Girl Names That Start with the Letter C
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Through a Glass Darkly,” Evental Aesthetics 1, No
Vol. 1, No. 2 (2012) The Missed Wisniowska, Magdalena. “Becoming Spirit: Morality in Hegel’s Phenomenology and Bergman’s Through a Glass Darkly,” Evental Aesthetics 1, no. 2 (2012): 56-80. ABSTRACT The following essay brings together philosophy and film. On the one hand, it is a short study of Hegel’s chapter on morality in the Phenomenology of Spirit. On the other hand, it deals with some of the moral conflicts presented in Ingmar Bergman’s 1961 film, Through a Glass Darkly. Central to my discussion is the concept of God. I aim to show how God, manifest in absolute Spirit, should not be understood as a transcendental figure located in a beyond, but as a concrete entity found within the acts of forgiveness and reconciliation. KEYWORDS Hegel, Bergman, morality, conscience, recognition p. 56 Becoming Spirit: Morality in Hegel’s Phenomenology and Bergman’s Through a Glass Darkly Magdalena Wisniowska n the Phenomenology of Spirit, Hegel reveals Spirit’s true nature in Chapter VI. C., “Spirit that is certain of itself. Morality.” Here, he I describes how God manifests in the moment of reciprocal recognition that characterises the acts of forgiveness and reconciliation. As Hegel writes, The reconciling Yea, in which the two ‘I’s let go their antithetical existence, is the existence of the ‘I’ which has expanded into a duality, and therein remains identical with itself, and, in its complete externalisation and opposite, possesses the certainty of itself: it is God manifested in the midst of those who know themselves as pure knowledge.1 With this, morality becomes religion. -
TI Journals Template
University College of Takestan Available online at http://UCTjournals.com Iranian Journal of Social Sciences and Humanities Research UCT . J. Soc. Scien. Human. Resear.(UJSSHR) Volume 3,Issue2 185-198 (2015) ISSN:2382-9753 X Armenian Myths and Legends and their Impact on Armenian Beliefs and Literature Giti Faraji*1 and Ali Mohammad Poshtdar2 1PhD Student in Comparative Literature, Academy of Sciences of Armenia, Yerevan, Armenia. 2Department of Persian Language and Literature, Payame Noor University (PNU). ABSTRACT Original Article: Remnants and light sediments and reflections of the beliefs of Animistic and Totemistic ideological systems that have been dominant among clans and tribes residing in Armenian lands during very distant periods, that is Palaeolithic periods are still recognizable in some life habits and behaviours, Received 20 Mar. 2015 social norms, popular beliefs, various folkloric fields, tales, mythological narratives, customs and Accepted 22 June. 2015 traditions, folk songs, and proverbs of contemporary Armenian people. Published 30 July. 2015 This paper through studying beliefs and legends of Armenian people tries to prove their relationship with folkloric literature. Keywords: Legends, Old Beliefs, Armenian Nation, Folk Literature, Myth phenomena and inanimate objects like stone, wood, etc. Introduction and the secret relations between animals and their Ancient Armenian beliefs, religion, worships, and temples, a incarnation associations with each other, which all for very complex and incompatible system in various stages of their part impacted the beliefs of humans of those progress and development, are historical fruit of the periods through a series of magical actions. Beliefs formation of Armenian nation. This period, as a period of regarding mountains, boulders, trees, waters, fire, sky, spreading worshiping fire and fire temples all over and luminous objects (stars, meteors, planets), Armenian territory, lasted approximately 600 years and visualizations and imaginations about weather events, continued up until fifth century AD. -
Chuck Richardson
