January 2016 Program Highlights

Total Page:16

File Type:pdf, Size:1020Kb

January 2016 Program Highlights JANUARY 2016 PROGRAM HIGHLIGHTS HDNET MOVIES gives you the best in box office hits, iconic classics and award winning films, uncut and commercial free! CREATURE FEATURES NEW YEAR’S DAY SEQUEL SUNDAYS EVERY SUNDAY HDNET MOVIES roars into the new year with a cast of 3:30/2:30c HDNET MOVIES delivers double the entertainment 8/7c otherworldly creatures featuring the network PREMIERES of GODZILLA, EVERY SUNDAY this January, featuring the network PREMIERES of XXX and ALIEN (THE DIRECTOR’S CUT) and DISTRICT 9. XXX: STATE OF THE UNION, plus follow-ups to BATMAN, CITY SLICKERS and more. FRIDAY NIGHT HEIST FRIDAY, JAN 15 JACK NICHOLSON DOUBLE SATURDAY, JAN 23 Kickoff your weekend with some of cinemas craftiest 4:25/3:25c Watch the acting legend “become a better man” two 8/7c and most competent crooks featuring the network PREMIERE of times in a row featuring the network PREMIERE of ANGER MANAGEMENT MAN ON A LEDGE followed by THE USUAL SUSPECTS, 21 and INSIDE MAN. followed by AS GOOD AS IT GETS. SATURDAY, JAN 2 8/7c FRIDAY, JAN 22 5:50/4:50c SATURDAY, JAN 9 5:40/4:40c THURSDAY, JAN 21 8/7c INSIDE MAN FANTASTIC FAMILY NIGHT VANILLA SKY BENICIO DEL TORO DOUBLE The network PREMIERE of this intense hostage Let your imagination run wild with these Lose yourself in obscurity during the network Enjoy twice the thrills from multi-award winning drama starring Clive Owen and Denzel magical films including HUGO, THE SPIDERWICK PREMIERE of VANILLA SKY starring Tom Cruise actor Benicio Del Toro featuring THE USUAL Washington. CHRONICLES and STARDUST, with an encore and Penélope Cruz. SUSPECTS and SWIMMING WITH SHARKS. presentation January 27th. Talk to your Representative to learn more about HDNET MOVIES. For additional programming information, go to: www.hdnetmovies.com.
Recommended publications
  • AMERICAN FILM INSTITUTE NATIONAL COUNCIL Championing the Art of the Moving Image
    AMERICAN FILM INSTITUTE NATIONAL COUNCIL Championing the art of the moving image 1 The American Film Institute champions the “The stuff that dreams are made of…” future of the moving image as an art form. AFI was established to preserve and celebrate our nation’s proud film heritage and to ensure that excellence endures We believe in the in this American art form. Over half a century later, we revolutionary power of believe in the revolutionary power of film to bring us together as a nation — as a world — and we forge forward with an visual storytelling to ongoing mission to educate and inspire. share perspectives, And we do it with the support of people like you. inspire empathy and That’s where the AFI National Council comes in — a group that stands tall and proud in the motion picture community, drive culture forward. leading by example through advocacy, influence and a unique alchemy of time, energy and financial support. With a membership that includes passionate film-lovers — like you — the National Council is vital to the success of AFI’s mission. It is my personal hope that you will accept this invitation to join these leaders who believe in the importance of America’s art form and wish to make a difference. Sincerely, Kathleen Kennedy President, Lucasfilm Ltd. Chair, AFI Board of Trustees 2 1 “Art is a nation’s most precious heritage. For it is in our works of art that we reveal to ourselves, and to others, the inner vision which guides Established in 1965, the American Film Institute fulfills the nation’s enduring promise to us as a nation.” educate and inspire artists and audiences through the motion picture art form.
