Nutrigenetics and Sasang Typology
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Gangnam Style’
POLITICS, PARODIES, AND THE PARADOX OF PSY’S ‘GANGNAM STYLE’ KEITH HOWARD∗ ABSTRACT In 2012, ‘Gangnam Style’ occasioned large flash mobs, three of the early ones taking place in Pasadena, Times Square in New York, and Sydney, Australia. Today, Psy, the singer of ‘Gangnam Style’, is regularly talked about as having brought K-pop to the world beyond East and Southeast Asia, and Korean tourism chiefs are actively planning a Korean Wave street in Gangnam, the district of Seoul lampooned by the song. But, ‘Gangnam Style’ has proved challenging to K-pop fans, who have resisted its gender stereotyping, its comic framing, and its simple dance moves that subsume the aesthetics of movement under a sequence of locations and action vignettes. At the same time, foreign success has given the song, and its singer, legitimacy in Korea so much so that, despite lyrics and video images that critique modern urban life and caricature the misogynistic failures of its protagonist, Psy headlined the inauguration celebrations of Korea’s incoming president, Park Geun-hye, in February 2013. This paper explores the song, its reception and critique by fans and others, and notes how, in an ultimate paradox that reflects the age of social media and the individualization of consumerism, the parodies the song spawned across the globe enabled Koreans to celebrate its success while ignoring its message. Keywords: Korean Wave, K-pop, popular music, parody, mimesis, consumerism, social media, Gangnam Style, Psy. INTRODUCTION In 2012, ‘Gangnam Style’ occasioned large flash mobs, three of the early ones taking place in Pasadena, Times Square in New York, and Sydney, Australia. -
The Globalization of K-Pop: the Interplay of External and Internal Forces
THE GLOBALIZATION OF K-POP: THE INTERPLAY OF EXTERNAL AND INTERNAL FORCES Master Thesis presented by Hiu Yan Kong Furtwangen University MBA WS14/16 Matriculation Number 249536 May, 2016 Sworn Statement I hereby solemnly declare on my oath that the work presented has been carried out by me alone without any form of illicit assistance. All sources used have been fully quoted. (Signature, Date) Abstract This thesis aims to provide a comprehensive and systematic analysis about the growing popularity of Korean pop music (K-pop) worldwide in recent years. On one hand, the international expansion of K-pop can be understood as a result of the strategic planning and business execution that are created and carried out by the entertainment agencies. On the other hand, external circumstances such as the rise of social media also create a wide array of opportunities for K-pop to broaden its global appeal. The research explores the ways how the interplay between external circumstances and organizational strategies has jointly contributed to the global circulation of K-pop. The research starts with providing a general descriptive overview of K-pop. Following that, quantitative methods are applied to measure and assess the international recognition and global spread of K-pop. Next, a systematic approach is used to identify and analyze factors and forces that have important influences and implications on K-pop’s globalization. The analysis is carried out based on three levels of business environment which are macro, operating, and internal level. PEST analysis is applied to identify critical macro-environmental factors including political, economic, socio-cultural, and technological. -
Big Bang – Shout out to the World!
Big Bang – Shout Out To The World! (English Translation) [2009] Shout out to the World: TOP “I came here because of that string of hope. Where do I stand now? I ask myself this but even I don’t have a specific answer yet. During the process where I search for my other self, all my worries will fade away because I must find the person who will lend his shoulders to me.” ~TOP Name: Choi Seung-hyun Date of Birth: November 4, 1987 Skills: Rap, Writing lyrics, Beatbox *Starred in the KBS Drama, ‘I am Sam’ The power to awaken a soul, sometimes it takes pain to be re-born. [~ Pt.One~] -I once wanted to be a lyric poet that composed and recited verses.- I became mesmerized with ‘Hip-Hop’ music when I was in Grade 5. I went crazy for this type of music because I listened to it all day and carefully noted all the rap lyrics. If we have to talk about Hip-Hop music, I have to briefly talk about the roots of American Hip-Hop. When I first started listening to Hip-Hop, it was divided up into East Coast and West Coast in America. Wu Tang Clan and Notorius B.I.G. represented the East Coast (New York) scene and they focused largely on the rap and the lyrics, while representing the West Coast (LA) was 2Pac who focused more on the melody. Although at that time in Korea and from my memory, more people listened to West Coast hip hop but I was more into the East Coast style. -
Psy 200 - Principles of Psychology (3 Cr.)
