Rachel Ellis
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
KEVIN CONNOR B
KEVIN CONNOR b. 1932, Sydney Biography Connor has lived and worked in Sydney, painting full time between 1963 to 1976 and 1987 to the present, with periods of overseas work and travel throughout his career. 2006-2014 Various travels. Worked in Sydney 2005 Lived and worked in Paris and London for two months 2003 Lived and worked in Paris for two months 2001-2002 Worked in Paris for five months 1999 Lived and worked in Paris and London for five months 1998 Lived and worked in Paris and London for two months 1996 Lived and worked in Paris and London for three months 1995 Worked in Paris for two months 1994 Worked in Paris for two months 1991 Three week drawing expedition of war damaged areas in Iraq Three week drawing expedition in Jordan, Syria and Jerusalem 1988 Two months drawing and making lithographs with Jacques Champfleury in Paris 1985 Three months study tour of Egypt, Paris and London 1981-1987 Trustee of the Art Gallery of New South Wales 1979 Six months study tour in Egypt and Paris 1976-1987 Lecturer in painting and drawing at the National Art School, Alexander Mackie College of Advanced Education and the City Art Institute, Sydney 1966-1968 Lived and worked in New York, United States of America 1965-1966 Thirteen months travel in Europe including a seven month stay in Spain 1954-1957 Travelled, lived and worked overseas in Canada and England Solo Exhibitions 2018 The Forever One Day, Orange Regional Gallery 2015 Drawings, Liverpool Street Gallery, Sydney 2013 Paintings, Liverpool Street Gallery, Sydney 2012 Paintings, Liverpool -
KEVIN CONNOR B
KEVIN CONNOR b. 1932, Sydney BIOGRAPHICAL NOTES Connor has lived and worked in Sydney, painting full time between 1963 to 1976 and 1987 to the present, with periods of overseas work and travel throughout his career. 2006-2014 Various travels. Worked in Sydney 2005 Lived and worked in Paris and London for two months 2003 Lived and worked in Paris for two months 2001-2002 Worked in Paris for five months 1999 Lived and worked in Paris and London for five months 1998 Lived and worked in Paris and London for two months 1996 Lived and worked in Paris and London for three months 1995 Worked in Paris for two months 1994 Worked in Paris for two months 1991 Three week drawing expedition of war damaged areas in Iraq Three week drawing expedition in Jordan, Syria and Jerusalem 1988 Two months drawing and making lithographs with Jacques Champfleury in Paris 1985 Three months study tour of Egypt, Paris and London 1981-1987 Trustee of the Art Gallery of New South Wales 1979 Six months study tour in Egypt and Paris 1976-1987 Lecturer in painting and drawing at the National Art School, Alexander Mackie College of Advanced Education and the City Art Institute, Sydney 1966-1968 Lived and worked in New York, United States of America 1965-1966 Thirteen months travel in Europe including a seven month stay in Spain 1954-1957 Travelled, lived and worked overseas in Canada and England SOLO EXHIBITIONS 2015 Drawings, Liverpool Street Gallery, Sydney 2013 Paintings, Liverpool Street Gallery, Sydney 2012 Paintings, Liverpool Street Gallery, Sydney 2010 Kevin Connor, -
Education Resource
Education Resource This education resource has been developed by the Art Gallery of New South Wales and is also available online An Art Gallery of New South Wales exhibition toured by Museums & Galleries NSW DRAWING ACTIVITIES Draw with black pencil on white paper then with white pencil on black paper. How does the effect differ? Shade a piece of white paper using a thick piece of charcoal then use an eraser to draw into the tone to reveal white lines and shapes. Experiment with unconventional materials such as shoe polish and mud on flattened cardboard boxes. Use water on a paved surface to create ephemeral drawings. Document your drawings before they disappear. How do the documented forms differ from the originals? How did drawing with an eraser, shoe polish, mud