Superman : Zero Hour Pdf, Epub, Ebook

Total Page:16

File Type:pdf, Size:1020Kb

Superman : Zero Hour Pdf, Epub, Ebook SUPERMAN : ZERO HOUR PDF, EPUB, EBOOK Dan Jurgens | 296 pages | 26 Jun 2018 | DC Comics | 9781401280536 | English | United States Superman : Zero Hour PDF Book Lazarium had hoped to gain the Time Commander's hourglass so that he could use its time manipulating abilities, but the Team Titans defeated him. The past is not what it should be. Also by Dan Jurgens. Superman's Time is Running Out A unique chronological anomaly is collapsing time in on itself. The JSA traveled to Extant's universe and set up a scheme to stop him and restore the world they knew. Those long gone are no longer dead. The heroes are confused as to why those two still exist, which Batgirl hypothesizes is because they were in temporal transit at the time. Dan Jurgens is the written and penciller for the main series, and Jerry Ordway is the inker. Action Comics 0. Lacking the ability to travel through time with the precision they require, they intend to convert Matthew Ryder , a man from the future, into a Waverider like his counterpart from a another timeline was. Continuity had been patched over again. On Cairn , Vril Dox of L. Related Articles. The Kents never found a baby Kal-El in a field. Want to Read Currently Reading Read. Vanguard, Volume 4. The modified Time Bubble used to send him forward in time, however, was too powerful and caused Rugarth's mind to snap. Midnight are "Fallen. Consensus Pending. Anomalies in the DC Universe threaten its future Zero Hour was intended to clean up DC continuity problems, particularly those resulting from either time travel or the phasing in of Crisis results see Q2. Superman must fight on multiple planes of reality to save his world. Read more The r. Extant looks at the entropy, and wonders how all of it could have been created without his knowledge. Worst of all, your friends and loved ones are vanishing Without his achievements, the Legion of Superheroes couldn't exist. All versions of Hawkman converge into a single being. Refresh and try again. He is too late to save most members of the Society, as all of them except Alan Scott are aged to old men by Extant's powers. The villainous Extant has ushered in a series of black holes that are swallowing the universe—past, present and future! Essentially, it was discovered that the Time Trapper had created or saved an Earth and Krypton, which he kept in a small, separate universe. Butch Guice. Jay Garrick pleads with the Spectre to get involved in the Crisis. Arthur Adams Illustrator ,. Every announcement makes it worse. A Mordru is an evil wizard from the 30th century and an enemy of the Legion of Super-Heroes see Q They sacrifice themselves into oblivion so that there can be another tomorrow. I knew that. This FAQ also incorporates suggestions and passages by various readers. The continuity involving the Pocket Universe has recently changed again. Coming from alternate timelines, and having been convinced of the value in Parallax's goals, Alpha Centurion and Batgirl join Extant to fight at his side. From Wikipedia, the free encyclopedia. Aquaman questions whether or not there could be a singular being of power controlling the whole situation. In Supertown , even the New Gods themselves are terrified of the entropy, as Highfather finds himself unable to feel to feel the powers of the cosmos anymore. In the 64th Century , the Flash fights Abra Kadabra. The Linear Men have said Booster Gold is "actually essential to the evolution of man. Page Count. Superman : Zero Hour Writer Dick Giordano Editor ,. Cover Artist. Until you earn points all your submissions need to be vetted by other Comic Vine users. The future Extant watches on as he does this. Because comic book time passes slowly compared to real time, the start of the history of Silver Age and modern characters keeps getting pushed forward, while the JSA remains tied to the s. Several heroes, including the second Flash Barry Allen , lost their lives to defeat the Anti-Monitor. DC published a fold-out timeline inside the back cover of Zero Hour 0 which identified various events and key stories and when they occurred. Plus, Dr. Mon- El was discovered to be from the Pocket Universe as well a logical development, since his origin was intimately tied to Superboy. There are no discussion topics on this book yet. Goodreads helps you keep track of books you want to read. When Hawk saw his partner die, Dove's essence entered Hank Hall's body; thus, Monarch had the combined powers of the offspring of the Lords of Chaos and Order. In , fourteen years after the end of Zero Hour , an issue of Booster Gold vol. Reality-the DC Universe-is no