DOCSLIB.ORG

Revised Schedule Is a Compromise—Scarfo 4 More Declare for Seats

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Revised Schedule Is a Compromise—Scarfo 4 More Declare for Seats INSIDE! Look for your Fall Fair Results '96 Book Historical Archives " s;nYp';;:,:'rs,r„:oiBcw9j , "J Gulf Islands WednesdayUl, October 2, 199 6 Vol. 38, 1No. 40 1 IWYour Community Newspape<r Salt Spring Island, B.C. $1 (incl. GST) Revised schedule is a compromise—Scarfo A return to on-time service, But the only way to keep the to maintain for Mainland-bound schedule had to stay within B.C. stressed the proposed schedule is more sailings at peak commuter ferry on time yet increase sail­ passengers hoping to connect Ferries' budget. not finalized. It is now being times and better connections with ings during peak times is to start with the final 9 p.m. sailing from "They don't have any money advertised and Salt Spring resi­ the Swartz Bay-Tsawwassen sail­ earlier in the morning. So under Swartz Bay to Tsawwassen, to put on an extra sailing," she dents are invited to call their ings is what B.C. Ferries and Salt the proposed schedule, the first Scarfo said. said. comments to 653-4137 by Spring Transportation sailing in the morning from Afternoon sailings from The "down time" in the current October 11. Committee members hope to Fulford would leave at 6:10. Swartz Bay would be at 1:15, and previous schedule, when the Nussbaum said one advantage accomplish with a new Fulford- Scarfo expects that sailing will 2:45, 4:25, 6:05, 7:35 and 9:05. ferry was tied up for crew meal of the proposed schedule is better Sw art/ Bay schedule. be unpopular with Victoria com­ Scarfo suspects the 2:45 p.m. breaks or shift changes, is elimi­ connections to the Lower "We came up with as close a muters but will delight those foot sailing may disappoint those who nated in the current schedule. Mainland. Even on the winter compromise as we could get," passengers hoping to catch the 7 like the current 3 p.m. sailing Instead, some of the sailings will schedule, when route one sailings said committee member Kathy a.m. sailing to Vancouver. The back to Salt Spring. But she be longer to allow half the crew are every two hours, those leav­ Scarfo after a day-long session other three morning sailings from points out the earlier departure is to take a meal break while the ing Fulford on the 6:10 a.m., 2 with B.C. Ferries staff. Fulford would be at 7:40, 9:10 necessary to allow two sailings ferry is under way. p.m. and 8:15 p.m. ferries will The biggest change is a return and 10:50. Morning sailings from — one at 4:25 p.m. and one at Passengers on those sailings have less than 30 minutes to wait to a minimum sailing time of 45 Swartz Bay would be at 6:55, 6:05 p.m. — for commuters will have a scenic trip around the before the next sailing to minutes per crossing, needed by 8:25, 9:55 and 11:45. returning to the island. far side of Piers Island. "We fig­ Tsawwassen. the Bowen Queen to maintain Afternoon sailings from B.C. Ferries was unable to ured that was better than tying it Those returning home from the on-time sailings. Fulford would be at 12:30, 2, respond to residents' requests for up," Scarfo said. Lower Mainland on the 7 p.m. "On-time service is a must," 3:30,5:10, 6:50 and 8:15. a later evening sailing from Both she and B.C. Ferries sailing should connect with the Scarfo said. That last sailing was important Swartz Bay. Scarfo said the spokesman Stephen Nussbaum 9:05 p.m. ferry to Fulford. 4 more declare for seats on Trust Four more islanders have declared themselves candidates in the upcoming Islands Trust elections. Bev Byron and John Ellacott will run as a team for the two Trust seats on Salt Spring, join­ ing incumbent Grace Byrne and the team of Drew Clarke and Paul Marcano. On Galiano, Irene Frith and Dave Hutton have announced they will seek seats on the Trust. Meanwhile, at least half the representatives now on the Islands Trust are calling it quits at the end of this three-year term. Last week, during a three-day Trust Council meeting on Salt New fencing at Ruckle Spring, 13 of the 26 trustees said they would not be seeking Carolyn Flam, left, and June Hamley inspect their handiwork on fence repairs in exchange for the use of campsites in the re-election in November. An during fence-building bee at Ruckle Park on the weekend, park. Several dozen islanders and visitors took part in the fenc- additional six are undecided. Participants in a Healing Gathering volunteered their labour ing project. *»»*», bum Not seeking re-election