and water compare to drawing with a pencil? What do you need to consider differently as an artist? How did handling these materials make you feel? Did you prefer one material to another? Create a line drawing with a pencil, a tonal drawing with charcoal and a loose ink drawing with a brush – all depicting the same subject. Compare your finished drawings. What were some of the positive and negatives of each approach? Is there one you prefer, and why? Draw without taking your drawing utensil off the page. What was challenging about this exercise? Draw something from observation without looking down at your drawing. Are you pleased with the result? What did you learn? Create a series of abstract pencil drawings using colours that reflect the way you feel. -
Genevieve Felix Reynolds Logic 26 Sep
GENEVIEVE FELIX REYNOLDS LOGIC 26 SEP. TO 14 OCT. 2018 NICHOLAS THOMPSON GALLERY Art Almanac September 2018 $6 Genevieve Felix Reynolds Ken Unsworth Amber Boardman Art Almanac September 2018 We acknowledge and pay our respect to the many Subscribe Aboriginal nations across this land, traditional custodians, Elders past and present; in particular the Established in 1974, we are Australia’s longest running monthly art guide and the single print Guringai people of the Eora Nation where Art Almanac destination for artists, galleries and audiences. has been produced. Art Almanac publishes 11 issues each year. We present ourselves to the world to assert Visit our website to sign-up for our free weekly eNewsletter. and understand our identity; artists take this feeling and give it form. In very different ways To subscribe go to artalmanac.com.au the paintings of Genevieve Felix Reynolds and or mymagazines.com.au Amber Boardman consider how something meaningful might come from the Internet. Kieran Butler’s photography and drag articulates their non-binary self, whereas Tony Albert’s work challenges the aesthetics of recollection and representation of Indigenous Deadline for October 2018 issue: peoples. Drawing on life, Julia deVille’s Friday 31 August, 2018. taxidermy and holograms augment overlooked creatures whilst Ken Unsworth stages tension from the inside out. Contact Editor – Chloe Mandryk [email protected] Deputy Editor – Kirsty Mulholland [email protected] Art Director – Paul Saint National Advertising – Laraine Deer [email protected] -
Caroline Rannersberger
Caroline Rannersberger QUALIFICATIONS 2012 Director’s Choice: 25th Anniversary, Despard Gallery,Hobart PhD Visual Arts Charles Darwin University, Northern Territory, 2007-2010 2012 Time and Space, Flinders Lane Gallery, Melbourne MA Visual Arts Charles Darwin University, Northern Territory, 2006 2012 New Artists, Despard Gallery, Hobart BA Visual Arts University of South Australia (studies) 2012 The Paper Room, Flinders Lane Gallery, Melbourne BA Interpreting & Translating; Edith Cowan University, WA / University of Vienna, Austria 2011 Visible/Invisible, Flinders Lane Gallery, Melbourne RSA/Cambridge Diploma in TESLA; Edith Cowan University, WA 2010 Agenda, Dominik Mersch Gallery, Sydney 2009 Hong Kong Art Fair, Dominik Mersch Gallery PROFESSIONAL APPOINTMENTS 2008 The other thing: a survey exhibition, Charles Darwin University Art Collection 2019 Creative Director BRUNY20 Fellowship for the Arts 2008 Melbourne Art Fair, courtesy Thirtyseven Degrees Contemporary Fine Art Gallery 2018 Curator and Project Manager BRUNY18 Art Prize 2008 Silvershot Gallery, Melbourne, courtesy Thirtyseven Degrees 2017 Founding Directors of the Bruny Island Foundation for the Arts 2008 Charles Darwin University Post Graduate in Progress, NT 2017 Pool of Peers, Australia Council 2006 Members’ Show, 24hr Art, Northern Territory Centre for Contemporary Art 2006 Darwin Visual Arts Association Terra, NT SELECTED SOLO EXHIBITIONS 1999 Robert Steele Gallery, Adelaide, SA 2018 Oblivion’s Flow, Flinders Lane Gallery, Melbourne, VIC 2018 Breath and other basics, Bett -
Jasper Knight Cv
