A Sociolinguistic Profile of Kolami Dialects
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ANALOG IAS INSTITUTE 2Nd Floor, 1-2-288/32, Indira Park 'X' Roads, Domalguda, Hyderabad – 500029 Ph
ANALOG IAS INSTITUTE 2nd Floor, 1-2-288/32, Indira Park 'X' Roads, Domalguda, Hyderabad – 500029 Ph. No: 040-64646686, 9912441137 www.analogeducation.in ADILABAD The district derives its name from Adilabad,its headquarters town which was named after the ruler of Bijapur, “Ali Adil Shah”. The district was for long not a homogenius unit and its component parts were ruled at different periods by nasties namely, the Mauryas,Staavahanas, Vakatakas,Chaludyasof Badami, Rashtrakututs, Chalukyas of Kalyani, Mughals,Bhosle Rajes of Nagpur and Asaf Jahis, besides the Gond Rajas of Sirpur and Chanda.Originally this was not full fledged district but a sub-district named Sirpur-Tandur which was created in A.D. 1872 with Edlabad(Adilabad), Rajura and Sirpur as its consistuents talukas.In 1905 the status of this sub-district was raised to that of an independent district with head quarters at Adilabad. In 2006 the Indian government named Adilabad one of the country's 250 most backward districts (out of a total of 640) It is one of the districts in Telangana currently receiving funds from the Backward Regions Grant Fund Programme (BRGF). Konda Lakshman Bapuji popularly known as Telangana Gandhi (27 September 1915 - 21 September 2012) was an Indian freedom fighter who participated in theTelangana Rebellion. He died on 21 September 2012 at his residence (Jala Dhrushyam) in Hyderabad. Bapuji was born in Wankidi village, Adilabad district, Hyderabad State Famous tribal Gond hero Komaram Bheem who fought against the deadly tyranny of Nizam government and against its land grabbing activities in the forests, belongs to Adilabad district. -
On Understanding Certain Kolam Designs
Dr.Gift Siromoney's Home Page Page 1 of 4 Home | Biodata | Biography | Photo Gallery | Publications | Tributes [Back to Kolam List] Kolam On understanding certain kolam designs Second International Conference on Advances in Pattern Recognition and Digital Technique January 6-9, 1986 at the Indian Statistical Institute, Calcutta. Gift Siromoney and R.Chandrasekaran ABSTRACT Kolam is a form of traditional Indian folk art that is widely used in Southern part of India as threshold decoration in front of dwellings. Kolam Practitioners, mostly women, memorize the complicated kolam designs using some syntactic rules. There are different types of kolam patterns in which dots or pullis and lines or curves are used. In this paper, we examine a kolam pattern called Hridaya Kamalam in which five pullis are marked on eight converging arms in radial form and they are joined by lines using certain rules. Hridaya Kamalam kolam is generalized to contain m arms and n pullis in each arm. The number of unending lines ( kambis ) needed to complete the design is also obtained. For a design with m arms and n pullis, the number of kambis required to complete the pattern is given by the HCF of (m,n). When m and n are prime to each other, the pattern contains only one unending line. A class of Hridaya Kamalam kolam is generated by choosing different values for the number of arms m and the number of pullis n. An algorithm for generating these designs is implemented on a Genie I Computer. The pullis can be joined by straight lines, circular arcs or any other form of curves. -
PONGAL and Makar Sankranti- Book for Kids
Written by Srividya Vishwanathan for itsallaboutkidsplay.com Story of Pongal/Makar Sankranti www.itsallaboutkidsplay.com Pongal is a harvest festival celebrated in southern part of India. It is known as Makar Sankranti in other parts of India. India is an agricultural land. Pongal/ Makar Sankranti is a thanksgiving festival, thanking nature and deities for the bountiful produce. The 4 days of PONGAL include This festival is celebrated for 4 days in 1. Bhogi Pongal month of January. Rice, pulses, 2. Thai Pongal turmeric, and sugarcane are harvested 3. Mattu Pongal during this time. 4. Kannu Pongal Story of Pongal/Makar Sankranti www.itsallaboutkidsplay.com \ Day 1 - Bhogi Pongal This day is