more. DC introduced a variation of the pre- Crisis Multiverse in the form of Hypertime with The Kingdom mini-series in The heroes of Metropolis also met heroes from another world during Worlds Collide , such as Icon , Hardware , Static and the Blood Syndicate to fight a new supervillain Rift. The recently unmasked Extant explains to Waverider that they appear identical because he duplicated Waverider's powers. The Cyborg-Superman During Reign of the Supermen! Lacking the ability to travel through time with the precision they require, they intend to convert Matthew Ryder , a man from the future, into a Waverider like his counterpart from a another timeline was. In the pre-Zero Hour timeline, Doomsday was left at the end of time and his body was destroyed by entropy. Superman : Zero Hour Reviews In the pre-Zero Hour timeline, Doomsday was left at the end of time and his body was destroyed by entropy. At the end of time lies the Time Trapper's domain, and he has often worked to extend his domain to earlier times thus destroying the universe earlier than otherwise. DC introduced a variation of the pre- Crisis Multiverse in the form of Hypertime with The Kingdom mini-series in About Superman: Zero Hour Time is collapsing in on itself. During the Crisis, the skies turned red, and the Anti-Monitor's shadow demons followed his evil will. Knights of Sidonia, Volume 5. With little warning, the end draws near. Leave a Reply Cancel reply Your email address will not be published. Q Who is Waverider? X-Files Season 10 Volume 5. The mission has been accomplished. They are told that while Wildcat and Sandman will survive, the doctors were unable to save Doctor Mid-Nite. Please help improve it or discuss these issues on the talk page. Make sure this is what you intended. With a device he got from the Linear Men, he can now go to any point in time and freeze time completely. When Parallax reveals himself, most of the timestream has already been destroyed, and he is attempting to recreate the Multiverse that existed prior to the Crisis on Infinite Earths. Preview — Superman by David Michelinie. Gemworld or Zerox , a planet of wizards. Cover Artist. Universal Conquest Wiki. Plus, Lex Luthor The Adventures of Dr. Categories :. This will not affect the original upload Small Medium How do you want the image positioned around text? Thus, he journeyed through time to the 20th century, where his futuristic technology allowed him to achieve the fame he craved. He is shocked, when Extant unmasks himself and reveals a face identical to that of Waverider's own. Louise Simonson ,. Other Editions 1. DC Comics. Superboy is waiting Thus, both Ryders come from futures that no longer exist. Bruce Wayne legally adopted Dick Grayson. Historical Note: Due in part to their already being set in our future, the Legion has probably had more time travel stories and time-oriented foes than any other team of heroes. Hunter and Waverider arrive in the 58th Century , where they find a younger version of Hal Jordan Green Lantern , before he became corrupted, battling the entropy wave under the leadership of Pol Manning. Zero Hour: Crisis in Time! When the Team Titans finally reached their goal, Lord Chaos followed them into the past. He then informs Jay Garrick of the recent death of Wally West combatting entropy. The recently unmasked Extant explains to Waverider that they appear identical because he duplicated Waverider's powers. Superman : Zero Hour Read Online Back in the present, the other heroes are still fighting the Team Titans. However, it had been revealed at some point that the Trapper had engineered the creation of the LSH. A Zero Hour crossover The same issue reveals the true identity of the Team Titans' Leader on pages "' young men and women [ Prior to the Crisis, DC explained the existence of many heroes in different times by having multiple universes. Waverider arrives, and reports the most recent damage Extant has done. Time is collapsing in on itself. FAQ is posted each month to rec. Q5: Who is Hal Jordan? Hunter set out to thwart the Illuminati's plans and assembled a team of volunteers to use his time travel methods, but they failed to stop Vandal and the Illuminati. This combines both old and new continuity. He uses his powers to age them. A Abra Kadabra is a professional criminal from the far future. The stories themselves are solid if not exceptional - although credit to Jon Bogdanove for his excellent aping of classic Batman art styles in his chapter. Why are their children in their 20s and 30s? The very fabric of reality surrounding the DC Universe is unraveling. Hal now possesses all the energy of the Guardians and the main power battery, and he has taken the name Parallax.
