Pay-TV Providers Embracing OTT and Turning Focus to Internet
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Is Netflix Free on Sky Q
IS NETFLIX FREE ON SKY Q Frequently asked questions about using Netflix with Sky Q. Sky Ultimate TV is our latest TV bundle that brings Sky and Netflix content together in one place. It's available as an add-on to our Sky Signature pack, or you can take the Sky Ultimate TV bundle with a 12-month contract if you're in the... Sky customers will be able to get Netflix for free Credit: Alamy. Currently, Sky Q allows customers to watch what they want, where they want It comes days after a new report revealed all UK licence fee payers could receive a free TV streaming stick from the BBC. The move be a bold attempt take on... Existing Sky Q customers will be able to watch Sky Box Sets and link their Netflix account to Sky as soon as their Ultimate On Demand subscription is active.23 Jul 2021. The most traditional way to sample Netflix for free are its free 1-month trials, which you can sign up for here. Getting Netflix on Sky Q is relatively simple and you'll get full interface integration meaning you can browse Sky and Netflix content together, as well as use Sky search to find things to watch. When did Netflix launch on Sky Q? If you have Sky Q, or you're planning to get it, and have or want Netflix as well, it's worth bearing in mind that you can now watch Netflix via your Sky Q box. To do it, add Ultimate On Demand*, which includes the Netflix standard plan and Sky Box Sets in HD, to your existing Sky package. -
How Does Online Streaming Affect Antitrust Remedies to Centralized Marketing? the Case of European Football Broadcasting Rights
Ilmenau University of Technology Institute of Economics ________________________________________________________ Ilmenau Economics Discussion Papers, Vol. 25, No. 128 How Does Online Streaming Affect Antitrust Rem- edies to Centralized Marketing? The Case of Euro- pean Football Broadcasting Rights Oliver Budzinski, Sophia Gaenssle & Philipp Kunz- Kaltenhäuser July 2019 Institute of Economics Ehrenbergstraße 29 Ernst-Abbe-Zentrum D-98 684 Ilmenau Phone 03677/69-4030/-4032 Fax 03677/69-4203 https://www.tu-ilmenau.de/wm/fakultaet/ ISSN 0949-3859 How Does Online Streaming Affect Antitrust Remedies to Centralized Marketing? The Case of European Football Broadcasting Rights Oliver Budzinski, Sophia Gaenssle & Philipp Kunz-Kaltenhäuser* Abstract: The collective sale of football broadcasting rights constitutes a cartel, which, in the European Union, is only allowed if it complies with a number of con- ditions and obligations, inter alia, partial unbundling and the no-single-buyer rule. These regulations were defined with traditional TV-markets in mind. However, the landscape of audiovisual broadcasting is quickly changing with online streaming services gaining popularity and relevance. This also alters the effects of the condi- tions and obligations for the centralized marketing arrangements. Partial unbun- dling may lead to increasing instead of decreasing prices for consumers. Moreover, the combination of partial unbundling and the no-single-buyer rule forces consum- ers into multiple subscriptions to several streaming services, which increases trans- action costs. Consequently, competition authorities need to rethink the conditions and obligations they impose on centralized marketing arrangements in football. We recommend restricting the exclusivity of (live-)broadcasting rights and mandate third-party access to program guide information to redesign the remedies. -