celebrated thank the rain god Indira. People thank him for the proper rain which resulted in abundant crops. Another ritual performed is burning of unnecessary household items in a bonfire. Household is cleaned in preparation of the main day of Pongal. Story of Pongal/Makar Sankranti www.itsallaboutkidsplay.com Praying to sun god Sweet Pongal Salted Pongal Day 2 - Thai Pongal This day is celebrated to thank the sun god. In Tamil the word “Pongal “means “Overflowing” signifying abundance and prosperity. Kolam Traditional prasad of rice cooked in milk is prepared. Sweet and Salt versions of Pongal are made. Traditionally Pongal is cooked in earthen cookware. Kolam/Rangoli are drawn in front of household. Pongal being cooked in earthen pot Story of Pongal/Makar Sankranti www.itsallaboutkidsplay.com Day 3- Mattu Pongal This 3rd Day of Pongal is dedicated to cows. Cows help a lot in farming and are treated as a holy animal. -
Interrogating Tamil Kolam and Igbo Uli Within a Postmodern Context
International Journal of Development Strategies in Humanities, Management and Social Sciences | IJDSHMSS ISSN Print: 2360-9036 | ISSN Online: 2360-9044 Volume7, Number 3 November, 2017 Interrogating Tamil Kolam and Igbo Uli within a Postmodern Context 1Okoronkwo Ikechukwu Francis & 2Sukanthy Visagapperumal Egharevba 1Fine Arts and Design Department, University of Port Harcourt 2Cross River University of Technology, Calabar, Cross- Rivers State, Nigeria A b s t r a c t hough the Tamils of Sri-Lanka and the Igbos of Nigeria are culturally and geographically disparate, there are certain similarities that exist between Tthe two ethnicities especially in the areas of floor and wall decorations; Tamil kolam and Igbo Uli. Despite the flux and fragmentations that are apparent between diverse cultures, it is of interest to note that such commonalities amid these two, one from Asia and the other from Africa. Hence, it is believed that cultural and scientific evidence support similarities as it exists between the Kolamand Uliit become an issue that demands serious attention. The objective of this paper is to identify the commonalities that existed between these two ethnic groups historically and culturally and to bring forth the seemingly interesting harmony amid Tamil kolam and Igbo Uli within a postmodern context. The paper posits a pre-colonial origin and situates recent shifts in painting traditions to normal dynamism that happens to any culture which is exposed to other cultures. We live in an era where we are exposed to other cultures. The finding of this paper is that investigation into our roots brings forth new narratives that define our cultural existences. -
The Astronomy of Two Indian Tribes: the Banjaras and the Kolams
Journal of Astronomical History and Heritage, 17(1), 65-84 (2014). THE ASTRONOMY OF TWO INDIAN TRIBES: THE BANJARAS AND THE KOLAMS M.N. Vahia Tata Institute of Fundamental Research, Homi Bhabha Road, Mumbai 400 005, India. Email: [email protected] Ganesh Halkare Indrayani Colony, Amravati, 444 607, India. Email: [email protected] Kishore Menon Tata Institute of Fundamental Research, Homi Bhabha Road, Mumbai 400 005, India. Email: [email protected] and Harini Calamur 1602 C Lloyds Estate, Vidvalankar, College Road, Wadala E., Mumbai 37, India. Email: [email protected] Abstract: We report field studies of the astronomical beliefs of two Indian tribes – the Banjaras and the Kolams. The Banjaras are an ancient tribe connected with the gypsies of Europe while the Kolams have been foragers until recently. They share their landscape with each other and also with the Gonds whose astronomy was reported previously (Vahia and Halkare, 2013). The primary profession of the Banjaras was trade, based on the large-scale movement of goods over long distances, but their services were taken over by the railways about one hundred years ago. Since then the Banjaras have begun the long journey to a sedentary lifestyle. Meanwhile, the Kolams were foragers until about fifty years ago when the Government of India began to help them lead a settled life. Here, we compare their astronomical beliefs of the Banjaras and the Kolams, which indicate the strong sense of identity that each community possesses. Our study also highlights their perspective about the sky and its relation to their daily lives. We show that apart from the absolute importance of the data on human perception of the sky, the data also reveal subtle aspects of interactions between physically co-located but otherwise isolated communities as well as their own lifestyles. -
