Bandslam Is Full of Exciting Music
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(TMIIIP) Paid Projects Through August 31, 2020 Report Created 9/29/2020
Texas Moving Image Industry Incentive Program (TMIIIP) Paid Projects through August 31, 2020 Report Created 9/29/2020 Company Project Classification Grant Amount In-State Spending Date Paid Texas Jobs Electronic Arts Inc. SWTOR 24 Video Game $ 212,241.78 $ 2,122,417.76 8/19/2020 26 Tasmanian Devil LLC Tasmanian Devil Feature Film $ 19,507.74 $ 260,103.23 8/18/2020 61 Tool of North America LLC Dick's Sporting Goods - DecembeCommercial $ 25,660.00 $ 342,133.35 8/11/2020 53 Powerhouse Animation Studios, In Seis Manos (S01) Television $ 155,480.72 $ 1,554,807.21 8/10/2020 45 FlipNMove Productions Inc. Texas Flip N Move Season 7 Reality Television $ 603,570.00 $ 4,828,560.00 8/6/2020 519 FlipNMove Productions Inc. Texas Flip N Move Season 8 (13 E Reality Television $ 305,447.00 $ 2,443,576.00 8/6/2020 293 Nametag Films Dallas County Community CollegeCommercial $ 14,800.28 $ 296,005.60 8/4/2020 92 The Lost Husband, LLC The Lost Husband Feature Film $ 252,067.71 $ 2,016,541.67 8/3/2020 325 Armature Studio LLC Scramble Video Game $ 33,603.20 $ 672,063.91 8/3/2020 19 Daisy Cutter, LLC Hobby Lobby Christmas 2019 Commercial $ 10,229.82 $ 136,397.63 7/31/2020 31 TVM Productions, Inc. Queen Of The South - Season 2 Television $ 4,059,348.19 $ 18,041,547.51 5/1/2020 1353 Boss Fight Entertainment, Inc Zombie Boss Video Game $ 268,650.81 $ 2,149,206.51 4/30/2020 17 FlipNMove Productions Inc. -
Bandslam __ Rogerebert.Com __ Reviews
Bandslam :: rogerebert.com :: Reviews 17/08/09 8:22 PM reviews | answer man | great movies | movie glossary | people | scanners | store commentary | festivals | oscars | roger ebert's journal | one-minute reviews | letters | news | sports | business | entertainment | classifieds | columnists BANDSLAM (PG) Ebert: Users: You: Rate this movie right now search Site Web Search powered by YAHOO! GO advanced » tips » register You are not logged in. Log in » Subscribe to weekly newsletter » times & tickets Will (Gaelan Conell, center) finds himself in a high school rock band with Fandango loner Sa5m (Vanessa Hudgens, left), and cheerleader Charlotte (Aly Search movie Michalka) in “Bandslam.” showtimes and buy tickets. Bandslam about us / / / August 13, 2009 About the site » by Roger Ebert Site FAQs » Will Burton lives within himself. A high cast & credits school kid, new in town, he’s too much Contact us » of a geek to have any hope of dating the Will Burton: Gaelan Connell Email the Movie girls he notices in school. He lives in a Answer Man » room he has made a shrine to David Charlotte: Aly Michalka Bowie (with whom he has a daily one- way e-mail correspondence) and wishes Sa5m: Vanessa Hudgens he had been born soon enough to on sale now frequent CBGB, a legendary New York Ben: Scott Porter club that was one of the launching pads for punk rock. Mrs. Burton: Lisa Kudrow http://rogerebert.suntimes.com/apps/pbcs.dll/article?AID=/20090812/REVIEWS/908129991 Page 1 of 3 Bandslam :: rogerebert.com :: Reviews 17/08/09 8:22 PM Not that you’d think he was a punk if you saw him. -
Khouri Was Llke a Godfather to Many Early Jamaican Producers
National Library of Jamaica --------~.--------~ .~------------.. eponeer ·---=remem ers UNSUNG MUSICAL HERO • Ken Khouri was llke a godfather to many early Jamaican producers . .... ~ NAr1o~'iA' - - ' ... L:B,1ARY o:- i~\1AlcA A ec Durie. WHEN PEOPLE local businessman, ODAY, in Downtown ta1k about the origins Says Khouri: 'I was the king ofcalypso. of Times Store· popu Kingston, for support. of the Jamaican to him lar music industry, they I started ska, reggae, rocksteady in my "I made a proposition T that I wanted him to become the about everybody else talk studio. Dodd has been given most ofthe sole distributor of the records. except Ken Khouri. and we started man He was excited Retired and a homely credit, but I don't contradict... ' the Times Record label. I told these