Working - Notes for Performers
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Jack Kerouac's on the Road & How That Influenced the Road Movie
Sheldon 1 Matthew A. Sheldon Introduction to the Road Film Midterm Exam 12/15/12 Midterm Exam 1. One of the main films that focused it‟s themes on rebellious critique and conservative authority was Bonnie and Clyde. The film was less about historical accuracy and more a direct reflection of the late 1960‟s ideology with the rise of the Vietnam War, the assassination of President Kennedy and the horrific Charles Mansion murders. In David Laderman‟s essay he explains how the cultural roots of the road film seemed to step from three different genres which are the western, the gangster and the film noir which also are very similar to Jack Kerouac‟s 1955 novel On the Road. “All three of these genres predated On the Road, and Sal and Dean Affectionately invoke western and gangster films throughout. On the Road‟s basic themes and style also highlight the ideological contradiction between rebellion and tradition.” (3) Right in the opening shot of Bonnie and Clyde you can see a close-up of Bonnie Parker become bored and restless on her bed, wanting to escape the imprisonment of traditional lifestyle. When she catches Clyde trying to break into her mother‟s car, his dangerous character fascinates her and gives her an emotional sensual excitement of rebellion and risk that she never felt before. Clyde talks Bonnie into leaving with him not just because of the liberating crime life he is offering her but because he seems to be insightful in who she is as a person and what her Sheldon 2 needs and desires are. -
American Road Movies of the 1960S, 1970S, and 1990S
Identity and Marginality on the Road: American Road Movies of the 1960s, 1970s, and 1990s Alan Hui-Bon-Hoa Art History and Communication Studies McGill University, Montreal March 2012 A thesis submitted to McGill University in partial fulfillment of the requirements of the degree of Master of Arts in Communication Studies. © Alan Hui-Bon-Hoa 2012 Table of Contents Abstract ………………………………………………………………………………………….. 3 Abrégé …………………………………………………………………………………………… 4 Acknowledgements …..………………………………………………………………………….. 5 Introduction ……………………………………………………………………………………… 6 Chapter One: The Founding of the Contemporary Road Rebel …...………………………...… 23 Chapter Two: Cynicism on the Road …………………………………………………………... 41 Chapter Three: The Minority Road Movie …………………………………………………….. 62 Chapter Four: New Directions …………………………………………………………………. 84 Works Cited …………………………………………………………………………………..... 90 Filmography ……………………………………………………………………………………. 93 2 Abstract This thesis examines two key periods in the American road movie genre with a particular emphasis on formations of identity as they are articulated through themes of marginality, freedom, and rebellion. The first period, what I term the "founding" period of the road movie genre, includes six films of the 1960s and 1970s: Arthur Penn's Bonnie and Clyde (1967), Dennis Hopper's Easy Rider (1969), Francis Ford Coppola's The Rain People (1969), Monte Hellman's Two-Lane Blacktop (1971), Richard Sarafian's Vanishing Point (1971), and Joseph Strick's Road Movie (1974). The second period of the genre, what I identify as that -
Scenic Design for the Musical Godspell
Scenic design for the musical Godspell Thesis Presented in Partial Fulfillment of the Requirements for the Degree of Master of Fine Arts in the Graduate School of The Ohio State University By Sarah Sugarbaker Graduate Program in Theatre The Ohio State University 2009 Master’s Examination Committee: Professor Dan Gray, M.F.A. Advisor Professor Mandy Fox, M.F.A. Professor Kristine Kearney, M.F.A. Copyright by Sarah Sugarbaker 2009 Abstract In April of 2009 the Ohio State University Theatre Department produced Godspell, a musical originally conceived by John‐Michael Tebelak with music by Stephen Schwartz. This production was built and technically rehearsed in the Thurber Theatre, and then moved to the Southern Theatre in downtown Columbus, OH. As the scenic designer of this production I developed an environment in which the actors and director created their presentation of the text. Briefly, the director’s concept (Appendix A) for this production was to find a way to make the production relevant to the local population. Godspell centers around the creation and support of a community, so by choosing to reference the City Center Mall, an empty shopping center in downtown Columbus, the need for making a change as a community was emphasized. This environment consisted of three large walls that resembled an obscured version of the Columbus skyline, inspired by advertisements within the shopping center. Each wall had enlarged newspapers that could be seen under a paint treatment of vibrant colors. The headlines on these papers referenced articles that the local paper has written about the situation at the shopping center, therefore making the connection more clear. -
Cotton and the Community: Exploring Changing Concepts of Identity and Community on Lancashire’S Cotton Frontier C.1890-1950
