DOCSLIB.ORG

Artikel 1 June 2020.Indd

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Artikel 1 June 2020.Indd ASEAN Marketing Journal • Vol. XII • No. 1 • 1-8 SOSIAL MEDIA STRATEGY OF NEW KPOP ALBUM : A VISUAL ANALYSIS OF BLACKPINK’S PHOTO TEASER Yudhistya Ayu Kusumawati1 1Visual Communication Design, School of Design, Bina Nusantara University, Jakarta, Indonesia 11480 [email protected] Anindya Widita2 2Public Relations, Faculty of Economics & Communication, Bina Nusantara University, Jakarta, Indonesia 11480 [email protected] ABSTRACT Manuscript type: Research article. Research Aims: This paper examined visual concept in Blackpink photo teaser as the promo- tion strategy in social media. Design/methodology/approach: This research was carried with qualitative approach, using Roland Barthes semiotics analysis to identify sign and symbol to identify visual meaning of Blackpink photo teaser and how the group is being presented through social media. Research Findings: Blackpink photo teasers have visual appeals which is consistent with the brand of the group. The girl crush and duality concepts of black and pink characters representing beautiful and strong persona were the message intended to be delivered through social media to the audience. Theoretical Contribution/Originality: This research explored the message contained within the visual concept in promotional photo teasers of a K-Pop group, Blackpink, as a social me- dia strategy in promoting the new album. It is notable that the group wanted to project certain image through the photo teasers of the new album. Practitioner/Policy Implication: This research noted that the promotional strategy of a brand, in this case, the K-Pop group, in social media takes into consideration the brand iden- tity and message appeals other than the visual aspect. Research limitation/Implications: This research only focused on one K-Pop group and a new album. Further research can be done covering multiple groups or multiple new albums to identify variety of concepts and strategies in social media. Keywords: social media strategy, K-Pop, K-Pop album, photo teasers 1 2 Yudhistya Ayu Kusumawati et al. / ASEAN Marketing Journal © Juni (2020) Vol. XII No. 1 INTRODUCTION fastest K-Pop music video which gained 550 million viewers. The Korean wave, which primarily started with the popularity of Korean drama in East It is the norm of K-Pop when a group is re- Asia, and the local industry has advanced sev- leasing a new album, a set of teasers, usually eral cultural forms including Korean popular photo or video, will be posted to ‘tease’ the music, Korean drama, Korean cuisine, and audience of the new release. The same goes to Korean fashion which penetrated the glob- BLACKPINK, they released a set of visually al market (Dal & Tae, 2017). Korean Pop or appealing photo teasers on their social media K-Pop has become global cultural phenome- account, including Instagram. non for the last decade by the spreading of K-Pop music in various countries around the This paper explored visual concept in world. K-Pop is a part of the “Hallyu” or Ko- BLACKPINK photo teasers that were used rean wave. Korean wave is not a hegemonic as a promotional material in social media. cultural impression but a “world wave” which Through the analysis, the meaning of the vi- embraces all kinds of culture in a global vil- sual symbol and sign in the teaser were also lage (Rae, 2015). Currently K-Pop, main- identified. ly carried by idol groups is driven by dance music and groomed by conglomerate music LITERATURE REVIEW agency such as YG Entertainment, JYP and SM Entertainment. K-Pop began surfacing in the mid 1990s. K-Pop Industry is characterized by unique In 2012, when the Gangnam Style by PSY globalization strategy of outsourcing creativ- became viral in YouTube, many flashmob ity (G) à internalizing local manufacturing performances and dance covers were posted of creativity (L) à exporting K-Pop globally in social media, which also attracted interna- through YouTube (G) (Oh & Jung Lee, 2013). tional media. When the music video was up- YouTube allows the audience to be immersed loaded on September 28, the video was ac- in music through the consumer’s choice be- cessed by people in 222 countries and became cause of K-Pop’s dance music along with the first YouTube music video which reached extremely fancy, sexy and artificially sophis- one billion views. Gangnam Style’s popular- ticated music video. Therefore, social media ity abroad became an example of how global has contributed to music video global success culture and visual culture was facilitated by (Negus, 2015). social media and networking platform (Shin, 2016). Another example of the impact was K-Pop Idols were known not only from their when a K-Pop girl group who was famous singing quality and skillfull choreographies, internationally is SNSD with the single ‘The but also their manufactured attractiveness to Boys’, became the first time a Korean group