Revised 8/2020 NOVA COLLEGE-WIDE COURSE CONTENT SUMMARY PSY 200 - PRINCIPLES OF PSYCHOLOGY (3 CR.) Course Description Surveys the basic concepts of psychology. Covers the scientific study of behavior and mental processes, research methods and measurement, theoretical perspectives, and application. Includes biological bases of behavior, learning, social interactions, memory, and personality; and other topics such as sensation, perception, consciousness, thinking, intelligence, language, motivation, emotion, health, development, psychological disorders, and therapy. Lecture 3 hours per week. PSY 200 and PSY 201-202 contain similar course content. (Students who take PSY 200 cannot receive credit for either PSY 201 or PSY 202.) (Students who take either PSY 201 or PSY 202 cannot receive credit for PSY 200.) General Course Purpose To provide the student with an introduction to important psychological concepts and principles. Course Prerequisites/Corequisites Prerequisite: none. Course Objectives Upon completion of the course, the student will be able to: ➢ Identify the major fields of study and theoretical perspectives within psychology and articulate their similarities and differences ➢ Differentiate between the major observational, correlational, and experimental designs used by psychologists; critically evaluate real world information sources. ➢ Identify the major parts of the nervous system including the brain and explain how they reciprocally influence emotion, behavior, and mental processes. ➢ Explain how people change physically, mentally, -
Between Hybridity and Hegemony in K-Pop's Global Popularity
International Journal of Communication 11(2017), 2367–2386 1932–8036/20170005 Between Hybridity and Hegemony in K-Pop’s Global Popularity: A Case of Girls’ Generation’s American Debut GOOYONG KIM1 Cheyney University of Pennsylvania, USA Examining the sociocultural implications of Korean popular music (K-pop) idol group Girls’ Generation’s (SNSD’s) debut on Late Show With David Letterman, this article discusses how the debut warrants a critical examination on K-pop’s global popularity. Investigating critically how the current literature on K-pop’s success focuses on cultural hybridity, this article maintains that SNSD’s debut clarifies how K-pop’s hybridity does not mean dialectical interactions between American form and Korean content. Furthermore, this article argues that cultural hegemony as a constitutive result of sociohistorical and politico- economic arrangements provides a better heuristic tool, and K-pop should be understood as a part of the hegemony of American pop and neoliberalism. Keywords: Korean popular music, cultural hybridity, cultural hegemony, neoliberalism As one of the most sought-after Korean popular music (K-pop) groups, Girls’ Generation’s (SNSD’s) January 2012 debut on two major network television talk shows in the United States warrants critical reconsideration of the current discourse on cultural hybridity as the basis of K-pop’s global popularity. Prior to Psy’s “Gangnam Style” phenomenon, SNSD’s “The Boys” was the first time a Korean group appeared on an American talk show. It marks a new stage in K-pop’s global reach and influence. With a surge of other K- pop idols gaining global fame, especially in Japan, China, and other Asian countries, SNSD’s U.S. -
Conceptually Androgynous
Umeå Center for Gender Studies Conceptually androgynous The production and commodification of gender in Korean pop music Petter Almqvist-Ingersoll Master Thesis in Gender Studies Spring 2019 Thesis supervisor: Johanna Overud, Ph. D. ABSTRACT Stemming from a recent surge in articles related to Korean masculinities, and based in a feminist and queer Marxist theoretical framework, this paper asks how gender, with a specific focus on what is referred to as soft masculinity, is constructed through K-pop performances, as well as what power structures are in play. By reading studies on pan-Asian masculinities and gender performativity - taking into account such factors as talnori and kkonminam, and investigating conceptual terms flower boy, aegyo, and girl crush - it forms a baseline for a qualitative research project. By conducting qualitative interviews with Swedish K-pop fans and performing semiotic analysis of K-pop music videos, the thesis finds that although K-pop masculinities are perceived as feminine to a foreign audience, they are still heavily rooted in a heteronormative framework. Furthermore, in investigating the production of gender performativity in K-pop, it finds that neoliberal commercialism holds an assertive grip over these productions and are thus able to dictate ‘conceptualizations’ of gender and project identities that are specifically tailored to attract certain audiences. Lastly, the study shows that these practices are sold under an umbrella of ‘loyalty’ in which fans are incentivized to consume in order to show support for their idols – in which the concept of desire plays a significant role. Keywords: Gender, masculinity, commercialism, queer, Marxism Contents Acknowledgments ................................................................................................................................... 1 INTRODUCTION ................................................................................................................................. -
Analysing Korean Popular Music for Global