Vod Copy Approval and Delivery
Spider-Man: Far From Home VoD Commercials Approval and Delivery – A guide • Creative Agency needs to upload commercial to Clearcast and instructions via Caria – Clearcast gives us the required approvals – When instructions are sent via Caria, copy begins to transcode automatically once delivered • VoD copy needs to be fully approved for Linear by Clearcast. – Submit for Linear approval, NOT VOD! • Creatives have a choice of three delivery centres to supply commercials, they need to be delivered to BOTH Sky UK/TV AND Sky Online – Submit to both at point of order – Clickable campaigns can be supplied to Sky Online only • Copy and instructions need to be delivered 6 working days prior to start of campaign – Allows time for sales/campaign managers/ops to set live, and to fix technical issues • The agencies send commercials via one of these three Centres. • At Sky, we have two Video Libraries • This means we have two destinations at each Delivery Centre; – SkyUK/SkyTV/SkyHD – Sky Online • Sky UK – Sent to M.A.M. (Media Asset Management) – Any content we serve direct to the Sky Box – TV VoD (Push and Pull VoD), Linear TV, Adsmart • Sky Online – Sent to H.V.L. (Honeycomb Video Library) – Any content we serve to devices outside the Sky Box – Sky Go, Demand 5, Sky Go Linear, Kids VoD, PC VoD, Advance – This can include viewing on a big screen (X-Box, Ps4 devices) – These can include a link to direct viewer to extra content • The majority of VoD campaigns will include impressions on the Sky box and OTT devices • Unless a campaign is exclusively on one, it makes sense to get in the habit of sending to both • We serve VoD content to big screen devices • As a consequence, we need to ensure linear viewing approval rules are adhered to • ‘Online’ campaigns will serve to PS4/Xbox, which are viewed on a TV/ hence linear approval needed • OTT linear campaigns play over linear feeds, hence the approval. -
Sky Media Vod Intro the Very Best Content – Delivered Wherever, Whenever
Sky Media VoD intro The very best content – delivered wherever, whenever Delivered wherever, whenever Sky Go The way viewers are consuming TV is rapidly changing. At Sky, we Sky Go is Sky’s service that allows users to view content on a are proudly placed at the forefront of this transition, offering our variety of devices including desktop, mobile and tablet customers the ultimate in flexible, fluid viewing. Users stream content from the Sky Go website or app. Viewing has increased rapidly over the past 5 years coinciding with the Whether it be downloading a movie in the living room on the set rise of tablets and smartphones top box, or watching a boxset on an iPad in the park, Sky offers customers the very best content whenever and wherever they Sky Go’s VoD adload is low, and ads are clickable/trackable are. One preroll break and midroll break is the maximum number of breaks on Sky Go content. Each break is restricted to a maximum There are two consumer services, ‘Sky Go’ and ‘On Demand’ of 2 ads so there is very low clutter. In movies there is no midroll. delivering across four strands of content: • Catchup Sky Go Linear allows advertisers to target live viewing too! • Movies The Sky Go Linear platform dynamically overlays the linear • Boxsets transmission with bespoke, targeted ads. This includes channels • Sports from Sky Atlantic to Sky Sports F1 Crucially, movies and boxsets are the biggest drivers of VOD on Sky. This content is incremental to linear viewing and captures viewers at their most engaged, “lean forward” moments. -