commercialize, such as girly, fair and deli- appeared on an American talk show (Kim, cate skin, sexy face, tall, slim, and well-toned 2017). bodies. (Kim, 2017). A study with a title Sex- ual Objectification in Music Video: A Con- Nowadays there are many K-Pop groups tent Analysis Comparing Gender and Genre which gained popularity globally, one of found that music videos provide the most them is BLACKPINK. BLACKPINK, styl- sexual objectification. The analysis com- ized as BLΛƆKPIИK is one of the most fa- pared sexual objectification across gender and mous South Korea girl groups formed by YG genres (R&B, pop, and country). Sexual ob- Entertainment. This group which consists jectification is more prominent in pop music of four members, debuted in August 2016 and R&B rather than country music (Aubrey, with the single “Whistle”. BLACKPINK 2011). According to Jung (2014), the success has achieved record-breaking success. At of K-Pop songs derives from combination of the 2019, BLACKPINK is the highest chart- several factors, namely the use of the existing ing female K-Pop group, with the single hits K-Pop fan base, the buy-in major media out- “Ddu-Du Ddu-Du” as the most viewed Kore- lets and celebrities, the active participations an music video on YouTube within 24 hours of global audiences, and the unique features since it was released (Herman, 2018). A few of the music video. months later, BLACKPINK reached another milestone when the same single became the A study about The Globalization Of K-Pop: Yudhistya Ayu Kusumawati et al. / ASEAN Marketing Journal © Juni (2020) Vol. XII No. 1 3 The Interplay Of External And Internal back to K-pop’s worldwide media presence Forces provided a comprehensive and sys- through a wide array of actions such as cast- tematic analysis about the increasing popular- ing a vote in international award and down- ity and global circulation of K-pop in recent loading music to push up the rank on music years. a systematic approach to identify and chart, which successfully create a trend and analyze key trends happening in the external capture the attention of highprofile media. environment that shape the industry in which K-pop operates, and consequently how the The research entitled The Brithney Spears entertainment companies can anticipate these Universe: Social Media and Viral Market- trends and changes in their internal strategies ing at its best discuss about the use of social to facilitate K-pop’s global expansion and media during the launch of Britheny Spears growth. This paper indicated that the global- single ‘Hold It Against Me’ and the associat- ization of K-pop is a process of the interplay ed album Femme Fatale in early 2011. The between external circumstances and internal interplay of postings on Twitter, YouTube, organizational factors. and Facebook combined with comments on Brithney Spears webpage, BritneySpears. Over the past decade, the world has become com can be seen as a prime example of social increasingly connected due to the advent of media usage to support new product introduc- social media and digital distribution which tions (Kaplan, 2012). From those previous re- have been made possible by technological ad- search, the author argued that photo teaser in vancement. Unlike conventional media such social media plays an important role to bring as TV, the emergence of global online vid- the song’s success. So the question is what is eo platforms such as YouTube allows trans- the strategy implemented in photo teaser and national flows of media content which has how it works to attract the audience. made possible for music to reach the widest possible audience ever. Social networking RESEARCH METHOD platforms coupled with transnational online communities become the first medium where This article examined the social media strate- people from every part of the world connect gy of BLACKPINK promotion represented in and interact, instantly share, discuss, or deliv- the photo teasers. This paper also utilized se- er music. YouTube provide the first mecha- miotic analysis, which is concerned with the nism for K-pop to reach the widest possible meaning in the board sense (language, image, audience ever with much lower barrier com- objects), generates meaning or the processes pared to conventional media. To capitalize on by comprehending or attributing meaning. YouTube to maximize potential global reach, Roland Barthes was the first to apply ideas of the formula of K-pop put the same emphasis semiotics developed from linguistics, to visu- on visual as on audio. al images, for example food advertisements, photography and motion pictures. According K-pop in general seems to be focused on to Barthes, it is divided into two meaning; de- catchy melodies, eye-popping choreography, noted meaning (first order or basic meaning) visually attractive group of boys and girls, col- and the cultural meaning or connoted mean- orful and vivid colors to achieve a positioning ing (second order meaning).