    [Show full text]
  • Before the Forties
    Before The Forties director title genre year major cast USA Browning, Tod Freaks HORROR 1932 Wallace Ford Capra, Frank Lady for a day DRAMA 1933 May Robson, Warren William Capra, Frank Mr. Smith Goes to Washington DRAMA 1939 James Stewart Chaplin, Charlie Modern Times (the tramp) COMEDY 1936 Charlie Chaplin Chaplin, Charlie City Lights (the tramp) DRAMA 1931 Charlie Chaplin Chaplin, Charlie Gold Rush( the tramp ) COMEDY 1925 Charlie Chaplin Dwann, Alan Heidi FAMILY 1937 Shirley Temple Fleming, Victor The Wizard of Oz MUSICAL 1939 Judy Garland Fleming, Victor Gone With the Wind EPIC 1939 Clark Gable, Vivien Leigh Ford, John Stagecoach WESTERN 1939 John Wayne Griffith, D.W. Intolerance DRAMA 1916 Mae Marsh Griffith, D.W. Birth of a Nation DRAMA 1915 Lillian Gish Hathaway, Henry Peter Ibbetson DRAMA 1935 Gary Cooper Hawks, Howard Bringing Up Baby COMEDY 1938 Katharine Hepburn, Cary Grant Lloyd, Frank Mutiny on the Bounty ADVENTURE 1935 Charles Laughton, Clark Gable Lubitsch, Ernst Ninotchka COMEDY 1935 Greta Garbo, Melvin Douglas Mamoulian, Rouben Queen Christina HISTORICAL DRAMA 1933 Greta Garbo, John Gilbert McCarey, Leo Duck Soup COMEDY 1939 Marx Brothers Newmeyer, Fred Safety Last COMEDY 1923 Buster Keaton Shoedsack, Ernest The Most Dangerous Game ADVENTURE 1933 Leslie Banks, Fay Wray Shoedsack, Ernest King Kong ADVENTURE 1933 Fay Wray Stahl, John M. Imitation of Life DRAMA 1933 Claudette Colbert, Warren Williams Van Dyke, W.S. Tarzan, the Ape Man ADVENTURE 1923 Johnny Weissmuller, Maureen O'Sullivan Wood, Sam A Night at the Opera COMEDY
    [Show full text]
  • THE BUCKET LIST (Adapted from the Session Developed by Peter Bowden)
    THE BUCKET LIST (adapted from the session developed by Peter Bowden) OPENING WORDS & CHALICE LIGHTING: To Risk To laugh is to risk appearing the fool. To weep is to risk appearing sentimental. To reach out for another is to risk exposing our true self. To place our ideas – our dreams – before the crowd is to risk loss. To love is to risk not being loved in return. To hope is to risk despair. To try is to risk failure. To live is to risk dying. #658, Singing the Living Tradition PURPOSE: We come together to build connections and to talk about what deeply matters. CHECK IN: What you share may be about your physical or spiritual health, cares or concerns for loved ones, issues you are facing. What are you leaving behind to be here today? READING OF GROUP COVENANT FOCUS: The Bucket List Each person in the group speaks uninterrupted; if time remains, general response and conversation are welcome. Background for this session: In the movie “The Bucket List”, a billionaire played by Jack Nicholson and a mechanic played by Morgan Freeman befriend each other in the hospital as they discover they each have only 6 months to a year to live. Freeman has a “bucket list” – things he wants to do before he “kicks the bucket”. Nicholson offers to finance the adventure and the two of them head off to tackle a joint “bucket list”. Questions for reflection: In this movie the two main characters are in a unique situation – they know when they will die, more or less, and they have the means to live their final days as they wish.