History of Rangoli Rangoli at Diwali
History of Rangoli Rangoli at Diwali Rangoli, which means rows of colours, is drawn on the entrance and filled with colours during Diwali. Rangoli designs are created using the thumb and forefinger. It is drawn to welcome guests and different Gods and Goddesses and to bring joy into homes. Origin of Rangoli Lopamudra was the wife of a sage called, Augustya Rishi. She also wrote 2 portions of the Rigveda (famous holy books). She and her husband lived in a remote place, away from others. People would describe them as hermits. Lopamudra wanted help her husband in worshiping the gods, so she started to make rangoli, a decoration for the Yagyakunda. Yagyakunda is what we call a place of worship. Lopamudra asked the Panchatatva (the five elements – sky, wind, water, earth, fire) to give her colours to please her husband. She was able to collect blue from sky, green from water, black from soil, red from fire and white from wind. She then added these colours to the rangoli (made from ground rice, lentils, flowers and spices) which is why they look so beautiful today. Rangoli Colours Blue represents the sky and green represents the sea. Both colours bring calm and helps with using our imagination. These are good colours for story-telling. Black brings strength and stability. Red, the colour of fire or danger, represents the code of conduct the artist must follow. White represents peace and positivity and embodies all colours. All of these colours in Rangoli bring in elements that we wish for in the new year, when celebrating Diwali. -
Kolam Is Draw at Pongal Festival | Tallahassee.Com | Tallahassee
Kolam is draw at Pongal festival | tallahassee.com | Tallahassee... 2/11/2010 9:01 AM Other editions: Mobile | RSS Feeds | E-Newsletters | Text Alerts | Subscribe Now Find it: Jobs | Cars | Real Estate | Rentals | Deals | Dating | Classifieds All Local News Archives Calendar More » HOME NEWS SPORTS CAPITAL FSU FAMU COMMUNITIES OPINION ENTERTAINMENT WEATHER OBITUARIES CLASSIFIEDS CUSTOMER SERVICE Local News Breaking News Update Florida Photos Video Nation & World Business Health MomsLikeMe.com Text Alerts Archives Kolam is draw at Pongal festival BY THAYUMANASAMYSOMASUNDARAM • SPECIAL TO THE CHRONICLE • FEBRUARY 10, 2010 Print this page E-mail this article Share Type Size A A A Kolam, the traditional rice flour drawing done by women of southeastern India every morning on the thresholds of their homes usually attracts attention for its complexity and brings praise from neighbors for its beauty. The kolam art-form, usually passed on from mothers to daughters, takes extra significance during the Pongal festival which falls in mid-January when the sun enters the constellation Mahara (Capricorn). Pongal is celebrated when Indian farmers say thanks for their crops and share their joy with others. Kolam is drawn by releasing a stream of rice powder held between thumb and index fingers, producing a thin line, and is then shaped using the wrist to produce abstract patterns or shapes like flowers or animals. Special to the Chronicle The initial kolam design is laid out. Rows of dots are first placed on the ground to guide the women in producing the patterns that vary from two to 20 square feet. It is customary to draw a different pattern for each day and for every day of the year. -
SCHEME and SYLLABI of M. TECH. in POWER SYSTEMS OFFERING