Pean Football Broadcasting Rights
A Service of Leibniz-Informationszentrum econstor Wirtschaft Leibniz Information Centre Make Your Publications Visible. zbw for Economics Budzinski, Oliver; Gänßle, Sophia; Kunz-Kaltenhäuser, Philipp Working Paper How does online streaming affect antitrust remedies to centralized marketing? The case of European football broadcasting rights Ilmenau Economics Discussion Papers, No. 128 Provided in Cooperation with: Ilmenau University of Technology, Institute of Economics Suggested Citation: Budzinski, Oliver; Gänßle, Sophia; Kunz-Kaltenhäuser, Philipp (2019) : How does online streaming affect antitrust remedies to centralized marketing? The case of European football broadcasting rights, Ilmenau Economics Discussion Papers, No. 128, Technische Universität Ilmenau, Institut für Volkswirtschaftslehre, Ilmenau This Version is available at: http://hdl.handle.net/10419/200404 Standard-Nutzungsbedingungen: Terms of use: Die Dokumente auf EconStor dürfen zu eigenen wissenschaftlichen Documents in EconStor may be saved and copied for your Zwecken und zum Privatgebrauch gespeichert und kopiert werden. personal and scholarly purposes. Sie dürfen die Dokumente nicht für öffentliche oder kommerzielle You are not to copy documents for public or commercial Zwecke vervielfältigen, öffentlich ausstellen, öffentlich zugänglich purposes, to exhibit the documents publicly, to make them machen, vertreiben oder anderweitig nutzen. publicly available on the internet, or to distribute or otherwise use the documents in public. Sofern die Verfasser die Dokumente -
Sky±HD User Guide
Sky±HD User Guide Welcome to our handy guide designed to help you get the most from your Sky±HD box. Whether you need to make sure you’re set up correctly, or simply want to learn more about all the great things your box can do, all the information you need is right here in one place. The information in this user guide applies only to Sky±HD boxes with built-in Wi-Fi®, which can be identified by checking whether there is a WPS button on the front panel (DRX890W and DRX895W models). Welcome to your new Sky±HD box An amazing piece of kit that offers you: • All the functionality • Easy access to On • A choice of over 50 HD • Up to 60 hours of of Sky± Demand with built-in channels, depending HD storage on your Wi-Fi® connectivity on your Sky TV Sky±HD box or up subscription to 350 hours of HD storage if you have a Sky±HD 2TB box Follow this guide to find out more about your Sky±HD box* * All references to the Sky±HD box also apply to the Sky±HD 2TB box, and the product images in this user guide reflect the Sky±HD box. If you have a Sky±HD 2TB box then it will look slightly different but the functionality is the same. Contents Overview page 4 Enjoying Sky Box Office entertainment page 57 Let’s get started page 9 Other services page 61 Watching the TV you love page 18 Get the most from Sky±HD page 64 Pausing and rewinding live TV page 28 Your Sky±HD box connections page 86 Recording with Sky± page 30 Green stuff page 91 Setting reminders for programmes page 41 For your safety page 95 Using your Planner page 42 Troubleshooting page 98 TV On Demand -