    [Show full text]
  • Reminder List of Productions Eligible for the 90Th Academy Awards Alien
    REMINDER LIST OF PRODUCTIONS ELIGIBLE FOR THE 90TH ACADEMY AWARDS ALIEN: COVENANT Actors: Michael Fassbender. Billy Crudup. Danny McBride. Demian Bichir. Jussie Smollett. Nathaniel Dean. Alexander England. Benjamin Rigby. Uli Latukefu. Goran D. Kleut. Actresses: Katherine Waterston. Carmen Ejogo. Callie Hernandez. Amy Seimetz. Tess Haubrich. Lorelei King. ALL I SEE IS YOU Actors: Jason Clarke. Wes Chatham. Danny Huston. Actresses: Blake Lively. Ahna O'Reilly. Yvonne Strahovski. ALL THE MONEY IN THE WORLD Actors: Christopher Plummer. Mark Wahlberg. Romain Duris. Timothy Hutton. Charlie Plummer. Charlie Shotwell. Andrew Buchan. Marco Leonardi. Giuseppe Bonifati. Nicolas Vaporidis. Actresses: Michelle Williams. ALL THESE SLEEPLESS NIGHTS AMERICAN ASSASSIN Actors: Dylan O'Brien. Michael Keaton. David Suchet. Navid Negahban. Scott Adkins. Taylor Kitsch. Actresses: Sanaa Lathan. Shiva Negar. AMERICAN MADE Actors: Tom Cruise. Domhnall Gleeson. Actresses: Sarah Wright. AND THE WINNER ISN'T ANNABELLE: CREATION Actors: Anthony LaPaglia. Brad Greenquist. Mark Bramhall. Joseph Bishara. Adam Bartley. Brian Howe. Ward Horton. Fred Tatasciore. Actresses: Stephanie Sigman. Talitha Bateman. Lulu Wilson. Miranda Otto. Grace Fulton. Philippa Coulthard. Samara Lee. Tayler Buck. Lou Lou Safran. Alicia Vela-Bailey. ARCHITECTS OF DENIAL ATOMIC BLONDE Actors: James McAvoy. John Goodman. Til Schweiger. Eddie Marsan. Toby Jones. Actresses: Charlize Theron. Sofia Boutella. 90th Academy Awards Page 1 of 34 AZIMUTH Actors: Sammy Sheik. Yiftach Klein. Actresses: Naama Preis. Samar Qupty. BPM (BEATS PER MINUTE) Actors: 1DKXHO 3«UH] %LVFD\DUW $UQDXG 9DORLV $QWRLQH 5HLQDUW] )«OL[ 0DULWDXG 0«GKL 7RXU« Actresses: $GªOH +DHQHO THE B-SIDE: ELSA DORFMAN'S PORTRAIT PHOTOGRAPHY BABY DRIVER Actors: Ansel Elgort. Kevin Spacey. Jon Bernthal. Jon Hamm. Jamie Foxx.
    [Show full text]
  • Benicio Del Toro Mathieu Amalric Psychotherapy of A
    WHY NOT PRODUCTIONS PRESENTS BENICIO DEL TORO MATHIEU AMALRIC JIMMY P. PSYCHOTHERAPY OF A PLAINS INDIAN A FILM BY ARNAUD DESPLECHIN WHY NOT PRODUCTIONS PRESENTS BENICIO DEL TORO MATHIEU AMALRIC JIMMY P. PSYCHOTHERAPY OF A PLAINS INDIAN A FILM BY ARNAUD DESPLECHIN 2013 – France – 1h54 – 2.40 – 5.1 INTERNATIONAL SALES INTERNATIONAL PR THE PR CONTACT Phil SYMES - +33 (0)6 09 65 58 08 Carole BARATON - [email protected] Ronaldo MOURAO - +33 (0)6 09 56 54 48 Gary FARKAS - [email protected] [email protected] Vincent MARAVAL - [email protected] Silvia SIMONUTTI - [email protected] SYNOPSIS GEORGES DEVEREUX At the end of World War II, Jimmy Picard, a Native American Blackfoot who fought Inspired by a true story JIMMY P. (Psychotherapy of a Plains Indian) is adapted from the in France, is admitted to Topeka Military Hospital in Kansas - an institution specializing seminal book Reality and Dream by Georges Devereux. Published for the first time in in mental illness. Jimmy suffers from numerous symptoms: dizzy spells, temporary 1951, the book reflects the remarkable multidisciplinary talents of its writer, standing as blindness, hearing loss... and withdrawal. In the absence of any physiological causes, it does at a crossroads between anthropology and psychoanalysis, and opening the way he is diagnosed as schizophrenic. Nevertheless, the hospital management decides to ethno-psychiatry, among other disciplines. It is also the only book about psychoanalysis to seek the opinion of Georges Devereux, a French anthropologist, psychoanalyst to transcribe an entire analysis, session after session, in minute detail. and specialist in Native American culture. Georges Devereux, a Hungarian Jew, moved to Paris in the mid 1920s.