days. it was Khouri 's him to just sell them and give adventurism which gave birth difference." He agreed. "The fellow was saying that With increasmg commercial me the to the record manufacturing was a real second he was desperate, but the success, he decided to import Their first attempt sector. Starting with a hand machine he owner was telling him, 'I'm the discs in bulk. Then he gamble, but it paid off hand recording the a hustler in sorry, I can't help you' I turned . called Decca in London and somely. Durie advertised bought from on their he went on to build to the fellow and asked, 'Is it agreed with them to make sale of the records Miami, in the Records, which was omething you're selling?' He records from the discs for sale: Times Records label Federal to pack later sold to the late Bob told me that it was a di ·c "They told me how newspapers for the Saturday: I sent a Marley and has since become recording machine and asked if the discs and send them. -
Dennis Brown ARTIST: Dennis Brown TITLE: The
DATE March 27, 2003 e TO Vartan/Um Creative Services/Meire Murakami FROM Beth Stempel EXTENSION 5-6323 SUBJECT Dennis Brown COPIES Alice Bestler; Althea Ffrench; Amy Gardner; Andy McKaie; Andy Street; Anthony Hayes; Barry Korkin; Bill Levenson; Bob Croucher; Brian Alley; Bridgette Marasigan; Bruce Resnikoff; Calvin Smith; Carol Hendricks; Caroline Fisher; Cecilia Lopez; Charlie Katz; Cliff Feiman; Dana Licata; Dana Smart; Dawn Reynolds; [email protected]; Elliot Kendall; Elyssa Perez; Frank Dattoma; Frank Perez; Fumiko Wakabayashi; Giancarlo Sciama; Guillevermo Vega; Harry Weinger; Helena Riordan; Jane Komarov; Jason Pastori; Jeffrey Glixman; Jerry Stine; Jessica Connor; Jim Dobbe; JoAnn Frederick; Joe Black; John Gruhler; Jyl Forgey; Karen Sherlock; Kelly Martinez; Kerri Sullivan; Kim Henck; Kristen Burke; Laura Weigand; Lee Lodyga; Leonard Kunicki; Lori Froeling; Lorie Slater; Maggie Agard; Marcie Turner; Margaret Goldfarb; Mark Glithero; Mark Loewinger; Martin Wada; Melanie Crowe; Michael Kachko; Michelle Debique; Nancy Jangaard; Norma Wilder; Olly Lester; Patte Medina; Paul Reidy; Pete Hill; Ramon Galbert; Randy Williams; Robin Kirby; Ryan Gamsby; Ryan Null; Sarah Norris; Scott Ravine; Shelin Wing; Silvia Montello; Simon Edwards; Stacy Darrow; Stan Roche; Steve Heldt; Sujata Murthy; Todd Douglas; Todd Nakamine; Tracey Hoskin; Wendy Bolger; Wendy Tinder; Werner Wiens ARTIST: Dennis Brown TITLE: The Complete A&M Years CD #: B0000348-02 UPC #: 6 069 493 683-2 CD Logo: A&M Records & Chronicles Attached please find all necessary liner notes and credits for this package. Beth Dennis Brown – Complete A&M Years B0000348-02 1 12/01/19 11:49 AM Dennis Brown The Complete A&M Years (CD Booklet) Original liner notes from The Prophet Rides Again This album is dedicated to the Prophet Gad (Dr. -
Sunday Morning Grid 2/26/12 Latimes.Com/Tv Times
SUNDAY MORNING GRID 2/26/12 LATIMES.COM/TV TIMES 7 am 7:30 8 am 8:30 9 am 9:30 10 am 10:30 11 am 11:30 12 pm 12:30 2 CBS CBS News Face/Nation Rangers Horseland The Path to Las Vegas Epic Poker College Basketball Pittsburgh at Louisville. (N) Å 4 NBC News Å Meet the Press (N) Å News Laureus Sports Awards Golf Central PGA Tour Golf 5 CW News (N) Å In Touch Paid Program 7 ABC News (N) Å This Week News (N) Å News (N) Å News Å Eye on L.A. Award Preview 9 KCAL News (N) Prince Mike Webb Joel Osteen Shook Paid Program 11 FOX Hour of Power (N) (TVG) Fox News Sunday NASCAR Racing Sprint Cup: Daytona 500. From Daytona International Speedway, Fla. (N) Å 13 MyNet Paid Tomorrow’s Paid Program Best Buys Paid Program The Wedding Planner 18 KSCI Paid Hope Hr. Church Paid Program Iranian TV Paid Program 22 KWHY Paid Program Paid Program 24 KVCR Sid Science Curios -ity Thomas Bob Builder Joy of Paint Paint This Dewberry Wyland’s Sara’s Kitchen Kitchen Mexican 28 KCET Hands On Raggs Busytown Peep Pancakes Pufnstuf Land/Lost Hey Kids Taste Simply Ming Moyers & Company 30 ION Turning Pnt. Discovery In Touch Mark Jeske Beyond Paid Program Inspiration Today Camp Meeting 34 KMEX Paid Program Al Punto (N) Fútbol de la Liga Mexicana República Deportiva 40 KTBN Rhema Win Walk Miracle-You Redemption Love In Touch PowerPoint It Is Written B. Conley From Heart King Is J. -
