Genre-Bending Debut Album

Total Page：16

File Type：pdf, Size：1020Kb

Blast Unicorn Genre-bending debut album „Van Halo“ to be released April 1st Blast Unicorn is the joint project of touch guitarist Alexander Paul Dowerk and electronic musician Tobias Reber. The band’s debut album „Van Halo“ blends edgy eight string guitars with meticulously programmed drums and synths in a suite of quirky, delightfully disturbing and fiendishly complex compositions. Stylistically indebted to metal music and contemporary electronics but drawing just as much on pop clichées and the classic avant-gardes's formal exuberance, each piece unfolds according to its own inner logic while sharing traits with various other tracks, thus creating an interconnected space of densely compressed themes and ideas. I have to sincerely say that is some of the most fucked-up stuff I have heard in a very long time!" Trey Gunn (King Crimson, KTU) Blast Unicorn Van Halo Press Contact Iapetus Media, IAP1501 blast@blastunicorn.com Produced by Markus Reuter (Stick Men, The Crimson www.blastunicorn.com ProjeKCt, TUNER, The Season Standard) and Tobias Reber Label / Distribution Mixed by Benjamin Schäfer at Horus Sound, Hannover, Germany Iapetus Media Mastered by Lee Fletcher for Unsung Productions, www.iapetus-store.com Paignton, UK Artwork and Design by Alexander Paul Dowerk, Berlin, Germany Alexander Paul Dowerk Tobias Reber touch guitars U8 Deluxe, acoustic synths, drum programming, samples, guitar, clavinova, additional electronics, voice and lyrics programming & synths, mouth Tobias is a composer and electronic Alexander is a touch guitarist and musician. He has performed, released composer. He is best known for his and exhibited music and sound work with ZweiTon, whose debut installations under his own name as album "Form" gained critical acclaim in well as with centrozoon, Markus progressive rock circles and beyond, Reuter, pulp.noir, Scatter Plot and as well as recording with Untight and others. performing in the free improv scene. He has recorded as a sideman for Adrian Benavides, Troy Jones and Specimen 13 among others..

Copy Link

Recommended publications

Live Among the White Trash: a History of Nono----Manman on Stage
Live Among the White Trash: A history of nono----manman on stage “There are no No-Man concerts scheduled for the foreseeable future.” (from the official no-man website) Anyone who has followed no-man’s career over the previous ten years or so will be acutely aware that the band does not play live. If no-man “exist” as a band at all – and their infrequent releases mean they are more an ongoing understanding between two men rather than an active unit – it is only in the studio. Over a series of uncompromising albums no-man’s music has become ever more complex, yet ironically, “live sounding” than the release which proceeded it. But this organic “liveness” is mainly an illusion; the feeling of spontaneity often the result of numerous edits and takes which only the precision of studio work can produce. Others have tried to perform equally difficult music live: Radiohead ambitiously thrusting their clicks-and- cuts post-rock upon the world’s stadiums, for example. But for a variety of reasons, no-man simply haven’t tried – at least, not since 1994 and not until a one-off performance in 2006. The only comparable case is Talk Talk’s retreat into the studio in the late 1980s. Both bands have undoubtedly crafted their best work without going near an audience. 1 But it wasn’t always so. no-man were once very much a live act, promoting singles and albums with dates and undertaking two full-blown tours – though they rarely played outside London, never went further north than Newcastle, and never played outside Great Britain.