Social Distancing and Streaming TV Viewing Takes on New Behaviours and Characteristics with the Coronavirus
Sentiment Insights Series Social Distancing and Streaming TV Viewing Takes on New Behaviours and Characteristics with the Coronavirus UK EDITION March 2020 | White Paper Adapting to this rapidly changing environment requires the ability to quickly understand why viewers are engaging in content, beyond just traditional viewership metrics, and to interpret and adjust to those patterns in real-time. Copyright © 2020, TV Time, a Whip Media Group Company AllWhite product Paper names, | logos,Social and Distancing brands are property and Streaming of their respective owners. whipmedia.com About This Study The impact of the coronavirus has spread to the United Kingdom and every continent around the world (Antarctica is the only region spared thus far). Outbreaks are accelerating in major cities and metropolitan areas across the UK and the collective population is being directed to avoid crowds, cancel events, stay at home and work remotely to reduce the risk of contracting the disease or infecting others. As they adjust to this new life of isolation and social distancing, people are staying inside, hunkering down and turning to television. While TV viewership is already up, today’s situation is beyond what we’ve come to think about as binge watching. It’s not voluntary or by choice. It’s an extended period of content engagement to pass the time as consumers wait out the crisis. As the entire country vacillates between being worried and bored, anxious and reconciled, TV Time, a Whip Media Company, conducted a UK-based study in March 2020. The study leverages the UK based users of TV Time App’s global community of more than 13 million connected users of its TV tracking platform on both iOS and Android devices. -
Philippines in View Philippines Tv Industry-In-View
PHILIPPINES IN VIEW PHILIPPINES TV INDUSTRY-IN-VIEW Table of Contents PREFACE ................................................................................................................................................................ 5 1. EXECUTIVE SUMMARY ................................................................................................................................... 6 1.1. MARKET OVERVIEW .......................................................................................................................................... 6 1.2. PAY-TV MARKET ESTIMATES ............................................................................................................................... 6 1.3. PAY-TV OPERATORS .......................................................................................................................................... 6 1.4. PAY-TV AVERAGE REVENUE PER USER (ARPU) ...................................................................................................... 7 1.5. PAY-TV CONTENT AND PROGRAMMING ................................................................................................................ 7 1.6. ADOPTION OF DTT, OTT AND VIDEO-ON-DEMAND PLATFORMS ............................................................................... 7 1.7. PIRACY AND UNAUTHORIZED DISTRIBUTION ........................................................................................................... 8 1.8. REGULATORY ENVIRONMENT .............................................................................................................................. -