Race in Hollywood: Quantifying the Effect of Race on Movie Performance
Race in Hollywood: Quantifying the Effect of Race on Movie Performance Kaden Lee Brown University 20 December 2014 Abstract I. Introduction This study investigates the effect of a movie’s racial The underrepresentation of minorities in Hollywood composition on three aspects of its performance: ticket films has long been an issue of social discussion and sales, critical reception, and audience satisfaction. Movies discontent. According to the Census Bureau, minorities featuring minority actors are classified as either composed 37.4% of the U.S. population in 2013, up ‘nonwhite films’ or ‘black films,’ with black films defined from 32.6% in 2004.3 Despite this, a study from USC’s as movies featuring predominantly black actors with Media, Diversity, & Social Change Initiative found that white actors playing peripheral roles. After controlling among 600 popular films, only 25.9% of speaking for various production, distribution, and industry factors, characters were from minority groups (Smith, Choueiti the study finds no statistically significant differences & Pieper 2013). Minorities are even more between films starring white and nonwhite leading actors underrepresented in top roles. Only 15.5% of 1,070 in all three aspects of movie performance. In contrast, movies released from 2004-2013 featured a minority black films outperform in estimated ticket sales by actor in the leading role. almost 40% and earn 5-6 more points on Metacritic’s Directors and production studios have often been 100-point Metascore, a composite score of various movie criticized for ‘whitewashing’ major films. In December critics’ reviews. 1 However, the black film factor reduces 2014, director Ridley Scott faced scrutiny for his movie the film’s Internet Movie Database (IMDb) user rating 2 by 0.6 points out of a scale of 10. -
A BUG's LIFE Bandslam
A BUG’SBandslam LIFE Synopsis Will Burton has an uncommon chance to start his short life all over again. In a different town, at a fresh school, with the prospect of new friends, this formerly miserable teen misfit has one shot to reinvent himself as the person he always wanted to be. Discussion Questions • Like Will, have you ever tried to reinvent yourself? What was the result? • On Will’s first day of school in New Jersey, he asks Sa5m how big an event Bandslam was. She explained it as, “Texas High School Football big”. Does/Did your school have an event or a sport that it rallies around? Is this unique to your school or to the entire region in which you live? • We find out at the end of the film that Will’s father wasn’t who Will portrayed him to be? Why was Will so secretive about what his father did? What happened when people found out about Will’s real father? Have you ever had to keep something secret to avoid confrontation or ridicule from others? • Will loves music but is not a musician. He is still able to be involved with music as a band manager, which he excels at. Sa5m loves to read but we never see her write. What do you think career options are for someone who loves to read but doesn’t necessarily want to be an author? What are the activities that you love the most? Have you thought about how you could incorporate these activities into what you want to do with a career someday? • By the end of the film Will finally heard from his hero, David Bowie. -
NAME David Bewley ACTORS CLEARINGHOUSE Film