[Show full text]
STICK MEN - Tony Levin and Pat MasteloO, the Powerhouse Bass and Drums of the Group King Crimson for a Few Decades, Bring That TradiOn to All Their Playing
STICK MEN - Tony Levin and Pat Masteloo, the powerhouse bass and drums of the group King Crimson for a few decades, bring that tradion to all their playing. Levin plays the Chapman Sck, from which the band takes it’s name. Having bass and guitar strings, the Chapman Sck funcons at mes like two instruments. Markus Reuter plays his selfdesigned touch style guitar – again covering much more ground than a guitar or a bass. And Masteloo’s drumming encompasses not just the acousc kit, but a unique electronic setup too, allowing him to add loops, samples, percussion and more. TONY LEVIN - Born in Boston, Tony Levin started out in classical music, playing bass in the Rochester Philharmonic. Then moving into jazz and rock, he has had a notable career, recording and touring with John Lennon, Pink Floyd, Yes, Alice Cooper, Gary Burton, Buddy Rich and many more. He has also released 5 solo CDs and three books. In addion to touring with Sck Men, since more than 30 years is currently a member of King Crimson and Peter Gabriel Band, and jazz bands Levin Brothers and L’Image. His popular website, tonylevin.com, featured one of the web’s ﬁrst blogs, and has over 4 million visits. PAT MASTELOTTO - Very rarely does a drummer go on to forge the most successful career on the demise of their former hit band. Phil Collins and Dave Grohl have managed it, so too has Pat Masteloo, a self taught drummer from Northern California, who has also been involved with pushing the envelope of electronic drumming.
[Show full text]
Rock of Ages Part 3 751 曲、合計時間：2:09:29:58 、3.16 GB
Rock of Ages part 3 751 曲、合計時間：2:09:29:58 、3.16 GB アーティストアルバム曲数合計時間 21st Century Schizoid Band Live In Italy 1 7:06 808 State 24 Hour Party People 1 3:53 Adam F Colours 2 13:47 Future Soul 3 1 7:44 Afrika Bambaataa Dark Matter Moving At The Speed Of Light 1 5:02 Afrika Bambaataa Feat. Gary Numan & MC Chatt… Dark Matter Moving At The Speed Of Light 1 4:58 AFX Hangable Auto Bulb 2 9:57 Alan Parsons Project Eye In The Sky 1 7:18 Alice aLICE PERSONaL JUKE BOX 1 3:57 Viaggio in Italia 2 9:19 Amon Tobin (Cujo) Adventures In Foam 1 6:09 Andrea Bocelli Romanza 1 4:06 Sogno 1 4:44 Viaggio Italiano 1 3:13 Andrea Parker Kiss My Arp 2 11:13 Anekdoten From Within 3 15:36 Gravity 4 25:28 Nucleus (Remastered) 3 25:21 Vemod 4 30:34 Angela Aki Home 6 28:21 Kiss Me Good-Bye 2 10:03 Annie Haslam Annie Haslam 1 3:35 Annie Lennox Medusa 1 5:16 Anti Pop Consortium Tragic Epilogue 1 4:13 Aphex Twin ...I Care Because You Do 1 6:07 51/13 1 7:57 Classics 1 7:11 drukqs 3 5:17 drukqs (disc two) 3 4:58 Selected Ambient Works, Vol. II (Disc 1) 1 4:39 Apocalyptica Reﬂections 1 3:23 Apollo 440 Electro Glide in Blue 1 4:30 Aqualung Deep Blue 2 8:16 Arti E Mestieri Estrazioni 1 5:35 Asia Asia 2 8:39 Astor Piazzolla Piazzolla Original Soundtracks 1 4:49 The Balanescu Quartet Possessed 2 7:33 Band Aid 20 Do They Know It's Christmas? 1 5:07 Barratt Waugh I Love you, Goodbye 4 14:16 BEAT CRUSADERS SEXCITE 1 3:54 Beck Guero 1 3:22 Odelay 2 9:09 BEN FOLDS FIVE Reinhold Messner 1 3:23 Bice Cloudy Sky 1 4:00 Björk Homogenic 2 9:28 iTunes Originals - Björk 1 4:11 Bjork Selmasongs
[Show full text]
Im Gespräch Mit Bernhard Wöstheinrich (2018)