Load more

Recommended publications
  • Gangnam Style’
    POLITICS, PARODIES, AND THE PARADOX OF PSY’S ‘GANGNAM STYLE’ KEITH HOWARD∗ ABSTRACT In 2012, ‘Gangnam Style’ occasioned large flash mobs, three of the early ones taking place in Pasadena, Times Square in New York, and Sydney, Australia. Today, Psy, the singer of ‘Gangnam Style’, is regularly talked about as having brought K-pop to the world beyond East and Southeast Asia, and Korean tourism chiefs are actively planning a Korean Wave street in Gangnam, the district of Seoul lampooned by the song. But, ‘Gangnam Style’ has proved challenging to K-pop fans, who have resisted its gender stereotyping, its comic framing, and its simple dance moves that subsume the aesthetics of movement under a sequence of locations and action vignettes. At the same time, foreign success has given the song, and its singer, legitimacy in Korea so much so that, despite lyrics and video images that critique modern urban life and caricature the misogynistic failures of its protagonist, Psy headlined the inauguration celebrations of Korea’s incoming president, Park Geun-hye, in February 2013. This paper explores the song, its reception and critique by fans and others, and notes how, in an ultimate paradox that reflects the age of social media and the individualization of consumerism, the parodies the song spawned across the globe enabled Koreans to celebrate its success while ignoring its message. Keywords: Korean Wave, K-pop, popular music, parody, mimesis, consumerism, social media, Gangnam Style, Psy. INTRODUCTION In 2012, ‘Gangnam Style’ occasioned large flash mobs, three of the early ones taking place in Pasadena, Times Square in New York, and Sydney, Australia.
    [Show full text]
  • The Globalization of K-Pop: the Interplay of External and Internal Forces
    THE GLOBALIZATION OF K-POP: THE INTERPLAY OF EXTERNAL AND INTERNAL FORCES Master Thesis presented by Hiu Yan Kong Furtwangen University MBA WS14/16 Matriculation Number 249536 May, 2016 Sworn Statement I hereby solemnly declare on my oath that the work presented has been carried out by me alone without any form of illicit assistance. All sources used have been fully quoted. (Signature, Date) Abstract This thesis aims to provide a comprehensive and systematic analysis about the growing popularity of Korean pop music (K-pop) worldwide in recent years. On one hand, the international expansion of K-pop can be understood as a result of the strategic planning and business execution that are created and carried out by the entertainment agencies. On the other hand, external circumstances such as the rise of social media also create a wide array of opportunities for K-pop to broaden its global appeal. The research explores the ways how the interplay between external circumstances and organizational strategies has jointly contributed to the global circulation of K-pop. The research starts with providing a general descriptive overview of K-pop. Following that, quantitative methods are applied to measure and assess the international recognition and global spread of K-pop. Next, a systematic approach is used to identify and analyze factors and forces that have important influences and implications on K-pop’s globalization. The analysis is carried out based on three levels of business environment which are macro, operating, and internal level. PEST analysis is applied to identify critical macro-environmental factors including political, economic, socio-cultural, and technological.
    [Show full text]
  • Psy 200 - Principles of Psychology (3 Cr.)
    Revised 8/2020 NOVA COLLEGE-WIDE COURSE CONTENT SUMMARY PSY 200 - PRINCIPLES OF PSYCHOLOGY (3 CR.) Course Description Surveys the basic concepts of psychology. Covers the scientific study of behavior and mental processes, research methods and measurement, theoretical perspectives, and application. Includes biological bases of behavior, learning, social interactions, memory, and personality; and other topics such as sensation, perception, consciousness, thinking, intelligence, language, motivation, emotion, health, development, psychological disorders, and therapy. Lecture 3 hours per week. PSY 200 and PSY 201-202 contain similar course content. (Students who take PSY 200 cannot receive credit for either PSY 201 or PSY 202.) (Students who take either PSY 201 or PSY 202 cannot receive credit for PSY 200.) General Course Purpose To provide the student with an introduction to important psychological concepts and principles. Course Prerequisites/Corequisites Prerequisite: none. Course Objectives Upon completion of the course, the student will be able to: ➢ Identify the major fields of study and theoretical perspectives within psychology and articulate their similarities and differences ➢ Differentiate between the major observational, correlational, and experimental designs used by psychologists; critically evaluate real world information sources. ➢ Identify the major parts of the nervous system including the brain and explain how they reciprocally influence emotion, behavior, and mental processes. ➢ Explain how people change physically, mentally,
    [Show full text]
  • Between Hybridity and Hegemony in K-Pop's Global Popularity