are Salt Spring trustee Bob Andrew, North Pender's Joy Ridley and Gail Jamieson, South Pender's Lambert pegs arbitration cost at over $35,000 Elaine Jacobson and Catherine Defending the school board deci­ cost for the arbitrator. She said her "If she did have the qualifications, reflecting the astonishment of other Milsum, Galiano's Diane sion to hire Doug Bambrough as a $35,000 to $40,000 estimate did not she would have got the position," trustees at Sihota's comment Cragg. Gabriola's Julian drama and English teacher at Gulf include administration time spent on Field said. Arbitrators are appointed through Guntensperger and Susan Yates, Islands Secondary School cost the the dispute. He felt the dispute could be traced the provincial government s current Trust chairman and district $35,000 to $40,000, board Given tight budgets, she said such back to changed wording in the Ministry of Labour. Bowen trustee Graeme Dinsdale chairwoman Allison Lambert said at disputes create further financial 1992-93 contract which was unclear "I don't know if you can really cut and Bowen's Claus a board meeting Monday. problems for the district. "$35,000 to about the position of teachers-on- costs," Field observed later. $40,000 would buy one-half a call. A committee struck to look at Spiekermann, Denman's The hiring, which had been chal­ "Lawyers are lawyers and I don't lenged by the Gulf Islands Teachers' teacher," she observed. the Issue dissolved without resolving know if you can get cheap deals on Roxanna Mandryk. Thetis' John Association (GITA) on behalf of a After the meeting, GITA president the problem, he said. "It sort of came arbitration lawyers." Dunfield and I.asqucti's Chris local teacher-on-call (substitute Larry Field disagreed with back to bite us." Field described arbitration as an Ferris. teacher), was upheld by arbitrator Lambert's interpretation of the arbi­ Trustee Ken Lee wondered why expensive process which should be Undecided are Sonja Taiji of Judi Korbin in an August 28 deci­ trator's ruling. He felt Korbin had the bite was so large. He said he avoided. "We have no desire to rush Mayne, John Money and sion. She found the complainant did backed GITA's point — that a posed the question to Education off to arbitration." Harvey Janszen of Saturna. Kim not have the required qualifications teacher-on-call had priority hiring Minister Moe Sihota, who suggested GITA has an annual budget of Benson and Ozzie Scxsmith of for the position and backed the rights over an outside teacher — but the board get a less expensive arbi­ $2,000 for grievances, Field said. Gambicr and George Buvyer of board's decision to hire Bambrough. ruled that particular applicant did not trator. Once that is expended, costs are Lambert said the district paid out have the qualifications required for "It's unbelievable the minister picked up by the provincial B.C. SEATS 5 just under $14,000 as its share of the the position. would say that," Lee remarked, Teachers' Federation (TJCTF). 2 * WEDNESDAY, OCTOBER 2, 1996 N EWS B EAT GULF ISLANDS DRIFTWOOD Over in Duncan, some people are far too serious uch has been said and written about humour has been deadened by our new­ think?" M the benefit of laughter — as a tonic, a found need to take our politics seriously. Two choices were offered under each of therapy, a release or simply as a way of just Some readers of the Cowichan News- three headings. Under criminal justice, "A. feeling good. TONY Leader have shown how humourless we've Thieves should have their hands cut off or Provoking laughter is something else. The become. They have reacted angrily to the "B. No, Bob, I love thieves. I want to adopt art of making people laugh is a fine one RICHARDS Ringma cartoon, unable to see any humour one." indeed. in it whatsoever. Young offenders: "A. Young offenders A recent cartoon in the Cowichan News- prepared to speak their minds. Let me stress that I do not write from the should be publicly whipped and made to do Leader, a community newspaper based in Reform's meteoric rise in the late 80s and standpoint of a Reform detractor. The party hard labour in cougar country, or B. Young Duncan, has demonstrated there's a fine line early 90s was due to the widespread dissatis­ has had a great deal going for it. not the least offenders are only bad because they have not between that fine art and being just plain faction many Canadians were feeling over of which is the grass-roots support from peo­ had any fun. They are only kids. Take them offensive. politics, especially at the federal level.
