rhythm as characteristic of the Sun Sound as that of Elvis, transition, singing in his distinctive baritoned-bass voice of Scotty and Bill. The five masters cut at that session resulted in coal miners and sharecroppers, cowboys and Native Ameri one serviceable B-side, “Hey Porter.” Phillips sent John home cans, families and lovers. Invariably, he returns to his early to write him a hit. years for strength and inspiration. The result was “Cry! Cry! Cry,” recorded in May by the At the height of the Great Depression, on February 26, newly-christened Johnny Cash & the Tennessee Two and is 1932, in the town of Kingsland, Arkansas, Ray Cash and Car- sued as Sun 221 b/w “Hey Porter.” The single took the Mem ric Rivers Cash bore a son named J.R. -
Meredith Corp
MEREDITH CORP FORM 10-K405 (Annual Report (Regulation S-K, item 405)) Filed 9/25/1997 For Period Ending 6/30/1997 Address 1716 LOCUST ST DES MOINES, Iowa 50309 Telephone 515-284-3000 CIK 0000065011 Industry Printing & Publishing Sector Services Fiscal Year 06/30 UNITED STATES SECURITIES AND EXCHANGE COMMISSION Washington, D. C. 20549 Form 10-K ANNUAL REPORT PURSUANT TO SECTION 13 OR 15(d) OF THE SECURITIES EXCHANGE ACT OF 1934 For the fiscal year ended June 30, 1997 Commission file number 1-5128 Meredith Corporation (Exact name of registrant as specified in its charter) Iowa 42-0410230 (State or other jurisdiction of (I.R.S. Employer incorporation or organization) Identification No.) 1716 Locust Street, Des Moines, Iowa 50309-3023 (Address of principal executive offices) (ZIP Code) Registrant's telephone number, including area code: 515 - 284-3000 Securities registered pursuant to Section 12 (b) of the Act: Title of each class Name of each exchange on which registered Common Stock, par value $1 New York Stock Exchange Securities registered pursuant to Section 12 (g) of the Act: Title of class - Class B Stock, par value $1 Indicate by check mark whether the registrant (1) has filed all reports required to be filed by Section 13 or 15 (d) of the Securities Exchange Act of 1934 during the preceding 12 months (or for such shorter period that the registrant was required to file such reports), and (2) has been subject to such filing requirements for the past 90 days. Yes [X] No [ ] Indicate by check mark if disclosure of delinquent filers pursuant to Item 405 of Regulation S-K is not contained herein, and will not be contained, to the best of registrant's knowledge, in definitive proxy or information statements incorporated by reference in Part III of this Form 10-K or any amendment to this Form 10-K. -
National Historic Landmark Nomination Ryman Auditorium
NATIONAL HISTORIC LANDMARK NOMINATION NPS Form 10-9 USDI/NPS NRHP Registration Form (Rev. 8-S OMBNo. 1024-0018 RYMAN AUDITORIUM Page 1 United States Department of the Interior, National Park Service National Register of Historic Places Registration Form 1. NAME OF PROPERTY Historic Name: Ryman Auditorium Other Name/Site Number: Union Gospel Tabernacle 2. LOCATION Street & Number: 116 Fifth Avenue North Not for publication:__ City/Town: Nashville Vicinity:__ State: TN County: Davidson Code: 037 Zip Code: 37219 3. CLASSIFICATION Ownership of Property Category of Property Private: X Building(s): X Public-Local: _ District: __ Public-State: _ Site: __ Public-Federal: Structure: __ Object: __ Number of Resources within Property Contributing Noncontributing 1 ___ buildings ___ sites ___ structures ___ objects 1 Total Number of Contributing Resources Previously Listed in the National Register: 1 Name of related multiple property listing: NPS Form 10-9 USDI/NPS NRHP Registration Form (Rev. 8-S OMBNo. 1024-0018 RYMAN AUDITORIUM Page 2 United States Department of the Interior, National Park Service National Register of Historic Places Registration Form 4. STATE/FEDERAL AGENCY CERTIFICATION As the designated authority under the National Historic Preservation Act of 1966, as amended, I hereby certify that this ___ nomination ___ request for determination of eligibility meets the documentation standards for registering properties in the National Register of Historic Places and meets the procedural and professional requirements set forth in 36 CFR Part 60. In my opinion, the property ___ meets ___ does not meet the National Register Criteria. Signature of Certifying Official Date State or Federal Agency and Bureau In my opinion, the property ___ meets ___ does not meet the National Register criteria. -