Im Gespräch mit Bernhard Wöstheinrich (2018) Jack Of All Trades M i t d e r T a b o T a g o - V e r öffentlichung „Kymatica“, mit dem der Musiker der elektronischen Musik der Berliner Schule huldigte, sowie seinem aktuellen Release „Elsewhere“, welches er unter eigenem Namen herausbrachte und das vom Stimmungsbild gar nicht einmal so weit entfernt von TaboTago ist, hat Bernhard Wöstheinrich 2018 schon zwei Alben auf der eigenen Agenda. Aber auch so ist der Neu-Berliner umtriebig und emsig unterwegs, wobei dieser zusammen mit Touch-Guitarero Markus Reuter und centrozoon, ein Projekt, welches sogar ein Tim Bowness stimmlich unterstützte, auch dem Prog nicht unbedingt abgeneigt ist. Wobei sein aka, der Redundant Rocker, auch nicht allzu weit entfernt wartet. Was ist der Unterschied zwischen Bernhard Wöstheinrich und dem Redundant Rocker? Der Redundant Rocker ist im Gegensatz zu Bernhard Wöstheinrich eine reine Kunstfigur. Ich habe sie erfunden, um gewissermaßen eine ganz neue Position einnehmen zu können. Der Redundant Rocker hat sich bewusst abgewendet von den ostentativ-epischen Bögen, die in meinen Solo-Veröffentlichungen und auch in der Musik meiner Band centrozoon sehr maßgeblich sind. Die Form des Redundant Rocker ist verkürzter, essentieller, komprimierter. Der Redundant Rocker spielt auf eine durchaus nicht ganz unironische Art mit den Produktions- und Ausdrucksweisen zeitgenössischer populärer und kommerzieller Musik. Hierbei sind dann auch die Erfahrungen eingeflossen, die ich damals mit dem Projekt centrozoon plus Tim Bowness und den Releases „Never trust the way you are“ und „The Scent of Crash and Burn“ gesammelt habe, bei denen wir uns als Band centrozoon ja auch sehr einer für mich damals ganz ungewohnten Form der Songs angenähert haben.
[Show full text]
Freier Download BA 85 Als
BAD 85 ALCHEMY ORWELLHUXLEYWELT SOFT POWER KRIKELKRAKEL L' IMPARFAIT MULTIPLE DE DIEU ANTHROPOZÄN THE SCIENCE OF SNOW DIE UNSICHTBAREN STÄDTE OLDMANESOX OPOSSUM PRAVDA IF, BWANA LEN!IN DADA PORTRAITS OF MELANCHOLICS SIMULAKREN DRITTER ORDNUNG ROGER CAILLOIS THE HORROR AS WE MOVE LIKE RAZOR BLADES IN THE DARK Urteile sind nur wertvoll, wenn sie bejahen. Wirklich wahr sind wir nur, wo wir anerkennen. Das Feststellen von ‚Fehlern’, und klinge es noch so fein und geistig, ist nicht Urteil, sondern Klatsch. Hermann Hesse There are worse crimes than burning books. One of them is not reading them. Ray Bradbury O Wort, du Wort, das mir fehlt: Henri Alain-Fournier - Der große Meaulnes Jaume Cabré - Das Schweigen des Sammlers Otto Flake - Fortunat; Ein Mann von Welt Marcel Proust - Sodom und Gomorra Sergio Toppi - The Collector 2 Artcore Action Heroes oder "Schlockmasters of the Universe" Für mich als 1,55 m kleinen Muck war es am 21. Februar 2015 höchste Zeit, dem Plastischen Theater Hobbit in Würzburg einen Besuch abzustatten. Aber was wird hier eigentlich gespielt oder anders gefragt: Wer spielt was? Drei Männer und eine Frau mit Gliederpuppen-Actionfiguren auf einer apokalyptischen Spielwiese. Das ist „Artcore Action Heroes“, dem kreativen Kopf des unterfränkischen Künstlers Felix „Schlock- master“ Weber entsprungen, der mit diesem eigenwilligen Theaterstück seine eigenen Comics adaptiert. Superhelden nicht wie ge- wöhnlich auf der großen Leinwand, sondern auf einer kleinen Kellerbühne. „Heidi ist die ALLERschönste! Heidi ist TOTAL toll!“ Heidi, die stärkste Frau der Welt, liebt die Elitesoldatin Jane. Jane ist aber mit dem Ex- Polizisten John verbandelt, der wiederum Heidi liebt.