BlazeVOX 2k7 an online journal of voice Fall 2007 Chuck Richardson 4. Digressions On A Recurring Dream 6,898 words, 4 percent passive, 71 percent reading ease. It is blistering elsewhere, yet not here as two-dozen friends gather poolside. A hazy skyline shimmering a mirage fogs via remote control dreams of glassy, urban sophistication. The illusion resonates pulp, swimming the couple’s trust in a cultivated hereafter. Do you Jonah, take this woman, Linda, to be your lawful wedded wife? A family court judge and ace trombonist is presiding. He’s sixty and serious, calmly leading the couple through the ritual, just as they’d rehearsed it, with the about-to- be newlyweds standing nude on the diving board, hovering over the deep end. Neither can swim, but their naked friends have rehearsed saving them. I do. And do you, Linda, take this man, Jonah, to be your lawful wedded husband? If so, answer I do. She looks over Jonah, realizing she’s given up hope for someone sexier. Expectations duly lowered, she imagines the one who ditched her standing in Jonah’s place. He, for his part, cannot fathom his good fortune. Linda’s much younger than he, more attractive, even sexy once you get to know her. She’s also mysterious. He feels, much to his obvious excitement, that she’s reading him like a book, her eyes perusing every fold, every gray hair, each blemish and scar—from the inside-out through his eyes. Eye-to-eye exposure is plainly titillating him. I do, she answers, at last, having finished the run-on sentence fragment of material phenomena called fiancé, now husband. -
Buddah Aims to Make Its Mark on Album Scene ... Sly's Stone Flower
Buddah Aims To Make Its Mark On Album Scene . Sly's Stone Flower To Atlantic For Distribution. .NARIV1 Convention Message See Editorial 'An End September 6, 1969 To Fear' ... R IAA Gold Hits High For Half Year ash 75(t CRI Confab Credits Promo For Sales Jump $34 Cash Box . Peirce Heads UIC's Record Co . Polydor Stages First Sales Convention In Canada LAWRENCE WELK: PLAYING IN THE 70 s Int' Section Begins on Pg. 59 The Cats It's a beautiful day. The Buckinghams are up with a new single on the horizon. "It's a Beautiful Day (For Lovin V4-44923 The lyrics focus on part of today's young life style — Peace and Love. "It's a beautiful day ... for lovin', dreamin'. The shadows are gone, I've reached the dawn." Definitely a listen-to single. And a watch single —for another great day for The Buckingham!. THE BUCKIN GHA MS "IT'S A BEAUTIFUL DAY (FOR LOV1N1" ON COLUMBIA RECORDS.- tOlu MA MSIARCA% 14..(1) k S. 4 THE INTERNATIONAL MUSIC-RECORD WEEKLY VOL. XXXI — Number 6/September 6, 1969 Publication Office / 1780 Broadway, New York, New York 10019, Telephone JUdson b 2640: Cable Address Cash Box, N Y GEORGE ALBERT President and Publisher MARTY OSTRO W Vice President IRV LICHTMAN Editor in Chief EDITORIAL MARV GOODMAN Assoc. Editor JOHN KLEIN BOB COHEN BRUCE HARRIS EDITORIAL ASSISTANTS MIKE MARTUCCI ANTHONY LANZETTA ADVERTISING BERNIE BLAKE Director of Advertising An End To Fear ACCOUNT EXECUTIVES STAN SOIFER, New York BILL STUPER, New York HARVEY GELLER, Hollywood W OODY HARDING Art Director COIN MACHINE & VENDING ED ADLUM General Manager CAMILLE COMPASIO, Chicago The upcoming gathering of NARM should point to the start of clear-head- LISSA MORRO W, Hollywood members for their 1969 Tape Con- ed, honest business in an above-board thrust toward industry cohesiveness. -
Peoples Choice Comments
People’s Choice Results and Comments We have included the People’s Choice results and comments for all growers that participated in classes 1 – 11. This year we had all first-place winners for the green tree classes as the possible candidates for People’s Choice. As this is still a relatively new concept that we have implemented in just the last few years, we are constantly reviewing how to make more trees available for voting throughout the Fair while still making it easy, understandable, fair and efficient for our participating growers, Fair-goers and our staff. If you have any questions or comments regarding People’s Choice voting, please feel free to contact Kim Ustruck ([email protected]) or Danielle Ustruck ([email protected]) and we would be happy to answer any questions and will consider all feedback regarding People’s Choice. Thank you! With 11,234 