Affiches De Cinéma 4 07 2017
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Berlinale 2010 Nobuhiro Suwa, Hippolyte Girardot Generation YUKI & NINA Kplus YUKI & NINA YUKI & NINA YUKI & NINA Japan/Frankreich 2009 Darsteller Yuki Noë Sampy Länge 92 Min. Nina Arielle Moutel Format 35 mm, 1:1.85 Yukis Mutter Tsuyu Shimizu Farbe Yukis Vater Hippolyte Girardot Ninas Mutter Marilyne Canto Stabliste Regie Nobuhiro Suwa Hippolyte Girardot Buch Nobuhiro Suwa Hippolyte Girardot Kamera Josée Deshates Schnitt Hisako Suwa Ton Dominique Lacour Musik Lily Margot Szenenbild Emmanuel de Chauvigny Véronique Barnéoud China Suzuki Co-Produktion Les Films du Lendemain, Paris Arte France Cinéma, Issy-les- YUKI & NINA Moulineaux Als Yuki erfährt, dass ihre Eltern sich trennen werden, bricht eine Welt für die Neunjährige zusammen. Ihr Vater ist Franzose, ihre Mutter Japanerin, und nach der Trennung soll sie ihre Mutter nach Japan begleiten. Für Yuki bedeu - tet das, Paris und alles, was ihr vertraut ist, zu verlassen, vor allem aber, sich von Nina zu trennen, ihrer besten Freundin. Gemeinsam schmieden die Freun dinnen Pläne, um Yukis Eltern wieder zu versöhnen. Einfach wegzulau- fen scheint am Ende die beste Lösung zu sein. So wird der Wald ihr Ziel. Die Regisseure Hippolyte Girardot und Nobuhiro Suwa lernten sich 2004 anlässlich eines Films von Suwa kennen. Die beiden freundeten sich an, und Girardot zeigte Suwa Super8-Auf nahmen, die er bei Improvisations - work shops mit Teenagern aufgenommen hatte. So entstand die Idee, gemein sam einen Filmstoff zu entwickeln, der die Geschichte einer Tren - nung aus der Kinderperspektive erzählt. Nobuhiro Suwa: „Yukis Geschichte gleicht der von UN COUPLE PARFAIT. Bei der es auch um eine Trennung ging, erzählt aus entgegengesetzter Perspektive. -
D Irecto R's N O
destination. solution in the end - the forest will be their new new their be will forest the - end the in solution an encounter back together. Running away seems like the only only the like seems away Running together. back France-Japan 2009 / 92 min / color / 35 mm / Dolby SRD Dolby / mm 35 / color / min 92 / 2009 France-Japan HG : I met Suwa in May 2004. He was preparing a film, A Perfect Nina devise schemes in order to get her parents parents her get to order in schemes devise Nina Couple, and wanted to see me about the male role. We met several synopsis with her best friend Nina. Together, Yuki and and Yuki Together, Nina. friend best her with Hippolyte Girardot Hippolyte Nobuhiro Suwa Suwa Nobuhiro times, speaking a great deal, and we enjoyed these conversations. & & One day I told him about a particular experience I had before even Japan, leaving everything behind in Paris, starting starting Paris, in behind everything leaving Japan, A film by film A becoming an actor: from improvisational work done with young She is going to have to follow her mother to to mother her follow to have to going is She teenagers, I had made some super 8 films. That interested him a Japanese. Japanese. great deal. And then he telephoned me to say he would very much like for us separating. Her father is French, and her mother is is mother her and French, is father Her separating. to work together. He spoke to me about his desire to write a story Yuki, nine years old, learns that her parents are are parents her that learns old, years nine Yuki, together and co-direct it. -
French Film Festival