Recommended publications
  • Myth, Metatext, Continuity and Cataclysm in Dc Comics’ Crisis on Infinite Earths
    WORLDS WILL LIVE, WORLDS WILL DIE: MYTH, METATEXT, CONTINUITY AND CATACLYSM IN DC COMICS’ CRISIS ON INFINITE EARTHS Adam C. Murdough A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS August 2006 Committee: Angela Nelson, Advisor Marilyn Motz Jeremy Wallach ii ABSTRACT Angela Nelson, Advisor In 1985-86, DC Comics launched an extensive campaign to revamp and revise its most important superhero characters for a new era. In many cases, this involved streamlining, retouching, or completely overhauling the characters’ fictional back-stories, while similarly renovating the shared fictional context in which their adventures take place, “the DC Universe.” To accomplish this act of revisionist history, DC resorted to a text-based performative gesture, Crisis on Infinite Earths. This thesis analyzes the impact of this singular text and the phenomena it inspired on the comic-book industry and the DC Comics fan community. The first chapter explains the nature and importance of the convention of “continuity” (i.e., intertextual diegetic storytelling, unfolding progressively over time) in superhero comics, identifying superhero fans’ attachment to continuity as a source of reading pleasure and cultural expressivity as the key factor informing the creation of the Crisis on Infinite Earths text. The second chapter consists of an eschatological reading of the text itself, in which it is argued that Crisis on Infinite Earths combines self-reflexive metafiction with the ideologically inflected symbolic language of apocalypse myth to provide DC Comics fans with a textual "rite of transition," to win their acceptance for DC’s mid-1980s project of self- rehistoricization and renewal.
    [Show full text]
  • Marvel References in Dc
    Marvel References In Dc Travel-stained and distributive See never lump his bundobust! Mutable Martainn carry-out, his hammerings disown straws parsimoniously. Sonny remains glyceric after Win births vectorially or continuing any tannates. Chris hemsworth might suggest the importance of references in marvel dc films from the best avengers: homecoming as the shared no series Created by: Stan Lee and artist Gene Colan. Marvel overcame these challenges by gradually building an unshakeable brand, that symbol of masculinity, there is a great Chew cover for all of us Chew fans. Almost every character in comics is drawn in a way that is supposed to portray the ideal human form. True to his bombastic style, and some of them are even great. Marvel was in trouble. DC to reference Marvel. That would just make Disney more of a monopoly than they already are. Kryptonian heroine for the DCEU. King under the sea, Nitro. Teen Titans, Marvel created Bucky Barnes, and he remarks that he needs Access to do that. Batman is the greatest comic book hero ever created, in the show, and therefore not in the MCU. Marvel cropping up in several recent episodes. Comics involve wild cosmic beings and people who somehow get powers from radiation, Flash will always have the upper hand in his own way. Ron Marz and artist Greg Tocchini reestablished Kyle Rayner as Ion. Mithral is a light, Prince of the deep. Other examples include Microsoft and Apple, you can speed up the timelines for a product launch, can we impeach him NOW? Create a post and earn points! DC Universe: Warner Bros.
    [Show full text]
  • Click Above for a Preview, Or Download
    JACK KIRBY COLLECTOR FORTY-TWO $9 95 IN THE US Guardian, Newsboy Legion TM & ©2005 DC Comics. Contents THE NEW OPENING SHOT . .2 (take a trip down Lois Lane) UNDER THE COVERS . .4 (we cover our covers’ creation) JACK F.A.Q. s . .6 (Mark Evanier spills the beans on ISSUE #42, SPRING 2005 Jack’s favorite food and more) Collector INNERVIEW . .12 Jack created a pair of custom pencil drawings of the Guardian and Newsboy Legion for the endpapers (Kirby teaches us to speak the language of the ’70s) of his personal bound volume of Star-Spangled Comics #7-15. We combined the two pieces to create this drawing for our MISSING LINKS . .19 front cover, which Kevin Nowlan inked. Delete the (where’d the Guardian go?) Newsboys’ heads (taken from the second drawing) to RETROSPECTIVE . .20 see what Jack’s original drawing looked like. (with friends like Jimmy Olsen...) Characters TM & ©2005 DC Comics. QUIPS ’N’ Q&A’S . .22 (Radioactive Man goes Bongo in the Fourth World) INCIDENTAL ICONOGRAPHY . .25 (creating the Silver Surfer & Galactus? All in a day’s work) ANALYSIS . .26 (linking Jimmy Olsen, Spirit World, and Neal Adams) VIEW FROM THE WHIZ WAGON . .31 (visit the FF movie set, where Kirby abounds; but will he get credited?) KIRBY AS A GENRE . .34 (Adam McGovern goes Italian) HEADLINERS . .36 (the ultimate look at the Newsboy Legion’s appearances) KIRBY OBSCURA . .48 (’50s and ’60s Kirby uncovered) GALLERY 1 . .50 (we tell tales of the DNA Project in pencil form) PUBLIC DOMAIN THEATRE . .60 (a new regular feature, present - ing complete Kirby stories that won’t get us sued) KIRBY AS A GENRE: EXTRA! .
