Atle Nymo Solo for Trio

and Mats bring to the table.” the to bring Mats and sparkling, expressive jazz of the 60’s as the main main the as 60’s the of jazz expressive sparkling, she that input sonic of kinds the with work to work within,” says Atle, who cites the energy- the cites who Atle, says within,” work me for exciting very is It me. inspire that ways more open and subdued than the ones that I usually usually I that ones the than subdued and open more solo concerts and in bands she plays drums in poetic poetic in drums plays she bands in and concerts solo “I wanted to explore a musical setting that was was that setting musical a explore to wanted “I her bachelor’s degree a few years ago. Both in her her in Both ago. years few a degree bachelor’s her Norwegian Academy of Music where she completed completed she where Music of Academy Norwegian gave him a push starting this trio. this starting push a him gave living in Norway, and I became aware of her at the the at her of aware became I and Norway, in living to delve into a different musical energy eventually eventually energy musical different a into delve to goes for Michaela. She is from Slovenia, currently currently Slovenia, from is She Michaela. for goes urge an However, name. own his under album the music in so many directions, and the same same the and directions, many so in music the travelling and teaching to even consider a first first a consider even to teaching and travelling He is a very open-minded player who can take take can who player open-minded very a is He time was too busy (and happy) playing, composing, composing, playing, happy) (and busy too was time and I knew that he would be perfect for this music. music. this for perfect be would he that knew I and Academy of Music since 2013, Atle Nymo for a long long a for Nymo Atle 2013, since Music of Academy I have followed his musical development closely closely development musical his followed have I the position as Associate Professor at the Norwegian Norwegian the at Professor Associate as position the years, 20 those over together much that played Combining his career as a performing musician with with musician performing a as career his Combining of Trondheim,” says Atle. “Although we have not not have we “Although Atle. says Trondheim,” of the «Jazzlinja», the jazz studies at the University University the at studies jazz the «Jazzlinja», the and Chrome Hill. Chrome and “I have known Mats since our days together at at together days our since Mats known have “I I.P.A Motif, Denada, Ensemble in: plays still he that bands the including artists, of number a by to this record. this to albums 50 around on heard be can work brilliant His «Balance» and «Solo For Trio» have found their way way their found have Trio» For «Solo and «Balance» instrumentalists. sought-after most Norway’s of 2016. From this event, live recordings of the tunes tunes the of recordings live event, this From 2016. one became and Orchestra, Jazz Trondheim RAW at the Norwegian Academy of Music in late late in Music of Academy Norwegian the at RAW Pat Metheny and Chick Corea as a member of the the of member a as Corea Chick and Metheny Pat played their first gig as part of the concert series series concert the of part as gig first their played still a music student, he toured Scandinavia with with Scandinavia toured he student, music a still of trio interplay. After a few rehearsals, the trio trio the rehearsals, few a After interplay. trio of strongest tenor sax voices in Scandinavia. While While Scandinavia. in voices sax tenor strongest subtle expression, working within the framework that he would beframework perfectthe for this music. within “As the melodicworking material that we playexpression, subtle «Solo For Trio» is Atle Nymo’s first album eventually gave him a push starting this trio. «Solo For Trio» is Atle Nymo’s first album eventually gave him a push starting this trio. that he would be perfect for this music. “As the melodic material that we play He is a very open-minded player who can is tonal and not too complex, I can under his own name, and at the ripe age of “I wanted to explore a musical setting that under his own name, and at the ripe age of “I wanted to explore a musical setting that He is a very open-minded player who can is tonal and not too complex, I can following years established himself as one of the the of one as himself established years following (b. 1993) to join him in this search for nuances and and take the music innuances so manyfor directions, andsearch this concentrate in on him other parametersjoin to than 1993) (b. 42, the leader at first glance may appear as was more open and subdued than the ones 42, the leader at first glance may appear as was more open and subdued than the ones take the music in so many directions, and concentrate on other parameters than the same goes for Michaela. She is from I usually do. And the fact that we had a late bloomer, a young veteran or possibly that I usually work within,” says Atle, who a late bloomer, a young veteran or possibly that I usually work within,” says Atle, who the same goes for Michaela. She is from I usually do. And the fact that we had around the turn of the century, Atle Nymo over the the over Nymo Atle century, the of turn the around and drummer/percussionist Michaela Antalova Slovakia, currentlyAntalova living in Norway, andMichaela played only one concert together before drummer/percussionist and something in between. The truth, however, cites the energy-sparkling, expressive jazz something in between. The truth, however, cites the energy-sparkling, expressive jazz Slovakia, currently living in Norway, and played only one concert together before I became aware of her at the Norwegian the recording session, made the music is slightly different. of the 60’s as the main base for his playing, is slightly different. of the 60’s as the main base for his playing, I became aware of her at the Norwegian the recording session, made the music vital jazz scene with the award-winning band Motif Motif band award-winning the with scene jazz vital recording bassist/bandleader Mats Eilertsen (b. 1975) 1975) Academy(b. of Music whereEilertsen she completedMats feel quite new to us and demandedbassist/bandleader that we recording Blowing his way onto Norway’s young and saxophonists like John Coltrane, Sonny Blowing his way onto Norway’s young and saxophonists like John Coltrane, Sonny Academy of Music where she completed feel quite new to us and demanded that we her bachelor’s degree a few years ago. listen very carefully to each other. I believe and very vital jazz scene with the award- Rollins, Gato Barbieri and fellow Norwegians and very vital jazz scene with the award- Rollins, Gato Barbieri and fellow Norwegians her bachelor’s degree a few years ago. listen very carefully to each other. I believe winning band Motif around the turn of the Knut Riisnæs and Jan Garbarek among his Both in her solo concerts and in bands she we all tried to play both intuitively and at Blowing his way onto Norway’s young and very very and young Norway’s onto way his Blowing and texture, Atle invited the ECM and Hubro- and ECM the invited Atle texture, and winning band Motif around the turn of the Knut Riisnæs and Jan Garbarek among his Both in her solo concerts and in bands she we all tried to play both intuitively and at plays drums in poetic ways that inspire the same time pick every single note, every century, Atle Nymo over the following years early influences. century, Atle Nymo over the following years early influences. plays drums in poetic ways that inspire the same time pick every single note, every established himself as one of the strongest Concentrating more on aspects like tone, me. It is very exciting for me to work with single sound with the utmost care. We did Concentrating more on aspects like tone, timbre timbre tone, like aspects on more Concentrating established himself as one of the strongest Concentrating more on aspects like tone, me. It is very exciting for me to work with single sound with the utmost care. We did the kinds of sonic input that she and Mats not talk too much about how to play, we tenor sax voices in Scandinavia. While still timbre and texture, Atle invited the ECM tenor sax voices in Scandinavia. While still timbre and texture, Atle invited the ECM the kinds of sonic input that she and Mats not talk too much about how to play, we bring to the table.” just agreed to keep the interplay open, a music student, he toured Scandinavia with and Hubro-recording bassist/bandleader a music student, he toured Scandinavia with and Hubro-recording bassist/bandleader bring to the table.” just agreed to keep the interplay open, dynamic and subdued, and in that respect, different. slightly is however, truth, The Pat Metheny and Chick Corea as a member Mats Eilertsen (b. 1975) and drummer/ Pat Metheny and Chick Corea as a member Mats Eilertsen (b. 1975) and drummer/ dynamic and subdued, and in that respect, Except for the two live tracks, the album I feel that we succeeded quite well.” of the Trondheim Jazz Orchestra, and percussionist Michaela Antalová (b.

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