KERALA TECHNOLOGICAL UNIVERSITY (KOLAM CLUSTER - 02) SCHEME AND SYLLABI of M. TECH. in POWER SYSTEMS OFFERING DEPARTMENT ELECTRICAL & ELECTRONICS ENGINEERING CLUSTER LEVEL GRADUATE PROGRAM COMMITTEE NO MEMBER 1 Dr. S. Mohan, Professor, IIT Madras, Chennai 2 Principal, TKM College of Engineering, Kollam 3 Principal, Baselios Mathews II College of Engineering, Sasthamcotta, Kollam 4 Principal, College of Engineering, Karunagapally, Kollam 5 Principal, College of Engineering, Perumon, Kollam 6 Principal, Pinnacle School of Engineering and Technology, Anchal, Kollam 7 Principal, Shahul Hameed Memorial Engineering College, Kadakkal, Kollam 8 Principal, TKM Institute of Technology, Ezhukone, Kollam 9 Principal, Travancore Engineering College, Parippally, Kollam 10 Principal, Younus College of Engineering and Technology, Pallimukku, Kollam Page 1 CERTIFICATE This is to certify that 1. The scheme and syllabi are prepared in accordance with the regulations and guidelines issued by the KTU from time to time and also as per the decisions made in the CGPC meetings. 2. The suggestions/modifications suggested while presenting the scheme and syllabi before CGPC on 8.6.2015 have been incorporated. 3. There is no discrepancy among the soft copy in MS word format, PDF and hard copy of the syllabi submitted to the CGPC. 4. The document has been verified by all the constituent colleges Coordinator in charge of syllabus revision of the programme Mr. Johnson Y Head of the Department (EEE) UKF College of Engineering & Technology Parippally, Kollam Dr. E. Gopalakrishna Sarma Principal UKF College of Engineering & Technology, Parippally, Kollam Date: Dr S. Mohan, Place: Professor, IIT, Madras Chairman Page 2 Programme Educational Objective I. This Course aims at training graduate engineers in the field of Power Systems. -
A Language of Symbols: Rangoli Art of India by Nayana Tadvalkar
A Language of Symbols: Rangoli Art of India Nayana Tadvalkar Abstract Rangavali or Rangoli is an ephemeral floor art practiced in India since ancient times. The sources of the rangoli diagram lie in the protection sought by Homo sapiens in the magical drawings, which were believed to prevent the auras of bad spirits from coming into the house. This tradition continues down the history of man till date. Rangoli, essentially a woman’s art, carries connotations of anonymity, collective wisdom, spontaneity and simplicity. It reflects the larger philosophy of life through patterns of memory and an extensive visual and geometric vocabulary. The art of rangoli is a storehouse of symbols. Beginning with the auspicious dot, the symbols go on expanding to form a line and the basic geometrical shapes like the circle, triangle, square and so on, each having its own significance. The geometrical figures as the point, line, circle, triangle and square, have a symbolic value in representing the basic energies of the universe. The survival of rangoli symbols through space and time and their facility for absorption in new environments can be attributed to their simplicity, flexibility and elemental appeal and most importantly to the beliefs of the people. This paper attempts to trace the meaning of symbols hidden in the rangoli diagrams. Rangoli or Rangavali in Sanskrit - rang (colour) and aavali (row), is an ancient Indian folk art created on the floor. Literally, it means creepers drawn in colours. In India, traditional place to draw rangolis is the threshold of the house, a zone of passage from the known – the house, to the unknown outer world. -
History of Rangoli
History of Rangoli M R1 .• ..• ■ • MUSEUMS PARTNERSHIP READING Rangoli at Diwali Rangoli, which means rows of colours, is drawn on the entrance and filled with colours during Diwali. Rangoli designs are created using the thumb and forefinger. It is drawn to welcome guests and different Gods and Goddesses and to bring joy into homes. Origin of Rangoli Lopamudra was the wife of a sage called, Augustya Rishi. She also wrote 2 portions of the Rigveda (famous holy books). She and her husband lived in a remote place, away from others. People would describe them as hermits. Lopamudra wanted help her husband in worshiping the gods, so she started to make rangoli, a decoration for the Yagyakunda. Yagyakunda is what we call a place of worship. Lopamudra asked the Panchatatva (the five elements – sky, wind, water, earth, fire) to give her colours to please her husband. She was able to collect blue from sky, green from water, black from soil, red from fire and white from wind. She then added these colours to the rangoli (made from ground rice, lentils, flowers and spices) which is why they look so beautiful today. Rangoli Colours Blue represents the sky and green represents the sea. Both colours bring calm and helps with using our imagination. These are good colours for story-telling. Black brings strength and stability. Red, the colour of fire or danger, represents the code of conduct the artist must follow. White represents peace and positivity and embodies all colours. All of these colours in Rangoli bring in elements that we wish for in the new year, when celebrating Diwali. -