Load more

Recommended publications
  • John Allan Cameron: the Godfather of Cape Breton's Celtic Music
    John Allan Cameron: The Godfather of Cape Breton’s Celtic Music Chris McDonald, Cape Breton University Figure 1: John Allan Cameron (guitar) with Bill Lamey (fiddle); the boy behind with arms crossed is Jerry Holland. Highland Picnic Games, Brocton, Massachusetts, 1963. Courtesy of Paul MacDonald. We’re delighted to welcome as our guest the gregari- munity between Judique and Mabou. His uncle was ous guardian of the Gaelic, John Allan Cameron! the legendary Cape Breton fiddler Dan R. Mac- – Bill Langstroth, Singalong Jubilee Donald, and his mother Kate and brother John Don- ald played the violin; other siblings, Alex, Jessie Cape Breton Island is known today as one of Can- Ann, and Marie, are known as fine Cape Breton-style ada’s focal points for Celtic music and culture. While pianists. His mother also sang Gaelic songs, some of this reputation grew from the success of musicians which Cameron would later record. The family lis- such as the Rankin Family, the Barra MacNeils, Ash- tened frequently to Celtic music on radio station ley MacIsaac, and Natalie MacMaster, their trail was CJFX, and John Allan and John Donald were inspired blazed, in good measure, by singer-guitarist John by the variety of fiddlers they heard, from Angus Allan Cameron. Born in Inverness, Nova Scotia, on Chisholm to the nationally-broadcast music of Don December 16, 1938, Cameron led a fascinating life, Messer.3 and his musical versatility allowed him to perform John Allan began picking up the violin at age 12, traditional Cape Breton Scottish music, ballads, new but became interested in the guitar at 13.
    [Show full text]
  • Congratulations to Russell Hannah Awarded Medal of the Order of Australia Australia Day January 2011
    Dates For Your Diary Folk Federation of New South Wales Inc Folk News Issue 425 February 2011 $3.00 Dance News CD Reviews Congratulations to Russell Hannah Awarded Medal of the Order of Australia Australia Day January 2011 ♫ folk music ♫ dance ♫ festivals ♫ reviews ♫ profiles ♫ diary dates ♫ sessions ♫ teachers ♫ opportunities NEW ADVERTISING SIzES Size mm Members Not Mem FEBRUARY 2011 Folk Federation of New South Wales Inc Full page 210 x 297 $80 $120 In this issue Post Office Box A182 1/2 page 210 x 146 $40 $70 Dates for your diary p4 Sydney South NSW 1235 Congratulations to Russell Hannah p6 The Folk Federation of NSW - Membershipor Application Form ISSN 0818 7339 ABN9411575922 Festivals, workshops, schools p7 jam.org.au Name/s: Eve phone: 102 x 146 Day phone: Folk Contacts p10 The Folk Federation of NSW Inc, formed in 1/4 page 102 x 146 $25 $50 Conversation with Patricia Early Pt 2 p13 Address: 1970, is a Statewide body which aims to present,Mobile: support, encourage and collect folk m usic, folk 1/8 page 102 x 70 $15 $35 dance, folklore and folk activities as they exist Email:Advertising artwork required by 5th of each month. in Australia in all their forms. It provides a link Advertisements can be produced by Cornstalk if COMMITTEE 2010-2011 for people interested in the folk arts through its required. Please contact the editor for enquiries about President, Anthony Woolcott Membership Type (Tickaffiliations one) with folkIndividual clubs throughout - $25 NSW and its advertising Tel: 6493 6758 Email: [email protected] All cheques for advertisements and inserts to be counterparts in otherFamily States.
    [Show full text]
  • [Warning - This Film Contains Nudity and References to Drugs]
    [Warning - This film contains nudity and references to drugs] [What A Life! Rock Photography by Tony Mott - a free exhibition until 7 February 2016. Solid Gold - Jeff Apter & Philip Morris, Metcalfe Theatre, State Library of NSW, 5th December 2015] [Dressed in a black shirt and dark jeans, grey-haired Philip Morris sits beside his interviewer Jess Apter, a bald man dressed casually] [JEFF APTER] Thank you. Before starting, I want to say I was really fortunate to be able to work with Philip on this book. [Jeff Apter holds up a coffee table book] [JEFF APTER] And it was one of the more interesting exercises, wasn't it? Because we were given a directive to come up with... Was it 200 photos? ..for this book. [PHILIP MORRIS] That's right. [JEFF APTER] And Philip's archive is so fantastic and so rich, that I think we got it down to, what, 600? [PHILIP MORRIS] Yeah. [Audience laughs] [JEFF APTER] Was it 600 to start with? It was something like that. And it's staggering, really. It's a really great document of Australian rock history at a really interesting turning point. So to get it down to this... It's begging for a second edition, by the way. There's so many great photos. So it was a real honour to be able to... to do that. It was a lot of fun. [PHILIP MORRIS] Yeah, it was. [JEFF APTER] We actually had built into our contract... Our agreement was an understanding that we would never work in a boring situation.