Analysys Mason Document
Report for the Internet Society Discussion paper on the contribution of the Internet to content creation 31 May 2013 Michael Kende, Mark Colville, Alex Reichl Ref: 37342-244 . Contents 1 Executive summary 1 2 Introduction 3 3 The evolution of the content industry 4 3.1 Overview of trends in content distribution 4 3.2 Audio content 11 3.3 Video content 15 4 New business models 22 4.1 Streaming 22 4.2 Digital download services 30 4.3 Device strategies 32 4.4 TV Everywhere 34 5 Conclusions 37 Annex A About us Ref: 37342-244 . Discussion paper on the contribution of the Internet to content creation Copyright © 2013. Analysys Mason Limited and the Internet Society (ISOC). This work is licensed under the Creative Commons Attribution-NonCommercial-ShareAlike 3.0 Unported License. To view a copy of this licence, visit: http://creativecommons.org/licenses/by-nc-sa/3.0/. The analysis and conclusions presented in this report are those of the stated author and Analysys Mason Limited, and have been arrived at independently of any client-specific work. Analysys Mason Limited St Giles Court 24 Castle Street Cambridge CB3 0AJ UK Tel: +44 (0)845 600 5244 Fax: +44 (0)1223 460866 [email protected] www.analysysmason.com Registered in England No. 5177472 Ref: 37342-244 . Discussion paper on the contribution of the Internet to content creation | 1 1 Executive summary The Internet is a platform that is ideal for the distribution of digital content such as music or video. In general, given that the Internet empowers technology at its edges, it allows companies to introduce innovative services that can grow quickly; more specifically, digital content can be copied perfectly an endless number of times and distributed at low cost, particularly compared with physical manufacture and distribution. -
Nathalie Slides
THE DYNAMICS OF THE UK TV MARKET Latest consumer and business trends 24th October 2017 ATON IK ATON IK D I GITA L D I GITA L Nathalie Lethbridge [email protected] atonikdigital.com 2 Television and audio-visual content ofcom.org.uk CommunicationsATON IK Market Report 2017AT O- UnitedN IK Kingdom 2 Television and audio-visual content D I GITA L D I GITA L ^ƉĞŶĚŽŶh<ͲŽƌŝŐŝŶĂƚĞĚƉƌŽŐƌĂŵŵŝŶŐďLJƚŚĞŵĂŝŶĮǀĞW^ĐŚĂŶŶĞůƐǁĂƐĂƚŝƚƐŚŝŐŚĞƐƚůĞǀĞů DĂŶLJƉĞŽƉůĞƐƵďƐĐƌŝďĞƚŽŵŽƌĞƚŚĂŶŽŶĞŽŶͲĚĞŵĂŶĚͬƐƚƌĞĂŵŝŶŐƐĞƌǀŝĐĞƐŝŶĐĞϮϬϭϮ KǀĞƌĂůůƐƉĞŶĚŽŶĮƌƐƚͲƌƵŶh<Ͳ ^ƉĞŶĚŽŶƉĞĂŬƟŵĞƉƌŽŐƌĂŵŵŝŶŐ ŽƌŝŐŝŶĂůƐƉŽƌƚƐĐŽŶƚĞŶƚŝŶĚĂLJƟŵĞ LJƚŚĞĞŶĚŽĨϮϬϭϲ͕ĨŽƵƌŝŶƚĞŶ ŵŽƐƚƉŽƉƵůĂƌĐŽŵďŝŶĂƟŽŶǁĂƐ ŝŐŚƚƉĞƌĐĞŶƚŽĨĂůůƵƐĞƌƐŽĨEĞƞůŝdž͕ŽƌŝŐŝŶĂƚĞĚƉƌŽŐƌĂŵŵŝŶŐ;ŝŶĐůƵĚŝŶŐ ĂŶĚŶĂƟŽŶƐ͛ĂŶĚƌĞŐŝŽŶƐ͛ ĂŶĚůĂƚĞŶŝŐŚƚǁŚĞŶĐŽǀĞƌŝŶŐƚŚĞ ƵƐĞƌƐŽĨEĞƞůŝdž͕ŵĂnjŽŶWƌŝŵĞ EĞƞůŝdžĂŶĚŵĂnjŽŶWƌŝŵĞ͕ǁŝƚŚ ŵĂnjŽŶWƌŝŵĞĂŶĚEKtdsŚĂĚŶĂƟŽŶƐ͛ĂŶĚƌĞŐŝŽŶƐ͛ƉƌŽŐƌĂŵŵŝŶŐͿ ƉƌŽŐƌĂŵŵŝŶŐǁĂƐďƌŽĂĚůLJƐƚĂďůĞ͕ ϮϬϭϲh&ƵƌŽƉĞĂŶ&ŽŽƚďĂůů ĂŶĚEKtdsŚĂĚĂĐĐĞƐƐƚŽŵŽƌĞ ϮϲйŽĨƵƐĞƌƐƵƐŝŶŐďŽƚŚƐĞƌǀŝĐĞƐ ĂĐĐĞƐƐƚŽĂůůƚŚƌĞĞƐĞƌǀŝĐĞƐŝŶƚŚĞďLJƚŚĞŵĂŝŶĮǀĞW^ĐŚĂŶŶĞůƐʹ ǁŚŝůĞƐƉĞŶĚŽŶůĂƚĞͲŶŝŐŚƚĂŶĚ ŚĂŵƉŝŽŶƐŚŝƉƐĂŶĚƚŚĞZŝŽ KŶĞ͕dǁŽ͕/ds;ŝŶĐůƵĚŝŶŐ ĚĂLJƟŵĞƉƌŽŐƌĂŵŵŝŶŐŐƌĞǁďLJ KůLJŵƉŝĐĂŶĚWĂƌĂůLJŵƉŝĐ'ĂŵĞƐ͘ ƚŚĂŶŽŶĞŽĨƚŚĞƐĞƐĞƌǀŝĐĞƐ͘dŚĞ ŝŶƚŚĞĮŶĂůƋƵĂƌƚĞƌŽĨϮϬϭϲ͘ ĮŶĂůƚŚƌĞĞŵŽŶƚŚƐŽĨϮϬϭϲ͘/dsƌĞĂŬĨĂƐƚͿͬ^dsͬhds͕ŚĂŶŶĞůϰ ϯϭйĂŶĚϰйƌĞƐƉĞĐƟǀĞůLJŝŶƌĞĂů KǀĞƌůĂƉďĞƚǁĞĞŶƐƵďƐĐƌŝďĞƌƐŽĨĂŶĚŚĂŶŶĞůϱʹŝŶĐƌĞĂƐĞĚďLJϰй ƚĞƌŵƐ͘dŚŝƐŵĂLJďĞĚƵĞŝŶƉĂƌƚƚŽ ƚŚĞŵĂŝŶƚĞůĞǀŝƐŝŽŶƐƵďƐĐƌŝƉƟŽŶŝŶƌĞĂůƚĞƌŵƐƚŽάϮ͕ϳϬϴŵŝŶϮϬϭϲ͘ ďƌŽĂĚĐĂƐƚĞƌƐŝŶĐƌĞĂƐŝŶŐƐƉĞŶĚŽŶ &ŝŐƵƌĞϮ͘ϰ͗^ƵďƐĐƌŝƉƟŽŶŽŶͲĚĞŵĂŶĚĂŶĚƐƚƌĞĂŵŝŶŐƐĞƌǀŝĐĞƐŽǀĞƌůĂƉ services in the UK &ŝŐƵƌĞϮ͘ϭϴ͗^ƉĞŶĚŽŶĮƌƐƚͲƌƵŶh<ŽƌŝŐŝŶĂƚĞĚŽƵƚƉƵƚŽŶƚŚĞĮǀĞŵĂŝŶW^ĐŚĂŶŶĞůƐ -
