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Beauty and the Beast Broadway’s Best Under the Stars! PRODUCING SPONSOR The City of Vista’s Moonlight Amphitheatre and the Moonlight Cultural Foundation Gratefully Acknowledge the Generous Support of Dr. Bronner’s Magic Soaps. drbronner.com 1 2 WELCOME BACK TO THE MOONLIGHT! Dear Friends, We are so thrilled to welcome you back to The Moonlight and our first family show since 2019: Disney’s Beauty and the Beast. As you are watching the show tonight, you will see many moving parts on stage: special effects, sets and scenery changes, stage lighting and numerous (Left to right) Jennifer Bradford, other details that are performed on cue. Stanley D. Cohen, Steven Glaudini Many designers, crew members, and and Colleen Kollar Smith technicians contribute to make these intricacies come to fruition, but the individuals at the helm are the remarkable members of our stage management teams. It is appropriate in the Year of the Stage Manager to celebrate these unsung heroes of the theatre. They are responsible for scheduling and running rehearsals. They serve as the liaison between the director and the rest of the creative team. From opening night through the closing night, they ensure that the director’s vision of the show remains in place. Their most visible job function is to call the sound, lighting, scenery, and special effects cues in the dark from the back of the amphitheatre in the sound and lighting booth. Tonight, all those elements are being overseen by Stanley D. Cohen, who we refer to as the “Rolls-Royce of Stage Managers.” Stanley has stage managed more than 70 productions at The Moonlight. But his involvement extends beyond his role as a stage manager. He is also one of our major donors through his family business, Atlantic & Pacific Management. At the Moonlight Cultural Foundation’s Ruby Gala in June, Stanley was honored with the 2021 Moonlight Ovation Award for his exceptional generosity, dedication, and vision on behalf of The Moonlight. With sincere appreciation, we pay homage to Stanley and the rest of our stage managers for being the magicians who work their magic at The Moonlight. Sincerely, Colleen Kollar Smith Steven Glaudini Jennifer Bradford Executive Producer Producing Artistic Director Foundation Executive Director facebook.com/moonlightstage @moonlightstage.com youtube.com/moonlightstage 3 VISTA CITY COUNCIL We salute Councilmembers John B. Franklin, Corinna Contreras, Mayor Judy Ritter, Katie Melendez, and Deputy Mayor Joe Green for their significant and enduring support of The Moonlight. CITY OF VISTA ADMINISTRATION PATRICK JOHNSON City Manager AMANDA LEE Assistant City Manager MOONLIGHT AMPHITHEATRE | CITY OF VISTA CULTURAL ARTS ADMINISTRATION COLLEEN KOLLAR SMITH STEVEN GLAUDINI Executive Producer Producing Artistic Director JENNIFER EDWARDS Technical Director FRED TRACEY Marketing Director SHELBY CAUGHRON Ticket Office Supervisor CAROLE BERBAUM Office Manager DUSTIN JENKINSON Assistant Ticket Office Supervisor The Moonlight is the cultural arts program of the City of Vista and a division of the Recreation and Community Services Department. We gratefully acknowledge the generous support of the Moonlight Cultural Arts Foundation, our non-profit 501(c)(3) partner. In loving memory of KERI HOSTETLER Ticket Office Supervisor from 2012 - 2021 4 PRESENTS JENNA LEA ROSEN and MICHAEL DENI* as Music by Lyrics by Book by ALAN MENKIN HOWARD ASHMAN & TIM RICE LINDA WOLVERTON also starring MICHAEL PATERNOSTRO* BETS MALONE* JERALD VINCENT* and EVAN WHITE Scenic Design by Costume Design by JOHN PATRICK MELA HOYT HEYDON Lighting Design by Sound Design by JEAN-YVES TESSIER JIM ZADAI Projection Design by Makeup & Prothetics Design by Visual Effects by JONATHAN INFANTE DENICE PAXTON ZFX Stage Managed by STANLEY D. COHEN* Music Director & Conductor ELAN McMAHAN Choreographed by BILL BURNS Directed by JAMIE TORCELLINI Producing Artistic Director Executive Producer STEVEN GLAUDINI COLLEEN KOLLAR SMITH Beauty and the Beast was Originally Produced on Broadway by DISNEY THEATRICAL PRODUCTIONS 5 *Member of Actors' Equity Association BEAUTY AND THE BEAST CAST in order of appearance* Belle JENNA LEA ROSEN Lefou ZANE CAMACHO Gaston EVAN WHITE Three Silly Girls TAYLOR EVANS, CARLY HAIG, KAITLYN O’LEARY Maurice JOHNNY FLETCHER Cogsworth JERALD VINCENT* Lumiere MICHAEL PATERNOSTRO* Babette MIKAYLA AGRELLA Mrs. Potts BETS MALONE* Chip ABRAHAM GERMAN Beast MICHAEL DENI* Madame de la Grande Bouche BRYCE HAMILTON Monsieur D’Arque JORDAN MAZZOCATO Townspeople & Enchanted Objects JAKE BRADFORD, JOSH BRADFORD, GERILYN BRAULT, LAURA BUENO, SANDY CAMERON, JOHN CARDENAS, SARAH COLT, TAYLOR EVANS, COLE FLETCHER, JACK GEMMELL, AUGUSTO GUARDADO, CARLY HAIG, CODY KELEPOLO, COLDEN LAMB, JORDAN MAZZOCATO, BILLY McGAVIN, ASHLYN MILLER, SEBASTIAN