    [Show full text]
  • Inside Man « It’S Just Like Nothing Happened »… L’Informateur —États-Unis 2006, 129 Minutes Philippe Jean Poirier
    Document généré le 28 sept. 2021 07:37 Séquences La revue de cinéma Inside Man « It’s just like nothing happened »… L’informateur —États-Unis 2006, 129 minutes Philippe Jean Poirier Autour du court Numéro 243, mai–juin 2006 URI : https://id.erudit.org/iderudit/59013ac Aller au sommaire du numéro Éditeur(s) La revue Séquences Inc. ISSN 0037-2412 (imprimé) 1923-5100 (numérique) Découvrir la revue Citer cet article Poirier, P. J. (2006). Inside Man : « It’s just like nothing happened »… / L’informateur —États-Unis 2006, 129 minutes. Séquences, (243), 40–40. Tous droits réservés © La revue Séquences Inc., 2006 Ce document est protégé par la loi sur le droit d’auteur. L’utilisation des services d’Érudit (y compris la reproduction) est assujettie à sa politique d’utilisation que vous pouvez consulter en ligne. https://apropos.erudit.org/fr/usagers/politique-dutilisation/ Cet article est diffusé et préservé par Érudit. Érudit est un consortium interuniversitaire sans but lucratif composé de l’Université de Montréal, l’Université Laval et l’Université du Québec à Montréal. Il a pour mission la promotion et la valorisation de la recherche. https://www.erudit.org/fr/ D LES FILMS! CRITIQUES INSIDE MAN I « It's just like nothing happened »... On espère une chose tout au long du film : voir Spike Lee s'approprier l'audacieux projet du scénariste Russel Gewirtz. Et à deux reprises, on croit le miracle possible. Pour finalement déchanter: les dés étaient pipés d'avance, ce film répond avant tout à des impératifs commerciaux. PHILIPPE JEAN POIRIER ierre Falardeau confiait récemment aux Francs- quand ralentir, et prendre le temps d'asseoir une scène, Tireurs travailler sur une histoire de braquage (il comme celle entre le garçon et le chef des braqueurs, à P s'agit du même fait divers qui a inspiré Le Dernier l'intérieur du coffre-fort.
    [Show full text]
  • One Flew Over the Cuckoo's Nest
    A Level Film Studies - Focus Film Factsheet One Flew over the Cuckoo’s Nest (1975, Forman, USA) Component 1: Varieties of Film wilderness. The car delivering McMurphy to the & Filmmaking – Section A psychiatric institution cuts the frame in two. Core Study Areas (02:05:31) Freedom: virtually the last shot Key Elements of Film Form of the film. Another ELS, low key image but Meaning & Response this time of an individual, Chief, escaping The Contexts of Film into the Wilderness. Free at last. Specialist Study Area Hollywood Comparison CORE STUDY AREAS 1 - STARTING POINTS - Key Elements of Film Auteur Form (Micro Features) Rationale for study Cinematography This is a film famous for winning the top five The cinematography is remarkable for its Oscars (Best film, actor, actress, director and realism. Filmed on location in a real psychiatric screenplay) in 1976 – a rare feat. The film remains institution the film is largely shot in a clinical, a hugely admired counter-culture classic from the high key lit, environment. There are no New Hollywood era. Its stark realism, brilliantly shadows within which to hide from the stony, performed by an ensemble cast, produces a gripping, disapproving glare of Nurse Ratched. often hilarious and harrowing drama that perfectly 01:44-2:07 reflects the counter culture of the 60s and 70s. Nurse Ratched (Louise Fletcher) enters the The film concerns a protagonist anti-hero, film in a long take, deep focus shot, dressed McMurphy (Jack Nicholson), who is sent from an in villainous black. She dominates the frame. American work-farm prison for petty criminals to A baleful red light hanging over her head a locked psychiatric unit for assessment.