    International Journal of Communication 11(2017), 2367–2386 1932–8036/20170005 Between Hybridity and Hegemony in K-Pop’s Global Popularity: A Case of Girls’ Generation’s American Debut GOOYONG KIM1 Cheyney University of Pennsylvania, USA Examining the sociocultural implications of Korean popular music (K-pop) idol group Girls’ Generation’s (SNSD’s) debut on Late Show With David Letterman, this article discusses how the debut warrants a critical examination on K-pop’s global popularity. Investigating critically how the current literature on K-pop’s success focuses on cultural hybridity, this article maintains that SNSD’s debut clarifies how K-pop’s hybridity does not mean dialectical interactions between American form and Korean content. Furthermore, this article argues that cultural hegemony as a constitutive result of sociohistorical and politico- economic arrangements provides a better heuristic tool, and K-pop should be understood as a part of the hegemony of American pop and neoliberalism. Keywords: Korean popular music, cultural hybridity, cultural hegemony, neoliberalism As one of the most sought-after Korean popular music (K-pop) groups, Girls’ Generation’s (SNSD’s) January 2012 debut on two major network television talk shows in the United States warrants critical reconsideration of the current discourse on cultural hybridity as the basis of K-pop’s global popularity. Prior to Psy’s “Gangnam Style” phenomenon, SNSD’s “The Boys” was the first time a Korean group appeared on an American talk show. It marks a new stage in K-pop’s global reach and influence. With a surge of other K- pop idols gaining global fame, especially in Japan, China, and other Asian countries, SNSD’s U.S.
    [Show full text]
  • Conceptually Androgynous
    Umeå Center for Gender Studies Conceptually androgynous The production and commodification of gender in Korean pop music Petter Almqvist-Ingersoll Master Thesis in Gender Studies Spring 2019 Thesis supervisor: Johanna Overud, Ph. D. ABSTRACT Stemming from a recent surge in articles related to Korean masculinities, and based in a feminist and queer Marxist theoretical framework, this paper asks how gender, with a specific focus on what is referred to as soft masculinity, is constructed through K-pop performances, as well as what power structures are in play. By reading studies on pan-Asian masculinities and gender performativity - taking into account such factors as talnori and kkonminam, and investigating conceptual terms flower boy, aegyo, and girl crush - it forms a baseline for a qualitative research project. By conducting qualitative interviews with Swedish K-pop fans and performing semiotic analysis of K-pop music videos, the thesis finds that although K-pop masculinities are perceived as feminine to a foreign audience, they are still heavily rooted in a heteronormative framework. Furthermore, in investigating the production of gender performativity in K-pop, it finds that neoliberal commercialism holds an assertive grip over these productions and are thus able to dictate ‘conceptualizations’ of gender and project identities that are specifically tailored to attract certain audiences. Lastly, the study shows that these practices are sold under an umbrella of ‘loyalty’ in which fans are incentivized to consume in order to show support for their idols – in which the concept of desire plays a significant role. Keywords: Gender, masculinity, commercialism, queer, Marxism Contents Acknowledgments ................................................................................................................................... 1 INTRODUCTION .................................................................................................................................
    [Show full text]
  • Hip Hop Feminism Comes of Age.” I Am Grateful This Is the First 2020 Issue JHHS Is Publishing
    Halliday and Payne: Twenty-First Century B.I.T.C.H. Frameworks: Hip Hop Feminism Come Published by VCU Scholars Compass, 2020 1 Journal of Hip Hop Studies, Vol. 7, Iss. 1 [2020], Art. 1 Editor in Chief: Travis Harris Managing Editor Shanté Paradigm Smalls, St. John’s University Associate Editors: Lakeyta Bonnette-Bailey, Georgia State University Cassandra Chaney, Louisiana State University Willie "Pops" Hudson, Azusa Pacific University Javon Johnson, University of Nevada, Las Vegas Elliot Powell, University of Minnesota Books and Media Editor Marcus J. Smalls, Brooklyn Academy of Music (BAM) Conference and Academic Hip Hop Editor Ashley N. Payne, Missouri State University Poetry Editor Jeffrey Coleman, St. Mary's College of Maryland Global Editor Sameena Eidoo, Independent Scholar Copy Editor: Sabine Kim, The University of Mainz Reviewer Board: Edmund Adjapong, Seton Hall University Janee Burkhalter, Saint Joseph's University Rosalyn Davis, Indiana University Kokomo Piper Carter, Arts and Culture Organizer and Hip Hop Activist Todd Craig, Medgar Evers College Aisha Durham, University of South Florida Regina Duthely, University of Puget Sound Leah Gaines, San Jose State University Journal of Hip Hop Studies 2 https://scholarscompass.vcu.edu/jhhs/vol7/iss1/1 2 Halliday and Payne: Twenty-First Century B.I.T.C.H. Frameworks: Hip Hop Feminism Come Elizabeth Gillman, Florida State University Kyra Guant, University at Albany Tasha Iglesias, University of California, Riverside Andre Johnson, University of Memphis David J. Leonard, Washington State University Heidi R. Lewis, Colorado College Kyle Mays, University of California, Los Angeles Anthony Nocella II, Salt Lake Community College Mich Nyawalo, Shawnee State University RaShelle R.