    [Show full text]
  • Crossmedia Adaptation and the Development of Continuity in the Dc Animated Universe
    “INFINITE EARTHS”: CROSSMEDIA ADAPTATION AND THE DEVELOPMENT OF CONTINUITY IN THE DC ANIMATED UNIVERSE Alex Nader A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS May 2015 Committee: Jeff Brown, Advisor Becca Cragin © 2015 Alexander Nader All Rights Reserved iii ABSTRACT Jeff Brown, Advisor This thesis examines the process of adapting comic book properties into other visual media. I focus on the DC Animated Universe, the popular adaptation of DC Comics characters and concepts into all-ages programming. This adapted universe started with Batman: The Animated Series and comprised several shows on multiple networks, all of which fit into a shared universe based on their comic book counterparts. The adaptation of these properties is heavily reliant to intertextuality across DC Comics media. The shared universe developed within the television medium acted as an early example of comic book media adapting the idea of shared universes, a process that has been replicated with extreme financial success by DC and Marvel (in various stages of fruition). I address the process of adapting DC Comics properties in television, dividing it into “strict” or “loose” adaptations, as well as derivative adaptations that add new material to the comic book canon. This process was initially slow, exploding after the first series (Batman: The Animated Series) changed networks and Saturday morning cartoons flourished, allowing for more opportunities for producers to create content. References, crossover episodes, and the later series Justice League Unlimited allowed producers to utilize this shared universe to develop otherwise impossible adaptations that often became lasting additions to DC Comics publishing.
    [Show full text]
  • Icons of Survival: Metahumanism As Planetary Defense." Nerd Ecology: Defending the Earth with Unpopular Culture
    Lioi, Anthony. "Icons of Survival: Metahumanism as Planetary Defense." Nerd Ecology: Defending the Earth with Unpopular Culture. London: Bloomsbury Academic, 2016. 169–196. Environmental Cultures. Bloomsbury Collections. Web. 25 Sep. 2021. <http:// dx.doi.org/10.5040/9781474219730.ch-007>. Downloaded from Bloomsbury Collections, www.bloomsburycollections.com, 25 September 2021, 20:32 UTC. Copyright © Anthony Lioi 2016. You may share this work for non-commercial purposes only, provided you give attribution to the copyright holder and the publisher, and provide a link to the Creative Commons licence. 6 Icons of Survival: Metahumanism as Planetary Defense In which I argue that superhero comics, the most maligned of nerd genres, theorize the transformation of ethics and politics necessary to the project of planetary defense. The figure of the “metahuman,” the human with superpowers and purpose, embodies the transfigured nerd whose defects—intellect, swarm-behavior, abnormality, flux, and love of machines—become virtues of survival in the twenty-first century. The conflict among capitalism, fascism, and communism, which drove the Cold War and its immediate aftermath, also drove the Golden and Silver Ages of Comics. In the era of planetary emergency, these forces reconfigure themselves as different versions of world-destruction. The metahuman also signifies going “beyond” these economic and political systems into orders that preserve democracy without destroying the biosphere. Therefore, the styles of metahuman figuration represent an appeal to tradition and a technique of transformation. I call these strategies the iconic style and metamorphic style. The iconic style, more typical of DC Comics, makes the hero an icon of virtue, and metahuman powers manifest as visible signs: the “S” of Superman, the tiara and golden lasso of Wonder Woman.
    [Show full text]
  • AKA Clark Kent) Middle Name Is Joseph
    Superman’s (AKA Clark Kent) Middle Name Is Joseph. What’s that?! There in the sky? Is it a bird? Is it a plane? No! It’s the Man of Tomorrow! Superman has gone by many names over the years, but one thing has remained the same. He has always stood for what’s best about humanity, all of our potential for terrible destructive acts, but also our choice to not act on the level of destruction we could wreak. Superman was first created in 1933 by Joe Shuster and Jerry Siegel, the writer and artist respectively. His first appearance was in Action Comics #1, and that was the beginning of a long and illustrious career for the Man of Steel. In his unmistakable blue suit with red cape, and the stylized red S on his chest, the figure of Superman has become one of the most recognizable in the world. The original Superman character was a bald telepathic villain that was focused on world domination. It was like a mix of Lex Luthor and Professor X. Superman’s powers include incredible strength, the ability to fly. X-ray vision, super speed, invulnerability to most attacks, super hearing, and super breath. He is nearly unstoppable. However, Superman does have one weakness, Kryptonite. When exposed to this radioactive element from his home planet, he becomes weak and helpless. Superman’s alter ego is mild-mannered reporter Clark Kent. He lives in the city of Metropolis and works for the newspaper the Daily Planet. Clark is in love with fellow reporter Lois Lane.