    [Show full text]
  • How Do You Go from Bridgemaker to Filmmaker? Woodcliff Lake Native
    LIFE STORY reel ambition How do you go from bridgemaker to filmmaker? Woodcliff Lake native Jon Doscher parlayed his construction gig into a chance to head his own movie company — and it all started with a box of cigars he sent to Jack Nicholson. You’ll never guess what happened next BY JIM WALTZER • PHOTOGRAPHY BY JOHN BLAISE Some moviemakers are born clutching a Saddle River–based “indie” is courting big May 2000, Doscher’s Restoration Co. camera. But long before founding the names and big dreams. And what’s even had a job at the Saddle River home of independent production company more intriguing is its artistic aim. Current veteran character actor Danny Aiello. Starline Films, Jon Doscher was busy projects include a pair of searing true “So here I am at Danny Aiello’s house as with more ponderous hardware. stories, one an echo of Truman Capote’s a contractor,” says Doscher. “I took a “I was hanging columns, drilling steel, chilling In Cold Blood, the other based on shot — it was totally unplanned.” making good money,” the Woodcliff Lake an ill-advised state police action turned Doscher, who had just begun studying native says of his construction job right cause célèbre. Each is being developed as acting at the famed Lee Strasberg Theater out of high school. “I said to myself, ‘I a documentary and a feature film. Institute in New York City, “auditioned” guess I’m gonna be an ironworker.’” That’s pretty heady fare for a fledgling for Aiello by doing a dead-on impression It was a reasonable guess.
    [Show full text]
  • Sagawkit Acceptancespeechtran
    Screen Actors Guild Awards Acceptance Speech Transcripts TABLE OF CONTENTS INAUGURAL SCREEN ACTORS GUILD AWARDS ...........................................................................................2 2ND ANNUAL SCREEN ACTORS GUILD AWARDS .........................................................................................6 3RD ANNUAL SCREEN ACTORS GUILD AWARDS ...................................................................................... 11 4TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 15 5TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 20 6TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 24 7TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 28 8TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 32 9TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 36 10TH ANNUAL SCREEN ACTORS GUILD AWARDS ..................................................................................... 42 11TH ANNUAL SCREEN ACTORS GUILD AWARDS ..................................................................................... 48 12TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................
    [Show full text]
  • The Pledge La Retraite De Jerry La Promesse, États-Unis 2001, 124 Minutes Philippe Théophanidis
    Document généré le 25 sept. 2021 19:42 Séquences La revue de cinéma The Pledge La retraite de Jerry La promesse, États-Unis 2001, 124 minutes Philippe Théophanidis Numéro 212, mars–avril 2001 URI : https://id.erudit.org/iderudit/59216ac Aller au sommaire du numéro Éditeur(s) La revue Séquences Inc. ISSN 0037-2412 (imprimé) 1923-5100 (numérique) Découvrir la revue Citer ce compte rendu Théophanidis, P. (2001). Compte rendu de [The Pledge : la retraite de Jerry / La promesse, États-Unis 2001, 124 minutes]. Séquences, (212), 44–44. Tous droits réservés © La revue Séquences Inc., 2000 Ce document est protégé par la loi sur le droit d’auteur. L’utilisation des services d’Érudit (y compris la reproduction) est assujettie à sa politique d’utilisation que vous pouvez consulter en ligne. https://apropos.erudit.org/fr/usagers/politique-dutilisation/ Cet article est diffusé et préservé par Érudit. Érudit est un consortium interuniversitaire sans but lucratif composé de l’Université de Montréal, l’Université Laval et l’Université du Québec à Montréal. Il a pour mission la promotion et la valorisation de la recherche. https://www.erudit.org/fr/ -LES FILMS CRITIQUES -^ THE PLEDGE présumé tueur en série. Or, ces pistes, maigres et floues, semblent La retraite de Jerry être principalement le résultat du travail d'interprétation de Jerry. L'inévitable question que suscite chaque scène (posée directement par l'entourage de Jerry, par Jerry lui-même ou par le spectateur) est la suivante : est-il possible que notre homme s'imagine des choses qui n'existent pas parce que l'idée de la retraite ne lui revient pas ? Jerry s'accroche malgré tout (que peut-il faire d'autre : c'est d'un tueur de fillettes dont on parle ici).