Cotton and the Community: Exploring Changing Concepts of Identity and Community on Lancashire’s Cotton Frontier c.1890-1950 By Jack Southern A thesis submitted in partial fulfillment for the requirements for the degree of a PhD, at the University of Central Lancashire April 2016 1 i University of Central Lancashire STUDENT DECLARATION FORM I declare that whilst being registered as a candidate of the research degree, I have not been a registered candidate or enrolled student for another aware of the University or other academic or professional institution. I declare that no material contained in this thesis has been used for any other submission for an academic award and is solely my own work. Signature of Candidate ________________________________________________ Type of Award: Doctor of Philosophy School: Education and Social Sciences ii ABSTRACT This thesis explores the evolution of identity and community within north east Lancashire during a period when the area gained regional and national prominence through its involvement in the cotton industry. It examines how the overarching shared culture of the area could evolve under altering economic conditions, and how expressions of identity fluctuated through the cotton industry’s peak and decline. In effect, it explores how local populations could shape and be shaped by the cotton industry. By focusing on a compact area with diverse settlements, this thesis contributes to the wider understanding of what it was to live in an area dominated by a single industry. The complex legacy that the cotton industry’s decline has had is explored through a range of settlement types, from large town to small village. -
James Taylor
JAMES TAYLOR Over the course of his long career, James Taylor has earned 40 gold, platinum and multi- platinum awards for a catalog running from 1970’s Sweet Baby James to his Grammy Award-winning efforts Hourglass (1997) and October Road (2002). Taylor’s first Greatest Hits album earned him the RIAA’s elite Diamond Award, given for sales in excess of 10 million units in the United States. For his accomplishments, James Taylor was honored with the 1998 Century Award, Billboard magazine’s highest accolade, bestowed for distinguished creative achievement. The year 2000 saw his induction into both the Rock ‘n’ Roll Hall of Fame and the prestigious Songwriter’s Hall of Fame. In 2007 he was nominated for a Grammy Award for James Taylor at Christmas. In 2008 Taylor garnered another Emmy nomination for One Man Band album. Raised in North Carolina, Taylor now lives in western Massachusetts. He has sold some 35 million albums throughout his career, which began back in 1968 when he was signed by Peter Asher to the Beatles’ Apple Records. The album James Taylor was his first and only solo effort for Apple, which came a year after his first working experience with Danny Kortchmar and the band Flying Machine. It was only a matter of time before Taylor would make his mark. Above all, there are the songs: “Fire and Rain,” “Country Road,” “Something in The Way She Moves,” ”Mexico,” “Shower The People,” “Your Smiling Face,” “Carolina In My Mind,” “Sweet Baby James,” “Don’t Let Me Be Lonely Tonight,” “You Can Close Your Eyes,” “Walking Man,” “Never Die Young,” “Shed A Little Light,” “Copperline” and many more. -
Pricing Excess-Of-Loss Casualty Working Cover Reinsurance Treaties
TITLE: PRICING EXCESS-OF-LOSS CASUALTY WORKING COVER REINSURANCE TREATIES AUTHORS: Mr. Gary Patrik Mr. Patrik is an Actuarial Director of Prudential Reinsurance Company. He received his FCAS in 1978, and earned an M.S. degree from Northwestern Univer- sity as well as an M. S. degree from the Graduate School of Business Administration of New York University. Gary is currently, on the GAS Committee on Theory of Risk, the CAS Education and Examination Committee and the AERF Loss Distribution Textbook Selection Committee. Mr. Russell John Mr. John is a Senior Actuarial Associate with Prudential Reinsurance Company. He receives his ACAS in May 1980 and holds a PhD degree in Math- ematies from Rutgers University. REVIEWER: Mr. Jerry Miccolis Mr. Miccolls is Vice President for Tillioghast, Nelson and Warren Inc. He has a B. S. degree in Mathenmtics from Drexel University in Philadelphla, and received his FCAS in 1979. Jerry is also a member of the American Academy of Actuaries and serves the GAS on the Committee on Theory of Risk as well as the Exami- nation Committee. - 399 - I. INTRODUCTION An excess-of-loss reinsurance treaty provides the primary insurance company (cedant) with reinsurance protection covering a certain layer of loss for a specified category of individual (direct) insurance policies. Hence, for each loss event (occur- rence) coming within the terms of the treaty, the reinsurer re- imburses the cedant for the dollars of loss in excess of a cer- tain fixed retention up to some maximum amount of liability per occurrence. For example, if the cedant's retention is $i00,000 and the reinsurer's limit of liability is $400,000, then the re- insurer covers losses in the layer $i00,000 up to $500,000; in reinsurance terminology, this is the layer $400,000 excess of $100,000. -