    [Show full text]
  • How Superman Developed Into a Jesus Figure
    HOW SUPERMAN DEVELOPED INTO A JESUS FIGURE CRISIS ON INFINITE TEXTS: HOW SUPERMAN DEVELOPED INTO A JESUS FIGURE By ROBERT REVINGTON, B.A., M.A. A Thesis Submitted to the School of Graduate Studies in Partial Fulfillment of the Requirements for the Degree of Master of Arts McMaster University © Copyright by Robert Revington, September 2018 MA Thesis—Robert Revington; McMaster University, Religious Studies McMaster University MASTER OF ARTS (2018) Hamilton, Ontario, Religious Studies TITLE: Crisis on Infinite Texts: How Superman Developed into a Jesus Figure AUTHOR: Robert Revington, B.A., M.A (McMaster University) SUPERVISOR: Professor Travis Kroeker NUMBER OF PAGES: vi, 143 ii MA Thesis—Robert Revington; McMaster University, Religious Studies LAY ABSTRACT This thesis examines the historical trajectory of how the comic book character of Superman came to be identified as a Christ figure in popular consciousness. It argues that this connection was not integral to the character as he was originally created, but was imposed by later writers over time and mainly for cinematic adaptations. This thesis also tracks the history of how Christians and churches viewed Superman, as the film studios began to exploit marketing opportunities by comparing Superman and Jesus. This thesis uses the methodological framework of intertextuality to ground its treatment of the sources, but does not follow all of the assumptions of intertextual theorists. iii MA Thesis—Robert Revington; McMaster University, Religious Studies ABSTRACT This thesis examines the historical trajectory of how the comic book character of Superman came to be identified as a Christ figure in popular consciousness. Superman was created in 1938, but the character developed significantly from his earliest incarnations.
    [Show full text]
  • Media Industry Approaches to Comic-To-Live-Action Adaptations and Race
    From Serials to Blockbusters: Media Industry Approaches to Comic-to-Live-Action Adaptations and Race by Kathryn M. Frank A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Communication) in the University of Michigan 2015 Doctoral Committee: Associate Professor Amanda D. Lotz, Chair Professor Susan J. Douglas Professor Lisa A. Nakamura Associate Professor Aswin Punathambekar © Kathryn M. Frank 2015 “I don't remember when exactly I read my first comic book, but I do remember exactly how liberated and subversive I felt as a result.” ― Edward W. Said, Palestine For Mom and Dad, who taught me to be my own hero ii Acknowledgements There are so many people without whom this project would never have been possible. First and foremost, my parents, Paul and MaryAnn Frank, who never blinked when I told them I wanted to move half way across the country to read comic books for a living. Their unending support has taken many forms, from late-night pep talks and airport pick-ups to rides to Comic-Con at 3 am and listening to a comics nerd blather on for hours about why Man of Steel was so terrible. I could never hope to repay the patience, love, and trust they have given me throughout the years, but hopefully fewer midnight conversations about my dissertation will be a good start. Amanda Lotz has shown unwavering interest and support for me and for my work since before we were formally advisor and advisee, and her insight, feedback, and attention to detail kept me invested in my own work, even in times when my resolve to continue writing was flagging.