[Show full text]
Freier Download BA 67 Als
BAD 67 ALCHEMY 1 Martin Büsser gewidmet 1968 - 2010 2 WHAT A DIFFERENCE A NIGHT MAKES Ah, Serenade kommt tatsächlich von sereno. Weil sie unter heiterem Himmel stattfindet. Der 10. August 2010 ist so ein Abend, ideal, um ihn beim WÜRZ- BURGER HAFENSOMMER mit dem PORTICO QUARTET zu genießen. Vier le- ger gekleidete Jungmänner entern die schwimmende Bühne hinter dem Heiz- kraftwerk und beginnen, die genial verhuschten Federwölkchen über uns abzu- malen. Duncan Bellamy an den Drums, Milo Fitzpatrick am Kontrabass, Nick Mul- vey klöppelt auf etwas, das sich Hang Drums nennt und aussieht wie drei Wok- pfannen und Jack Wyllie bläst abwechselnd Tenor- und Sopranosaxophon. Sie präsentieren ihr Isla-Programm und wenige Takte genügen, um auf den voll be- setzten Treppenstufen zu begreifen, warum die Londoner für den Mercury Prize 2008 nominiert waren, auf Peter Gabriels Label Real World publizieren und eu- ropaweit als Darlings herumgereicht werden. Der melodische Sound des Hang, einer Percussion-Novität von Panart in Bern, verbreitet mit repetitiven, harmoni- schen Mustern aus nur einer Handvoll Tönen die Wärme und den hypnotischen Sog von Trinidad-Steel-Drums, erinnert stellenweise an Harfenarpeggios, mit bloßen Händen gespielt auch an eine Mbira. Das Quartett lässt in seinen Mustern Debussy und Nyman mit Tortoise vexieren. Fitzpatrick zupft warme Bassriffs. Bellamy tickelt, tüpfelt und wischt dazu funkelnde und federleichte Beats. Und schon ist jeweils der schönste Groove beieinander, etwa bei ‚Dawn Patrol‘ mit seinem simplen Pizzikatodrive, in den Wyllie hell und sanglich betörend einfädelt. Der Clou sind jedoch klangliche Accessoires, die er mit Delay- und Loop-Effekten unterlegt, einfach das Klacken der Klappenmechanik, lang gezogene oder kas- kadierende Dauertöne, das Fiepen einer Melodica.