NAME David Bewley ACTORS CLEARINGHOUSE HEIGHT 5’ 11” HAIR Brown 501 NORTH IH 35 - AUSTIN, TEXAS 78702 WEIGHT 150 EYES Blue (512) 476-3412 - TX. LIC. #126 Film & Television Production / Title / Client Role / Character Director / Network How to Eat Fried Worms Rob Simon Bob Dolman; Walden Media Bandslam Letter Carrier Todd Graff; Walden Media “In Plain Sight” Albert Stoakes Sam Weisman; USA Networks “Friday Night Lights” Peter Jeffrey Reiner; NBC “The Edmond Bulldogs” (pilot) Lead (various) René Pinnell; MTV “$5.15/Hour” Vice President Richard Linklater; HBO Mouthgarden in Progress Knute Scroggins Derek Doublin; Bright Orange Blue “Backpack Picnic” Lead (various) OnNetworks, Inc. “Meet the Bulldogs” Lead (various) René Pinnell The Dad Family (I, II & III) Dad Derek Doublin; OHW Shorts The Reverse Side Lead Micheal Cintron Commercial Production / Title / Client Role / Character Director / Agency Fireteam Reloaded (viral campaign) Principal VOC Reversal Films Beavis & Butthead DVD Infomercial Featured VOC Mike Judge; MTV Chick-Fil-A “Peach Bowl” Featured OC Ken Lewin; Synthetic Pictures Keep Our Land Grand Featured OC Steve Sturges; Visual Image CD Warehouse Principal OC Jordan Associates Industrial Production / Title / Client Role / Character Director / Agency Dysphagia & Developmental… Principal VOC Darren Dunn; SATTRN for the OKDHS A Mission of Caring: OK DHS Principal OC Darren Dunn; SATTRN for the OKDHS OKC Addy Awards Film Principal OC Steve Sturges; Visual Image Theatre Production / Title / Client Role / Character Director / Agency -
Sunday Morning Grid 12/4/11 Latimes.Com/Tv Times
SUNDAY MORNING GRID 12/4/11 LATIMES.COM/TV TIMES 7 am 7:30 8 am 8:30 9 am 9:30 10 am 10:30 11 am 11:30 12 pm 12:30 2 CBS CBS News Face/Nation Danger Horseland The NFL Today (N) Å Football Raiders at Miami Dolphins. From Sun Life Stadium in Miami. (N) Å 4 NBC News Å Meet the Press (N) Å Conference Willa’s Wild Skiing Swimming Golf 5 CW News (N) Å In Touch Paid Program 7 ABC News (N) Å This Week-Amanpour News (N) Å News (N) Å Jack Hanna Ocean Mys. Explore Culture 9 KCAL Tomorrow’s Kingdom K. Shook Joel Osteen Prince Mike Webb Paid Program 11 FOX Hour of Power (N) (TVG) Fox News Sunday FOX NFL Sunday (N) Football Denver Broncos at Minnesota Vikings. (N) Å 13 MyNet Paid Program Best Buys Paid Program Best of L.A. Paid Program Bee Season ›› (2005) 18 KSCI Paid Program Church Paid Program Hecho en Guatemala Iranian TV Paid Program 22 KWHY Paid Program Paid Program 24 KVCR Sid Science Curios -ity Thomas Bob Builder Classic Gospel Special: Tent Revival Home Prohibition Groups push to outlaw alcohol. Å 28 KCET Cons. Wubbulous Busytown Peep Pancakes Pufnstuf Lidsville Place, Own Roadtrip Chefs Field Pépin Venetia 30 ION Turning Pnt. Discovery In Touch Mark Jeske Beyond Paid Program Inspiration Ministry Campmeeting 34 KMEX Paid Program Muchachitas Como Tu Al Punto (N) República Deportiva 40 KTBN Rhema Win Walk Miracle-You Redemption Love In Touch PowerPoint It Is Written B. Conley From Heart King Is J. -
What Twitter Watches: Tracking Popularity Through Twitter Subgraphs
What Twitter Watches: Tracking Popularity Through Twitter Subgraphs Francisco Cai, Blake Carpenter, David Philipson December 8, 2010 1 Abstract In our project, we investigated how popularity in society can be reflected in the online community. In particular, we examined how movies are represented on the Twitter social networks. We do this by analyzing a popular movies prevalence on Twitter network. For each movie, we construct a subgraph of the overall Twitter social graph based on discussion on Twitter, examine a number of properties of this graph, and relate it to the box-office performance of the movie. We obtain a surprising negative result and unexpected positive results for certain properties, and propose a hypothesis to explain them. 2 Introduction In this paper, we look at how popularity in society can be reflected in the online community. In particular, we focus our attention on movies (popular and unpopular), and the discussion surrounding them on the online social network Twitter. We try to find some correlation between how much and how widely it is discussed on Twitter and the popularity of the movie in society. We hope to gain insight into whether we can predict the popularity or success of a movie based on what we can learn about it on Twitter. For this, we have collected tweets about movies on Twitter and for each movie, created sub-graphs of the Twitter social graph based on the relevant collected tweets. We then compare the sub-graphs for popular movies to the sub-graphs for the less popular movies. Before we discuss our methods and results, we will first explain the motivation behind choosing to use Twitter as a lens with which to assess the popularity, and why we chose to examine the popularity of movies specifically. -