Pongal-Harvest Festival of Tamil Nadu
Pongal-Harvest Festival of Tamil Nadu © Aviyal Presentations : https://aviyalpresentations.wordpress.com/ Pongal • It’s the harvest festival of Tamil Nadu. It is celebrated in different states in different names : Makar Sankranti in North India, Lohri in Punjab and Bihu in Assam. • It is a four-day festival which according to the Tamil calendar is celebrated in Thai month(January -February), usually from 14 January to 17 January. • This is the time when crops like rice, sugarcane, turmeric etc.. Are harvested. • Meaning of word Pongal is “overflowing” or “to boil” signifying abundance and prosperity. • This festival is celebrated as a thanksgiving ceremony for the year's harvest. • Pongal is also the name of a dish(shown below) prepared during this festival. © Aviyal Presentations : https://aviyalpresentations.wordpress.com/ First day- Bogi • It’s celebrated on the eve of Pongal in honor of Lord Indra (Lord of clouds). • This is the day when houses are cleaned, decorated and useless items of the household are put into a bonfire made of cow dung cakes and wood. • This also symbolizes burning of the society from bad and the evil. • Girls dance around the bonfire, singing songs in praise of the Gods, the spring and the harvest. Burning old things Bonfire © Aviyal Presentations : https://aviyalpresentations.wordpress.com/ Second Day-Thai Pongal • This is the most important day of the festival ,celebrated on the first day of the Tamil calendar month Thai. It is also known as Surya Pongal. • The festival marks the end of winter solstice, and the start of the sun's six-month-long journey northwards (the Uttaraayanam) when the sun enters the zodiac Makara (Capricorn) • During the festival, milk is cooked in a pot. -
Understanding Mobility Among Tribal Population: a Study in Andhra Pradesh, India
Understanding mobility among tribal population: A study in Andhra Pradesh, India Prashant Kulkarni i, K.C.Das ii , Virendra Pardeshi i i The Maharashtra Association of Anthropological Sciences, (MAAS) Pune, India ii International Institute for Population Sciences, (IIPS) Mumbai, India Key-words : Tribes, seasonal, mobility, migration, women, survival, Andhra Pradesh, India Introduction One important aspect of population is the study of migration arising out of various social, economic or political reasons. For a large country like India, the study of movement of population in different parts of the country helps in understanding the dynamics of the society better. At this juncture of the economic development in the country, especially when many states are undergoing faster economic development, particularly in areas, such as, manufacturing, information technology and service sectors, and data on migration profile of population has become more important. (Census of India, 2001).India is a very heterogeneous society divided into so many castes and tribal communities. The population belonging to these scheduled caste (SC) and scheduled tribes (ST) are relatively socio-economically backward. There are some 573 communities recognized by the government as Scheduled Tribes and therefore eligible to receive special benefits and to compete for reserved seats in education, jobs and legislatures. They range in size from the Gonds (roughly 7.4 million) and the Santals (approximately 4.2 million) to only eighteen Chaimals in the Andaman Islands. Central Indian states have the country's largest chunk of tribes and taken as a whole, they roughly constitute 75 percent of the total tribal population of India. Data on population mobility in India is very scanty.