[Show full text]
Leander Reininghaus
LEANDER REININGHAUS Leander Reininghaus, *1962 in Moers, Gitarrist und Multiinstrumentalist, studierte Kommunikationswissenschaft und Musikpädagogik in Essen und Frankfurt; lebte und arbeitete von 1990 - 2000 in Köln, seither in Berlin. Er war musikalischer Leiter von Tanz- und Theatergruppen, produzierte, komponierte und spielte für CD, Film- und Theaterproduktionen sowie für Ausstellungen und Multimedia-Events und Projekte. Seine Arbeit als Solist, Bandmitglied und Gastmusiker ist auf über 30 CDs zu hören. Er gründete die Cross Culture Band Moka Efti, mit der er über einen Zeitraum von 10 Jahren in Deutschland und den meisten europäischen Ländern auftrat und drei CDs aufnahm, die letzte davon mit Charlie Mariano, Roland Schaeffer (Guru Guru) und Heinrich von Kalnein als Gästen. Sein Interesse an Livelooping und die Faszination an den Bildern des Hubble Space Teleskops führte zu den CD-Aufnahmen und Solokonzerten von „STARSCAPES – Music Inspired By Views Of Space“. In den Jahren 2007 und 2010 wurde Leander Reininghaus von Rick Walker eingeladen als einer der Headliner auf dem Y2K Loopfest in Santa Cruz, Kalifornien aufzutreten. 2009 spielte er beim 1. Internationalen Livelooping Festival in Rom, in 2014 und 2017 ging er zusammen mit anderen internationalen Musikern auf Livelooping Europatourneé. Er organisierte selbst bereits vier Festivals in Berlin und war musikalischer Leiter der 'Sound Art Modules', einer monatlichen Konzertreihe für zeitgenössische Experimentalmusik. Reininghaus spielte in den meisten europäischen Ländern, den USA und Kanada, unter anderem mit Jochen Vogel, Hans York, Michael Wack, Ralf Göldner, Michael Peters (VELOOPITY), Markus Reuter (STICK MEN, CENTROZOON), Farhad Darya, Nic-D'ea, Andreas von Garnier (SYNTHASIS), Dirk Schlömer (ex-TON STEINE SCHERBEN), Bianca Guitton (BERLIN SOUNDPAINTING ORCHESTRA), Bernhard Wöstheinrich (THE REDUNDANT ROCKER, CENTROZOON) und Volker Lankow.
[Show full text]
Torna «Re Cremisi» E Lo Scettro E
IL CONCERTO. A Milano la prima data italiana dei King Crimson guidati ancora da Fripp La Etui snwatJsc*: nonvmHamo Thom Emi il giganle bntanmco delt eletlronica e della musica ha dichiarato di non avere mtenztone Torna «Re cremisi» di vendere le sue atuvtta musicall smentendo cosl le voci secondo le quail avrebbe awiato discussiom con 1 amencana Walt Disney per cedere Emi MUSK la quinta casa drscograhca del mondo ad un e lo scettro e suo prezzo di circa 4 muiardi di sterli ne Tornano i King Crimson e suonano in Italia in sole due cittA Milano (martedi scorso) e Mestre (stasera) Un MI'MtadaGhrtotto's LamHo ntorno molto atteso dai numerosi fans del «Re cremisi" tmUclbnnllnwNti fostetfla senza nessuna concessione alia nostalgia la nuova (or- MReMHStoaM mazione dei King Crimson e inusuale e di alhssimo li- cento annl Dopotantl naMrl-lmditt-fW veilo, con il sempiterno leader Robert Fnpp, il compri- omm,«c«ofcwlipima to Due anni di manifeslaztoni per fe- mano chitamsta-cantante Adrian Belew, Tom Levin e rMncttad«t-«antagtt<)OlMh,t* steggiaie in tutto il mondo il cente- Trey Gunn al basso. Pal Waste I lotto eBillBruford noOzHdialtaMdagiSUnM narb della radio Presentato ten •MMtdMnMK un «M compaew di mattina a Palazzo Chigi it pro- ctwadl McktaCf*f FMU* gramma di mizianve italiane e in Darthnl «>MMMrSdMNil hi lemzionali prevede fra lartro la BWOOM MIMINI rltr(N*to N* IMMID CMtfinnta 13 consegna del premio Marconi a c»MilnS>MM*dtla • MILANO C 6 poco spazo per la dai muscisti E cio* una vorticosa uno scienzialo in una cerimonia - prtmUrtntlwwUlteggw nostalgia e i ricord i e chi s aspelta gtrandola d< spuntl e inlluenze do presieduta dal presktente della Re Mchmli,<Mt-eLTnttaridMJnfa pubMica - che si terra il 22 giugno va dai King Crimson un concerto a ve it suonn e complesso e spigolo BoyBtW*ndawBh»Boy».