MONTENEGRO, GREG NICHOLAS, KAITLYN O’LEARY, SAMANTHA ROPER, BENNETT SELBY, KUMARI SMALL, JENNA VIANA Voice of Prologue Narrator LANCE ARTHUR SMITH Understudies Understudies never substitute for listed players unless a specific announcement for the appearance is made before the performance. D’Arque JAKE BRADFORD, Wardrobe GERILYN BRAULT, Mrs. Potts LAURA BUENO, Lefou COLE FLETCHER, Gaston JOHNNY FLETCHER, Cogsworth COLDEN LAMB, Beast BILLY McGAVIN, Maurice GREG NICHOLAS, Lumiere JORDAN MAZZOCATO, Silly Girl ASHLYN MILLER, Babette KUMARI SMALL, Belle JENNA VIANA *Member of Actors’ Equity Association ADDITIONAL CREDITS Orchestrations by DANNY TROOB Vocal Arrangements by DAVID FRIEDMAN Incidental Music by MICHAEL KOSARIN Dance Arrangements by GLEN KELLY Scenery Provided by the CITRUS COLLEGE MUSIC THEATRE WORKSHOP Costumes Provided by 3-D THEATRICALS Assistant Music Director & Rehearsal Pianist DEVON HUNT Orchestra Contractor BRYAN RANSOM Dance Associate CARLY HAIG Fight Captain BILLY McGAVIN Disney's Beauty and the Beast is presented through special arrangement with Music Theatre International. All authorized performance materials are also supplied by MTI. mtishows.com Actors’ Equity Association (AEA), founded in 1913, represents more than 45,000 actors and stage managers in the United States. Equity seeks to advance, promote and foster the art of live theatre as an essential component of our society. Equity negotiates wages and working conditions, providing a wide range of benefits, including health and pension plans. AEA is a member of the AFL-CIO, and is affiliated with FIA, an international organization of performing arts unions. The Equity emblem is our mark of excellence. actorsequity.org. This production uses the Contract Management Program of the University/Resident Theatre Association, Inc. (212) 221-1130 6 NOTE FROM THE DIRECTOR When Beauty and the Beast opened in 1994, I was one of the first people to witness what would be the beginning of a long run of Disney successes on Broadway. It was a brilliant combination of a great story, an incredible score from Howard Ashman and Alan Menken, and a strong heroine for which the world was aching. It would be less than a year until both Bill Burns, our choreographer, and I would be part of the original Los Angeles company. An adventure that spanned over the next three or four years, including the Palace Theatre on Broadway. This adapted version from Linda Wolverton (based on a tale as old as time) keeps the focus on the strength and Jamie Torcellini courage of our heroine. She created a character who is a positive role model for young girls. Belle is an avid reader, who is open to new ideas, and “she has a point of view of her life and that doesn’t necessarily involve a man getting her there.” Unlike Snow White, she isn’t waiting for a Prince to save her. She takes control of her destiny by sacrificing her life for that of her father’s. A selfless and courageous action. While the curse that befalls this castle and all its inhabitants is punishment for failing to see past an ugly exterior, Belle shows us that beauty is found within. Everybody deserves love. Sometimes you must look deep, and you might just find your Prince in disguise. “Oh, isn’t this amazing? It’s my favorite part because you’ll see Here’s where she meets Prince Charming But she won’t discover that it’s him ’til chapter three!” Jamie Torcellini Jamie Torcellini (left) Jamie Torcellini with Toni Braxton from the Director Los Angeles production BEAUTY AND THE BEAST ORCHESTRA Conductor ELAN McMAHAN Violin MARINA HALL Cello ERIKA BORAS-TESI Bass MARTIN MARTIARENA Woodwinds TRISH SCHENKELBERG, AMY KALAL, KATRINA EARL Trumpet DAVID FENNELL Horn JOANITA WASHBURN Keyboards EMILY KEELE, MICHELLE SORGER 7 Percussion DANIEL DOERFLER MUSICAL NUMBERS ACT ONE Overture Prologue ''Belle"….….….….….….….….………………. Belle, Gaston, Lefou, Silly Girls, Townspeople "No Matter What"*…….….….….…….….….….….….….….…….….….….….. Maurice, Belle “No Matter What”* (reprise)…….….….….….….….….….……….….….….….….….. Maurice “Me”*…….….….….….….….….….….….….….….….….……….….….….….…..Gaston, Belle “Belle" Reprise …….….….….….….….….….….…..….….……….….….….….….….…. Belle “Home”*…….…….…….…….…….…….…….…….…….……….…….…….…….…….. Belle “Home"* (Reprise)…….…….…….…….…….…..Mrs. Potts, Madame de la Grande Bouche "Gaston"…….…….…….…….…….………….….Lefou, Gaston, Silly Girls, Tavern Patrons "Gaston" (Reprise)…….…….…….…….………….…….…….…….…….……..Gaston, Lefou "How Long Must This Go On?"*…….…….………….…….…….…….…….…….……..Beast "Be Our Guest"….…….…….…….…….………….…….….Lumiere, Mrs. Potts, Cogsworth, Wardrobe, Chip, Babette, Enchanted Objects "If I Can’t Love Her"*…….….….….……….….….….….….….….….….….….….….….. Beast - FIFTEEN MINUTE INTERMISSION – ACT TWO Entr'acte/Wolf Chase "Something There"…………………………. Belle,
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