    [Show full text]
  • ARTIST INDEX(Continued)
    ChartARTIST Codes: CJ (Contemporary Jazz) INDEXINT (Internet) RBC (R&B/Hip-Hop Catalog) –SINGLES– DC (Dance Club Songs) LR (Latin Rhythm) RP (Rap Airplay) –ALBUMS– CL (Traditional Classical) JZ (Traditional Jazz) RBL (R&B Albums) A40 (Adult Top 40) DES (Dance/Electronic Songs) MO (Alternative) RS (Rap Songs) B200 (The Billboard 200) CX (Classical Crossover) LA (Latin Albums) RE (Reggae) AC (Adult Contemporary) H100 (Hot 100) ODS (On-Demand Songs) STS (Streaming Songs) BG (Bluegrass) EA (Dance/Electronic) LPA (Latin Pop Albums) RLP (Rap Albums) ARB (Adult R&B) HA (Hot 100 Airplay) RB (R&B Songs) TSS (Tropical Songs) BL (Blues) GA (Gospel) LRS (Latin Rhythm Albums) RMA (Regional Mexican Albums) CA (Christian AC) HD (Hot Digital Songs) RBH (R&B Hip-Hop) XAS (Holiday Airplay) MAY CA (Country) HOL (Holiday) NA (New Age) TSA (Tropical Albums) CS (Country) HSS (Hot 100 Singles Sales) RKA (Rock Airplay) XMS (Holiday Songs) CC (Christian) HS (Heatseekers) PCA (Catalog) WM (World) CST (Christian Songs) LPS (Latin Pop Songs) RMS (Regional Mexican Songs) 15 CCA (Country Catalog) IND (Independent) RBA (R&B/Hip-Hop) DA (Dance/Mix Show Airplay) LT (Hot Latin Songs) RO (Hot Rock Songs) 2021 $NOT HS 23 BIG30 H100 80; RBH 34 NAT KING COLE JZ 5 -F- PETER HOLLENS CX 13 LAKE STREET DIVE RKA 43 21 SAVAGE B200 111; H100 54; HD 21; RBH 25; BIG DADDY WEAVE CA 20; CST 39 PHIL COLLINS HD 36 MARIANNE FAITHFULL NA 3 WHITNEY HOUSTON B200 190; RBL 17 KENDRICK LAMAR B200 51, 83; PCA 5, 17; RS 19; STM 35 RBA 26, 40; RLP 23 BIG SCARR B200 116 OLIVIA COLMAN CL 12 CHET
    [Show full text]
  • YG Entertainment Buy (122870 KQ ) (Maintain)
    [Korea] Entertainment May 13, 2021 YG Entertainment Buy (122870 KQ ) (Maintain) Increasing content leverage TP: W56,000 Upside: 25.8% Mirae Asset Securities Co., Ltd. Jeong -yeob Park [email protected] 1Q21 review : Big earnings beat Consolidated revenue of W97bn (+83.9% YoY), OP of W9.5bn (turn to profit YoY) In 1Q21, YG Entertainment proved its enhanced fundamentals by overcoming the absence of offline performances/activities with the release of new content (Rosé and Treasure). Revenue from albums/digital content/goods was up 170.6% YoY, driven by strong sales of albums (980,000 copies; helped by new releases) and goods. Digital content revenue surged 125.6% YoY, boosted by BLACKPINK’s online concert (280,000 paid views and net revenue of around W8bn). Revenue from Google came in strong at W4.5bn (excluding BLACKPINK concert; vs. W2.5bn in 1Q20) on the back of new releases and subscriber growth. Despite constraints on artist activities, management revenue expanded 44.7% YoY, fueled by luxury advertisers’ (Dior, Saint Laurent and Tiffany & Co.) strong preference for YG artists. Elsewhere, the company recorded W15.6bn from TV production (YG Studioplex’s Mr. Queen ) and a valuation gain of roughly W5bn related to Tencent Music Entertainment. Expectations on 2H21 artist Artist activities to gather steam; IP monetization to strengthen on Weverse incl usion activities and Weverse 1) Earnings: During the 2018-20 absence of its main artist group, YG Entertainment built a robust lineup that includes BLACKPINK, Treasure, and iKON. We expect robust ad and appearance income to continue, supported by the growing international profile of the company’s artists.
