Love and Loss

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Coastal Symphony of Georgia 2021-2022 Concert Season Monday, February 14, 2022 Brunswick High School 8:00 p.m. Love and Loss Program Alma Deutscher Siren Sounds Waltz George Gershwin/Robert Russell Bennett Symphonic Picture: Porgy and Bess Sergei Prokofiev Selections from Romeo and Juliet The opening strains of this concert might be startling, but you will soon be swept up into the full, lush passages of a lovely waltz. Siren Sounds Waltz is the clever work of a brilliant young English composer who was told that in order to be relevant, she must write music that reflects the ugliness of the modern world. Instead, 15-year-old Alma Deutscher decided to take the ugly sounds of the world and turn them into something more beautiful through music. After our waltz, we head to Catfish Row and many of the best-known songs from Gershwin’s beloved opera, Porgy and Bess. Bennett’s arrangement does not adhere to the chronology of the opera, but the actual orchestration in most passages is very closely based on Gershwin’s original scoring. The result is a deeply moving work including romance, loss, struggle, and fun. Selections from Prokofiev’s Romeo and Juliet continue our love theme. Prokofiev invokes in sound every circumstance, character, and mood of the story in a sort of musical pictorialism. The orchestra recreates that story for us through prominent musical episodes, varied in tone and invention, from beginning to tragic end. This concert will fill us with music of beauty, romance, and tragic loss. .

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Program Notes
April 14-15, 2018, page 1 programBY DR. RICHARD E. RODDA notes the war.] I was all for honoring the com- Fanfare for the Common mon man at income tax time. I later used Man for Brass and Percussion the Fanfare in the final movement of my (1942) Third Symphony.” AARON COPLAND ■ 1900-1990 In the first volume of his autobiography Porgy and Bess: A Concert in (Copland, 1900 through 1942, St. Mar- Songs for Soprano, Baritone and tin’s/Marek, 1984), Copland recounted Chorus the genesis of his popular Fanfare for GEORGE GERSHWIN ■ 1898-1937 the Common Man: “Eugene Goossens, conductor of the Cincinnati Symphony ARRANGED BY ROBERT RUSSELL Orchestra, had written to me at the BENNETT ■ 1894-1981 end of August [1942] about an idea he Gershwin’s music drama about the wanted to put into action for the 1942-43 crippled African-American Porgy and concert season. During World War I, his determined love for Bess is among he had asked British composers for a the most popular and widely performed fanfare to begin each orchestral concert. of all American operas. “This, Gersh- It had been so successful that he thought win’s last serious work,” wrote David to repeat the procedure in World War Ewen, “possesses that richness, vital- II with American composers. [Goos- ity and variety of melody, that vigor of sens’ additional requests inspired a total rhythm, that spontaneity and freshness of ten fanfares from such other notable we associate with Gershwin’s best music. musicians as Creston, Cowell, Piston, Of all Gershwin’s serious works, it is the Thomson, Milhaud and Gould.] Goos- only one to reveal compassion, human- sens wrote: ‘It is my idea to make these ity and a profound dramatic instinct.
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