The Swell and Crash of Ska's First Wave : a Historical Analysis of Reggae's Predecessors in the Evolution of Jamaican Music
California State University, Monterey Bay Digital Commons @ CSUMB Capstone Projects and Master's Theses 2014 The swell and crash of ska's first wave : a historical analysis of reggae's predecessors in the evolution of Jamaican music Erik R. Lobo-Gilbert California State University, Monterey Bay Follow this and additional works at: https://digitalcommons.csumb.edu/caps_thes Recommended Citation Lobo-Gilbert, Erik R., "The swell and crash of ska's first wave : a historical analysis of reggae's predecessors in the evolution of Jamaican music" (2014). Capstone Projects and Master's Theses. 366. https://digitalcommons.csumb.edu/caps_thes/366 This Capstone Project is brought to you for free and open access by Digital Commons @ CSUMB. It has been accepted for inclusion in Capstone Projects and Master's Theses by an authorized administrator of Digital Commons @ CSUMB. Unless otherwise indicated, this project was conducted as practicum not subject to IRB review but conducted in keeping with applicable regulatory guidance for training purposes. For more information, please contact [email protected]. Erik R. Lobo-Gilbert CSU Monterey Bay MPA Recording Technology Spring 2014 THE SWELL AND CRASH OF SKA’S FIRST WAVE: A HISTORICAL ANALYSIS OF REGGAE'S PREDECESSORS IN THE EVOLUTION OF JAMAICAN MUSIC INTRODUCTION Ska music has always been a truly extraordinary genre. With a unique musical construct, the genre carries with it a deeply cultural, sociological, and historical livelihood which, unlike any other style, has adapted and changed through three clearly-defined regional and stylistic reigns of prominence. The music its self may have changed throughout the three “waves,” but its meaning, its message, and its themes have transcended its creation and two revivals with an unmatched adaptiveness to thrive in wildly varying regional and sociocultural climates. -
Fran & Rich Juro
Fran & Rich Juro Written and Composed by Jason Robert Brown Originally Produced for the New York stage by Arielle Tepper and Mary Bell Originally Produced by Northlight Theatre Chicago, IL Feb. 26–March 21, 2021 Directed by Susan Baer Collins Scenic & Lighting Designer Music Director Jim Othuse Jim Boggess Costume Designer Properties Master Lindsay Pape Darin Kuehler Sound Designers Scenic Artist Tim Burkhart & Janet Morr John Gibilisco Production Coordinator Choreographer Greg Scheer Michelle Garrity Technical Director Stage Manager Darrin Golden Steve Priesman Assistant Director / OCP Directing Fellow Dara Hogan Audio and/or visual recording of this production is strictly prohibited. Hawks Mainstage Series Sponsor: Director’s Notes Cast Bios | Musical Numbers | Orchestra Love? CAST Cathy ......................................................... Bailey Carlson Like most enduring works in the theatre, The Jamie .....................................................Thomas A.C. Gjere Last Five Years is a love story. This one captures insightful and poignant moments in a relationship through a series of wonderful songs by composer MUSICAL NUMBERS Jason Robert Brown. Though the story is simple, Brown’s concept requires that these songs not be presented in a familiar, chronological way. Jamie’s Still Hurting ............................................................Cathy songs go forward in time, from the beginning to Shiksa Goddess ........................................................ Jamie the end of their five years together, while Cathy’s