The Fifth Annual VCU French Film Festival Welcomes special guests, French actors & directors Patrick 5Braoudé Jean-Pierre Améris Laurent Chevallier Paul Carpita Gianni Marchesi Luc Pagès French Film Scholars Jean-Louis Leutrat President of l'Université de Paris III Suzanne Liandrat-Guigues Patrick Braoudé in "Amour & Confusions" Université de Paris VII Program April 5 and 6, 1997 All Films Have English Subtitles Table of Contents VCU French Film Festival Director/Founder: Dr. Peter S. Kirkpatrick Graphic Designer: Sarah Peterson Schedule and Event Information 1 Festival Interns: Jennifer Gore Tara Cassidy A Series of French Shorts 2 Paris Office: • “Le bus” Eóin Landers Christiane Martin • “Ada sait pas dire non” Event Coordinator: • “Entre ciel et terre” Patricia Worley Business Manager: Brenda Radcliffe “Les sables mouvants” Computer Data Management: 4 Ed Howard • Description www site developer: Sean Baseman (ICSD) “Les aveux de l’Innocent” 6 Festival Photographer: Pierre Courtois • Description Full Sponsor of All Screenings: • Interview with Jean-Pierre Améris Ellwood Thompson's Natural Market With the Participation of: VCU’s Department Chugger’s Old City Pub “Amour et Confusions” 10 of Foreign Languages Linden Row Inn College of Humanities and Partners in Planning, Inc. • Description Sciences European Heritage Community and Institute International Affairs Le Club Français “Le rendez-vous des quais” 12 Cultural Services French American • Description of the French Embassy Cultural Services La Maison Française and Educational Aid (Washington, -
Romain Goupil
SPECIAL SCREENING HANDS UP (LES MAINS EN L’AIR) MARGARET MENEGOZ presents VALERIA BRUNI-TEDESCHI LINDA DOUDAEVA JULES RITMANIC LOUNA KLANIT LOUKA MASSET JEREMIE YOUSAF DRAMANE SARAMBOUNOU WITH THE PARTICIPATION OF HIPPOLYTE GIRARDOT HANDS UP (LES MAINS EN L’AIR) A FILM BY ROMAIN GOUPIL 2010 • French • 1h30 • 35mm • 1.85 • Dolby SRD www.lesmainsenlairlefilm.com M CONTACT INTERNATIONAL SALES: AGATHE VALENTIN / LISE ZIPCI 22, avenue Pierre 1 er de Serbie - 75116 Paris [email protected] / Tel: +33 1 44 43 87 28 • Cell : +33 6 89 85 96 95 [email protected] / Tel: +33 1 44 43 87 13 • Cell: +33 6 75 13 05 75 M arch 22, 2067. Milana recalls what happened to her 60 years before... Paris, 2009. Milana is a fifth grade student of Chechen origin. Her gang of friends includes Blaise, Alice, Claudio, Ali and Youssef. One day, Youssef, whose parents are illegal immigrants, is deported. Milana seems likely to be next on the list. Sensing the danger, the children decide it's time to act. They swear they'll always stay together and plot ways of saving Milana... E Y A R E S S O H A L E D E I L I M É © o t o h P - 2 - - 3 - INTERVIEW WITH ROMAIN GOUPIL I What was the starting point Now Milana is in danger. The for this movie? whole group is under threat. So, First, there was a sense of po - they get organized without werlessness in the face of the saying a word to the adults, government's policy of deporta - whose alarmist leaflets and tion of illegal immigrants. -
A Monkey on My Shoulder a Film Bymarion Laine
THEMA FILMS, MANCHESTER FILMS and MK2 present A Monkey on My Shoulder A film byMarion Laine Juliette Binoche Édgar Ramírez A Monkey on My Shoulder A film byMarion Laine Mila and Javier, both renowned surgeons and both passionate about their work, have been madly in love for the past 10 years. They have always taken great care to preserve their extraordinary love for each other and refuse to succumb to the routine of everyday living. But Mila’s unexpected pregnancy, combined with increasing pressure from work at the hospital, drives Javier to drink more heavily and he ends up being suspended. Faced with his demons, Javier drifts further and further away from Mila. Yet, when their relationship is under serious threat, Javier is ready to do whatever it takes to win Mila back. Based on the novel by Mathias Enard (PUBLISHED BY ACTES SUD) 87 minutes • DCP & 35 mm • Color • Ratio: 1.85 • Dolby 5.1 • France • 2012 a human heart beating and then stopping, diving into the depths of someone else’s most private space…..We had no time to rehearse any of all this before filming began. Juliette and Édgar only met once for the screen tests. For scheduling reasons, we started by filming the very intimate scenes in the apartment. We were really lucky that both actors got on so well and that they trusted me and agreed to let me take them on a free-fall over the INTERVIEW WITH DIRECTOR MARION LAINE next 30 days! How would you define the relationship between Mila and Javier that appears to be so natural and impulsive? Your first feature-length film A SIMPLE HEART (original title: ‘UN CŒUR SIMPLE’) was released in 2008. -