National Park System Advisory Board June 30
National Park System Advisory Board DRAFT Meeting (Videoconference) Minutes June 30, 2020 The National Park System Advisory Board (Board) convened for a videoconference meeting at 11:00 a.m., on Tuesday, June 30, 2020. In accordance with the provisions of Public Law 92- 463 (5 U.S.C. app.) the meeting was open to the public throughout its duration. Board Chairwoman Mary Pope Hutson, National Park Service (NPS) Deputy Director David Vela, and Board Staff Director Joshua Winchell conducted the virtual meeting from the Rachel Carson Room in the Interior Building, 1849 C St NW, Washington, D.C. Board Members Participating: Andrew “Tuck” Beckstoffer, Joseph Emert, Hon. William Hewes, Mary Pope Hutson (Chairwoman), Dr. Zelma Lansford, Dr. Les Moore, John Nau III (Vice Chairman), Philip Pearce Designated Federal Officer (DFO) for the Board: Joshua Winchell (NPS), Staff Director, National Park System Advisory Board. Other Participants: David Vela, Deputy Director for Operations, Exercising the Authority of the Director, NPS; Reginald Chapple, Acting Assistant Director, Partnerships and Civic Engagement, NPS; Joy Beasley, Acting Associate Director, Cultural Resources, Partnerships and Science, NPS; Alma Ripps, Chief, Office of Policy, NPS; Shirley Sears, Office of Policy, NPS; Diana Allen, Chief, Healthy Park Healthy People Program, NPS; Danielle Buttke, Veterinary Epidemiologist, NPS; Ed Clark, Senior Program Analyst, NPS; Sonya Coakley, Deputy Director, Office of Public Health, NPS; Tamara Delaplane, Landscape Architect/Project Manager, NPS; Deb DiQuinzio, Manager, Northeast National Natural Landmarks Program, NPS; Deborah Douglas, Organizational Development Specialist, NPS; Heather Eggleston, Manager, National Natural Landmarks Program, NPS; Sherry Frear, Chief, National Historic Landmarks Program, NPS; Jason Gibson, Chief, Business Management Group, NPS; Laurie Jenkins, Coordinator, Pacific Northwest National Natural Landmarks Program, NPS; Greg Kimmit, Concessions Management Specialist, NPS; Dr. -
~Tate of \Lrennessee
~tate of \lrennessee HOUSE JOINT RESOLUTION NO. 518 By Representatives Beck, Powell, Russell, Reedy, Cepicky, Todd, Helton, Gillespie, Carr, Curcio, Weaver, Moody, Tim Hicks, Littleton, Keisling, Clemmons, Terry, Gloria Johnson, Camper and Senators Campbell, Gilmore, Kyle, Yarbro A RESOLUTION to recognize and honor the Grand Ole Opry on its 5,000th Saturday night broadcast. WHEREAS, the members of this General Assembly are proud to specially recognize a legendary institution that has contributed significantly to the country music industry and brought acclaim to the State of Tennessee the world over; and WHEREAS, on October 30, 2021, the Grand Ole Opry will send over the airwaves its 5,000th Saturday night broadcast, a momentous occasion in the history of this touchstone of American culture; and WHEREAS, "the show that made country music famous" began on Saturday, November 28, 1925, when a young announcer on Nashville radio station WSM introduced an eighty-year o!d fiddle player, Uncle Jimmy Thompson, as the first performer on a new show called The WSM Barn Dance; and WHEREAS, announcer George D. Hay, who labeled himself "The Solemn Old Judge," but was neither old nor a judge, realized he had started a good thing that fateful night; and WHEREAS, this acclaimed radio show followed an NBC network radio program on Saturday nights called The Music Appreciation Hour, in 1928, Mr. Hay announced on the air, "For the past hour we have been listening to music taken largely from the Grand Opera, but now we will present the Grand Ole Opry"; the -
JAMES RAE “JIM” DENNY (1911-1963) Music Publisher