JASPER KNIGHT BORN 1978 Sydney, Australia STUDIES 2002-2003 Master of Arts (majoring in painting + drawing) The College of Fine Arts, UNSW, Sydney 1997-1999 Bachelor of Visual Arts – electronic + temporal arts, Sydney College of the Arts,University of Sydney BACKGROUND Jasper’s work has blurred the boundaries between high art and amateur photography, between sculpture and painting. His works are often an assemblage of plywood, perspex, cardboard boxes, and old signs and are remanent of the found objects used in the Dada, Surrealist, Fluxus and Pop Art movements. However, Jasper has combined the industrial materials of his painting surface with traditional art methods, which provide a certain amount of texture and sculptural form while still having an important link to the subject. “My work has always straddled painting and the constructed object. In the past, my materials have added to the narrative content, or sometimes to the context, of the depicted scenes. My recent work has explored this relationship between material and subject, between constructed object and painted surface, in a more abstract way. The subject matter, from wharves to cars, from chairs to landscape, helps explore these binary concerns and is treated in a highly architectural and linear way.” His focus is often the busy waterway, machinery at work or the remnants of an old factory; painted in blocks of colour that drip and spill over his brightly coloured and shiny surfaces to give the illusion of movement within the landscape. Jasper has held successful exhibitions throughout Australia and in London, Berlin and Beijing. He has been a finalist in the Archibald, Wynne and Mosman Art prizes and is represented in corporate and private collections throughout Australia. -
Rodney Pople
RODNEY POPLE Born 1952, Launceston, TAS, Australia 1972-74 Diploma of Fine Arts (Photography), Tasmanian School of Art, Hobart 1977-78 Postgraduate (Sculpture), Slade School of Art, London, UK 1979 Postgraduate (Sculpture), New York Studio School, New York, USA 2005 Part-time lecturer in painting, National Art School, Sydney SOLO EXHIBITIONS 2020 ‘Rodney Pople on Paper: 1980 – 2020’ (online exhibition), Australian Galleries ‘Embattled’, Despard Gallery, Hobart 2019 ‘Shell Shocked’, Australian Galleries, Sydney 2017 ‘Devil if you do…’, Australian Galleries, Sydney 2016 ‘Endangered’, Despard Gallery, Hobart 2015 ‘Lie of the Land’, Australian Galleries, Derby Street, Melbourne ‘Golden Age’, Australian Galleries, Roylston Street, Sydney 2014 ‘Lie of the Land’, Australian Centre for Photography, Sydney 2013 ‘Paint it Black’, Australian Galleries, Roylston Street, Sydney 2012 ‘Shudder’, Despard Gallery, Hobart ‘Degas’s night’, Australian Galleries, Glenmore Road, Sydney 2011 ‘Knight Moves’, Australian Galleries, Derby Street, Melbourne 2010 ‘Altared’, Despard Gallery, Hobart ‘Bellini 21c’, Australian Galleries, Roylston Street, Sydney 2009 ‘Transposing the Common II’, Eastlink Gallery, Shanghai, China 2008 ‘Sydney’, Australian Galleries Glenmore Road, Sydney ‘Black and White’, Australian Galleries Works on Paper, Melbourne 2007 ‘Icebreaker’, Australian Galleries Painting & Sculpture, Sydney ‘Crystal clear’, Australian Galleries Painting & Sculpture, Melbourne 2006 ‘Venice Series’, Australian Galleries Works on Paper, Sydney 2004 ‘So Pretty’, -
Blak Douglas
Born Adam Douglas Hill Blacktown (1970) Western Sydney to a Dhungatti Aboriginal Father / Caucasian Mother. Lives and works in Sydney Education 1989 - Jamison High School (Penrith) 1994 - BA GRAPHIC DESIGN - University of Western Sydney, Nepean Awards / Competitions 2020 FINALIST- The Archibald Prize, Mosman Art Prize 2019 FINALIST- The Muswellbrook Art Prize, The Archibald Prize, The Wynne Prize, WINNER Kilgour Prize, The Kings Art Prize, Mosman Art Prize, Paddington Art Prize, Blacktown Art Prize 2018 FINALIST- The Archibald Prize, The Blake Prize, King & Wood Mallesons Contemporary ATSI art prize, Mosman Art Prize, Fishers Ghost Art Award, Blacktown Art Prize, Korean Australian Art Foundation Prize 2017 