    [Show full text]
  • WARNER BROS. / WEA RECORDS 1970 to 1982
    AUSTRALIAN RECORD LABELS WARNER BROS. / WEA RECORDS 1970 to 1982 COMPILED BY MICHAEL DE LOOPER © BIG THREE PUBLICATIONS, APRIL 2019 WARNER BROS. / WEA RECORDS, 1970–1982 A BRIEF WARNER BROS. / WEA HISTORY WIKIPEDIA TELLS US THAT... WEA’S ROOTS DATE BACK TO THE FOUNDING OF WARNER BROS. RECORDS IN 1958 AS A DIVISION OF WARNER BROS. PICTURES. IN 1963, WARNER BROS. RECORDS PURCHASED FRANK SINATRA’S REPRISE RECORDS. AFTER WARNER BROS. WAS SOLD TO SEVEN ARTS PRODUCTIONS IN 1967 (FORMING WARNER BROS.-SEVEN ARTS), IT PURCHASED ATLANTIC RECORDS AS WELL AS ITS SUBSIDIARY ATCO RECORDS. IN 1969, THE WARNER BROS.-SEVEN ARTS COMPANY WAS SOLD TO THE KINNEY NATIONAL COMPANY. KINNEY MUSIC INTERNATIONAL (LATER CHANGING ITS NAME TO WARNER COMMUNICATIONS) COMBINED THE OPERATIONS OF ALL OF ITS RECORD LABELS, AND KINNEY CEO STEVE ROSS LED THE GROUP THROUGH ITS MOST SUCCESSFUL PERIOD, UNTIL HIS DEATH IN 1994. IN 1969, ELEKTRA RECORDS BOSS JAC HOLZMAN APPROACHED ATLANTIC'S JERRY WEXLER TO SET UP A JOINT DISTRIBUTION NETWORK FOR WARNER, ELEKTRA, AND ATLANTIC. ATLANTIC RECORDS ALSO AGREED TO ASSIST WARNER BROS. IN ESTABLISHING OVERSEAS DIVISIONS, BUT RIVALRY WAS STILL A FACTOR —WHEN WARNER EXECUTIVE PHIL ROSE ARRIVED IN AUSTRALIA TO BEGIN SETTING UP AN AUSTRALIAN SUBSIDIARY, HE DISCOVERED THAT ONLY ONE WEEK EARLIER ATLANTIC HAD SIGNED A NEW FOUR-YEAR DISTRIBUTION DEAL WITH FESTIVAL RECORDS. IN MARCH 1972, KINNEY MUSIC INTERNATIONAL WAS RENAMED WEA MUSIC INTERNATIONAL. DURING THE 1970S, THE WARNER GROUP BUILT UP A COMMANDING POSITION IN THE MUSIC INDUSTRY. IN 1970, IT BOUGHT ELEKTRA (FOUNDED BY HOLZMAN IN 1950) FOR $10 MILLION, ALONG WITH THE BUDGET CLASSICAL MUSIC LABEL NONESUCH RECORDS.