    [Show full text]
  • Persons Nominated for Foreign Language (Non-English) Performances
    PERSONS NOMINATED FOR FOREIGN LANGUAGE (NON-ENGLISH) PERFORMANCES * Denotes winner [Updated thru 88th Awards (2/16)] 1961 (34th) * Sophia Loren – Actress, Two Women [Italian] 1962 (35th) Marcello Mastroianni – Actor, Divorce - Italian Style [Italian] 1964 (37th) Sophia Loren – Actress, Marriage Italian Style [Italian] 1966 (39th) Anouk Aimee – Actress, A Man and a Woman [French] Ida Kaminska – Actress, The Shop on Main Street [Czech] 1972 (45th) Liv Ullmann – Actress, The Emigrants [Swedish] 1974 (47th) Valentina Cortese – Supporting Actress, Day for Night [French] * Robert De Niro – Supporting Actor, The Godfather Part II [Italian] 1975 (48th) Isabelle Adjani – Actress, The Story of Adele H. [French] 1976 (49th) Marie-Christine Barrault – Actress, Cousin, Cousine [French] Giancarlo Giannini – Actor, Seven Beauties [Italian] Liv Ullmann – Actress, Face to Face [Swedish] 1977 (50th) Marcello Mastroianni – Actor, A Special Day [Italian] 1978 (51st) Ingrid Bergman – Actress, Autumn Sonata [Swedish] 1986 (59th) * Marlee Matlin – Actress, Children of a Lesser God [American Sign Language] 1987 (60th) Marcello Mastroianni – Actor, Dark Eyes [Italian] 1988 (61st) Max von Sydow – Actor, Pelle the Conqueror [Swedish] 1989 (62nd) Isabelle Adjani – Actress, Camille Claudel [French] 1990 (63rd) Gerard Depardieu – Actor, Cyrano de Bergerac [French] Graham Greene – Supporting Actor, Dances With Wolves [Lakota Sioux] 1992 (65th) Catherine Deneuve – Actress, Indochine [French] 1995 (68th) Massimo Troisi – Actor, The Postman (Il Postino) [Italian] 1998 (71st) * Roberto Benigni – Actor, Life Is Beautiful [Italian] Fernanda Montenegro – Actress, Central Station [Portuguese] 2000 (73rd) * Benicio Del Toro – Supporting Actor, Traffic [Spanish] 2004 (77th) Catalina Sandino Moreno – Actress, Maria Full of Grace [Spanish] 2006 (79th) Penélope Cruz – Actress, Volver [Spanish] Rinko Kikuchi – Supporting Actress, Babel [Japanese Sign Language] 2007 (80th) * Marion Cotillard – Actress, La Vie en Rose [French] © Academy of Motion Picture Arts and Sciences.
    [Show full text]
  • Cast Biographies
    CAST BIOGRAPHIES MICHAEL SHANNON (Gary Noesner) Academy Award®, Golden Globe® and Tony Award® nominated actor Michael Shannon continues to make his mark in entertainment, working with the industry's most respected talent and treading the boards in notable theaters around the world. Shannon will next be seen in Guillermo del Toro's The Shape of Water, a love story set against the backdrop of Cold War-era America. The film co-stars Sally Hawkins, Richard Jenkins, Michael Stuhlbarg and Octavia Spencer. Fox Searchlight will release the film December 2017. In 2018, Shannon will return to Red Orchard Theatre for its 25th Anniversary to direct the world premiere of Traitor, Brett Neveu's adaption of Henrik Ibsen's Enemy of the People. Traitor will include ensemble members Dado, Larry Grimm, Danny McCarthy, Guy Van Swearingen and Natalie West and will run from January 5, 2018 through February 25, 2018. Back on the big screen, Shannon will then be seen in the Nicolai Fuglsig’s 12 Strong opposite Chris Hemsworth. The project follows a team of CIA agents and special forces who head into Afghanistan in the aftermath of the 9/11 attacks in an attempt to dismantle the Taliban. Warner Brothers is releaseing the film in January 2018. Later next year, Shannon will also be seen in writer-director Elizabeth Chomko’s drama, What They Had, opposite Hilary Swank. The story centers on a woman who must fly back to her hometown when her Alzheimer's-stricken mother wanders into a blizzard and the return home forces her to confront her past, which includes her brother (Shannon).
    [Show full text]