    [Show full text]
  • Nutrigenetics and Sasang Typology
    Food Sci. Technol. Res., +- (,), 23ῌ3/, ,**1 Review Harmonization of Eastern and Western Health Knowledge; Nutrigenetics and Sasang Typology ῌ Cherl-Ho LEE Department of Life Science and Biotechnology, Korea University, Seoul, Korea Received January ., ,**1; Accepted February +., ,**1 The completion of human genome project and the powerful tools of molecular biology together with bioinformatics technology give possibility to open the dialog between modern medicine and traditional remedies including Eastern medicine. Many of functional foods are originated from the traditional herbal medicine, and the scientific substantiation of the e#ectiveness of these products is required for the regulatory standards as well as for consumer protection. Needs for the reliable and e$cient methods of scientific substantiation are increasing, and nutrigenomics may provide a short-cut way to scientific evaluation of many functional food ingredients and herbal medicine which have been used in the tradition- al societies for thousand years. Studies to apply nutrigenomic methodologies to the objective classific- ation of Sasang body constitution types of Korean are reviewed. It is suggested that the empirical health food knowledge accumulated in the Eastern medicine may be explained scientifically by using the nutri- genomic methods, and it will contribute to open the custom-made nutrigenetic food age in the near future. Keywords: Functional food, nutrigenomics, Sasang body constitution typology Introduction are now considered as complementary and alternative Human perception on food has changed through histo- medicine (CAM) supporting the Western scientific medi- ry, from the survival food of the +3th century and before to cine. The Eastern medicine, generally known as tradi- the convenience food of the ,*th century.
    [Show full text]
  • Lirik Lagu 2NE1 - Come Back Home [Romanized/Hangul/Engtrans/Indotrans]
    Lirik Lagu 2NE1 - Come Back Home [Romanized/Hangul/EngTrans/IndoTrans] Romanization [CL] One two three neon nareul tteonatjiman eodingaeseo neoui sumsoriga deullyeowa [Minzy] tto dasi Four five six ppalgan nunmuri naeryeowa nareul andeon neoui hyanggiga geuripda ` [Dara] nareul wihan geora haetdeon neoui mal geojitmalcheoreom chagapge doraseotdeon neoneun wae neoneun wae you’re gone away [Bom] Come Back Home Can you come back home chagaun sesang kkeute nal beoriji malgo nae gyeoteuro [CL] Come back home Can you come back home modeun apeumeun dwiro hae yeojeonhi neol gidaryeo ireoke Now you gotta do what you gotta do [CL] COME BACK HOME COME BACK HOME [Dara] Come baby baby come come baby Come Come baby baby come come [CL] naege dorawa [Dara] Come baby baby come come baby Come Come baby baby come come [Minzy] amu daedap eomneun niga neomu mipjiman gakkeumeun neodo nareul geuriwohalkka yeah [CL] neo eomneun sigan soge gatyeobeorin nan apeul bol suga eobseo neomu duryeowo [Dara] ajikdo motda han manheun naldeuri gidarigo isseul geotman gata neoneun eodie eodie too far away [Bom] Come Back Home Can you come back home chagaun sesang kkeute nal beoriji malgo nae gyeoteuro [Minzy] Come back home Can you come back home modeun apeumeun dwiro hae yeojeonhi neol gidaryeo ireoke [CL] Now you gotta do what you gotta do [Minzy] Come back home Come back home [Dara] Come baby baby come come baby Come Come baby baby come come [CL] naege dorawa [Dara] Come baby baby come come baby Come Come baby baby come come [Bom] Come Back Home Can you come back home