    [Show full text]
  • Songwriting Contests
    CANADIAN PUBLICATIONS MAIL AGREEMENT NO 40014605 (IF UNDELIVERABLE PLEASE RETURN TO 129 JOHN STREET, TORONTO, ONTARIO M5V 2E2 $4.95 CDN AND CRAFTOFCANADIANSONGWRITERS ART THE CELEBRATING PUBLISHED BY MAGAZINE S.A.C.’s BLUEBIRDNORTH GOESNATIONWIDE S.A.C.’s JOHN’S CAPEK:STORIESFROMTHETRENCHES SONGWRITERS INTHENEWS ALSO INTHISISSUE: WITH EMBERSWIFT 20 QUESTIONS NASHVILLE CATS CANADA’S “WHISPERING PINES” JASON SCHNEIDER’S A RIVETINGEXCERPTFROM FIRST BREAK JONI MITCHELL’S GETTING AHEADINMUSICCITY … S CONTESTS SONGWRITING O W y ha O FALL 2009, Volume 12Number3 2009,Volume FALL u’ T RE now a WINNER ? EXECUTIVE Director’S MESSAGE EDITOR Greg Quill MANAGING EDITOR Don Quarles DESIGN Ambrose Pottie CONTRIBUTORS Don Quarles, Nick Krewen, Christopher Ward, Dale Leung, Greg Quill MAGAZINE EXECUTIVE DIRECTOR All photos courtesy of S.A.C., unless otherwise stated. DON QUARLES WITH INTERNATIONAL Canadian Publications Mail Agreement No. 40014605 CONFEDERATION Canada Post Account No. 02600951 OF AUTHORS ISSN 1481-3661 ©2002 FALL 2009 Volume 12 Number 3 .C. AND COMPOSERS Songwriters Association of Canada A SOCIETIES (CISAC) Subscriptions: Canada $16/year plus GST PRESIDENT ROBIN USA/Foreign $22 CONTENTS FEATURES: GIBB AT THE WORKS COPYRIGHT SUMMIT Songwriters Magazine is a publication of the IN WASHINGTON IN Songwriters Association of Canada (S.A.C.)and is 5 20 QUESTIONS : COURTESY S. : COURTESY JUNE. published three times a year. Members of S.A.C. receive Songwriters Magazine as part of their membership. Ember Swift reveals secrets of song craft HOTO P Songwriters Magazine welcomes editorial comment. Opinions expressed in Songwriters Magazine do not Exciting changes are taking place at the year. The annual week-long workshop was necessarily represent the opinions of the S.A.C.
    [Show full text]
  • 7:40 P.M. P Corkin Gallery in the Distillery, Quietly Chatting About Regenberg’S 0 FRIDAY Vignettes 0
    THEGRIDTO.COM May 9-May 15, 2013 27 c/cuItu /////////////////, //////////////, The National play six hours Nobody likes The Great Helen Mirren as Queen Liz II Downton Abbey cameos RIP Chris Kelly, aka. Mac of “Sorrow” at M0MA Gatsby soundtrack scolds London drummers in Iron Man 3 Daddy of Kris Kross Culture crumbs THEATRE Exit, Stage West After 27 years serving up populartheatre—notto mention a full dinner with your show—Mississauga’s Stage West is closing next month. The once-bustling venue saw ticket and bar sales decline in recent years, and efforts to renovate the theatre and buffet failed to attract more patrons. Stage West will shutter on June 30, following the last performance of the musical revue Shout. I:: LIVE LIT Paddle of the bards I Ever wanted to see your favourite author fumble her way around a ping pong table? You may get your chance on Tuesday, during the second annual Scotiabank Pongapalooza, a pirig-pong tournament in which 32 teams of four— captained by Toronto writers including Andrew Pyper, Lawrence Hill, Lisa Gabriele, and our very own Superdad, Christopher Shulgan—will compete forthe Scotiabank Pongapalooza Cup. The event is a fundraiser for First Book Canada, a charity that provides new books to children in need. The pings get to ponging at 6p.m. on May14 at King West’s SPiN Toronto (e.g. that club Susan Sarandon inexplicably co-owns), and tickets are $25 a pop. Check out pongapalooza.ca for more info. BOOKS B R.I.P. Greg Quill Veteran Toronto Star writer Greg Quill passed away on Sunday at the age of 66.
    [Show full text]
  • Daly-Wilson: Dynamic Big Band
    DALY-WILSON: DYNAMIC BIG BAND by Eric Myers _____________________________________________________________ The Daly-Wilson Big Band re-emerged for the first time in 1980 for a series of concerts at the Argyle Courtyard last week. The Sydney Morning Herald jazz critic ERIC MYERS takes a look at the story of one of the most dynamic big bands Australia has seen. Drummer Warren Daly (left) & trombonist Ed Wilson… PHOTO COURTESY WARREN DALY COLLECTION hen drummer Warren Daly and trombonist Ed Wilson gathered together a group of young musicians for a rehearsal big band at W Sydney's Stage Club in 1969, few thought that, in 1980, they would be in the 11th year of the Daly-Wilson Big Band. Yet these two unassuming musicians, through sheer hard work and dedication to an idea, have created the only Australian big band within living memory which can list achievements comparable to those of the prestigious American big bands led by musicians such as Maynard Ferguson, Count Basie, Woody Herman and Buddy Rich. The success of the Daly-Wilson Big Band over the last 10 years is on the record. It has released eight LPs, all of which have sold well, and two have had outstanding sales. The Daly-Wilson Big Band On Tour (1973) sold more than 1 30,000 and its highest selling LP Daly-Wilson in Australia sold more than 60,000 and now has two gold records. It has mounted a national tour of Australia almost every year. In 1975, with the Whitlam Government picking up the tab, the band made a triumphant tour of the Soviet Union playing to more than 100,000 people in three weeks.