Analysing Korean Popular Music for Global Audiences: A Social Semiotic Approach Jonas Robertson Paper originally submitted March 2014 to the Department of English of the University of Birmingham, UK, as an assignment in Multimodal Communication, in partial fulfillment of a Master of Arts in Teaching English as a Foreign / Second Language (TEFL / TESL). Assignment: MMC/13/04 Collect between three and five pieces of music that might be taken to represent a particular artist, genre, style, or mood and present an analysis in terms of the social semiotic approach to music. You might like to concentrate on one or more of the following: - Timing - Sound quality - Melody - Perspective - Tagg’s Sign Typology Reflect briefly on how useful you found the framework in identifying how the pieces of music you chose might work to make meanings. 1 Contents 1 Introduction 3 2 Background of Social Semiotics and Music 3 3 Framework for Analysis 4 4 Analysis A: Fantastic Baby by Big Bang 7 5 Analysis B: I Got a Boy by Girls’ Generation 8 6 Analysis C: The Baddest Female by CL 10 7 Analysis D: La Song by Rain 12 8 Discussion 14 9 Conclusion 15 References 17 Appendices 19 2 1 Introduction This paper documents the analysis of four sample selections of Korean popular music (K- pop) from a social semiotic approach to determine what meanings are conveyed musically. Each of these songs have been selected as examples of K-pop that have been designed to be marketed beyond the borders of Korea, targeting an increasingly global audience. Despite featuring primarily Korean lyrics, these major hits remain popular among the millions of fans overseas who cannot understand most of the words. -
CHAPTER II LITERATURE REVIEW 2.1. Theoretical Review
CHAPTER II LITERATURE REVIEW 2.1. Theoretical Review 2.1.1 Korean Pop Psy was the first Korean artist that debut his career as the global pop star with his hit single Gangnam Style in 2012 (Billboard, 2018). Formerly, there were also other boy and girl groups from Korea that have entranced a massive number of young Asian and European fans. They were rushed to quickly sold outlive concerts and/ or YouTube for instant and free access to music videos but not as successful as Psy. If we see from the root, Korean culture was firstly known because of their Korean Drama in around 2002. Their first drama series called Winter Sonata was first aired at Korean Broadcasting System (KBS) and became an overnight sensation not only in Korea but also in Japan. It was presumed to be signaled for many the beginning of the Korean Wave. Besides, the joint hosting between Japan and South Korea of the 2002 World Cup also becoming the reason people start to recognized the Korean culture. These past years, K-Pop is like a never-ending story people from around the world which are now constantly discovered this genre. With the help of Internet, K-Pop is aggressively entering the global industry. People do not only enjoy the music but also K-Pop’s star show their significant 8 fashion style and people surprisingly adapt to this style. As the investigation from BBC 1 Radio (2018), it discovered that Korean fashion is different than the other styles. In every performance the K-Pop star is required to wearing fashionable outfits and even their airport outfits are becoming something essential. -
LVCG Presentation
Live Company Presentation 24 May 2021 DISCLAIMER The information contained in this document (“Presentation”) has been prepared by Live Company Group plc (the “Company”). While the information contained herein has been prepared in good faith, neither the Company nor any of its shareholders, directors, officers, agents, employees or advisers give, have given or have authority to give, any representations or warranties (express or implied) as to, or in relation to, the accuracy, reliability or completeness of the information in this Presentation, or any revision thereof, or of any other written or oral information made or to be made available to any interested party or its advisers (all such information being referred to as “Information”) and liability therefore is expressly disclaimed. Accordingly, neither the Company nor any of its shareholders, directors, officers, agents, employees or advisers take any responsibility for, or will accept any liability whether direct or indirect, express or implied, contractual, tortious, statutory or otherwise, in respect of, the accuracy or completeness of the Information or for any of the opinions contained herein or for any errors, omissions or misstatements or for any loss, howsoever arising, from the use of thisPresentation. This Presentation may contain forward-looking statements that involve substantial risks and uncertainties, and actual results and developments may differ materially from those expressed or implied by these statements. These forward-looking statements are statements regarding the Company’s intentions, beliefs or current expectations concerning, among other things, the Company’s results of operations, financial condition, prospects, growth, strategies and the industry in which the Company operates. By their nature, forward-looking statements involve risks and uncertainties because they relate to events and depend on circumstances that may or may not occur in the future. -
Big Bang, Hands Up!!! GD: Brand New World Is Coming, We Are the World