Summer Camp Song Book
Summer Camp Song Book 05-209-03/2017 TABLE OF CONTENTS Numbers 3 Short Neck Buzzards ..................................................................... 1 18 Wheels .............................................................................................. 2 A A Ram Sam Sam .................................................................................. 2 Ah Ta Ka Ta Nu Va .............................................................................. 3 Alive, Alert, Awake .............................................................................. 3 All You Et-A ........................................................................................... 3 Alligator is My Friend ......................................................................... 4 Aloutte ................................................................................................... 5 Aouettesky ........................................................................................... 5 Animal Fair ........................................................................................... 6 Annabelle ............................................................................................. 6 Ants Go Marching .............................................................................. 6 Around the World ............................................................................... 7 Auntie Monica ..................................................................................... 8 Austrian Went Yodeling ................................................................. -
The English Occupational Song
UNIVERSITY OF UMEÅ DISSERTATION ISSN 0345-0155-ISBN 91-7174-649-8 From the Department of English, Faculty of Humanities, University of Umeå, Sweden. THE ENGLISH OCCUPATIONAL SONG AN ACADEMIC DISSERTATION which will, on the proper authority of the Chancellor's Office of Umeå University for passing the doctoral examination, be publicly defended in Hörsal E, Humanisthuset, on Saturday, May 23, at 10 a.m. Gerald Porter University of Umeå Umeå 1992 ABSTRACT THE ENGLISH OCCUPATIONAL SONG. Gerald Porter, FL, Department of English, University of Umeå, S 901 87, Sweden. This is the first full-length study in English of occupational songs. They occupy the space between rhythmic work songs and labour songs in that the occupation signifies. Occupation is a key territorial site. If the métier of the protagonist is mentioned in a ballad, it cannot be regarded as merely a piece of illustrative detail. On the contrary, it initiates a powerful series of connotations that control the narrative, while the song's specific features are drawn directly from the milieu of the performer. At the same time, occupational songs have to exist in a dialectical relationship with their milieu. On the one hand, they aspire to express the developing concerns of working people in a way that is simultaneously representational and metaphoric, and in this respect they display relative autonomy. On the other, they are subject to the mediation of the dominant or hegemonic culture for their dissemination. The discussion is song-based, concentrating on the occupation group rather than, as in several studies of recent years, the repertoire of a singer or the dynamics of a particular performance. -
There Is Hope! Practices and Interventions for Successful Treatment of Adult Survivors of Child Sexual Abuse ©
There Is Hope! Practices and Interventions for Successful Treatment of Adult Survivors of Child Sexual Abuse © Introduction [Edited: 11/30/2016] “Nonetheless, we are missing the boat!” At this time in our history, as a society, we are finally addressing sexual issues and sexual abuse issues more openly. This is an important progress. At home, we are hopefully doing a better job of teaching about sexuality than past generations did. We are teaching children in their pre-schools and in kindergartens about “Good Touch, Bad Touch”®. Societally, we more frequently are talking to our children about maintaining personal safety from “them”, about avoiding those ‘bad strangers’ who may be out there. “Even so, we are still missing the boat!” Surely, there have been victims whose sexual assault was perpetrated by a primarily unknown or a completely unknown stranger. A little boy who was pulled into a stranger’s car. A teenager who is raped by someone who was breaking-and-entering into her home. A college woman assaulted by a stalker. A young partier, slipped a date-rape drug at a party or in a bar, is sexually assaulted. Certainly, there are some dangerous strangers out there. As a result, we all do have to be aware of our surroundings and be reasonably vigilant in unfamiliar settings. And we do need to teach our kids about maintaining their personal safety from strangers. Nonetheless, while our society is warning children about ‘strangers’, we are still not providing them with adequate information about the dangers from molestation, rape, and incest by the ‘non-stranger’. -