    [Show full text]
  • CHAPTER II LITERATURE REVIEW 2.1. Theoretical Review
    CHAPTER II LITERATURE REVIEW 2.1. Theoretical Review 2.1.1 Korean Pop Psy was the first Korean artist that debut his career as the global pop star with his hit single Gangnam Style in 2012 (Billboard, 2018). Formerly, there were also other boy and girl groups from Korea that have entranced a massive number of young Asian and European fans. They were rushed to quickly sold outlive concerts and/ or YouTube for instant and free access to music videos but not as successful as Psy. If we see from the root, Korean culture was firstly known because of their Korean Drama in around 2002. Their first drama series called Winter Sonata was first aired at Korean Broadcasting System (KBS) and became an overnight sensation not only in Korea but also in Japan. It was presumed to be signaled for many the beginning of the Korean Wave. Besides, the joint hosting between Japan and South Korea of the 2002 World Cup also becoming the reason people start to recognized the Korean culture. These past years, K-Pop is like a never-ending story people from around the world which are now constantly discovered this genre. With the help of Internet, K-Pop is aggressively entering the global industry. People do not only enjoy the music but also K-Pop’s star show their significant 8 fashion style and people surprisingly adapt to this style. As the investigation from BBC 1 Radio (2018), it discovered that Korean fashion is different than the other styles. In every performance the K-Pop star is required to wearing fashionable outfits and even their airport outfits are becoming something essential.
    [Show full text]
  • JUVENILE CL 'K ( D R
    M ITCHELL, . vo t, F h , Neuberger, N overini, Shoemaker, and Tredup 1, Approval Minutes - April 1 7, 2008 2. Public Comment 3. Mo nthly Financi a l Report (P. Perez) 4. Mo nthly Report 5. Resolution- Awarding a Contract for Food Servi ce at the t: :. dult J usti ce ,rst r 6. Resolution: An Inte rgove rnmental Agree ment Between K&^i County , the Srr,^ and the City of St. Charles Rena rdin g M unition s B unke rs DRUG R . :_ I . " I -. ... (Judge Weir/M, Da ly/T . Scott) 7. M on'hly port JUVENILE CL 'k ( D r. T. B rown Monthly Rap rt PU BLI C L -a . ER (D . I° lira nt) 9 . Monthlly Report JIT CLERK ( D . Se ll r) 1 0 . Month lyReport Ba rsa nti) 11. Monthly A _ _ I_ ^^ ....^ Y & COURTS (D. Naug hton 12. M onthly Report 1 . Di scussi o n: Night Court J. I ( . West) 1 4 . M onthly Re port (J li n h me 1 5. I` rn4 h l j: 7,e p rt ADULT ' " ' ' (P. Perez/P. Keaty) 1 6 . ily Report COURT 'ACES I II ' (J . ullr/"att) 17, Monthl y Repo rt 1 8. D i scu ss ion- J uvenile Justice Center Evacu ation 19. Di scu ssion: SB2275 (1 7-year old bill) 20. Discussion. Redepl oy Illinois ADJ O U RNMEN T L a) L-'I a) a DR REH I J St "" cs of 05/09/08 C LIENTS I N ACTIVE PEN D IN G TRANSF E RRED TOTA L *Transferred ba ck to respective counties/state ..:" -ACTIVE M EN 163 WOMEN 46 TOTAL 209 RO FILE ACTIVE CAUCASIAN 1 5 AFRI CAN AMER ICAN 50 HISPAN I C 44 TOTAL RACE I GENDER - CTI E CAUCASIAN 'ALE FEMALE AFRICAN AME RI CAN AL 4 3 FEM ALE 7' HISPANIC MALE 38 1 8 % FE MALE 6 3 % TOTA L 209 5/9/20082:59 Cocaine 11 7 56% Herion 27 1 3 % M arijuana 50 24 % Prescription 6 3% Methadone 1 Alcohol 8 4% TOTAL 209 CLI ENTS D IVID ED BY GEOGRAPHIC ACTIVE South °Tri C ities North 32 Aurora 70 Batavia 11 Elgin Montgo mery 10 St.
    [Show full text]