total votes throughout the 12 days of the MN State Fair, here are the results: #1: Balsam Fir from Happy Land Tree Farms, Inc. - 1053 votes #2: Any Other Species (Veitch Fir) from Happy Land Tree Farms, Inc. - 327 votes #3: Norway Pine from Jan’s Christmas Trees - 415 votes #4: Siberian Fir from Jan’s Christmas Trees - 473 votes #5: Meyer Spruce from Turck’s Trees - 360 votes #6: Scotch Pine from Wolcyn Tree Farms and Nursery - 960 votes #7: Fraser Fir from Happy Land Tree Farms, Inc. - 1256 votes #8: White Pine from Jan’s Christmas Trees - 2705 votes (PEOPLE’S CHOICE WINNER) #9: European Style (Siberian Fir) from Happy Land Tree Farms, Inc. -
Discovered A. D. Price
J. H 21 YDEN •c«j«c«o*o«o*o< L. Manufacturer' of Pure Herb Medicines DISCOVERED TO RELIEVE ALL DISEASES OR NO CHARGE Tabloid The finest, fastest and surest hair Magazine and softener known grower, straightener ..-a greaseless preparation, highly per- 220 W. BROAD STREET. RICHMOND. VIRGINIA fumed, that does not look like grease on hair, but will make it sparkle your the and glitter like a diamond, it does work as thousands of the Race s lead- ” ‘ ing men and women Have proved. DO YOU LOVE HEALTH? ■ HELPS /' i- 1 i OPENINGS and see L. J. Manufacurer of Pure Herb Medicine# .. •> .*J&*£*iS2S2S282S328S£ Is the best hair grower, straightener if bo, call and HAYDEN, Use it. A beautifier on the market. 220 W. Broad Street. My medicine# will relieve you, or no charge, ne after all trial will prove our claims, for matter what your disease, sickness or affliction may be, and restore yon a trial is the only proof. for the ifi perfect htulth. I uso nothing but herbs, roots; barks; gum; balsams; Thrifty Tips everywhere, Sold by leading druggists ■<tjftvee; ieea; berries; flowers and planus *u my medicines. They have or sent on receipt of price, 25c, postpaid luai nave to die. S we will send 4 .ulieved 'thtn.sauu.-* UP HOME or send $1.00 and you ^iveut boxes of Hi-Ja Quinine Hair Dressing MY MEDICINES DUKE xiIE e6dDuW1NG DISEASES: Heart Disease. by FLO. and one 25c cake of Hi-Ja Medicated Quinsy; Sore Throat; ESTHER BIGEOU s Blood, Kidney, Bladder; PUee in any form; Vertigo; Beauty Soap FREE, Postpaid. -
The Journal Is Pleased to Present the Original and True Story of Ko'olau the Leper
The Journal is pleased to present the original and true story of Ko'olau the Leper. The only factual account of a famous episode in Hawaiian history, it was published in Hawaiian in 1906. Frances N. Frazier's English translation appears almost in its entirety for the first time. The True Story of Kaluaiko'olau, or Ko'olau the Leper Translated and with a Foreword by Frances N. Frazier. From an account by John Sheldon. FOREWORD In 1906 in Honolulu, Kahikina Kelekona, or John G. M. Sheldon (fig. 1), published a little book in the Hawaiian language.1 "Offered and dedicated to native Hawaiians," it was the story of Kaluaiko'olau, referred to hereafter as Ko'olau, as told by his wife Pi'ilani (fig. 2). His name may be translated as "the grave at Ko'olau," a commemo- rative name and, as fate would have it, prophetic. Ko'olau and his young son Kaleimanu contracted leprosy at a time when there was no known cure for the disease which was believed to be contagious because of its spread among the Hawaiian race. The Hawaiian government's way of coping with the problem was to attempt to strictly segregate leprosy patients from the rest of the world at Kalawao, on the Island of Moloka'i. Kalawao was the most easterly ahupucfa, a major land division, on a peninsula that projected from the northern side of Moloka'i. The peninsula was effectively cut off by land by forbidding cliffs and surrounded otherwise by rough and dangerous ocean. In later years, the patients were resettled on the drier western side in the ahupua'a of Kalaupapa, and the settlement now bears that name. -
UNIVERSITY of DETROIT