Ott Services and Intelligent Network Selection
OTT SERVICES AND NETWORK OFFLOAD OTT SERVICES AND INTELLIGENT NETWORK SELECTION EXPERIENCE CONTINUITY differentiates OTT services with the right network policy OTT SERVICES AND NETWORK OFFLOAD White Paper Contents 1. Executive Summary 2 KEYWORDS: 1.1. Introduction and how we got here 3 Offload 2. Who this paper is for 4 OTT analytics 2.1. The meaning of OTT 4 mobile data 2.2. The breadth of OTT offerings and UX differentiation 5 Wi-Fi 3. Technological issues to be addressed 6 User 3.1. The variety of use cases 8 Experience Intelligent 3.2. Real-time user analytics 8 Network 3.3. HetNet Policies 9 Selection 3.4. Content delivery policies 11 4. The User eXperience takes centre stage 12 4.1. It all started with SIP 13 4.2. Single sign-on, a precursor to EXPERIENCE CONTINUITY 13 4.3. The link with OTT 13 5. The business case for policy based Intelligent Network Selection 14 6. Wrapping up 16 7. Annexes 17 7.1. Example of a network policy management tool 17 OTT services and network Offload A Birdstep EXPERIENCE CONTINUITY White Paper 1 OTT SERVICES AND NETWORK OFFLOAD 1 Executive Summary SUMMARY OF THE SUMMARY OR THE FIVE EXPRESSIONS TO TAKE AWAY FROM THIS WHITE PAPER: USER BEHAVIOUR; POLICY; INTELLIGENT NETWORK SELECTION; OTT; EXPERIENCE CONTINUITY. Understanding real user behaviour enables operators to establish network, device and content policies for Intelligent Network Selection. This will be a key differentiator among emerging OTT services, where Birdstep believes EXPERIENCE CONTINUITY will be vital. Network operators have been moving “higher up the stack” into value added services for over a decade. -
Vizio Download Spectrum App How to Add Apps to Your Vizio Smart TV
vizio download spectrum app How to Add Apps to Your Vizio Smart TV. Can you add apps to your Vizio TV? Yep. And Smartcast is not your only option. Facebook Twitter LinkedIn. Tweet Share Email. Samsung Projectors Antennas HDMI & Connections Remote Controls. What to Know. SmartCast: Download a Chromecast-enabled app from Google Play or Apple App Store to your phone. Tap the Cast logo to cast to TV. VIA/VIA+: Click V on a Vizio remote, select app and press OK > Install App (VIA) or press and hold OK (VIA+). Select content and tap icon. This article explains how to add apps to your Vizio smart TV featuring SmartCast. Additional information is provided for older Visio TVs that feature Vizio Internet Apps (VIA) and Vizio Internet Apps+ (VIA+). How to Add Apps to a SmartCast TV. SmartCast TVs come with a selection of core apps preinstalled on the TV. You can select these directly, but you can also access an additional group of apps that you can cast to the display or TV. However, if you want to add apps that are not included in the core list or the preselected mobile apps available for immediate casting, you must add them to your smartphone so that you can cast them to the TV, just as you do when using a Chromecast device. This means that any apps you add that are not on the Core Apps list and installed on your TV reside on your smartphone and you have to cast them. The app addition process is the same as you perform on a Chromecast device.