Festival Del Film Francese Una Nuova Generazione
Cinema Gnomo Aprile Centre culturel Milano français de Milan giovedi 22 giovedi Christophe Honoré h 21.00 Christophe Honoré Non, ma fille, tu n’iras pas danser Les chansons d’amour venerdì 23 venerdì Incontro con Valeria Bruni Tedeschi h 20.30 Incontro con Christophe Honoré Valeria Bruni Tedeschi h 21.00 Christophe Honoré Actrices Non, ma fille, tu n’iras pas danser sabato 24 sabato h 15.00 Valeria Bruni Tedeschi Actrices Christophe Honoré h 19.00 Christophe Honoré La belle personne Dans Paris Incontro con Christophe Honoré h 20.30 e Louis Garrel Christophe Honoré h 21.00 Les Chansons d’amour domenica 25 domenica h 15.00 Valeria Bruni Tedeschi Il est plus facile pour un chameau... Nobuhiro Suwa h 19.00 Christophe Honoré Un couple parfait Ma mère Valeria Bruni Tedeschi h 21.00 Il est plus facile pour un chameau... lunedì 26 lunedì Christophe Honoré h 19.00 Nobuhiro Suwa Les chansons d’amour Un couple parfait Christophe Honoré h 21.00 Christophe Honoré Dans Paris La belle personne martedì 27 martedì Arnaud Desplechin h 19.00 Francis Girot Rois et Reine Le bon plaisir h 21.00 Hippolyte Girardot & Nobuhiro Sawa Yuki e Nina mercoledì 28 mercoledì Jérôme Boivin h 19.00 Jean-Luc Godard Confession d’un barjo Prénom Carmen Pascale Ferran h 21.00 Eric Rochant Lady Chatterley Un monde sans pitié aspettando Cannes ... Festival del Film Francese Una nuova generazione Milano 22 - 28 aprile 2010 Centre culturel français de Milan Corso Magenta 63 Cinema Gnomo Via Lanzone 30/A www.culturemilan.com Incontri speciali venerdì 23 aprile h 18.00 sabato 24 aprile h 17.00 Terrazza Martini Centre culturel français Incontro con Tavola rotonda con Valeria Bruni Tedeschi, Christophe Dominique Païni, curatore della Honoré e Louis Garrel rassegna, Paolo Mereghetti, critico Introducono: Massimiliano Finazzer cinematografico, Valeria Bruni Flory & Olivier Descotes Tedeschi, Christophe Honoré, Conferma obbligatoria: Louis Garrel. -
Sortie Le 17 Novembre
Hippolyte Girardot Fellag Aymen Sa ¨di Tu Vas Voir Tu Vas Voir Iris Productions Iris Productions Kasso Inc. Kasso Inc. présentent présentent un film de Angelo Cianci un film de Angelo Cianci avec Hippolyte Girardot, Fellag, Aymen Saïdi, Judith Henry, Michel Vuillermoz, Thierry Godard, Lyes Salem 1h33 - 121 650 - Scope - Dolby SRD sortie le 17 novembre distribution presse Vanessa Jerrom Claire Vorger 9, cité Paradis - 75010 Paris 11, rue du marché St Honoré Tél. 01 53 34 90 20 75001 Paris Cité Villon, on sait recevoir les huissiers... [email protected] Tél. 01 42 97 42 47 www.memento-films.com [email protected] synopsis C’est pas comme ça que ça aurait dû se passer… François, Mohand et Salem : trois hommes bloqués pendant 24 heures au septième étage d’une tour HLM bientôt cernée par les agents du GIGN qui les Comme tous les matins, François Echeveria - huissier de son état - aurait dû prennent pour des terroristes. pouvoir opérer sa saisie du jour, cité Villon à Montigny, puis retourner à sa cataclysmique vie sentimentale. Trois hommes qui se combattent mais seront amenés à s’apprivoiser, se comprendre et faire éclater ensemble un douloureux secret de famille. Mais ce jour d’anniversaire du 11 septembre, le destin en a décidé autrement, mettant sur sa route Mohand, un père démuni, et Salem, son agité de fils, qui Trois hommes, condamnés à s’entendre à l’intérieur d’un appartement, tandis par malentendu le prennent en otage. que, derrière la porte à l’extérieur, le chaos se propage doucement… le second degré et un ton plus caustique sont arrivés. -
A Film by Ulrich Köhler Ebbo and Vera Velten Have Been Living in Africa For