UNIVERSITY of DETROIT EXCERPT from the GRADUATE BULLETIN, 1935 - 1937 PaBe Nine \, Use of Theses and Thesis MateT'ials. The University of Detroit . always encourages, and even urges, the use of theses, thesis materials, and term papers submitted to instructors or departments of the University in in partial fulfillment of the requirements for credit or degrees, Such use may be oral (before meetings or conventions) or through publication (period icals, monographs, or books.) However, as such theses, thesis materials, and term papers become the property of the University once they are sub mitted, -.- it is expected that the permission of the University be secured for such oral or printed use, and a suitable credit line arranged. This permis sion, and arrangement of credit line, should also be observed in the case of the publication of materials which the student intends to use later in partial fullfillment of the requirements for credit or degrees. Failure to observe such courtesy may be followed by the withdrawal of the credit or degree, Application for the use of materials and arrangements mentioned must be made with the Graduate Office of the University of Detroit. THE UNIVERSITY OF DEl'ROIT A STUDY OF THE PARALLELISM AND EVOLUTION IN THE IMAGERY OF GERARD MANLEY HOPKINS A THESIS SUBMITTED TO THE GRADUATE FACULTY IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS DEPARTMENT OF ENGLISH BY SISTER MARY NAZARIA MLODZIK, O. P . 8 DETROIT, MICHIGAN AUGUST, 1951 PREFACE The main purpose of this paper is to show how the imagery of Gerard ~l_ey Hopkins.' . -
Volume 7, Issue 1 Summer/Fall 2017
bioStories sharing the extraordinary in ordinary lives Volume 7, Issue 1 Summer/Fall 2017 Cover Art: Malado Francine Baldwin “Self-portrait with African masks, Modigliani; Grenoble 1995”. c1995/2015, mixed media on book pages Table of Contents Reverse Bartending and Wilted Wings by Tessa Torgeson ........................................................................... 4 Vanished by Amy Kathleen Ryan ................................................................................................................ 14 Living in the Nut House by Richard Ault ..................................................................................................... 27 Furry Felonies by Aticus Benight ................................................................................................................. 38 The Witch by Miriam Mandel Levi .............................................................................................................. 45 Walk Like a Bear by Skye Davis ................................................................................................................... 50 Hide! You’re a Woman by Seetha Anagol ................................................................................................... 66 Wild Cherry Tree by Gabriella Brand .......................................................................................................... 70 So Long, Promised Land by Michael Englehard .......................................................................................... 74 This House Burns Blue -
20191104 Support Document V4 EM
Support Documentation The Australia Council for the Arts Four year funding: 2021-2024 Full submission | Support Documentation November 2019 CONTENTS Imagined Theatres……………………………………………………………………….4 Selected Media Reviews………………………………………………………………...5 – The Saturday Paper.……….…………………………………………………...…..5 – The Age………………………………………….…………………………………...7 Letters of Support…………………………………………………………………….......9 – Public Theater……………………………………………………………………......9 – Geelong Arts Centre………………………………………………………………..10 – Marshall Family …………………………………………………………………..…11 – City Of Greater Geelong……………………………………………………………12 – West Kowloon ………………………………………………………………..…..…13 3 IMAGINED THEATRES I’m a single lesbian looking for a lover. I’m 44. My favourite food is chops. I make art to make money. It’s true. So I can have an everyday job. I need people to know that I have a voice and I want to use it. So I do it in the theatre. If you gave me all the money in the world, to make a show. I’d shoot myself. I can’t work under pressure! I make theatre because I want to break free from the demons inside me. Theatre changes me as a person, that’s what theatre does it changes ya’, it is something else, like sliding down a slide. Theatre is about making something special, and rememberable. You have to see it over and over again because every time it is different. You always get excited about the next thing that is going to happen in the theatre. The actors are so soft and beautiful and front-full. And you know that the first line that comes out of their mouth, you won’t forget that line throughout the entire play. What should theatre be like? Never a part two. No interval. Right through an hour show and that’s it. -