FINALIST- Mosman Art Prize, Mosman Art Prize, Sydney 2016 FINALIST- Cossack Art Awards, Karatha W.A. 2015 FINALIST- The Archibald Prize, FINALIST- Parliament of NSW Aboriginal Art Prize 2014 FINALIST- Mosman Art Prize 2004-9/11-14 FINALIST- Parliament of NSW Aboriginal Art Prize (Commended) 2009 HIGHLY COMMENDED- Cricket Art Prize Sydney, FINALIST- Wynne Prize 2003-8 Telstra Aboriginal and Torres Strait Islander Art Award FINALIST 2008 FINALIST- Mil-Pra Art Prize 2007 FINALIST- The Xstrata Coal Emerging Indigenous Art Award 2006 WINNER- Maria Locke Award, Mil-Pra Art Prize 2005-10 FINALIST- Parliament of NSW Aboriginal Art Prize 2004 WINNER- Mil-Pra Art Prize, Artist in Residence, The Canberra Grammar School 2003 WINNER- Mil-Pra Art Prize - Liverpool Council Mayor's Choice Award 2002 WINNER- Blacktown City Art Prize - Inaugural Solo Exhibitions 2020 SACRIFICIAL COMMODITY - Nanda Hobbs, Sydney 2018 TRANSPARENT COVENANT - JE Fine Art, Bangalow, URBAN WALKABOUT - Cooee Gallery, Paddington 2017 Art Atrium - Bondi Junction, National an’ them - Blakspot Gallery - Redfern illuminARTi, studio exhibit - Redfern, It’s a flee country - Blakspot Gallery - Redfern 2016 THE MOST GAOLED RACE ON EARTH (The Lockup Arts Space - accompanying Dr Adam Geczy), OLD STORIES, NEW LIGHT, (The Glasshouse Gallery - accompanied by Unc. -
JOHN R. WALKER Space and Time: 10 Years in the Landscape
JOHN R. WALKER Space and Time: 10 years in the Landscape CONTACT: LINDA GREEDY OR A MAITLAND REGIONAL MICHELLE MAARTENSZ Gallery and Collection Assistant ART GALLERY TOURING Mailtand Regional Art Gallery PO Box 220 Maitland NSW 2320 EXHIBITION CURATED Phone : (02) 49349859 (gallery) | Fax: (02)4933 1657 | Email: [email protected] or [email protected] BY JOSEPH EISENBERG JOHN R. WALKER Space and Time: 10 years in the Landscape A MAITLAND REGIONAL ART GALLERY TOURING EXHIBITION CURATED BY JOSEPH EISENBERG : 2 JOHN R. WALKER Space and Time: 10 years in the Landscape Expression of interest form EXHIBITION AVAILABLE FROM NOVEMBER 2011 Name of venue Venue contact name Venue address Telephone Email JOHN R. WALKER PREFERENCE 1 DATES : from to Space and Time: 10 years PREFERENCE 2 DATES in the Landscape : from to Name Signature Date: PLEASE RETURN TO: LINDA GREEDY OR MICHELLE MAARTENSZ Gallery and Collection Assistant Mailtand Regional Art Gallery PO Box 220 Maitland NSW 2320 Phone : (02) 49349859 (gallery) | Fax: (02)4933 1657 | Email: [email protected] or [email protected] A MAITLAND REGIONAL ART GALLERY TOURING EXHIBITION CURATED BY JOSEPH EISENBERG : 2 A MAITLAND REGIONAL ART GALLERY TOURING EXHIBITION CURATED BY JOSEPH EISENBERG : 3 JOHN R. WALKER Space and Time: 10 years in the Landscape JOHN R. WALKER Biography Painter, Walker was born in Sydney in 1957. From 1975 – 76 he studied Fine Art at St. George Technical College in Sutherland Shire, NSW, then at Alexander Mackie College in Sydney (now COFA) from 1976 – 78. Graduating in 1976, Walker held his first solo show in 1979 and has been exhibiting regularly for over 30 years. -
Jenny Sages Transience of Time
Jenny Sages Transience of Time King Street Gallery on William 10am – 6pm Tuesday – Saturday 177 William St Darlinghurst NSW 2010 Australia T: 61 2 9360 9727 F: 61 2 9331 4458 [email protected] www.kingstreetgallery.com.au 1 Jenny Sages (born 1933, Shanghai; arrived Australia 1948; lives in Sydney) Jenny Sages’ understated paintings have a quiet, nuanced beauty. Her vision is abstract, organic, poetic and intuitive rather than rational and representational. It is both intimate and overarching, but never detached. Her abstraction is grounded in the small details of organic life - the shapes, the tones and textures of vegetation, the desiccated skins of animals, the weathered patina of abandoned things. Yet it is imbued also with a larger, more ineffable dimension. This may have something to do with a poetics of immanence, the apprehension of beauty and meaning that is encoded in the nature of things, and connecting the organic, mortal