[Show full text]
Tesi Del Dott. Jacopo Conti: Minimalismo ... -.:: Franco Fabbri
UNIVERSITÀ DEGLI STUDI DI TORINO FACOLTÀ DI SCIENZE DELLA FORMAZIONE CORSO DI STUDIO TRIENNALE IN D.A.M.S. DISSERTAZIONE FINALE Minimalismo, modalità e improvvisazione nella musica dei nuovi King Crimson Relatore: Candidato: Ernesto Napolitano Jacopo Conti matr. n° 259083 Anno accademico 2006 - 2007 A mia zia, che credeva in me e mi ha sempre sostenuto. 1 PREMESSA “King Crimson was more a revolving door than a band. ” - Robert Palmer La cronologia dei King Crimson (KC) dal 1969 al 2003 è assai articolata, e include vari stili e molti musicisti con una sola presenza fissa, quella di Robert Fripp (1946), chitarrista e compositore inglese fondatore del gruppo. Considerati tra i fondatori del progressive rock, pubblicano l’album In The Court Of The Crimson King 1 nel 1969 con Fripp alla chitarra, Ian McDonald (1946) al sax e al mellotron, Michael Giles (1942) alla batteria, Greg Lake (1948) al basso e alla voce e Peter Sinfield (1943) nel ruolo di paroliere. I lunghi brani strutturati, gli elaborati riff suonati all’unisono e i testi di ispirazione fantastica e fiabesca non solo diventano la caratteristica principale del gruppo, ma anche gli elementi fondanti del nuovo genere. Già con il secondo lp, In The Wake Of Poseidon (1970), la formazione viene rimodellata: Mel Collins (1947) prende il posto di McDonald al sax, Gordon Haskell canta in alcuni brani (durante la lavorazione del disco Greg Lake abbandona il gruppo per andare a costituire il trio Emerson, Lake & Palmer), si aggiunge al pianoforte Keith Tippett (1947). Il gruppo si scioglie per qualche mese dopo l’incisione del disco per poi tornare, con un’altra formazione, alla fine del 1970.
[Show full text]
North Coast Voice September 2020
Locally Owned and Operated Est. 2000 FREE! Vol. 20 - Issue 8• August 5 - Sept. 2, 2020 Read online at www.northcoastvoice.com INSIDE: WINERIES • LIVE MUSIC • DINING • EVENTS & FUN! North Coast Voice OLD FIREHOUSE WINERY 5499 Lake Road East Geneva-on-the Lake, Ohio Open 7 days noon – 9pm now through Labor Day “Entertainment Daily! Hand Crafted Award-Winning Wines (see inside back cover) FOR ENTERTAINMENT AND EVENTS, SEE OUR AD ON PG. 7 Mon. & Tues. closed, Wed. 12-5 Thur. 12-8, Fri. & Sat. 12-9, Sun. 12-5 6451 N. RIVER RD., HARPERSIELD, OHIO 4573 Rt. 307 East, Harpersfield, Oh Hours: Wed. and Thurs. 3-7 440.415.0661 Fri. and Sat. 12 - 8 • Sun. 12 - 6 www.laurellovineyards.com Closed Mon. and Tues. wineabit@laurellovineyards.com WWW.HUNDLEY CELLARS.COM Weekend Entertainment see our ad on pg. 7 Hours: 1520 Harpersfield Road Geneva • Monday & Tuesday Closed 440-466-1248 Wednesday & Thursday noon to 6 pm Friday & Saturday 6 to 9 pm, Geneva Exit off I-90, S. on SR534 • 2/10 mile Sunday 2 to 5 pm Hours: Sun-Thurs: 11:30-8pm 834 South County Line Road Fri & Sat: 11:30-10pm Harpersfield, Ohio 44041 www.deersleapwine.com 440.361.3049 www.bennyvinourbanwinery.com bennybucci@hotmail.com 636 State Route Summer Hours 534 Harpersﬁeld Sun. - Thurs. 12-6pm • Friday 12-10pm • Saturday 12-8pm 440.361.4573 At this time, we are unable to accept shuttles, busses or Limos. kosicekvineyards.com Live Music Entertainment Fri. 7-10pm & Sat. 5-8pm (Music will be outside only) Fri., Aug.