The Affective Properties of Keys in Instrumental Music from the Late Nineteenth and Early Twentieth Centuries
University of Massachusetts Amherst ScholarWorks@UMass Amherst Masters Theses 1911 - February 2014 2010 The ffeca tive properties of keys in instrumental music from the late nineteenth and early twentieth centuries Maho A. Ishiguro University of Massachusetts Amherst Follow this and additional works at: https://scholarworks.umass.edu/theses Part of the Composition Commons, Musicology Commons, Music Practice Commons, Music Theory Commons, and the Other Arts and Humanities Commons Ishiguro, Maho A., "The ffea ctive properties of keys in instrumental music from the late nineteenth and early twentieth centuries" (2010). Masters Theses 1911 - February 2014. 536. Retrieved from https://scholarworks.umass.edu/theses/536 This thesis is brought to you for free and open access by ScholarWorks@UMass Amherst. It has been accepted for inclusion in Masters Theses 1911 - February 2014 by an authorized administrator of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. THE AFFECTIVE PROPERTIES OF KEYS IN INSTRUMENTAL MUSIC FROM THE LATE NINETEENTH AND EARLY TWENTIETH CENTURIES A Thesis Presented by MAHO A. ISHIGURO Submitted to the Graduate School of the University of Massachusetts Amherst in partial fulfillment of the requirements for the degree of MASTER OF MUSIC September 2010 Music © Copyright by Maho A. Ishiguro 2010 All Rights Reserved THE AFFECTIVE PROPERTIES OF KEYS IN THE TWENTIETH CENTURY A Thesis Presented by MAHO A. ISHIGURO Approved as to style and content by: ________________________________________ Miriam Whaples, Chair ________________________________________ Brent Auerbach, Member ________________________________________ Robert Eisenstein, Member ________________________________________ Jeffrey Cox, Department Chair Music DEDICATION I dedicate my thesis to my father, Kenzo Ishiguro. ACKNOWLEDGEMENTS I would like to thank my advisor, Prof. -
Midnight in the Garden of Good and Evil
Acclaim for JOHN BERENDT’s MIDNIGHT IN THE GARDEN OF GOOD AND EVIL “Uproarious … a rich, irresistible mix of snobbery, mayhem, sex, mind-boggling parochialism and mildewed magnolias. …A glorious vanity fair of human folly.” —The Boston Globe “One of the most unusual books to come this way in a long time and one of the best…. There is every reason to celebrate [t]his surpris- ing, wonderful book.” 3/1013 —Jonathan Yardley, The Wash- ington Post Book World “The best nonfiction novel since In Cold Blood and a lot more en- tertaining…. Berendt’s book has everything going for it—snobbism, ruthless power, voodoo, local color, and a totally evil estheticism. I read it till dawn.” —Edmund White “Raunchy, witty, urbane and scan- dalous … a romp through many worlds—high and low…. For a good time read this book.” —Houston Chronicle “Berendt works up his material like a chef on a devilish mission. The result is a feast all right…. He 4/1013 has the old money down as dead- on as the new—as the no money, for that matter. And here is the highest praise I can muster: Wish I’d written the damn thing.” —Gregory Jaynes, Esquire “Rip-roaringly funny and compel- ling….A veritable Bent-Spoon River of oddballs, hustlers, so- ciopaths and historic preservationists.” —San Francisco Chronicle JOHN BERENDT MIDNIGHT IN THE GARDEN OF GOOD AND EVIL John Berendt has been the editor of New York magazine and an Esquire columnist. He lives in New York. Contents PART ONE 1. An Evening in Mercer House 2.