Big Bang, Hands up!!! GD: Brand new world is coming, we are the world. Say say say hello to the world, into my world, hello to the world, we are the world. GD: Hey, ho, hey, ho!!!!!!!! Let me say Hey, ho, hey, ho!!!!!!!! One more time Hey, ho, hey, ho!!!!!!!! Let me hear you say Hey, ho, hey, ho!!!!!!!! Daesung: Hands up high, high and low te to te awasete tsuyoku nigitte Taeyang: Hands up high, high and low, inside out, just one step, two step GD: Hands up high, dont stop the beat ore no shinzou no you ni Hands up high ni, ni, nidonai kono toki Mawari no koe nante mou we dont care Lets work it, lets work it, lets work it now Taeyang: Mireba wakaru sa kokoro no me wa Umaretate no inochi no you ni Seungri: Imasa ai no kagayaki hanate Baby just 1,2,3 go Seungri: Hands up high, high and low te wo tori aichi ni ashitsukete Taeyang: Hands up high, high and low, inside out, just one step, two step Daesung: Everybody please dont stop sono omoi kanjite Seungri: Nani ga okite mo cause we belong together Taeyang: Everybody please dont stop, you got me going crazy Inside out, just one step, two step TOP: Aseru na, Sono toki ga kuru no wo matsu I see now Mizukara sessatakumashi genzai shinkouchuu Ponponpow what about chu ponpondown Lets work it, lets work it, lets work it now Taeyang: Uteba hibiku hitori hitori ni Tsutawaru tamashii no sakebi ten ni Daesung: Kibou no hikari kokoro ni tomose Baby just 1,2,3 go Seungri: Hands up high, high and low Daseung: te to te awasete tsuyoku nigitte Taeyang: Hands up high, high and low, inside out, just one step, two step GD: (Now put your hands up)x2 GD: Hey, ho, hey, ho!!!!!!!! Let me say Hey, ho, hey, ho!!!!!!!! One more time Hey, ho, hey, ho!!!!!!!! Let me hear you say Hey, ho, hey, ho!!!!!!!! Daesung: Hands up high, high and low te to te awasete tsuyoku nigitte Taeyang: Hands up high, high and low, inside out, just one step, two step Seungri: Hands up high, high and low te wo tori aichi ni ashitsukete Taeyang: Hands up high, high and low, inside out, just one step, two step Big Bang - Hands up!!! w Teksciory.pl. -
Psychology Major Revised: 07/2020
Psychology Major www.Psychology.Pitt.edu/Undergraduate Revised: 07/2020 The undergraduate psychology major introduces students to a breadth of psychological topics, including the biological, social, and environmental influences on human behavior. As a department in the natural sciences, it also focuses on developing strong research and analytical skills. The department encourages students to complement their coursework with experiential learning opportunities, such as research and internships, to prepare themselves for a variety of career and graduate school paths. Required courses for the Psychology major Elective course The psychology major requires the completion of 33 to 34 credits Choose one elective PSY course from any of the followin4. in psychology, four credits in statistics, and nine to 10 credits of PSY 0100-level PSY 0400-level co-requirements distributed as follows. PSY 0200-level PSY 0500-level PSY 0300-level PSY 1000-level Foundation courses The elective course cannot include any course used to fill a core requirement, PSY 0010 Introduction to Psychology any 1000-level requirement, or lab methods requirement. Experiential learning STAT 0200 Basic Applied Statistics or courses – PSY 1900, PSY 1903, and PSY 1907 may be used to fulfill this STAT 1000 Applied Statistical Methods or requirement. PSY 0011, PSY 1950, PSY 1970, PSY 1973, and PSY 1975 may not be STAT 1100 Statistics & Probability for Business Management used to fulfill this requirement. PSY 0036 Research Methods Lecture PSY 0037 Research Methods Lab Laboratory methods course; choose one PSY 0423 Cognitive Psychology Lab Note: The required STAT course should be taken as early as PSY 1025 Tests and Measurements * possible because the content is important to many other PSY PSY 1059 Topics in Advanced Research Methods ** courses. -
Controversial South Korean Music Censorship
American University Washington College of Law Digital Commons @ American University Washington College of Law Legal Writing Competition Winners Student Scholarship 1-2-2020 Do You Really Know What Happened to Psy?: Controversial South Korean Music Censorship Min-soo "Minee" Roh Follow this and additional works at: https://digitalcommons.wcl.american.edu/stusch_winners Part of the Agency Commons, Civil Law Commons, Communications Law Commons, Entertainment, Arts, and Sports Law Commons, Law and Politics Commons, Law and Society Commons, and the Legal History Commons Entertainment Law Initiative The 22nd Annual Entertainment Law Initiative Writing Competition Name: Min-soo Minee Roh Phone: 202-873-5535 Email: [email protected]; [email protected]; [email protected] Mailing address: 4211 43rd Street NW, Washington DC 20016 Law school name: American University Washington College of Law Enrolled program: JD Year: 3L Title of the Essay: Do You Really Know What Happened to Psy?: Controversial South Korean Music Censorship Do You Really Know What Happened to Psy?: Controversial South Korean Music Censorship I. Introduction Since 2012 when Psy won international sensation over his song, “Gangnam Style,” everyone was wondering which artist or group will take the baton from Psy and continue international hype over Korean Pop (K-Pop). Finally, after performing on American Music Award in 2017, the Korean boy band called, Bangtan Boys (BTS), stood out as the successor of Psy in K-Pop. In the meantime, what the international fans did not see is the domestic music censorship controversy around Psy’s music. In this essay, the topic of South Korean music censorship will be explored with examples of Psy and BTS.