    [Show full text]
  • Super Satan: Milton’S Devil in Contemporary Comics
    Super Satan: Milton’s Devil in Contemporary Comics By Shereen Siwpersad A Thesis Submitted to Leiden University, Leiden, the Netherlands in Partial Fulfillment of the Requirements for the Degree of MA English Literary Studies July, 2014, Leiden, the Netherlands First Reader: Dr. J.F.D. van Dijkhuizen Second Reader: Dr. E.J. van Leeuwen Date: 1 July 2014 Table of Contents Introduction …………………………………………………………………………... 1 - 5 1. Milton’s Satan as the modern superhero in comics ……………………………….. 6 1.1 The conventions of mission, powers and identity ………………………... 6 1.2 The history of the modern superhero ……………………………………... 7 1.3 Religion and the Miltonic Satan in comics ……………………………….. 8 1.4 Mission, powers and identity in Steve Orlando’s Paradise Lost …………. 8 - 12 1.5 Authority, defiance and the Miltonic Satan in comics …………………… 12 - 15 1.6 The human Satan in comics ……………………………………………… 15 - 17 2. Ambiguous representations of Milton’s Satan in Steve Orlando’s Paradise Lost ... 18 2.1 Visual representations of the heroic Satan ……………………………….. 18 - 20 2.2 Symbolic colors and black gutters ……………………………………….. 20 - 23 2.3 Orlando’s representation of the meteor simile …………………………… 23 2.4 Ambiguous linguistic representations of Satan …………………………... 24 - 25 2.5 Ambiguity and discrepancy between linguistic and visual codes ………... 25 - 26 3. Lucifer Morningstar: Obedience, authority and nihilism …………………………. 27 3.1 Lucifer’s rejection of authority ………………………..…………………. 27 - 32 3.2 The absence of a theodicy ………………………………………………... 32 - 35 3.3 Carey’s flawed and amoral God ………………………………………….. 35 - 36 3.4 The implications of existential and metaphysical nihilism ……………….. 36 - 41 Conclusion ……………………………………………………………………………. 42 - 46 Appendix ……………………………………………………………………………… 47 Figure 1.1 ……………………………………………………………………… 47 Figure 1.2 ……………………………………………………………………… 48 Figure 1.3 ……………………………………………………………………… 48 Figure 1.4 ……………………………………………………………………….
    [Show full text]
  • Hawkman in the Bronze Age!
    HAWKMAN IN THE BRONZE AGE! July 2017 No.97 ™ $8.95 Hawkman TM & © DC Comics. All Rights Reserved. BIRD PEOPLE ISSUE: Hawkworld! Hawk and Dove! Nightwing! Penguin! Blue Falcon! Condorman! featuring Dixon • Howell • Isabella • Kesel • Liefeld McDaniel • Starlin • Truman & more! 1 82658 00097 4 Volume 1, Number 97 July 2017 EDITOR-IN-CHIEF Michael Eury PUBLISHER John Morrow Comics’ Bronze Age and Beyond! DESIGNER Rich Fowlks COVER ARTIST George Pérez (Commissioned illustration from the collection of Aric Shapiro.) COVER COLORIST Glenn Whitmore COVER DESIGNER Michael Kronenberg PROOFREADER Rob Smentek SPECIAL THANKS Alter Ego Karl Kesel Jim Amash Rob Liefeld Mike Baron Tom Lyle Alan Brennert Andy Mangels Marc Buxton Scott McDaniel John Byrne Dan Mishkin BACK SEAT DRIVER: Editorial by Michael Eury ............................2 Oswald Cobblepot Graham Nolan Greg Crosby Dennis O’Neil FLASHBACK: Hawkman in the Bronze Age ...............................3 DC Comics John Ostrander Joel Davidson George Pérez From guest-shots to a Shadow War, the Winged Wonder’s ’70s and ’80s appearances Teresa R. Davidson Todd Reis Chuck Dixon Bob Rozakis ONE-HIT WONDERS: DC Comics Presents #37: Hawkgirl’s First Solo Flight .......21 Justin Francoeur Brenda Rubin A gander at the Superman/Hawkgirl team-up by Jim Starlin and Roy Thomas (DCinthe80s.com) Bart Sears José Luís García-López Aric Shapiro Hawkman TM & © DC Comics. Joe Giella Steve Skeates PRO2PRO ROUNDTABLE: Exploring Hawkworld ...........................23 Mike Gold Anthony Snyder The post-Crisis version of Hawkman, with Timothy Truman, Mike Gold, John Ostrander, and Grand Comics Jim Starlin Graham Nolan Database Bryan D. Stroud Alan Grant Roy Thomas Robert Greenberger Steven Thompson BRING ON THE BAD GUYS: The Penguin, Gotham’s Gentleman of Crime .......31 Mike Grell Titans Tower Numerous creators survey the history of the Man of a Thousand Umbrellas Greg Guler (titanstower.com) Jack C.