a film by Ulrich Köhler Ebbo and Vera Velten have been living in Africa for a long time. Ebbo is managing a sleeping sickness program. His work is fulfilling. In contrast, Vera feels increasingly uncomfortable with her life in the expat community of Yaoundé and the separation from her daughter Helen, 14, who is attending boarding school in Germany. Ebbo Velten has to give up his life in Africa or he loses the woman he loves. But he has become a stranger to Europe. His fear of returning increases from day to day. Years later. Alex Nzila, a young French doctor of Congolese origin, travels to Cameroon to evaluate a development project.A FILM He BY hasn’t ULRICH been KÖHLER to Africa for a long time. But instead of finding new prospects, he encounters a destructive, lost man: like a phantom, Ebbo slips away from his evaluator. MAIN CAST MAIN CREW Ebbo Velten Pierre Bokma Director Ulrich Köhler Alex Nzila Jean-Christophe Folly Screenplay Ulrich Köhler Vera Velten Jenny Schily Cinematographer Patrick Orth Gaspard Signac Hippolyte Girardot Editors Katharina Wartena Helen Velten Maria Elise Miller Eva Könnemann Elia Todorov Sava Lolov Production Manager Anne Lessnick Monese Francis Noukiatchom Production Design Jochen Dehn Ruhemba Ali Mvondo Roland Costume Design Birgitt Kilian Joseph Isacar Yinkou Casting Kris Portier de Bellair Ulrike Müller Gaffer Stephan Rother Sound Julien Sicart Sound Design Tobias Peper Sound Recording Matthias Schwab Producers Janine Jackowski, Maren Ade, Katrin Schlösser Co-Producer Frans van Gestel Commissioning Editors Christian Cloos, Anne Even, Birgit Kämper 2011 Germany / France / The Netherlands 91 min Shooting format: RED ONE Format: 35mm, 1:1.85 - color Dolby Digital - in French, German, Dutch and Bassa INTERVIEW We had lost our friends and were forced to give up a free with Ulrich Köhler life in nature for a small town in Hessen. -
Romain Goupil
SPECIAL SCREENING HANDS UP (LES MAINS EN L’AIR) MARGARET MENEGOZ presents VALERIA BRUNI-TEDESCHI LINDA DOUDAEVA JULES RITMANIC LOUNA KLANIT LOUKA MASSET JEREMIE YOUSAF DRAMANE SARAMBOUNOU WITH THE PARTICIPATION OF HIPPOLYTE GIRARDOT HANDS UP (LES MAINS EN L’AIR) A FILM BY ROMAIN GOUPIL 2010 • French • 1h30 • 35mm • 1.85 • Dolby SRD www.lesmainsenlairlefilm.com M CONTACT INTERNATIONAL SALES: AGATHE VALENTIN / LISE ZIPCI 22, avenue Pierre 1er de Serbie - 75116 Paris [email protected] / Tel: +33 1 44 43 87 28 • Cell : +33 6 89 85 96 95 [email protected] / Tel: +33 1 44 43 87 13 • Cell: +33 6 75 13 05 75 M arch 22, 2067. Milana recalls what happened to her 60 years before... Paris, 2009. Milana is a fifth grade student of Chechen origin. Her gang of friends includes Blaise, Alice, Claudio, Ali and Youssef. One day, Youssef, whose parents are illegal immigrants, is deported. Milana seems likely to be next on the list. Sensing the danger, the children decide it's time to act. They swear they'll always stay together and plot ways of saving Milana... E Y A R E S S O H A L E D E I L I M É © o t o h P - 2 - - 3 - INTERVIEW WITH ROMAIN GOUPIL I What was the starting point Now Milana is in danger. The for this movie? whole group is under threat. So, First, there was a sense of po- they get organized without werlessness in the face of the saying a word to the adults, government's policy of deporta- whose alarmist leaflets and tion of illegal immigrants. -
Verleihkopien
Mitglied der Fédération D FF – Deutsches Filminstitut & Tel.: +49 (0)611 / 97 000 10 www.dff.film Wiesbadener Volksbank Internationale des Archives Filmmuseum e.V. Fax: +49 (0)611 / 97 000 15 E-Mail: wessolow [email protected] IBAN: D E45510900000000891703 du Film (FIAF) Filmarchiv BIC: WIBADE5W XXX Friedrich-Bergius-Stra ß e 5 65203 Wiesbaden 8 / 2019 Verleihkopien Eine Auswahl aus unserem Archiv-Bestand Wir bieten16mm und 35mm Filmkopien, sowie DVDs und DCPs für den nichtkommerziellen Verleih an. Die angegebenen Preise verstehen sich pro Vorführung (zzgl. 7% MwSt. und Transportkosten). * Preis ohne Vorführrechte; Details erfragen Sie bitte im Filmarchiv Darüber hinaus stehen Ihnen noch weitere Filme zur Verfügung. Auskunft über den technischen Zustand der Kopien erhalten Sie im Filmarchiv. Erläuterung viragiert = ganze Szenen des Films sind monochrom eingefärbt koloriert = einzelne Teile des Bildes sind farblich bearbeitet ohne Angabe = schwarz/weiß restauriert = die Kopie ist technisch bearbeitet rekonstruiert = der Film ist inhaltlich der ursprünglichen Fassung weitgehend angeglichen Kurz-Spielfilm = kürzer als 60 Minuten russ./ eUT = russisch mit englischen Untertiteln dtUT = mit deutschen Untertiteln dt.vorh./engl.vorh. = deutsche oder englische Zwischentitel-Liste vorhanden Einige der Stummfilme sind auch mit Musik vorhanden Zwischen- Stummfilm Titel / Land / Jahr Regie / Darsteller Titel / Format Preis € Tonfilm Sprache Abend der Gaukler Regie: Ingmar Bergman GYKLARNAS AFTON Tonfilm Darsteller: Harriet Andersson Hasse Ekman deutsch -
Ismael's Ghosts
ISMAEL’S GHOSTS A FILM BY ARNAUD DESPLECHIN DIRECTOR’S NOTE It’s the portrait of Ivan, a diplomat who journeys through the world without understanding it. It’s the portrait of Ismael, a film director who journeys through his life without understanding it either. It’s the return of a woman from amongst the dead. It’s also a spy movie. Five films compressed into one, like Pollock’s female nudes. Ismael is frenzied. And the script grew frenzied alongside him. And yet up in his attic, Ismael tries to hold all the threads of the fiction together… I described my project to a friend: “I think I’ve invented a pile of plates of fiction that I will break against the screen. When they’re all broken, the film will be finished.” Potlatch, fictional overabundance… But why did I need to shatter them, these fragments of stories? It’s because three women were born from the shards. A woman loved, the memory of a woman vanished, and an impish friend. These fictions are spent for them. Throughout the twists and turns of the plot, the task was to speak clearly and straightforwardly. I wanted each scene to come off as raw, brutal. Blows the spectator can’t dodge. It has often been necessary for me to give my film references. For “Ismael’s Ghosts”, I had to forge ahead alone, even if I live surrounded by the films I love. Certain great films eye me dispassionately: “8½”, “Providence”… I’ve seen them a hundred times, I revere them, and they are of no help to me. -
You Ain't Seen Nothin'
YOU AIN’T SEEN NOTHIN’ YET A film by Alain Resnais 2012 In French with English subtitles 115 minutes 2.35-1 - Scope National Press Contact: Rodrigo Brandão VP of Promotions & Publicity [email protected] / 212.629.6880 THE ACTORS Mathieu Amalric – HIMSELF Pierre Arditi – HIMSELF Sabine Azéma – HERSELF Jean-Noël Brouté – HIMSELF Anne Consigny – HERSELF Anny Duperey – HERSELF Hippolyte Girardot – HIMSELF Gérard Lartigau – HIMSELF Michel Piccoli – HIMSELF Michel Robin – HIMSELF Jean-Chrétien Sibertin-Blanc HIMSELF Lambert Wilson – HIMSELF La Compagnie de la Colombe Vimala Pons – Eurydice Sylvain Dieuaide – Orphée Fulvia Collongues – THE MOTHER Vincent Chatraix – THE FATHER Jean-Christophe Folly – Mr. Henri Vladimir Consigny – Mathias Laurent Ménoret – Vincent Lyn Thibault - THE YOUNG GIRL AND THE CAFÉ WAITER Gabriel Dufay – THE HOTEL WAITER Michel Vuillermoz (From the Comédie-Française) – HIMSELF Andrzej Seweryn (From the Comédie-Française) – Marcellin Denis Podalydès (From the Comédie-Française) – Antoine d’Anthac CREW Director – Alain Resnais Producer – Jean-Louis Livi Associate Producer – Julie Salvador et Christophe Jeauffroy Screenwriter – Laurent Herbiet and Alex Réval Cinematographer – Eric Gautier (A.F.C.) Set Designer - Jacques Saulnier Sound – Jean-Pierre Duret, Gérard Hardy and Gérard Lamps Editor – Hervé de Luze Music – Mark Snow Based on the plays “Eurydice” and “Cher Antoine ou l’amour Rate” by Jean Anouilh “Eurydice” By the Compagnie de la Colombe / Directed by Bruno Podalydès Interview with Alain Resnais When did you decide to tackle an adaptation of a Jean Anouilh play? When my producer, Jean-Louis Livi, and his associates Julie Salvador and Christophe Jeauffroy suggested I do a new film with them after WILD GRASS, we started looking for a play that would very quickly result in a script for us.