universe. Her paintings are testaments to her sense of connection with the natural environment of the inland. For twenty four years from the mid 1980s until 2008 Sages made annual sojourns with groups of women friends to walk the land and paint the landscape. Over many years of trekking through the landscape of Central and Northern Australia she developed lasting friendships with local indigenous people, and has gained a partial insight into their traditional relationship with the land. Her approach to abstraction is not imitative of Aboriginal art but there are affinities evident in her repetitive organic rhythms and textures, and in the underlying allusions to nature as a well-spring of spiritual understanding. -
Selected Biography Solo Exhibitions Selected Group Exhibitions
Selected Biography 2010 Residency at the Cite International des Arts Paris, France 2007 Masters of Fine Art, College of Fine Arts, University of New South Wales, Sydney Residency at the Cite International des Arts Paris, France April – June 2006 Worked with the Bell Shakespeare Company during rehearsals for Romeo and Juliet 2003 New York Studio School Painting Marathon, Adelaide School of Art, Adelaide 2001 New York Studio School Painting Marathon, Adelaide School of Art, Adelaide 1998 Bachelor of Fine Arts with Honours, College of Fine Arts, University of NSW, Sydney 1991 Diploma Fine Arts, Meadowbank TAFE, Sydney 1988-90 Ass. Diploma Fine Art, Meadowbank TAFE, Sydney 1979 Diploma of Education, Kuringai College of Advanced Education, NSW 1978 Bachelor Drama with Honours, University of the Witwatersrand, Johannesburg, South Africa Solo Exhibitions 2019 Family Matters, Stella Downer Fine Art Gallery, Sydney 2016 A cup of sea to sail, Stella Downer Fine Art Gallery, Sydney 2014 Moonlighting with Ai WeiWei, Stella Downer Fine Art Gallery, Sydney 2013 Moon Days, Stella Downer Fine Art Gallery, Sydney 2011 Battle for the day before, Stella Downer Fine Art Gallery, Sydney 2008 There’s A Moose In The Stairwell, Stella Downer Fine Art Gallery, Sydney 2007 Nothing Personal, Stella Downer Fine Art Gallery, Sydney Master of Fine Art Exhibition, College of Fine Arts, University of NSW, Sydney 2001 Cumulus, The Beatty Gallery, Sydney 2000 Jumprope, The Beatty Gallery, Sydney Selected Group Exhibitions 2019 Dobell Drawing Prize, National Art School 2018 Stella Downer Fine Art Gallery, Group show 12 June-7 July 2018 Anthea Polson Xmas show A.K. -
Lucy Culliton
Lucy Culliton Born 1966 Sydney, Australia Education 1996 Diploma in Painting, National Art School, Sydney Solo exhibitions 2020 Jan Murphy Gallery Brisbane 2019 Bibbenluke botanicals King Street Gallery on William, Sydney 2018 Caution wet paint New England Regional Art Gallery (NERAM), NSW; Shoalhaven Regional Art Gallery, NSW 2017 Residents of Bibbenluke Lodge King Street Gallery on William, Sydney Our Animals Lucy and Anna Culliton, Tamworth Regional Art Gallery, NSW 2016 Our Animals Beaver Galleries, Canberra 2014 Weeds of the Monaro & Others Ray Hughes Gallery, Sydney Eye of the Beholder: The Art of Lucy Culliton Mosman Art Gallery 2012 Bibbenluke Flowers Ray Hughes Gallery 2011 Home Ray Hughes Gallery 2009 Bibbenluke Ray Hughes Gallery 2008 Stuff Ray Hughes Gallery 2007 The Show (domestic science) Ray Hughes Gallery 2005 Tuscon paintings The Palm House, Botanic Gardens, Sydney 2004 Cactus Ray Hughes Gallery 2002 Hartley Landscapes Ray Hughes Gallery 2000 Food Paintings Ray Hughes Gallery 1999 Farm Paintings Ray Hughes Gallery 1998 Paintings Level Gallery, Sydney Group exhibitions [Selected] 2020 The Archibald Prize, AGNSW, Sydney The Wynne Prize, AGNSW, Sydney 2019 Inside/Outside King Street Gallery on William Sydney 2018 National Art: Part One National Art School, Sydney The Art of Friendship Gallery Lane Cove, Sydney, NSW The Mosman Art Prize Mosman Art Gallery, Sydney 2017-2018 Archibald Prize Art Gallery of New South Wales (AGNSW); Geelong Gallery, Vic; Murray Art Museum Albury, NSW; Grafton Regional Art Gallery, NSW; Bega Valley