    [Show full text]
  • Jamaican Canadian Music in Toronto in the 1970S and 1980S
    Jamaican Canadian Music in Toronto in the 1970s and 1980s: A Preliminary History by Keith McCuaig A thesis submitted to the Faculty of Graduate Studies and Research in partial fulfillment of the requirements for the degree of Master of Arts in Music and Culture Carleton University Ottawa, Ontario May 18th, 2012 ©2012 Keith McCuaig Library and Archives Bibliotheque et Canada Archives Canada Published Heritage Direction du Branch Patrimoine de I'edition 395 Wellington Street 395, rue Wellington Ottawa ON K1A0N4 Ottawa ON K1A 0N4 Canada Canada Your file Votre reference ISBN: 978-0-494-91556-1 Our file Notre reference ISBN: 978-0-494-91556-1 NOTICE: AVIS: The author has granted a non­ L'auteur a accorde une licence non exclusive exclusive license allowing Library and permettant a la Bibliotheque et Archives Archives Canada to reproduce, Canada de reproduire, publier, archiver, publish, archive, preserve, conserve, sauvegarder, conserver, transmettre au public communicate to the public by par telecommunication ou par I'lnternet, preter, telecommunication or on the Internet, distribuer et vendre des theses partout dans le loan, distrbute and sell theses monde, a des fins commerciales ou autres, sur worldwide, for commercial or non­ support microforme, papier, electronique et/ou commercial purposes, in microform, autres formats. paper, electronic and/or any other formats. The author retains copyright L'auteur conserve la propriete du droit d'auteur ownership and moral rights in this et des droits moraux qui protege cette these. Ni thesis. Neither the thesis nor la these ni des extraits substantiels de celle-ci substantial extracts from it may be ne doivent etre imprimes ou autrement printed or otherwise reproduced reproduits sans son autorisation.
    [Show full text]
  • 'Prey to Thievery'
    ‘Prey to Thievery’ The Canadian Recording Industry Association and the Canadian Copyright Lobby, 1997 to 2005 By Simon Doyle A thesis submitted to the School of Journalism and Communication, Carleton University, in partial fulfillment of the requirements for a Master of Journalism degree May 2006 [email protected] © Simon Doyle 2006 Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. Library and Bibliotheque et Archives Canada Archives Canada Published Heritage Direction du Branch Patrimoine de I'edition 395 Wellington Street 395, rue Wellington Ottawa ON K1A 0N4 Ottawa ON K1A 0N4 Canada Canada Your file Votre reference ISBN: 978-0-494-16487-7 Our file Notre reference ISBN: 978-0-494-16487-7 NOTICE: AVIS: The author has granted a non­ L'auteur a accorde une licence non exclusive exclusive license allowing Library permettant a la Bibliotheque et Archives and Archives Canada to reproduce,Canada de reproduire, publier, archiver, publish, archive, preserve, conserve,sauvegarder, conserver, transmettre au public communicate to the public by par telecommunication ou par I'lnternet, preter, telecommunication or on the Internet,distribuer et vendre des theses partout dans loan, distribute and sell theses le monde, a des fins commerciales ou autres, worldwide, for commercial or non­ sur support microforme, papier, electronique commercial purposes, in microform,et/ou autres formats. paper, electronic and/or any other formats. The author retains copyright L'auteur conserve la propriete du droit d'auteur ownership and moral rights in et des droits moraux qui protege cette these. this thesis. Neither the thesis Ni la these ni des extraits substantiels de nor substantial extracts from it celle-ci ne doivent etre imprimes ou autrement may be printed or otherwise reproduits sans son autorisation.