[Show full text]
Of Virtual Spatiality: Surround Sound Mixing in King Crimson's Back
Toivo Burlin: The creation (and re-creation) of virtual spatiality: Surround sound mixing in King Crimson’s back catalog box sets Proceedings of the 12th Art of Record Production Conference Mono: Stereo: Multi Burlin, T. (2019). The creation (and re-creation) of virtual spatiality: Surround sound mixing in King Crimson’s back catalog box sets. In J.-O. Gullö (Ed.), Pro- ceedings of the 12th Art of Record Production Conference Mono: Stereo: Multi (pp. 37-53). Stockholm: Royal College of Music (KMH) & Art of Record Produc- tion. ISBN 978-91-983869-9-8 © The editors and authors own the copyright of their respective contrubutions. Toivo Burlin: The creation (and re-creation) of virtual spatiality: Surround sound mixing in King Crimson’s back catalog box sets Abstract: The article analyzes surround mixing of King Crimson’s analog recordings. “Lizard,” “Larks’ Tongues in Aspic (Part 1),” “The Night Watch,” “Trio,” and “One Time” are analyzed using the theoretical perspec- tives of the music recording as representation and spatial design. There is a difference between live and studio recordings in surround: live recordings tend to be mixed according to the direct/ambient principle, while studio re- cordings are mixed according to the principle of direct-sound all around. Live recordings in surround can also often be understood as examples of documentarism, and studio recordings as examples of hyper realism. The spatial design of the surround mix tends to emphasize aspects of spatiality in the broad sense: where the recording can, for example, be interpreted as a landscape in sound. Introduction This essay discusses some tendencies in the emerging conventions in con- temporary surround mixing of popular music.
[Show full text]
David Sylvian & Robert Fripp the First Day Mp3, Flac
David Sylvian & Robert Fripp The First Day mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic Album: The First Day Country: Japan Released: 1993 Style: Leftfield, Downtempo, Experimental MP3 version RAR size: 1370 mb FLAC version RAR size: 1831 mb WMA version RAR size: 1547 mb Rating: 4.8 Votes: 282 Other Formats: ADX DTS WMA AAC ASF MP1 XM Tracklist Hide Credits God's Monkey 1 4:59 Music By – David Bottrill, David Sylvian, Robert Fripp, Trey GunnWords By – David Sylvian Jean The Birdman 2 4:10 Music By – David Sylvian, Robert Fripp, Trey GunnWords By – David Sylvian Firepower 3 10:25 Music By – David Sylvian, Robert Fripp, Trey GunnWords By – David Sylvian Brightness Falls 4 6:05 Music By – David Sylvian, Robert Fripp, Trey GunnWords By – David Sylvian 20th Century Dreaming (A Shaman's Song) 5 11:51 Music By – David Sylvian, Robert Fripp, Trey GunnWords By – David Sylvian Darshan (The Road To Graceland) 6 17:17 Music By – David Bottrill, David Sylvian, Robert Fripp, Trey GunnWords By – David Sylvian 7 Bringing Down The Light 8:26 Companies, etc. Manufactured By – Toshiba EMI Ltd Record Company – Toshiba EMI Ltd Phonographic Copyright (p) – Virgin Records Ltd. Copyright (c) – Virgin Records Ltd. Published By – Opium (Arts) Ltd. Published By – Crimson Music Published By – Real World Music Ltd. Recorded At – Dreamland Recording Studios Recorded At – Kingsway Studios, New Orleans Produced At – Applehead Mixed At – Electric Lady Studios Credits Chapman Stick [Grand And Tenor Sticks], Vocals – Trey Gunn Coordinator [Recording Co-ordination
[Show full text]