JAMES TAYLOR the Essential James Taylor
JAMES TAYLOR The Essential James Taylor 37 Tracks aus der gesamten Karriere des hochgeschätzten Songwriters auf 2 CDs Ab 11. September 2015 JAMES TAYLOR gilt als der Inbegriff eines Singer/Songwriters und dürfte zu den einflussreichsten amerikanischen Musikern der vergangenen viereinhalb Dekaden gehören. Der fünffache Grammy-Gewinner verkaufte bisher weit über 100 Millionen Tonträger, die mit insgesamt 10 US-Platinauszeichnungen belohnt wurden. Im Jahr 2000 wurde er gleichzeitig in die Rock’n’Roll Hall Of Fame und in die Songwriters‘ Hall Of Fame aufgenommen. Mit einer umfassenden Doppel-CD würdigt Rhino Rec. nun das fast fünfzig Jahre währende Schaffen des Ausnahme-Songwriters. The Essential James Taylor erscheint am 11. September! Die 37-Song-Compilation umfasst TAYLORs Schaffen in den Jahren von 1970-2002. 1969 unterschrieb der 1948 in Boston geborene TAYLOR einen Vertrag beim „Beatles- Label“ Apple Records und veröffentlichte im Jahr darauf das Album Sweet Baby James. Zu den großen und allbekannten Hits gehören Songs wie Carolina On My Mind, Sweet Baby James, Fire And Rain, Shower The People und You’ve Got A Friend, das zwar sein einziger Nummer 1-Hit blieb, ihm jedoch seinen ersten Grammy einbrachte. CD 1 ist vollständig TAYLORS Schaffen in den 70er Jahren gewidmet und enthält mit How Sweet It Is (To Be Loved By You), Handy Man, Walking Man (vom gleichnamigen 1974er Album) und Gorilla (ebenfalls ein Titeltrack für ein Album aus dem Jahr 1975) einige US-Top-5-Hits. Überdies findet man auf der Disc eine Live- Version von Steamroller, das stets eines der Konzerthighlights war. Dabei dürfen auch einige Fan-Lieblinge nicht fehlen, etwa Long Ago And Far Away von Mud Slide Slim And The Blue Horizon (1971), Something In The Way She Moves und Don’t Be Sad ‘Cause Your Sun Is Down, auf dem auch Stevie Wonder zu hören ist. -
"Millworker" by James Taylor
Millworker James Taylor Now my grandfather was a sailor, he blew in off the water My father was a farmer and I, his only daughter Took up with a no-good millworking man from Massachusetts Who dies from too much whiskey and leaves me these three faces to feed 5 Millwork ain't easy, millwork ain't hard Millwork it ain't nothing but an awful boring job I'm waiting for a daydream to take me through the morning And put me in my coffee break where I can have a sandwich and remember Then it's me and my machine for the rest of the morning 10 For the rest of the afternoon and the rest of my life Now my mind begins to wander to the days back on the farm I can see my father smiling at me, swinging on his arm I can hear my granddad's stories of the storms out on Lake Erie Where vessels and cargoes and fortunes and sailors' lives were lost 15 Yes, but it's my life has been wasted, and I have been the fool To let this manufacturer use my body for a tool I can ride home in the evening, staring at my hands Swearing by my sorrow that a young girl ought to stand a better chance Well may I work the mills just as long as I am able 20 And never meet the man whose name is on the label It be me and my machine for the rest of the morning And the rest of the afternoon gone, for the rest of my life Questions for Discussion and Writing 1. -
THE MARION MANUFACTURING MILL STRIKE of 1929 by Megan
A MISSING MOUNTAIN MEMORY: THE MARION MANUFACTURING MILL STRIKE OF 1929 by Megan Stevens A thesis submitted to the faculty of The University of North Carolina at Charlotte in partial fulfillment of the requirements for the degree of Master of Arts in History Charlotte 2020 Approved by: ______________________________ Dr. David GoldfielD ______________________________ Dr. Shepherd McKinley ______________________________ Dr. Jurgen Buchenau ii ©2020 Megan Stevens ALL RIGHTS RESERVED iii ABSTRACT MEGAN STEVENS. A Missing Mountain Memory: The Marion Manufacturing Mill Strike of 1929 . (Under the direction of DR. DAVID GOLDFIELD) In Marion, North Carolina, the local residents of the city and surrounding region have forgotten a tragic strike that took place at one of the local mills in 1929, though it was possibly the deadliest textile mill strike in the South. The strike, which officially took place between July 11, 1929 and October 2, 1929, was in response to inhumane labor practices and unsatisfactory pay. While the strike was supporteD by the United Textile Workers, it was primarily organizeD by the local strikers who were unhappy with their working conditions. While the UTW was not affiliated with the Communist Party, and the strikers in Marion were decidedly anti-communist, past and present criticisms of the strike revolve around the inaccurate perception of the strikers being led by communists, which turned their neighbors against them. The strike ended on October 2, 1929, when a group of deputies fired into a strike-line, killing six men and injuring an untold number of others. Rather than reconcile and heal from this event one could call the residents of the town, including the mill workers, experts at forgetting.