    [Show full text]
  • Guide to the Deb Doyle Archive in the Powerhouse
    GUIDE TO THE DEB DOYLE ARCHIVE IN THE POWERHOUSE MUSEUM Paul Wilson 2008 CONTENTS Biographical Note Series List Series Descriptions and Item Lists COLLECTED ARCHIVES BIOGRAPHICAL NOTE Registration Number: 2008/53/1 Creator: Doyle, Deb Deb Doyle, née Deborah (Debbie) Eva Baer, was born on the first day of 1955, at the King George V Memorial Hospital, in Camperdown, Sydney. From age two and a half to twelve, she lived with her grandparents in Eastwood, Sydney and attended Kent Road Public School, also in Eastwood. During these early years, her parents sought to reconcile their marriage but eventually divorced in 1963, when their daughter was eight. Deb's interest in the world of popular music developed at about this time. 'Ever since the Beatles tour in June 1964, when I was nine, I'd found solace and balance in making picture books, writing poems, drawing, painting, and later, playing the recorder and listening to DJ Ward Austin's programs on Radio 2UW ("Even granny tunes her tranny to the New 'UW!").' Just after Christmas 1966, Deb and her mother moved across Sydney to a one-bedroom basement flat in Morehead Street, Redfern. After one term at Randwick Girls High School, Deb transferred to Sydney Girls High. When she was thirteen, she and her mother moved again, across the street to another one-bedroom flat in the Housing Commission's 'Kendall' block. She created the archive's earliest paintings and posters of pop artists and groups at about this time. In October 1967, Deb and her friend Cheryl went to Hyde Park to attend the Waratah Festival, where they saw the Masters' Apprentices perform their hit song 'Living in a Child's Dream'.
    [Show full text]
  • After the Goldrush: the History of Popular Music Fund- Ing in Canada
    CORE Metadata, citation and similar papers at core.ac.uk Provided by Birkbeck Institutional Research Online ORBIT - Online Repository of Birkbeck Institutional Theses Enabling Open Access to Birkbecks Research Degree output After the goldrush: the history of popular music fund- ing in Canada http://bbktheses.da.ulcc.ac.uk/106/ Version: Full Version Citation: Shapiro, Shain (2014) After the goldrush: the history of popular mu- sic funding in Canada. PhD thesis, Birkbeck, University of London. c 2014 The Author(s) All material available through ORBIT is protected by intellectual property law, including copyright law. Any use made of the contents should comply with the relevant law. Deposit guide Contact: email After the Goldrush: The History of Popular Music Funding in Canada Graduate Program in Cultural Studies. London Consortium, Birkbeck College, University of London, London, UK December 2014 A thesis submitted to the London Consortium, Birkbeck College, University of London in partial fulfilment of the requirements of the degree of Doctor of Cultural Studies Shain Shapiro I declare this this work is entirely my own, subject to the rules and regulations of the London Consortium, Birkbeck College, University of London. Signed, Shain Shapiro 1 December 2014 London, UK 1 Abstract This dissertation is a cultural and historical analysis of the history of popular music funding in Canada, from 1949 to 2013. Canada has an extensive public subsidy system for popular music, deriving from the implementation of content quotas for publicly licensed airwaves and the need to supply these airwaves with appropriate content. This thesis evaluates and analyses the history that engendered these policies to reveal their impact on the concept of Canadian identity as a whole, and the impact of Canadian identity formation on the popular music industries.
    [Show full text]
  • Law Review Winter 2006.Book
    NEW YORK INTERNATIONAL LAW REVIEW Winter 2006 Vol. 19, No. 1 Articles Recognition and Enforcement of United States Money Judgments in Brazil Maria Angela Jardim de Santa Cruz Oliveira.....................................................1 A Viable Model for International Criminal Justice: The Special Court for Sierra Leone J. Peter Pham.....................................................................................................37 It's Not All Mutilation: Distinguishing Between Female Genital Mutilation and Female Circumcision Natalie J. Friedenthal.......................................................................................111 Recent Decisions Jama v. Immigration & Customs Enforcement ................................................155 The United States Supreme Court held that removal of a criminally convicted alien pursuant to 8 U.S.C. § 1231(b)(2)(E)(iv) does not require advance consent from the recipient country's government. World Book v. International Business Machines Corp. ...................................163 United States District Court for the Southern District of New York followed previous Second Circuit decisions in asserting the need for plaintiffs to prove substantial effects of the alleged trademark infringement on domestic commerce to establish extraterritorial application of the Lanham Act. Bigio v. Coca-Cola Co. ....................................................................................169 In declining to hear this case of Canadian plaintiffs claiming uncompensated expropriation of property
    [Show full text]