JAMES RAE “JIM” DENNY (1911•1963) Music publisher, booking agent, long•time manager of the Grand Ole Opry, and promoter of Nashville’s music industry, was born in Buffalo Valley, Putnam County, TN. As a young man, Denny found work as a mail clerk with the National Life and Accident Insurance Company, parent organization to WSM and the Grand Ole Opry. With growing interest in country music, Denny was running the WSM Artists Service Bureau by 1946, booking Opry talent and other WSM acts. Denny eventually managed the Grand Ole Opry itself. Denny, along with his predecessor, Jack Stapp, is responsible for updating the face of the Opry. As promoters and developers of talent, they helped to transform the Opry from a popular barn dance to a showcase of country superstars, ensuring its growth and long•term success. During their tenure, the cast grew enormously, most major stars became Opry members, and an Opry appearance became a must goal for many performers. In 1954 Denny and Opry star Webb Pierce formed Cedarwood Publishing Company, for a time the most important publishing house in Nashville. Driftwood Music, a companion firm, was a partnership between Denny and Carl Smith, another Opry star. These business interests led to conflict of interest allegations by WSM and eventually Denny’s dismissal. With his knowledge of WSM operations, Denny achieved immediate success as a booking agent. The Jim Denny Bureau served most of the artists Denny had signed while at the Opry. Billboard magazine estimated that, by 1961, the bureau was handling over 3,300 personal appearances worldwide. -
Chapter 2: Struggle for the Frontier Quiz
Chapter 2: Struggle for the Frontier Quiz 1. Which of the following tribes lived or hunted in Tennessee? (Select all that apply) a. Cherokee b. Shawnee c. Iroquois d. Creek e. Chickasaw 2. What is Cumberland Gap? a. A low area between the mountains that allowed travelers to cross the mountains more easily b. A trail cut by Richard Henderson through the mountains c. An early settlement in Tennessee d. A mountain peak between Tennessee and Kentucky 3. During the French and Indian War, the British built which Fort in an effort to keep the Cherokee loyal to their side? (Choose 1) a. Fort Nashborough b. Fort Donelson c. Fort Watauga d. Fort Loudoun 4. Choose one answer to complete this sentence: The Proclamation of 1763… a. Ended fighting between the British and the French. b. Prohibited settlements beyond the Appalachian Mountains in an effort to avoid further conflict with Native Americans. c. Was an agreement among the Cherokee about how to deal with the settlers. d. Ended the French and Indian War. Tennessee Blue Book: A History of Tennessee- Student Edition https://tnsoshistory.com 5. Why did the Watauga settlers create the Watauga Compact in 1772? a. Their settlement was under attack by the Cherokee b. Their settlement was outside the boundaries of any colony c. Their settlement was under the control of the British government d. Their settlement needed a more efficient system of government 6. Who cut the trail known as the Wilderness Road? a. James Robertson b. John Donelson c. Daniel Boone d. John Sevier 7. -
HOUSE JOINT RESOLUTION 1221 by Maggart a RESOLUTION To
HOUSE JOINT RESOLUTION 1221 By Maggart A RESOLUTION to honor and commend Harold Ray Bradley upon being inducted into the Country Music Hall of Fame. WHEREAS, the members of this General Assembly are proud to formally recognize those talented musicians whose influence on and participation in a genre of music is of great import and whose talent has set them apart as the finest of American artists; and WHEREAS, veteran guitarist Harold Ray Bradley is one such musician who is widely renowned for his prolific recordings, studio achievements, and industry leadership; and WHEREAS, in recognition of the impact he has had on the genre of country music, Harold Bradley was formally inducted into the prestigious Country Music Hall of Fame by the Country Music Association in 2006; and WHEREAS, born on January 2, 1926, in Nashville, Harold Bradley first took an interest in the banjo, but his brother, the late Owen Bradley, steered him toward guitar; by 1943, Harold Bradley was playing amplified jazz guitar and acquired his first job playing lead guitar with Ernest Tubb’s Texas Troubadours; and WHEREAS, from 1944 to 1946, he proudly served his country as a member of the United States Navy during World War II; he then headed home to Nashville to study music; and WHEREAS, Mr. Bradley’s first country recording session came in 1946, when he recorded with Pee Wee King’s Golden West Cowboys in Chicago; his acoustic rhythm guitar opened Red Foley’s 1950 smash hit “Chattanoogie Shoe Shine Boy,” which jumped to number one on both the country and pop charts; and WHEREAS, though a capable lead guitarist, Harold Bradley’s studio specialty has been rhythm work; on many sessions he lent his musical talents to a studio-triumvirate with lead specialists Hank Garland and Grady Martin; and HJR1221 01147350 -1- WHEREAS, Mr.