    [Show full text]
  • Jenette Kahn
    Characters TM & © DC Comics. All rights reserved. 0 6 No.57 July 201 2 $ 8 . 9 5 1 82658 27762 8 THE RETRO COMICS EXPERIENCE! JENETTE KAHN president president and publisher with former DC Comics An in-depth interview imprint VERTIGO DC’s The birth of ALSO: Volume 1, Number 57 July 2012 Celebrating The Retro Comics Experience! the Best Comics of the '70s, '80s, '90s, and Beyond! EDITOR-IN-CHIEF Michael Eury PUBLISHER John Morrow DESIGNER Rich J. Fowlks EISNER AWARDS COVER DESIGNER 2012 NOMINEE Michael Kronenberg PROOFREADER Rob Smentek SPECIAL THANKS BEST COMICS-RELATEDJOURNALISM Karen Berger Andy Mangels Alex Boney Nightscream BACK SEAT DRIVER: Editorial by Michael Eury . .2 John Costanza Jerry Ordway INTERVIEW: The Path of Kahn . .3 DC Comics Max Romero Jim Engel Bob Rozakis A step-by-step survey of the storied career of Jenette Kahn, former DC Comics president and pub- Mike Gold Beau Smith lisher, with interviewer Bob Greenberger Grand Comic-Book Roy Thomas Database FLASHBACK: Dollar Comics . .39 Bob Wayne Robert Greenberger This four-quarter, four-color funfest produced many unforgettable late-’70s DCs Brett Weiss Jack C. Harris John Wells PRINCE STREET NEWS: Implosion Happy Hour . .42 Karl Heitmueller Marv Wolfman Ever wonder how the canceled characters reacted to the DC Implosion? Karl Heitmueller bellies Andy Helfer Eddy Zeno Heritage Comics up to the bar with them to find out Auctions AND VERY SPECIAL GREATEST STORIES NEVER TOLD: The Lost DC Kids Line . .45 Alec Holland THANKS TO Sugar & Spike, Thunder and Bludd, and the Oddballs were part of DC’s axed juvie imprint Nicole Hollander Jenette Kahn Paul Levitz BACKSTAGE PASS: A Heroine History of the Wonder Woman Foundation .
    [Show full text]
  • “Justice League Detroit”!
    THE RETRO COMICS EXPERIENCE! t 201 2 A ugus o.58 N . 9 5 $ 8 . d e v r e s e R s t h ® g i R l l A . s c i m o C C IN THE BRONZE AGE! D © & THE SATELLITE YEARS M T a c i r e INJUSTICE GANG m A f o e MARVEL’s JLA, u g a e L SQUADRON SUPREME e c i t s u J UNOFFICIAL JLA/AVENGERS CROSSOVERS 7 A SALUTE TO DICK DILLIN 0 8 2 “PRO2PRO” WITH GERRY 6 7 7 CONWAY & DAN JURGENS 2 8 5 6 And the team fans 2 8 love to hate — 1 “JUSTICE LEAGUE DETROIT”! The Retro Comics Experience! Volume 1, Number 58 August 2012 Celebrating the Best Comics of the '70s, '80s, '90s, and Beyond! EDITOR Michael “Superman”Eury PUBLISHER John “T.O.” Morrow GUEST DESIGNER Michael “BaTman” Kronenberg COVER ARTIST ISSUE! Luke McDonnell and Bill Wray . s c i m COVER COLORIST o C BACK SEAT DRIVER: Editorial by Michael Eury .........................................................2 Glenn “Green LanTern” WhiTmore C D © PROOFREADER & Whoever was sTuck on MoniTor DuTy FLASHBACK: 22,300 Miles Above the Earth .............................................................3 M T . A look back at the JLA’s “Satellite Years,” with an all-star squadron of creators a c i r SPECIAL THANKS e m Jerry Boyd A Rob Kelly f o Michael Browning EllioT S! Maggin GREATEST STORIES NEVER TOLD: Unofficial JLA/Avengers Crossovers ................29 e u Rich Buckler g Luke McDonnell Never heard of these? Most folks haven’t, even though you might’ve read the stories… a e L Russ Burlingame Brad MelTzer e c i T Snapper Carr Mi ke’s Amazing s u J Dewey Cassell World of DC INTERVIEW: More Than Marvel’s JLA: Squadron Supreme ....................................33 e h T ComicBook.com Comics SS editor Ralph Macchio discusses Mark Gruenwald’s dictatorial do-gooders g n i r Gerry Conway Eri c Nolen- r a T s DC Comics WeaThingTon , ) 6 J.
    [Show full text]